Lee Child created his tough guy protagonist Jack Reacher, a former military policeman who roams America fighting crime, in 1997. Writing a book a year since his debut Killing Floor, Lee Child established himself as one of the most acclaimed and popular novelists in his genre, and has now sold over 100 million copies worldwide. The Reacher books have been adapted for a film starring Tom Cruise and, more recently, an Amazon Prime television series. Lee Child’s latest publication, Safe Enough, is a collection of short stories.

Talking to John Wilson, Child recalls his upbringing in Birmingham and how his childhood passion for reading was fuelled by frequent visits to the local library. For This Cultural Life, he chooses a Ladybird book which told the Biblical story of David and Goliath as an early inspiration, acknowledging that the giant figure of Goliath probably inspired the physique of 6’5” tall Reacher. He also remembers the impact of a book called My American Home which depicted an array of houses and apartments throughout America, the country in which Child would later live and set his novels.

He also discusses how working for 18 years as a Granada television producer, overseeing the transmission of dramas including Brideshead Revisited, helped forge his understanding of storytelling. His work as a union shop steward, which brought him into conflict with management and eventually led to him being made redundant, was the catalyst for his new career as a crime novelist in the late 1990s. His debut Reacher novel, a violent tale of vengeance and rough justice was, he admits, written out of anger following his dismissal from Granada. Lee Child also chooses the 1990 movie Dances With Wolves, directed by and starring Kevin Costner, as another influence on the creation of his fictional hero Jack Reacher.

Producer: Edwina Pitman

Archive used: Reading from Worth Dying For by Lee Child, The Knight Errant: Lee Child - A Culture Show Special, BBC2, 20 Dec 2012 Clip from Brideshead Revisited, Granada Television, ITV, 12 October 1981 Clip from Dances with Wolves, Kevin Costner, 1990 Clip from Jack Reacher, Christopher McQuarrie, 2012

The grandfather of British Pop Art, Sir Peter Blake is one of most influential and popular artists of his generation. A Royal Academician with work in the national collection, including Tate and the National Portrait Gallery, he is renowned for paintings and collages that borrow imagery from advertising, cinema and music. Having created The Beatles’ Sgt Peppers Lonely Hearts Club Band sleeve in 1967 he became the go-to album designer for other musical artists including The Who, Paul Weller, Madness and Oasis. He was knighted for services to art in 2002.

Sir Peter tells John Wilson how, after a working class upbringing in Dartford, Kent, he won a place at the Royal College of Art alongside fellow students Bridget Riley and Frank Auerbach. He recalls being influenced by early American pop artists including Jasper Johns and Robert Rauschenberg, and how he began making art inspired by everyday popular imagery. He chooses Dylan Thomas's 1954 radio play Under Milk Wood as a work which captivated his imagination and later inspired a series of his artworks based on the characters, and also cites Max Miller, the music hall artist known as 'the Cheeky Chappie'; as a creative influence. Sir Peter remembers how he made the iconic Sgt Pepper sleeve using waxwork dummies and life size cut-out figures depicting well-known people chosen by Peter and The Beatles themselves.

Producer: Edwina Pitman

Archive used: Under Milk Wood by Dylan Thomas, performed by Richard Burton, BBC Third Programme, 25 Jan 1954 Max Miller, introduced by Wilfred Pickles at the Festival of Variety, BBC Light Programme, 6 May 1951 Max Miller archive from Celebration, The Cheeky Chappie, BBC Radio 4, 3 July 1974 Monitor: 89: Pop Goes The Easel, BBC1, 25 March 1962 Peter Blake: Work in Progress, BBC2, 21 February 1983 Newsnight, BBC2, 7 February 1983 Ian Dury, Peter the Painter

Brazilian photographer Sebastião Salgado is best known for his captivating black and white photographs. He has documented scenes of hardship and desperation in times of war and famine; he has explored global labour and migration; and he has captured the wonders of the natural world. Salgado has worked in more than 120 countries over the last 50 years, and is now regarded as one of the all time greats of photography. His images are in the collections of museums and galleries around the world, he won the prestigious Premium Imperiale arts prize in 2021 and was the 2024 recipient of the Sony World Photography Award for outstanding achievement.

Raised on this a cattle farm in eastern Minas Gerais state, an early formative experience was leaving home for the city of Vitória in 1960. It was here, watching ships dock from all around the world, that he first felt the desire to travel. It's also where he met his wife Lélia who is his curator and editor. He began a promising career as an economist but switched to photography in the early 1970s, after he and Lélia bought their first camera on holiday. Joining the Magnum agency, the international cooperative of photographers, in 1979 allowed him to refine his craft with the help and advice of photography greats such as Robert Capa and Henri Cartier-Bresson.

Salgado tells John Wilson about some of his most famous photo series, including those on the theme of manual labour which he called Workers; and Exodus, the stories of global migration. Covering the Rwandan genocide in 1994 as well as years of photographing refugees from wars, natural disasters and poverty finally took its toll on Salgado's health. He stopped photographing and returned to Brazil, where he and Lélia began reforesting his father's farm, now transformed into a National Park of lush vegetation called Instituto Terra. The success of this venture led to Salgado returning to photography, this time seeking out beauty and landscapes in series called Genesis, his love letter to the planet.

Producer: Edwina Pitman

For over forty years, the sculptor Sir Antony Gormley has been using his own body as the basis for his artistic work, and is known for creating cast iron human figures that stand on high streets, rooftops and beaches, as well as in museums and galleries around the world. He won the Turner Prize in 1994 and the prestigious Premium Imperiale in 2013. Antony Gormley is best known for the Angel Of The North, a monumental winged figure on a hill in Gateshead which, overlooking the motorway and a mainline railway, is one of the most viewed pieces of modern art in the world.

He talks to John Wilson about his Catholic childhood and the influence that his former art teacher, the sculptor John Bunting had on him while he was at boarding school. Being taken by his father to the British Museum and seeing the colossal human-headed winged bulls, which once guarded an entrance to the citadel of the Assyrian king Sargon II (721-705 BC) captured his creative imagination. Gormley also chooses the life-changing experience of learning Vipassana meditation in India under the teacher S N Goenka, as one that has deeply informed his work.

Producer: Edwina Pitman

Archive: The Shock of the New : The Future That Was, BBC 2, 1980 Nightwaves, BBC Radio 3, 1994 BBC News, 1998 Five Sculptors : Antony Gormley, BBC2, 1988

As part of the so-called Britart generation of the early 1990’s, artist Sam Taylor-Wood, as she was then known, made her name with photographic and video pieces. Diagnosed with colon cancer in 1997, and then breast cancer three years later, she addressed her treatment and recovery in artworks she made at the time. She moved into filmmaking with her first feature Nowhere Boy, about the life of the young John Lennon in 2009. Other cinematic projects have included adaptations of the E L James novel 50 Shades Of Gray, the James Frey memoir A Million Little Pieces and, most recently, the Amy Winehouse biopic Back To Black.

Sam tells John Wilson about the experience of first seeing the Rothko Seagram paintings at the Tate gallery when she was nine years old, and the impact that they had on her in her creative imagination. Being introduced to Andy Warhol films such as Chelsea Girls and Empire made her realise that art and cinema are deeply intertwined and went on to influence her style as a director. John Cassavetes' A Woman Under the Influence was the first film that made Sam want to be a cinematic filmmaker and she also reveals how Oscar-winning director Anthony Minghella encouraged her to make her debut short film Love You More.

Producer: Edwina Pitman

Sir Antonio Pappano is one of the world’s most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.

Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.

Producer: Edwina Pitman

Music and archive:

Puccini, Turandot, Act 1 Ah! per l’ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull’aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

John Wilson talks to actor, comedian, broadcaster and writer Sir Michael Palin. A founding member of the hugely influential comedy troupe Monty Python’s Flying Circus, he wrote and performed in its five television series and three feature films including The Life Of Brian. Other big screen credits include A Fish Called Wanda, Brazil, The Missionary and The Death of Stalin. Michael is also a globetrotting documentary presenter and bestselling author.

Michael recalls the early influence of listening to radio comedy as a child, especially the absurdist humour of The Goon Show devised by Spike Milligan. Meeting Terry Jones at Oxford University in 1962 proved to be a life-changing event as the two soon started working on sketches together and after graduating were hired for David Frost's satirical television show The Frost Report. It was on this programme that the duo first worked with future Python members John Cleese, Graham Chapman and Eric Idle.

Starring in Alan Bleasdale's 1991 ground breaking television drama GBH allowed Michael a departure from comedy but also set the bar high for future acting roles which he increasingly forwent in favour of writing and presenting documentaries, including a particular favourite about the Danish Painter Vilhelm Hammershøi.

Producer: Edwina Pitman

Archive :

A Fish Called Wanda, Charles Crichton, 1988 Take It From Here, BBC Light Programme, 1954 The Goon Show, The Man Who Never Was, BBC Light Programme, 1958 Comic Roots, BBC1, 1983 That Was The Week That Was, BBC, 1963 The Frost Report, BBC1, 1966 Do Not Adjust Your Set, ITV, 1967 Monty Python’s Flying Circus, BBC1, 1969-1970 The Meaning of Life, Terry Jones, 1983 Friday Night, Saturday Morning, BBC2, 1979 The Life of Brian, Terry Jones, 1979 GBH, Alan Bleasdale, Channel 4, 1991 The Death of Stalin, Armando Iannucci, 2017 Michael Palin and the Mystery of Hammershøi, BBC4, 2008

Filmmaker Yorgos Lanthimos first emerged as part the so-called ‘weird wave’ of Greek cinema, and is known for unsettling themes and absurdist humour of his films. He made his mark internationally in 2009 with Dogtooth, which won a Cannes film festival prize and was nominated for an Oscar. Shifting into English language cinema with The Lobster, starring Colin Farrell and Olivia Colman, he continued to win awards and acclaim with The Killing Of A Sacred Deer and his historical comedy drama The Favourite. His most recent film Poor Things, starring Emma Stone, has been nominated for eleven Academy awards, including best film and best director.

Yorgos Lanthimos tells John Wilson about his upbringing in Athens, the son of a professional basketball player who was part of the Greek national team, and how, after graduating from film school, he began making commercials and pop videos. He reveals why the work of the American photographer Diane Arbus, renowned for the underlying psychological tension of her portraits, was a major inspiration on the mood of his films. He also cites the influences of the German choreographer Pina Bausch on visual elements in his films, including dance routines seen in The Favourite and Poor Things. The plays of the British writer Sarah Kane, including Blasted and Crave, were also influential on the tone of his darkly humorous films.

Producer: Edwina Pitman

Diane Arbus' quote is from the documentary film Going Where I've Never Been: The Photography of Diane Arbus (1972), voiced by Mariclare Costello.

French actor Juliette Binoche is known for her portrayal of emotionally complex characters. Over a forty year career, her films have included Three Colours Blue, Les Amants de Pont Neuf, Chocolat, and The English Patient, for which she won her Academy Award. Her most recent film is The Taste of Things, a French drama about a cook and the gourmet she works for, in which she stars opposite Benoît Magimel.

Juliette Binoche talks to John Wilson about an early moment of revelation, watching Peter Brookes' production of Alfred Jarry's play Ubu Roi at in Paris in 1977, which first made her realise she wanted to act. She explains the influence of her acting coach Véra Gregh, who helped her to understand the difference between "acting" and "being". She also recalls her experiences working with some of the most acclaimed film directors; Jean-Luc Godard on Hail Mary; Leos Carax on Les Amants du Pont-Neuf; Krzysztof Kieślowski on Three Colours: Blue; and Anthony Minghella on The English Patient.

Producer: Edwina Pitman

A rare interview with Frank Auerbach, one of the world’s greatest living painters. At 92 years old, he has been painting for over 70 years and still works every day. A child refugee from Nazi Germany whose parents were killed in Auschwitz, he made his name alongside his friends and fellow painters Francis Bacon, Lucian Freud and Leon Kossoff in the 1950s. He’s well known for the thick layers of the paint used to create his portraits and images of the streets around the studio in Camden Town where he has worked since 1954.

Frank Auerbach talks to John Wilson about his fragmentary memories of his early childhood in pre-war Berlin and his education at the boarding school Bunce Court in Kent, where he arrived aged 7. He recalls the huge impression that a black and white reproduction in a children's encyclopaedia of Turner's The Fighting Temeraire made on him as a boy, making him want to "do better and be less superficial". Auerbach also discusses the influence on him of the artist David Bomberg who taught him at London's Borough Polytechnic, and his friend and fellow student Leon Kossoff. He also talks about his friendships with Francis Bacon and Lucian Freud and why he still paints and draws in his studio seven days a week.

Producer: Edwina Pitman

Born George O'Dowd, Boy George shot to pop stardom in 1982 as frontman with the band Culture Club and later as a solo artist. With his soulful vocals and flamboyant, androgynous looks, he became a massive star around the world with hits such as Do You Really Want to Hurt Me? and Karma Chameleon. His personal struggles with drug addiction and a prison sentence in 2009 meant he was rarely far from tabloid headlines. In recent years he’s been a judge on The Voice, survived the jungle in I’m A Celebrity Get Me Out Of Here, and has just published a new memoir called Karma. He continues to record and perform as a prolific solo singer songwriter.

George discusses the impact that David Bowie had on him as a teenager and recalls seeing him at the Lewisham Odeon during the Ziggy Stardust tour of 1973. He also talks about the important influence of club promoter Philip Sallon who introduced him to London's gay scene in the late 1970s. Meeting Quentin Crisp in New York with Andy Warhol was also a formative cultural moment. George talks to John Wilson candidly about coping with fame and rebuilding his life after addiction and prison.

Producer: Edwina Pitman

Patricia Cornwell’s books have sold over 120 million copies in thirty-six languages in over 120 countries. She’s authored dozens of New York Times bestsellers. For over thirty years her protagonist, the forensic scientist Kay Scarpetta has been investigating murders across America, tracking down criminals by analysing evidence left on the bodies of victims. Cornwell has won the Sherlock Award, the Gold Dagger Award, the RBA Thriller Award, and the Medal of Chevalier of the Order of Arts and Letters for her contributions to literary and artistic development. She's also authored two books on the identity of Jack the Ripper. Her latest Kay Scarpetta novel is Unnatural Death.

Patricia talks to John Wilson about her challenging childhood and upbringing in North Carolina. She reveals the influence of two works of literature on her own writing; Uncle Tom's Cabin by Harriet Beecher Stowe, an ancestor of Cornwell's; and William Golding's Lord of the Flies. She also talks about her interest in the Parthenon Sculptures and her fascination with the identity of Jack the Ripper.

Producer: Edwina Pitman

Director and actor Simon McBurney, one of the founders of the ground breaking theatre company Complicité, reveals his creative inspirations and influences. For over four decades McBurney has created innovative and experimental works, from immersive staging to the reinvention of classic texts. His works include A Disappearing Number, The Encounter and Mnemonic, a landmark production which has been recently revived at The National Theatre.

Simon McBurney tells John Wilson about his childhood in Cambridge where his father, an archaeologist, helped foster an early fascination with time and memory. For This Cultural Life he chooses the 1969 Ken Loach film Kes as a formative influence, offering an insight to a childhood very different to his own middle class upbringing. He recalls seeing the band The Clash whilst at Cambridge University, an experience that had a profound impact on his own creativity and political engagement through the arts. He also chooses the writer and critic John Berger as an inspirational figure, and recalls collaborating with Berger on the immersive Artangel project The Vertical Line in 1999. Simon McBurney also describes how the experience of meeting indigenous Amazonian people inspired his 2016 Complicité show The Encounter.

Producer: Edwina Pitman

Archive clips from: Kes, Ken Loach, 1969 The Clash Live at Rock Against Racism, Victoria Park, 1978 The Dead Class, Tadeusz Kantor, 1976 Friday Night...Saturday Morning: Cambridge Footlights, BBC1, Nov 1979 Ways of Seeing, Episode 1, BBC2, Jan 1972 The Vertical Line, Complicité, BBC Radio 4, 1999 The Encounter, Complicité, Barbican Theatre, May 2018 Face to Face, BBC2, Oct 1995 Mission: Impossible – Rogue Nation, Christopher McQuarrie, 2015

Andrew Scott won a BAFTA as the evil Moriarty in Sherlock, but is equally loved for a divine television role as the hot priest in Fleabag. A prolific and versatile stage actor, he has starred in many plays by contemporary dramatists, including Port and Birdland by Simon Stevens. He played Hamlet to great critical acclaim and won an Olivier award for his starring role in Noel Coward’s Present Laughter. His latest film role is All Of Us Strangers, in which he plays a single gay man haunted by the death of his parents.

Andrew Scott talks to John Wilson about his suburban Dublin childhood and the early creative influence of his mother, an art teacher. After landing a debut role in an independent Irish film called Korea, Andrew gave up a university place studying drama to pursue an acting career. He remembers small parts playing American soldiers in Steven Spielberg’s Saving Private Ryan and the television series Band Of Brothers. He discusses his love of Shakespeare and his approach to playing the role of Hamlet at the Almeida Theatre in London in 2017, and reveals how the music of Pet Shop Boys, and in particular their 1987 album Actually, are a reminder of a formative time of his life.

Producer: Edwina Pitman

John Wilson's guest is the violinist Nigel Kennedy. A prodigy whose childhood talents were nurtured by Yehudi Menuhin, one of the greatest violinist of the 20th century, Kennedy himself became an international star in 1989 with his recording of Vivaldi’s Four Seasons. It sold over three million copies, topping the UK classical charts for a year and went on to be listed as the biggest selling classical album of all time in the Guinness Book Of Records. An unconventional classical musician from the outset, it wasn’t just his wardrobe, accent and attitude that set him apart. As well as recording all the major violin concertos, his repertoire includes jazz standards, folk tunes and Jimi Hendrix. He remains one of the world’s greatest virtuosos.

For This Cultural Life, Nigel chooses his two violinist mentors; Yehudi Menuhin and the French musician Stéphane Grappelli with whom he shared a love of jazz and improvisation. Going to New York to study at the prestigious Juilliard School also proved a turning point for Kennedy, not so much for the teaching he received there, but for the legendary jazz musicians like Jimmy Rowles and Ellis Larkins that he sought out in clubs downtown and in Harlem. Nigel also discusses how being a fan of Aston Villa football club has made him think about crowd dynamics in his concerts and reveals the influence of his dog Huxley on his approach to his career. Producer: Edwina Pitman

Dame Judi Dench reflects on her career playing Shakespearean roles on stage and screen across seven decades.

Judi Dench has spent her career bringing to life a hugely diverse array of characters. But she is, first and foremost, one of the greatest classical actors of our times. Her love of the work of William Shakespeare and the insight she has gained into his plays over the course of her career is explored in her new book The Man Who Pays The Rent, written with actor and director Brendan O'Hea.

In a special edition of This Cultural Life to mark the 400th anniversary of the publication of the First Folio in a BBC season of programmes celebrating Shakespeare, Dame Judi talks to John Wilson at her home in Surrey. With intimate insights into her relationship with the work of William Shakespeare, she recalls her pivotal experiences and influences that helped steer her career as one of Britain’s greatest classical actors. After seeing her older brother act in a school production of Macbeth, she knew Shakespeare was for her. She remembers her very first professional stage role, playing Ophelia in an Old Vic production of Hamlet in 1957. Despite bad reviews and losing the role when the production went on tour, she was undeterred. Joining the RSC, she worked her way through many of Shakespeare's plays, including a landmark production of Macbeth in 1976, directed by Trevor Nunn. Dame Judi recalls her Olivier award-winning performance of Lady Macbeth opposite Ian McKellen, and her later role of Cleopatra opposite Anthony Hopkins in 1987 at the National Theatre. Remembering her last stage appearance in a Shakespeare play, she discusses her dual roles of Paulina and Time in A Winter’s Tale, and how her degenerative eyesight condition affected her performance.

Producer: Edwina Pitman

Werner Herzog is one of the most idiosyncratic, original and prolific filmmakers of modern times, having made nearly 80 films over six decades. His features include Fitzcarraldo, Aguirre Wrath of God and Rescue Dawn, and his documentaries include the multi award-winning Grizzly Man, Cave Of Forgotten Dreams and Into the Abyss. Werner Herzog productions are the stuff of cinema legend, with stories of audacious shoots in inaccessible locations. He’s also written several books, including a newly published memoir called Every Man For Himself And God Against All.

Speaking to John Wilson from Los Angeles where he lives, Werner Herzog recalls his impoverished childhood in a remote Bavarian valley at the end of the Second World War. He says that, as a teenager, his discovery of a book about the Lascaux cave paintings was ‘like a bolt of lightning’ to his creative imagination, and led to him making a documentary film about prehistoric cave art many years later. He describes how his films often start with a vivid or unusual image, and how he seeks to capture a sense of awe at the power of the natural world. Werner Herzog discusses the extremely arduous and dangerous conditions in which he made some of his best known films, including Fitzcarraldo and four other films starring the temperamentally volatile lead actor Klaus Kinski. Known for his deadpan, Bavarian-accented narration of his own documentary films, Herzog also reflects on how his distinctive voice has led to him being cast in menacing roles in Hollywood films, including Jack Reacher alongside Tom Cruise, and even a cameo in The Simpsons.

Producer: Edwina Pitman

Lyricist Bernie Taupin is one half of one of the most successful songwriting partnerships of all time. For more than 50 years, he has written the lyrics for Elton John’s songs including Tiny Dancer, Candle In The Wind, Rocket Man, Your Song and hundreds more. Having first met in 1967, after they both answered an advert in the NME placed by a record company seeking new musical talent, Elton John and Bernie Taupin have sold more than 300 million albums globally. Born in Lincolnshire, Bernie Taupin has lived in States since the mid 1970s and became an American citizen in 1990. With the publication of a memoir called Scattershot, he made a rare visit to the UK to look back at his life in lyrics.

For This Cultural Life, Bernie Taupin discusses his childhood fascination with narrative poetry and storytelling. Hearing the songs of 1950s American country singer Marty Robbins, which told stories of cowboys and outlaws, was a life changing experience for Taupin. He recalls the impact of seeing the Sam Peckinpah western movie The Wild Bunch in 1969, a film renowned for its violent portrayal of 19th century cowboy life, and how it influenced the themes explored in the lyrics of the third Elton John album, Tumbleweed Connection, in 1970. Bernie Taupin also explores the impact of literature on his lyric writing and how flawed protagonists in novels by W. Somerset Maugham and Graham Greene in particular helped inspire the characters and stories in his own songs. He tells John Wilson about the duo's unusual songwriting process in which he sends Elton John completed lyrics, who then composes the songs around the words, a method that they have used throughout their long partnership.

Producer: Edwina Pitman

Born George Mpanga, George the Poet is a British spoken-word artist and podcast host. Having started out as a rapper, he made his name as a spoken-word performance poet after leaving Cambridge University. His debut collection Search Party was published in 2015. The same year he was nominated for the Brits Critics Choice Award and the BBC Sound Of 2015 poll. He was also offered an MBE but declined the honour.

He launched a genre-defying podcast in 2019, which won a host of prizes including the Peabody Award, a prestigious American prize for broadcasting, becoming the first podcast from outside the States to win it. Have You Heard George’s podcast, as it’s called, interweaves stories of his own upbringing with detailed explorations of contemporary social and political issues.

George talks to John Wilson about some of his most formative cultural influences including the grammar school that taught him the essay-writing skills he still puts to use when making his podcast. He reveals how Tupac Shakur’s 1998 song Changes ignited his interest in hip hop, and discusses the impact of rap and grime on his own verse. He also remembers how his local community radio station gave him his first break and encouraged the development as a performer.

Producer: Edwina Pitman

One of the world’s most successful living choreographers, Sir Matthew Bourne shook up classical ballet in the mid 1990s with his ground-breaking company Adventures In Motion Pictures, later renamed New Adventures. His breakthrough production, a radical new version The Nutcracker, was followed by a production of Swan Lake where he replaced the traditional female swans with a male ensemble. After initial controversy in the press, it became a massive critical and commercial hit. Since then he’s continued to popularise classical dance with a succession of innovative productions, often drawing inspiration from movies or literature. He’s had hits with the Red Shoes, Edward Scissorhands, Dorian Gray and Lord Of the Flies, and has won Olivier and Tony Awards. Matthew Bourne was knighted in 2016 for services to dance. In This Cultural Life he talks about how his love of classic films musicals started with seeing The Sound of Music as a young boy, and falling in love with Julie Andrews. He recalls his teenage years as one of London’s top autograph hunters meeting the likes of Gene Kelly, Charlie Chaplin and his hero Fred Astaire. He also explains how he was a relative latecomer to ballet and only saw his first ballet - a Sadler's Wells production of Swan Lake - at the age of 18. Matthew Bourne also chooses Powell and Pressburger’s 1948 film The Red Shoes as one of his formative influences.

Producer: Edwina Pitman

Renowned for tackling big themes on stage, Lucy Prebble made her name as a playwright in her mid-twenties when she wrote the hugely successful Enron. The play, which premiered in 2009 and explored the collapse of the American energy corporation eight years earlier, transferred to the West End and also played on Broadway. In 2019 she premiered A Very Expensive Poison which dramatized the assassination in London of former Russian spy Alexander Litvinenko. Lucy Prebble has also written for television, she devised and wrote the black comedy series I Hate Suzie with its star Billie Piper. She was also one of the writers of the Emmy, Golden Globes and BAFTA winning Succession, about the ageing media mogul deciding if and how to hand control of his corporate empire to his children.

In conversation with John Wilson, Lucy recalls how an early job as an assistant to Nicholas Hytner in his first year as Director of the National Theatre helped her to begin her career as a writer. She reveals how Billy Bragg's song Waiting For The Great Leap Forwards is a continued inspiration in her work as a playwright and the influence that Bob Fosse’s 1979 film All That Jazz had on her TV series I Hate Suzie. She also discusses being part of the team that wrote the hit TV series Succession and what effect the experience has had on her and her work.

Producer: Edwina Pitman

Author, poet and performer Michael Rosen is one of Britain’s best loved and most prolific children’s writers, having published hundreds of books over nearly fifty years, including his much-loved We’re Going On Bear Hunt, the story of an exciting family outing, illustrated by Helen Oxenbury. As a broadcaster he is well known to Radio 4 listeners as the host of Word of Mouth. He was appointed as Children’s Laureate in 2007 and was awarded the PEN Pinter Prize in 2023, the citation noting his “ability to address the most serious matters of life in a spirit of joy, humour and hope”.

In conversation with John Wilson, Michael recalls the early influence of his parents, who were both active members of the British Communist Party, and the many books that lined the walls of the Rosen family home. He chooses, as a key cultural inspiration, a reproduction of a 16th century painting by Pieter Bruegel the Elder called Netherlandish Proverbs. Depicting ordinary people in various comic situations which represented well-known proverbs of the day, it captured the imagination of young Michael and his friends. He reveals how he started writing his own poetry in response to works by Gerard Manley Hopkins and D H Lawrence whilst at school, and remembers how We’re Going On A Bear Hunt was inspired by various folk tales from around the world. Michael also discusses the impact on his work of the death of his son Eddie at the age of 18 in 1999, and in discovering more about the fate of Jewish family members during the Holocaust.

Producer: Edwina Pitman

Angélique Kidjo, often described as "the queen of African music", has recorded fifteen albums, worked with a diverse array of musical collaborators from Burna Boy and Alcia Keys to Philip Glass and Peter Gabriel, and won five Grammy Awards. In 2023 she was the recipient of the Polar Prize, regarded as one of the world’s prestigious musical awards. Born under French colonial rule in 1960 in Dahomey, Angelique first started singing professionally as a teenager. Amid violent political upheavals in the 1980s, she fled her country, which had been renamed Benin, and became an exile in Paris. It was there that she was discovered by legendary Island Record boss Chris Blackwell, who signed her to his label and launched her three decade career.

Angélique Kidjo tells John Wilson about the early influence of her mother who ran a musical theatre company in her hometown, and encouraged her to first take to the stage at the age of six. Becoming a professional singer in her teens, she recalls how she was inspired by African musicians including Fela Kuti, Miriam Makeba and Hugh Masekela. She chooses the American composer Philip Glass as another huge influence, having worked with him on Symphony 12, Glass’s reinterpretation of David Bowie’s Lodger album. Angélique also discusses her work with David Byrne and why she choose to record her own version of Remain In Light, the 1980 album by Byrne’s band Talking Heads.

Producer: Edwina Pitman

One of the world’s greatest novelists, Salman Rushdie has won many prestigious international literary awards and was knighted for services to literature in 2007. He won the Booker Prize in 1981 for Midnight’s Children, a novel that was also twice voted as the best of all-time Booker winners. In 1989 Iranian leader Ayatollah Khomeini declared that Rushdie’s fourth novel, The Satanic Verses, was blasphemous and pronounced a death sentence against its author. For over a decade he lived in hiding with close security, a period of his life that he wrote about in the 2012 memoir Joseph Anton. His most recent book Knife details the horrific stabbing he survived in 2022.

Talking to John Wilson, Salman Rushdie recalls his childhood in Bombay, and the folk tales and religious fables he grew up with. He chooses Indian independence and partition in 1947 as one of the defining moments of his creative life, a period that formed the historical backdrop to Midnight’s Children. He discusses how, having first moved to England as a schoolboy and then to New York after the fatwa, the subject of migration has recurred throughout much of his work, including The Satanic Verses. Rushdie also explains how "surrealism, fabulism and mythical storytelling” are such an influence on his work, with particular reference to his 1999 novel The Ground Beneath Her Feet which was inspired by the ancient Greek tale of Orpheus and Eurydice. As Rushdie says, "truth in art can be arrived at through many doors”.

Producer: Edwina Pitman

Archive used:

BBC News, 12 Aug 2022 Newsnight, BBC2, 12 Aug 2022 BBC Sound archive, India: Transfer of Power, 15 August 1947 Nehru: Man of Two Worlds, BBC1, 27 Feb 1962 Midnight's Children, Book at Bedtime, BBC Radio 4, 27 August 1997 Advert, Fresh Cream Cakes, 1979 BBC News, 14 Feb 1989 The World At One, BBC Radio 4, 14 Feb 1989 BBC News, 28 May 1989 Today, BBC Radio 4, 27 April 1990 Clip from Curb Your Enthusiasm, Season 9, episode 3

One of the world’s most acclaimed ceramicists, Edmund de Waal is renowned for simple, hand-made porcelain pots and bowls which are usually displayed in meticulously arranged groups. His work has been shown in museums and galleries including the V&A, the British Museum, the Frick in New York, and at the Venice Biennale. In 2010 Edmund de Waal became widely known as a bestselling author, after the publication of his family memoir The Hare With Amber Eyes which retraced his Jewish European heritage. A dramatic and tragic story about art, exile and survival, it led him on a journey from Tokyo to Odessa via 19th century Paris and Nazi occupied Vienna.

On This Cultural Life, Edmund de Waal tells John Wilson about being taken to a pottery class at the age of five by his father, an Anglican cleric who worked at Lincoln Cathedral. He immediately fell in love with the process of moulding wet clay into vessels and was determined to become a potter. After leaving school he spent five months in Japan studying the ancient traditions of pottery with various master ceramicists. He remembers how a visit to the Ryoan-ji Temple in Kyoto had a huge impact on his understanding of space, contemplation and spirituality. During his first visit to Japan he also met his great uncle Ignatius Ephrussi from whom Edmund first learned about his European Jewish heritage, his family’s exile from Vienna in the face of Nazi terror, and the collection of small Japanese figurines, known as netsuke, whose story was told in The Hare With Amber Eyes.

Edmund chooses the ceramicist Lucie Rie, another Viennese exile in London, as a major influence on his practise. He describes his working routine in the ceramics studio, and how his pots are often made in response to poetry, citing the work of Romanian-born Paul Celan an American poet Emily Dickinson as particular influences.

Producer: Edwina Pitman

French Moroccan author Leïla Slimani won critical acclaim and a reputation as an author of bold & brutal fiction with her first two novels. Adele is about a bourgeoise Parisian wife and mother who lives a sexually promiscuous secret life. In Lullaby, a nanny kills the children she’s employed to care for, a story currently being adapted as a drama series starring Nicole Kidman. Leïla has also written the first two in a planned trilogy of novels based on her own family history, and has published short stories and non-fiction. She has won France’s most prestigious literary award the Prix Goncourt, and in 2017 she was appointed as President Macron’s personal representative to Francophone countries.

For This Cultural Life, Leïla Slimani tells John Wilson about her childhood in Rabat, the daughter of a prominent Moroccan economist and politician. She reveals how she was motivated to write novels after the death of her father who had been convicted of financial fraud and imprisoned, but who was posthumously cleared of any wrongdoing. She chooses her French-born maternal grandmother, who told stories to Leïla , as a formative influence on her creative imagination from a young age. Having covered the Arab Spring uprisings in Morocco and Tunisia as a journalist for Jeune Afrique magazine, Leïla discusses how news stories have inspired much of her work.

Producer: Edwina Pitman

Sally Potter is a ground-breaking film-maker, best known for her bold 1992 adaptation of Virginia Woolf’s novel Orlando. Starring Tilda Swinton, it was nominated for two Academy Awards and won more than 25 international film prizes. With her 1983 debut feature The Gold Diggers, which starred Julie Christie, Sally Potter led an all-female cast and crew, establishing herself as a trailblazing figure within independent cinema. She is renowned for her radical and experimental approach to film-making. Her 2004 love story Yes was scripted entirely in iambic pentameter; Rage in 2009, set backstage at a fashion show and starring Jude Law, Steve Buscemi and Judi Dench, became the world’s first movie to premier directly on mobile phones. A multitasking filmmaker, Sally Potter’s screen credits also include actor, editor, choreographer and composer. She has written and directed nine feature films including The Party and The Roads Not Taken.

Sally Potter tells John Wilson about her upbringing in a liberal, creative household in London. She recalls how she was given a 8mm cine camera by the artist Sandy Daley when she was 14, the start of her fascination with film-making. After learning more about the craft of cinematography, processing and editing film at the London Film Cooperative, she studied dance and choreography at The Place, an experience that later inspired her 1997 film the Tango Lesson. Having recently released an album of songs, she talks about the creative impulse that inspired them. She also discusses reading Virginia Woolf’s Orlando and the struggle to make her screen adaptation in the face of warnings from film producers that the book was ‘unfilmable’.

Producer: Edwina Pitman

Actor, writer, comedian and broadcaster Stephen Fry first made his name as a comic performer as a Cambridge University undergraduate with the Footlights company. He went on to forge a television partnership with his university friend Hugh Laurie on the sketch show A Bit Of Fry and Laurie and later the comic drama series Jeeves and Wooster, adapted from the PG Wodehouse stories. Among many stage and screen roles, Stephen Fry starred as Oscar Wilde in the 1997 film Wilde, for which he was nominated for a Golden Globe. He received a Tony Award nomination for playing Malvolio in Twelfth Night on Broadway, and was Lord Melchett over several generations of Blackadder. He’s written five novels and three volumes of autobiography, and has presented numerous documentaries. A familiar face on British television screens, he has hosted award ceremonies and panel shows including the long-running quiz series QI.

For This Cultural Life, Stephen tells John Wilson about how he first read the Wodehouse story Very Good, Jeeves when he was 10 years old and was spellbound by the comic language. He says that seeing a film adaptation of the Oscar Wilde play The Importance Of Being Earnest led him to read all of Wilde's works, beginning a lifelong obsession with the playwright. He reveals how being an avid fan of Arthur Conan Doyle's Sherlock Holmes novels led to his expulsion from school. He also chooses E.M. Forster's 1910 novel Howard's End as a huge influence, with its central theme of 'only connect' helping him make sense of his own emotional turbulence and intellectual ambitions. He also talks about spending time in prison on remand for credit card fraud, and being diagnosed as bi-polar after prolonged struggles with his mental health.

The excerpt from Arthur Conan Doyle's The Final Problem is read by Greg Wagland.

Producer: Edwina Pitman

Ian McEwan made his name in the 1970s with short stories and slim novels that explored the darker aspects of human nature. He won the Booker Prize in 1998 with his novel Amsterdam, and its follow up Atonement, was adapted as a film and nominated for several Academy Awards. McEwan primarily writes psychological dramas about relationships, but often within a global context of issues including climate change, the Iraq War and A.I. His most recent novel Lessons is his most directly autobiographical, drawing on aspects of his childhood and travels as a young man.

In conversation with John Wilson, the author recalls early memories of Libya, where his Army officer father was posted during the Suez Crisis of 1952. He says he first realised the power of poetry, especially that of Wordsworth and TS Eliot, through an English teacher at the state-funded boarding school he attended in Suffolk. He chooses, as one of his formative experiences, meeting the novelist Martin Amis and joumalist Christopher Hitchens, both of whom became lifelong friends. Other major turning points were witnessing the fall of the Berlin Wall in 1989, as he researched a book about the Cold War, and time spent in an operating theatre watching neurosurgeon Neil Kitchen in preparation for his 2005 novel Saturday whose protagonist is a leading brain surgeon.

Producer: Edwina Pitman

Winner of the Turner Prize in 2004 and Britain’s official representative at the 2013 Venice Biennale, Jeremy Deller is an unconventional artist whose work is as likely to be seen in streets or fields as in museums and galleries. In his work The Battle of Orgreave he restaged a modern civil conflict; a clash between striking miners and police officers. He persuaded a traditional brass band to play Acid House tunes in his work Acid Brass. Perhaps most memorably, on the centenary of the first day of the Battle of they Somme he conjured ghostly platoons of young soldiers all around the UK in his work We’re Here because We’re Here.

Jeremy talks to John Wilson about some of his most formative creative influences. Seeing The Who's rock musical film Tommy as a teenager was an unforgettable experience that revealed to him the power of imaginative vision. A chance encounter with one of his artist heroes Francis Bacon strengthened his interest in art history, and time spent with Andy Warhol in New York encouraged him to think of art as multi-dimensional and unlimited. He also recounts how P J Harvey's album Let England Shake and the play Jerusalem by Jez Butterworth crystallised ideas he was forming about notions of Englishness which he used in both his work at the British pavilion at the 2013 Venice Biennale, and his work to mark the anniversary of the Battle of the Somme.

Producer: Edwina Pitman

Errollyn Wallen is one of Britain's most acclaimed and widely performed contemporary composers. Born in Belize and brought up in north London, she was first ever woman to win a Ivor Novello Award for a body of work, and the first ever black woman to have a composition played at the BBC Proms. Errollyn has written 22 operas, as well as orchestral, chamber and choral works which are performed around the world. She was commissioned to write pieces to commemorate the Queen’s Golden and Diamond jubilees, and for the opening of the 2012 London Paralympic Games. She lives and works in a lighthouse in the far north of Scotland.

Errollyn tells John Wilson how, after to moving to London from Belize with her parents at a young age, she was brought up by an aunt and uncle in Tottenham. An early love of ballet led her to discover the music of Chopin, and she started to learn the piano at home. She describes the huge influence of Bach on her compositions, but also how her work is influenced by a wide range of music, from avant garde composers to jazz and funk.

Producer: Edwina Pitman

John Wilson talks to fashion designer and sculptor Nicole Farhi. Born in the south of France, she designed for various labels before teaming up with Stephen Marks in the early 1970s to establish French Connection as a worldwide clothing brand. She launched her own label Nicole Farhi in 1982 and was one of the biggest names in UK fashion for three decades. Nicole started studying sculpture whilst still in the fashion world, and staged her first solo exhibition in 2014. She has been married to the playwright David Hare since 1992.

Nicole recalls the influence of her glamourous and well-dressed aunt Visa who sparked Nicole's early interest in fashion by taking her to the Parisian couture shows. Meeting her partner Stephen Marks proved to be a major turning point and they went on to found two successful fashion labels together. But alongside her life as a designer, Nicole also had a passion for sculpture which had been ignited seeing the work of Giacometti at the Fondation Maeght in the south of France. Her own work in clay was encouraged by the Pop Art pioneer, sculptor and printmaker Sir Eduardo Paolozzi, who became her friend and mentor.

Producer: Edwina Pitman

Nick Cave, the Australian born singer-songwriter and author, reveals the formative influences and experiences that have inspired his own creativity. With his band The Bad Seeds, Cave is renowned for the darkness and drama of his narrative based work. His lyrics are often populated by flawed people doing bad things, but seeking redemption in love or God, or both. His musical output is diverse, ranging from rock’n’roll, to piano-based love songs. The tragic death of his 15 year old son Arthur in 2015 has informed recent work, with songs about devastating loss, grief and love explored throughout the albums Ghosteen and Carnage. Nick Cave has also written novels, poetry, a screenplay, and has recently published Faith, Hope and Carnage - a book exploring his ideas about creativity and belief.

Nick Cave talks to John Wilson about the influences of his father, an English teacher, and his mother, a school librarian, in encouraging his love of literature from a young age. He recalls seeing The Johnny Cash Show on television at the age of 10 and being spellbound by the country music star, with whom he later worked. He also remembers the life-changing effect of hearing Leonard Cohen’s Songs Of Life and Death album for the first time, and the profound influence the Canadian poet and songwriter had own his own lyrics. He reveals that fellow Australian Barry Humphries was another artist who inspired his own work, having seen a Dame Edna Everage show in Melbourne in the early 1970s. Nick Cave also discusses the impact that the death of his son had on his life, work and marriage.

Producer: Edwina Pitman

An inseparable duo for over 55 years, Gilbert Prousch and George Passmore are the artistic couple known as Gilbert & George. Always formally dressed in matching suits, Gilbert & George have described themselves as ‘living sculptures’, and are usually the subject of their own work, which has involved sexual imagery, scatological humour and profane language. They’re best known for brightly coloured imagery depicting contemporary urban life, framed within large scale panels that evoke the stained-glass windows of churches. They won the Turner Prize in 1986, represented Britain at the Venice Biennale in 2005, and were the subject of a major retrospective show at Tate Modern in 2007.

They talk to John Wilson about meeting in 1967 while studying sculpture at Saint Martin's School of Art, their first notable work The Singing Sculpture; which launched their career internationally; and the importance of Spitalfields, east London where they have lived and worked together since the late 1960s.

Producer: Edwina Pitman

John Wilson's guest is the pioneering American artist, author and educator Judy Chicago. Having run the first ever feminist art course in California, she established herself as a powerful advocate of women artists in the early 1970s. She is best known for a ground-breaking installation piece called The Dinner Party, a monumental work which was made with the help of a team of ceramists and needle-workers over five years and first displayed in 1979. Now enjoying her sixth decade as an artist, Judy Chicago is regarded as a trailblazing figure in the art world.

Judy recalls studying at the Art Institute of Chicago's children's classes at the age of five, and afterwards wandering around the galleries upstairs where she was particularly drawn to the Impressionists. It was here that she first decided to become an artist. As a young woman she moved to the west coast to pursue her dream. Although she found the art scene there "inhospitable" to women, she was inspired by a group of male artists including Ed Rucha, Larry Bell and Bill Al Bengton, associated with the LA-based Ferus gallery.

Judy also cites discovering Christine de Pisan, the Italian-born French medieval poet at the court of King Charles VI of France, as a turning point in her own research and art practice. Like Judy herself, de Pisan had faced obstacles because of her gender and sought to challenge contemporary attitudes towards women by creating an allegorical City of Ladies. She is one of the women represented in Judy Chicago's landmark work The Dinner Party.

Producer: Edwina Pitman

Archive used: Omnibus: Judy Chicago's Dinner Party, BBC1, 13 January 1981 Rebel Women: The Great Art Fight Back, BBC4, 10 July 2020

Now one of West Africa’s most internationally acclaimed musicians, Baaba Maal trained at a Paris conservatoire and went on to become a kind of musical ambassador, taking stories of his homeland all around the world. He has collaborated with Brian Eno and film composer Hans Zimmer, recorded an album with Mumford and Sons, and was a key member of the Africa Express touring project led by Damon Albarn. A festival favourite, Baaba Maal has energised crowds at Glastonbury and the BBC Proms alike. More recently, Marvel fans know him as the voice of Wakanda, having sung on the Black Panther movie soundtracks.

Baaba Maal talks about his early life in Senegal where, as the son of a fisherman, he wasn’t expected to become a singer. He discusses the role of the griot in Senegalese storytelling and musical culture. He recalls early song-gathering trips around West Africa with his friend and collaborator Mansour Seck, his formal musical training in Paris, the powerful voice of Senegalese singer Sory Kandia Kouyaté, and meeting Nelson Mandela.

Producer: Edwina Pitman

The internationally bestselling crime writer Donna Leon talks to John Wilson about her career. Although American born, Donna is most associated with Venice, the city in which her Italian police detective protagonist, the mild-mannered family man Guido Brunetti, lives and works. She has so far written 32 novels, has sold nearly eight million copies in English, and been translated into 35 languages.

Donna Leon tells John Wilson about her love for Italy and particularly Venice, which until very recently was her home. She recalls her experiences teaching English in Saudi Arabia, and how she began her bestselling Brunetti series after a night at the opera.

Producer: Edwina Pitman

Award-winning television dramatist and director Sally Wainwright talks to John Wilson about her formative cultural influences. After learning the art of screenwriting whilst working on Coronation Street, she made her name with her suburban comedy drama At Home With The Braithwaites. Her stories are usually set in the north of England including Last Tango in Halifax, and her 19th century historical series Gentleman Jack. Her most recent hit is Happy Valley, a crime drama that spanned a decade and three series, winning huge acclaim, viewing figures and multiple awards.

Sally talks about her early obsession with television, and how the 1970s musical drama Rock Follies inspired her to become a television writer at a young age. She recalls her early career writing for BBC Radio 4's The Archers and the ITV soap Coronation Street and discusses the inspirations behind some of her biggest hits.

Producer: Edwina Pitman

Reggae poet Linton Kwesi Johnson reveals the influences and experiences that inspired his own creativity. Born in Jamaica, he moved to south London in 1963 at the age of eleven. He made his name as a performance poet, reciting politically motivated verse to a dub-reggae backbeat, and becoming a powerful voice of resistance and protest in response to racism on the streets of Britain in the 1970s. He became the first black poet to be published in the Penguin Modern Classics series, was awarded the PEN Pinter Prize in 2020, and recently published a collection of prose under the title Time Come. On stage and on record, he is renowned for angry and uncompromising works such as Five Nights Of Bleeding, Sonny’s Lettah, and Iglan Is a Bitch.

For This Cultural Life, Linton Kwesi Johnson recalls growing up in poverty in rural Jamaica, where his grandmother told him ghost stories and read The Bible. Appalled at the racism he experienced, he joined the Black Panthers whilst still at school and became a political activist. He began to write and perform poetry, set to music and delivered in Jamaican patois, after being inspired by reggae artists such as Prince Buster and U-Roy, and the American group The Last Poets. Johnson also talks about the tragic fire that killed 13 young partygoers in New Cross, south London in 1981, an event that he commemorated in one of his best known works, New Craas Massahkah.

Producer: Edwina Pitman

John Wilson talks to photographer Martin Parr about the formative influences and experiences that inspired his own creativity. Globally renowned for his witty and satirical scenes of British life, Parr made his name in the 1970s with a series of monochrome photographs documenting the community of Hebden Bridge, West Yorkshire. His fame grew with his 1985 project The Last Resort, which captured the spirit of the great British holiday in images of ice-cream, chips, and sunburnt bodies on the litter-strewn concrete promenade of New Brighton, Liverpool. Since then, his instantly recognisable work has examined subjects including global consumerism, mass tourism and class. He has published over a hundred books of his work, exhibited all round the world, and is regarded as one of Britain’s greatest photographers. Parr is celebrated as Master Of Photography at the 2023 Photo London fair, and has recently opened his own Foundation to exhibit the work of emerging photographers alongside his own.

Martin Parr reveals how, growing up in suburban Surrey, he was introduced to photography by his Yorkshire grandfather during holiday visits. He remembers seeing exhibitions by Bill Brandt and Henri Cartier-Bresson in the late 1960s, but it was the work of British street photographer Tony Ray-Jones, whose images he first saw whilst studying photography at Manchester Polytechnic, that was most influential. Martin Parr further developed his distinctive documentary style, and his use of saturated colour processing techniques, after seeing work by American photographer William Egglestone. Martin Parr also chooses the 1991 film Night On Earth by Jim Jarmusch as a key influence on his quirky approach to storytelling, and reflects on how his style and subjects have developed over the years.

Producer: Edwina Pitman

Margaret Atwood talks to John Wilson about the formative influences and experiences that shaped her writing. One of the world’s bestselling and critically acclaimed authors, Atwood has published over 60 books including novels, short stories, children’s fiction, non-fiction and poetry. She’s known for stories of human struggle against oppression and brutality, most famously her 1985 novel The Handmaid’s Tale, a dystopian vision of America in which women are enslaved. She has twice won the Booker Prize For Fiction, in 2000 for The Blind Assassin and again in 2019 for her sequel to The Handmaid’s Tale, The Testaments.

Growing up in remote Canadian woodland with her scientist parents, she traces her career as a story-teller back to sagas that she invented with her older brother as a child, and her first ‘novel’ written when she was seven. She recalls an opera about fabrics that she wrote and performed at high school for a home economics project, and how she staged puppet shows for children’s parties. Margaret Atwood also discusses the huge impact that reading George Orwell had on her, and how his novel Nineteen Eighty-Four especially influenced The Handmaid’s Tale. She reveals how that novel - written whilst she was living in Berlin in 1985 - was initially conceived after the 1980 election of President Ronald Reagan and the resurgence of evangelical right-wing politics in America.

Producer: Edwina Pitman

Mexican-born filmmaker Alejandro González Iñárritu talks to John Wilson about his cultural influences.

Iñárritu's movies are often epic in scale and ambition. He made his name with the Mexican gangland drama Amores Perros, and won critical acclaim with his next two Hollywood movies; 21 Grams and Babel. His 2015 black comedy Birdman won him three of his five Academy Awards - for best film, best director and best screenplay. He picked up another Oscar the following year for the brutal 19th century frontiersman drama The Revenant and was awarded a Special Achievement Academy Award for his virtual reality installation Carne y Arena in 2017. His most recent movie is Bardo, False Chronicle of a Handful of Truths an epic dream-like, semi-autobiographical black comedy-drama, which he co-wrote, co-composed, edited, produced, and directed.

Iñárritu reveals how working on cargo ships as a teenager later influenced the global scope of his filmmaking, and recalls his early career in the 80s and early 90s as a popular radio DJ in Mexico City. He talks about the powerful effect that the Austrian poet Rainer Maria Rilke's Letters to a Young Poet had on him. This collection of ten letters, published posthumously at the turn of the 20th century, advise developing a rich inner life in order to make great art, words that made a big impression on the aspiring filmmaker Iñárritu. He also discusses his love for the work of Italian film director Sergio Leone, and in particular his 1984 epic crime film Once Upon a Time in America.

Producer: Edwina Pitman

John Wilson speaks to internationally acclaimed artist Dame Rachel Whiteread about the influences on her practice as she recalls some of her most famous works. Part of the Brit Art boom of the early 1990s, Rachel was not only the first woman to win the Turner Prize but also, at 29, the youngest artist to do so. Rachel is best known for large scale sculptures cast in plaster or concrete. She made headlines with an inside-out impression of an entire terraced house in east London, and for her Holocaust Memorial in Vienna. Commissioned to make a work to stand on the empty fourth plinth in London’s Trafalgar Square, she cast the plinth itself in a huge block of translucent resin. A globally renowned artist who once represented Britain at the Venice Biennale, the work of Dame Rachel Whiteread can be found in collections, galleries and public spaces all around the world.

Producer: Edwina Pitman

Musician Eliza Carthy was born into an English folk dynasty. The daughter of acclaimed folk singers Martin Carthy and Norma Waterson, she joined the family business at a young age as a singer and violinist, playing with her parents as Waterson Carthy and with her mother, her aunt Lal and her cousin Marry as The Waterdaughters. As a solo artist and bandleader, Eliza has explored the roots of folk and expanded the repertoire. Awarded an MBE in 2014, she was twice nominated for the Mercury Prize for album of the year, and in 2021 became the president of the English Folk Dance and Music Society.

She tells John Wilson about the first time she attended the Vancouver Folk Music Festival in 1989, aged 13. Standing on the main stage at sunset overlooking the mountains and sea was a defining moment at the start of her career. She also discusses the influence that singer Billy Bragg and Scottish folk rock band Shooglenifty had on her music. Eliza also talks about the impact of the pandemic on the folk music community and the personal loss of her mother.

Producer: Edwina Pitman

Oscar-winning film-maker Damien Chazelle talks to John Wilson about his career and cultural influences.

As a child, Chazelle first started experimenting with making films using his dad’s old camcorder. After studying filmmaking at Harvard, he drew on his own experiences as a skilful jazz drummer to make his debut feature film Whiplash, about a music student and his abusive teacher. His movie La La Land, a musical in which star-crossed lovers sing and dance through the backstreets of LA, won six more Academy Awards. Damien explains how much that film owes to the Jacques Demy and Michel Legrand's 1964 romantic musical The Umbrellas of Cherbourg. He also reveals how the Los Angeles paintings of David Hockney, and in particular his 1967 work A Bigger Splash, inspired the feel and the palate of La La Land. Chazelle's latest movie Babylon explores the birth of the film industry itself and the painful transition from silent movies to the talkies, and is inspired, in part, by the classic musical Singin' in The Rain. He also explains how his love of west coat jazz musicians including Stan Getz and Chet Baker has influenced his creative output.

Producer: Edwina Pitman

Oscar-winning director, screenwriter and novelist Neil Jordan made his name with the 1984 movie The Company Of Wolves, adapted from an Angela Carter short story. His 1986 film Mona Lisa earned BAFTA and Golden Globe awards for its star Bob Hoskins. Jordan scored an even bigger critical and commercial hit worldwide with The Crying Game, which had six Academy Award nominations including best screenplay which was won by Neil Jordan himself. His 20 feature films made over 40 years also include an adaptation of Ann Rice’s novel Interview With the Vampire, Irish revolutionary drama Michael Collins and The End Of The Affair, adapted from the Graham Greene novel.

Neil Jordan talks to John Wilson about his upbringing in a Dublin suburb, the son of a school teacher father who encouraged an early love of storytelling. After working as a labourer, and in a Dublin theatre for a while, he met filmmaker John Boorman (Point Blank, Deliverance, The Emerald Forest) who, in 1980, was shooting his Arthurian legend film Excalibur at film studios in Ireland. Boorman invited Neil Jordan to direct a documentary about the making of Excalibur, an experience which started his filmmaking career. Jordan also chooses the 1943 Jean Genet novel Notre Dame des Fleurs - Our Lady Of The Flowers - as a formative influence on his screenwriting. He recalls the struggles to make The Crying Game and how the film’s producer Harvey Weinstein objected to the inclusion of a trans character, a supporting role for which Jaye Davidson was nominated as best actor at the 1992 Academy Awards.

Producer: Edwina Pitman

Archive used: Clip from A Fistful of Dollars, Sergio Leone, 1964 Clip from Excalibur, John Boorman, 1981 Clip from The Crying Game, Neil Jordan, 1992 Neil Jordan accepts his Academy Award for Best Original Screenplay, 1992 Clip from The Crying Game, Neil Jordan, 1992 Clip from Michael Collins, Neil Jordan, 1996

The British born musician, composer and writer Stephen Hough grew up in Cheshire, won the piano section of the very first BBC Young Musician of the Year competition as a teenager, before moving to New York to study at the Juilliard School of Music. Over the last 30 years, Stephen Hough has made more than 60 albums and is globally renowned for his thrilling live performances of a wide classical piano repertoire. Knighted in 2022 for services to music, he is also a visiting professor at the Royal Academy of Music, holds the International Chair of Piano Studies at his alma mater, the Royal Northern College in Manchester, and is a member of the faculty at The Juilliard School.

Stephen talks to John Wilson about some of the most important influences on his musical career, starting with a 1962 LP called Keyboard Giants of the Past. This compilation album, bought for him just after he started to learn the piano aged 6, included artists from the earliest days of recording such as Ignace Paderewski, Vladimir de Pachmann and Sergei Rachmaninoff, all of whom inspired him with their rich artistry and individual styles. He reveals how Elgar's The Dream of Gerontius helped him back into the world of classical music after suffering a breakdown while at Cheetham's School of Music, and began his conversion to Catholicism as a teenager. Stephen also describes how leaving Cheshire for studies at the Juilliard School of Music in New York was his coming-of-age in many ways and how winning the prestigious Naumburg International Piano Competition while a student there, launched his career aged 21.

Producer: Edwina Pitman

Whoopi Goldberg is the one of very few people to have won all four of America’s big awards - Emmy, Grammy Oscar and Tony - for her work in film, theatre and television. Brought up by a single mother in a New York housing project, Whoopi Goldberg first made her name on stage with a solo comedy show before making her film debut in an adaptation of Alice Walker’s Pulitzer Prize winning novel The Color Purple.

Discussing her biggest cultural turning points with John Wilson, she recalls her earliest experiences of acting at the Hudson Guild, a children’s community project. Having struggled at school, she was encouraged by her mother to make the most of free cultural opportunities in the city, including museums and public lectures, which fuelled her fascination with language. She also remembers seeing the Joseph Papp Theatre troupe, which performed free Shakespeare plays in New York parks.

Whoopi recalls her friend and mentor Mike Nichols, the director of The Graduate who, after seeing her solo stage show in San Francisco, directed her on Broadway. After that show became a hit, Whoopi Goldberg was invited by Steven Spielberg to perform at his private theatre leading to her casting in the role of Celie in his 1985 adaptation of Alice Walker’s Pulitzer Prize-winning novel The Color Purple, a film debut that earned Whoopi Goldberg an Academy Award nomination. Since then, she has made around a hundred films, including Ghost, for which she won an Academy Award, and Sister Act. She has hosted the Academy Awards several times, and has forged a career as an opinionated television personality. Whoopi also talks about her latest movie Till, the story of Mamie Till-Bradley, who pursued justice after the murder of her 14-year old son Emmett in 1955.

Producer: Edwina Pitman

Theatre and film director Sam Mendes first made his mark when he launched London’s Donmar Warehouse theatre in the early 90s. He has won Olivier and Tony Awards for numerous productions including Cabaret, The Ferryman and most recently, The Lehman Trilogy. He made his cinematic debut directing American Beauty in 1999, and won the first of two Oscars - the second was for the war film 1917. He also directed the two James Bond movies Skyfall and Spectre, and was knighted in 2020.

Sam tells John Wilson about his earliest memories of feeling the thrill of live performance, at the London production of Godspell in 1971. Later, how the work of Shakespeare came alive for him while watching productions at the RSC, and in particular, a memorable performance of Antony and Cleopatra starring Michael Gambon and Helen Mirren. He reveals how his directorship of the Donmar Warehouse, which established his reputation as a ground-breaking theatre director, all began with a chance late night stroll around Covent Garden.

Seeing Wim Wenders' 1984 film Paris, Texas was to be a formative influence on Sam when he eventually came to direct his debut feature American Beauty and later films including Jarhead and Revolutionary Road. Casting the actor Daniel Craig in his second film Road to Perdition, despite a poor audition was to have a significant impact on both their careers. Sam also talks about moving into writing and making more personal films including 1917 based on the war stories of his grandfather, and Empire of Light, partly inspired by his childhood experiences of witnessing his own mother's struggles with her mental health.

Producer: Edwina Pitman

Comedian, actor and composer Tim Minchin wrote the songs for the musical adaptation of the Roald Dahl story Matilda which, after more than a decade of sell-out West End shows, has now also been adapted for the big screen. His stage musical version of the film Groundhog Day earned him an Olivier award and seven Tony nominations on Broadway. He also co-wrote and starred in the television comedy drama series Upright, and has performed solo shows around the world.

Tim Minchin tells John Wilson about his most important cultural influences and creative inspirations, starting with his upbringing in Perth, Australia. He recalls his earliest attempts at songwriting, influenced by TS Eliot and 90s grunge rock bands, which led to him writing a musical version of Love's Labour's Lost for a youth theatre company whilst he was still at school. Tim chooses the American singer-songwriter Ben Folds as one of his key influences, and particularly the 1997 Ben Folds Five album Whatever Ever And Ever, Amen. He also cites being commissioned to write the songs for The Royal Shakespeare Company's Matilda The Musical, and working with director Matthew Warchus, as a major turning creative turning point. Perhaps surprisingly, Tim chooses an ill-fated musical project, Larrikins, as another important moment in his career. He reflects on how the animated adventure, which was due to star Hugh Jackman and Margot Robbie, was cancelled by studio bosses and the effect that experience had on him.

Producer: Edwina Pitman