The Write Attention Podcast – Détails, épisodes et analyse

In the final episode of The Write Attention Podcast, Brittany and Jeannetta discuss why they are bringing the project to a close after two years, new projects they are working on, and finally their favorite episodes, guests and moments. 

• The Creative Act: A Way of Being by Rick Rubin
• Episodes mentioned:
  • S2E4: Emotional Beats with Kara Smith
  • S1E9: Personal Revelation and Reader Responsibility with Colette Walker
  • S1E6: Support and Embodiment for the Writing Self with Lauren Samblanet
  • S1E10: Mentorship and Community with Nicola Andrews
  • S1E5: Poetics, Performance & Personhood with Míša Hejná
  • S2E2: The Emerging Reader in All of Us with Amelia Louise Herridge Ishak
  • S1E7: Place, Peculiarity & Persistence with Arianna Reiche
  • S1E1: Show, Tell  and Practice
• Craft in the Real World by Matthew Selasses

The Write Attention Podbean link is here: https://writeattention.podbean.com/

Multi-disciplinary musician and artist, Drew “Hondo” Felder, joins Brittany and Jeannetta for Episode 6. Drew "Hondo" Felder is a true multidisciplinary artist who has written fiction for over 25 years and played music professionally for 15. Throughout his artistic journey, he has composed and played parts for other artists; created themes and sound design for short films, games, and commercials; and is currently the bassist of two all original bands. Audio engineering is among his other pursuits both live and in the studio. Outside of music, Drew is also honing his skills in videography, motion graphics, and video post-production. Combining many of these skills, he started his own Youtube channel, Hondo Felder Music and supports other artists and content creators with the technical side of the media creation process. You can follow him on Instagram @hondofelder. The group   discuss pacing and time across music and writing. The discuss how time is expressed within and outside the work, how to incorporate tension and dissonance and the relationship between a work’s purpose and pacing. 

 

1. Edward P Jones,  “The First Day”, Lost in the City 
2. “Purple Rain”, Prince
3. “Stakes is High”, De La Soul and “Stakes is High”, Robert Glasper + Mos Def
4. Chris Dave, drummer 
5. Derrick Hodge, bass player
6. Matt Bell,  Refuse to Be Done
7. Max Gladstone, Amal El-Mohtar, This is How You Lose the Time War 
8. Sarah J Maas, A Court of Thorns and Roses Series
9. Karen E. Binder, “Adjusting Your Pace: How to Get  A Story to Move”, https://electricliterature.com/adjusting-your-pace-how-to-get-a-story-to-move/ 
10. Game of Thrones 
11. James Kaplan, 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool

Join us in welcoming guest Colette Walker on The Write Attention podcast for our discussion on personal revelation and audience responsibility in Episode 9. The group dives into when they first identified as writers and share effective strategies and resources for making writing workshops work to the writer’s advantage, discussing writing the way into personal revelations or a personal journey in a project and how that may inform the character’s journey. In past episodes we have talked about show and tell. Now, we explore the audience's responsibility or role in our writing. Colette reminds us to let the audience do some work and why that is so important.

 

This episode also includes an excerpt of Colette Walker reading an excerpt from her work, LET THE DEAD BURY THEIR DEAD.

 

Show Notes

 

1. Billie Kahora, https://research-information.bris.ac.uk/en/persons/billy-k-kahora 

2. The Anti-Racist Writing Workshop: How To Decolonize the Creative Classroom Book by Felicia Rose Chavez, https://www.antiracistworkshop.com/ 

3. Black Women’s Writer Workshop in Europe, https://sites.google.com/view/thebwweretreat2023/about 

4. Craft in the Real World by Matthew Salesses, https://www.goodreads.com/book/show/55155120-craft-in-the-real-world

5. La Maison Baldwin, https://www.lamaisonbaldwin.fr/ 

6. Irenosen Okoji, https://www.irenosenokojie.com/ 

 

Cultivating and caring for our creativity with full schedules is no easy task. Jeannetta and Brittany dive into questions about boundaries, balancing work, weathering those summer social invitations, and ways to feed their imagination and creativity. Working full time has changed quite a bit about daily life, but we want to stay consistent with keeping writing high on the list of priorities.  For all you working writers, parent writers, caregiver writers, have-all-the-responsibilities writers, feel free to weigh in on your own answers to the questions posed in this episode. We would love to hear from you!

 

Show Notes

1. Leone Ross - https://www.goodreads.com/author/show/353845.Leone_Ross 

2. Nedra Tawwab - Set Boundaries Find Peace - https://www.nedratawwab.com/set-boundaries-find-peace-1 

3. Norrece T. Jones, Jr - https://www.amazon.com/Born-Child-Freedom-Yet-Slave/dp/0819562467 

4. Aretha Franklin - Day Dreaming - https://www.youtube.com/watch?v=D7peQKJxsjo

Our guest co-host. Arianna Reiche, is a Bay Area-born writer based in London.

She is the author of the two-story chapbook Warden / Star (Tangerine Press), and At The End Of Every Day (Artia Books/Simon & Schuster).

She was also nominated for the 2020 Bridport Prize and the 2020 PANK Magazine Book Contest. She won first prize in Glimmer Train’s 2017 Fiction Open and Tupelo Quarterly’s 2021 Prose Prize. Her stories have appeared in Ambit Magazine, Joyland, The Mechanics’ Institute Review, Berlin’s SAND Journal, Feels Blind Literary, Lighthouse Press, and Popshot.

Her features have appeared in Art News, The Wall Street Journal, New Scientist, USA Today, The London Fashion Week Daily, Fest Magazine, Vogue International, and Vice. She also researches and lectures in interactive narrative and metafiction at City, University of London.

 

 

In Episode 7, Arianna Reiche joins us for a conversation about Place, Peculiarity, & Persistence. We discuss ways we are able to write about place and how that may challenge common conceptions, embracing strange and peculiar perspectives, persisting through life changes, and bearing the brutal bruises of editing. 

 

Questions

1. Place has a lot to do with my fiction - I just wrote a whole novel about the grounds of a theme park, and my next book is set in Berlin - but I often struggle with feeling that I've earned the right to write intimately about any given place. I find that I often sidestep writing about towns/cities/countries with real earnestness because of that, and instead adopt a lens of irony or eeriness. Or I just end up writing about the Bay Area, where I grew up, more than I probably truly want to, because no one can challenge me on my connection to it! Have you ever felt that conflict before? And more generally, how do you approach geography in your work   2. What does writing in earnest and with authenticity-one's OWN sense of what is authentic-look like? How do you capture it on the page to honor our own telling or to honor our truth and perspective? And how, if it all, does that challenge and expand the narratives we see present in certain spaces or among certain people?   3. How do you deal with feeling repelled by your own work during the editing process? It's something I've heard almost every writer I know talk about; I describe the feeling of opening the laptop for your third round of manuscript edits as poking a bruise. How do you stay enthusiastic about your own work when you're frankly just sick of looking at it?    

Show Notes

1. At the End of Every Day by Arianna Reiche https://www.simonandschuster.com/books/At-the-End-of-Every-Day/Arianna-Reiche/9781668007945

2. Our Share of Night by Mariana Enriquez https://bookshop.org/p/books/our-share-of-night-mariana-enriquez/18486460 

3. The Age of Magic by Ben Okri https://bookshop.org/p/books/the-age-of-magic-ben-okri/20082895?ean=9781635422689 

4. The Ben Okri story about Istanbul is called “Dreaming of Byzantium” found in Prayer for the Living, https://bookshop.org/p/books/prayer-for-the-living-ben-okri/13693373?ean=9781617758638 

5. Irenosen Okojie, https://www.irenosenokojie.com/

6. Helen Oyeyemi, https://www.penguinrandomhouse.com/authors/59813/helen-oyeyemi/ 

7. CA Conrad - Poetry Rituals https://somaticpoetryexercises.blogspot.com/2018/08/somatic-poetry-rituals-basics-in-3-parts.html

8. Raymond Queneau, was part of the Oulipo group, a collection of writers and mathematicians who imposed rules on writing to increase creativity. More here: https://www.poetryfoundation.org/learn/glossary-terms/oulipo#:~:text=An%20acronym%20for%20Ouvroir%20de,and%20mathematician%20Fran%C3%A7ois%20Le%20Lionnais.

9. Kathy Winograd - https://kathrynwinograd.com/about/

10. La Maison Baldwin, https://www.lamaisonbaldwin.fr/ 

 

Our guest co-host, Lauren Samblanet, is a hybrid writer who cross-pollinates with other forms of making & other makers of forms. Her first book, like a dog, is forthcoming from punctum books. Some of her writing has been published in A Shadow Map: An Anthology by Survivors of Sexual Assault,  FENCE, DREGINALD, entropy, bedfellows, The Tiny, Crab Fat Magazine, and A) GLIMPSE) OF). She is a graduate of Temple University's MFA program.

​Lauren is a teacher and facilitator. She offers creative process workshops and support for individuals and collaborators through reinventing creative process.

 

In Episode 6**, Lauren joins us for a conversation about Support and Embodiment for the Writing Self. We discuss ways community and support nourish our writing practice, the importance of embodiment and presence, and how support and taking care of the self are all ways of taking care of the writing.  

 

* *  This episode contains explicit content which may not be appropriate for younger listeners. 

 

Questions

• When the off-season comes, the winter of writing where there's no inspiration and rest is needed, how do you rest as a writer? what seeds do you gather so spring will be plentiful and how do you nourish those seeds?
• How do you grapple with feeling unproductive? What are some ways you write yourself out of a "funk"? Or when you don't know where to go or what happens next? 
• How do you foster a sense of play in your creative practice?
• What does the literature of pain and illness look like? what forms does it use? and related, how do we reform writing to hold our bodies more gently through pain/illness?.

 

Show Notes

Lauren’s Readings:

• intro
• like a dog soundscore **contains explicit content
• like a dog **contains explicit content
• on ghosting

1. Wintering by Katherine May: https://katherine-may.co.uk/wintering

2. @aquarius.mood on IG

3. Hurry Slowly podcast https://hurryslowly.co/

4. Esther Perel: https://www.estherperel.com/blog/eroticism-self-care-plan

5. Justine Dawson : https://www.justinedawson.com/

6. nycmidnight microfiction/flash fiction contest: https://www.nycmidnight.com/

7. Eb Sanders: https://www.instagram.com/ebs______/?hl=en

8. Ariana Reines https://www.arianareines.net/the-cow

9. Thich Nhat Hanh breathing exercise: https://tricycle.org/article/thich-nhat-hanh-suffering/

10. Aubrie Warner: https://www.instagram.com/acwarnerlit/?hl=en

We welcome guest co-host, Míša Hejná, to The Write Attention podcast to discuss poetics, performance, and personhood.

Míša Hejná writes and performs poetry in Aarhus, Denmark.  She is also a member of Aarhus Women Write. Her work is primarily meditative and focuses on existential questions by combining the textual, the visual, and the aural.

In Episode 5, Míša captivates us with her readings and shares her questions and insights about performing visual poetry (yes, visual poetry), defining voice and style with rules, and the line between art and therapy. 

 

Questions

1. (How) can visual poetry be performed for an audience?
2. When is writing(/painting) for therapy art and not "just" therapy?
3. (How) can visual poetry be performed for an audience? 
4. How do you navigate the relationship between voice and the written word during performance? (For example, I can think of when I listen to slam poets sometimes and how the voice can sometimes get in the way of the poem, has this happened to you and, if so, how do you navigate that disconnect?)

 

Show Notes

Míša's Reading

• A Seagull Shat on Me
• As You Lay Daying

1. Aarhus Women Write

2. Always Burning Storytelling Series

3. Aarhus International Literature Festival on June 18th

4. Poetic Forms mentioned

Bop: https://www.writersdigest.com/write-better-poetry/poetic-form-the-bop

Cascade: https://www.writersdigest.com/write-better-poetry/poetic-form-cascade-poem

Descourt: https://www.writersdigest.com/write-better-poetry/descort-poetic-form

Ballade: https://www.poetryfoundation.org/learn/glossary-terms/ballade#:~:text=An%20Old%20French%20verse%20form,subsequent%20stanzas%20and%20the%20envoy.

Golden Shovels: https://www.poetryfoundation.org/poetrymagazine/articles/92023/introduction-586e948ad9af8

5. Who Says?: Mastering Point of View in Fiction by Lisa Zeidner: https://www.amazon.com/Who-Says-Mastering-Point-Fiction/dp/0393356116#:~:text=%22Lisa%20Zeidner%27s%20Who%20Says%3F%20is,students%2C%20writers%20and%20readers.%22

6. Classical English Style by Ward Farnsworth:  http://classicalenglishstyle.com

7. House Of Leaves by Mark Z. Danielewski: https://www.barnesandnoble.com/w/house-of-leaves-mark-z-danielewski/1102466935

8. Long Division by Kiese Laymon: https://www.simonandschuster.com/books/Long-Division/Kiese-Laymon/9781982174828

9. Ergodic literature term (coined by Aspen J. Aarseth in Cybertext—Perspectives on Ergodic Literature): https://en.wikipedia.org/wiki/Ergodic_literature 

10. Dictee by Theresa Hak Kyung Cha: https://www.goodreads.com/en/book/show/90894 

11. Sunbathing is Forbidden in the Graveyard by Jeannetta Craigwell-Graham in Indiana Review’s Winter Issue: https://indianareview.org/item/winter-2023-volume-44-number-2/

12. The Dangers of Smoking in Bed by Mariana Enriquez: https://www.penguinrandomhouse.com/books/624631/the-dangers-of-smoking-in-bed-by-mariana-enriquez/

13. Alice Walker’s journals: https://www.amazon.com/Gathering-Blossoms-Under-Fire-Journals/dp/1476773157/ref=tmm_hrd_swatch_0?ots=1&tag=thneyo0f-20&linkCode=w50&_encoding=UTF8&qid=&sr=

14. Exercises in Style by Raymond Queneau: https://www.amazon.com/Exercises-Style-Raymond-Queneau/dp/0811207897

 

Inspired by an audience member writing in, Episode 4 explores ways we are reframing rejection and failure to best aid us on our writing journey.  The following are questions regarding rejection and failure from our hosts:

 

1. How do you process rejection other than the generic , get yourself back on the horse or allow yourself time to sulk ? What’s another way of looking at not getting what you want for your writing ?

2. Have you ever failed at something you were trying to write? How did that failure function for you after? Is there a difference between how you saw failure earlier in your writing and now?

 

Show Notes

1. Celeste Mohammed’s book Pleasantview: https://www.goodreads.com/book/show/56186509-pleasantview?from_search=true&from_srp=true&qid=nzlAGQjgAn&rank=1

2. Rejection Wiki: https://www.rejectionwiki.com/index.php?title=Literary_Journals_and_Rejections

3. Why Marriages Succeed or Fail : And How You Can Make Yours Last by John Gottman, in which the Four Horseman are mentioned: https://www.goodreads.com/book/show/129025695-john-gottman?from_search=true&from_srp=true&qid=67vLw9eAxv&rank=1

4. Chillsubs: https://www.chillsubs.com/

5. Duotrope: https://duotrope.com/

6. Poets & Writers: https://www.pw.org/

7. Indiana Review “Sunbathing is Forbidden in the Graveyard” by Jeannetta Craigwell-Graham: https://indianareview.org/item/winter-2023-volume-44-number-2/

8. VQR: https://www.vqronline.org/

9. Maslow’s Hierarchy of Needs: https://www.verywellmind.com/what-is-maslows-hierarchy-of-needs-4136760

10. Email us at writeattention@gmail.com to join The Write Space accountability meeting held on Mondays, Wednesdays, and Fridays from 11am-1pm Pacific Time

11. Brené Brown’s book Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead, https://brenebrown.com/book/daring-greatly/  

12. Brené Brown’s book Atlas of the Heart, https://brenebrown.com/book/atlas-of-the-heart/

 

 

 

Today’s podcast episode surrounds the concept of imagining and one particular genre: science fiction. Although the conversation focuses on one specific genre, the subject elicits questions about what writing within a particular genre does for your work. Which genres do you write in and what ways do they help you imagine? Does writing in a particular genre open doors to reimagine reality?

 

Questions

1. How do you learn craft between workshops, writing classes/seminars, reading and practice? What do you think the right balance when it comes to learning craft? Do you ever feel out of balance and why?

2. The question Octavia Butler was often asked: What good is science fiction to Black people?” 

 

Show Notes

• Octavia Butler, Positive Obsession essay can be found here: https://www.loa.org/news-and-views/1779-octavia-e-butler-positive-obsession 
• Samuel R Delaney, The Motion of Light and Water, https://www.eileenmcginnis.com/blog/2018/10/19/turn-and-face-the-strange-samuel-delany-queering-science-fiction-queering-fatherhood
• Check out the wonderful world of Helen Oyeyemi here: https://www.goodreads.com/author/show/80808.Helen_Oyeyemi 
• Robert Jordan, Wheel of Time, https://www.goodreads.com/series/41526-the-wheel-of-time 
• Crystal Wilkinson again! - https://www.crystalewilkinson.net/
• Hurston-Wright Foundation (https://www.hurstonwright.org/) has some upcoming workshops for emerging Black writers definitely worth checking out 
• Lighthouse Writers Workshop - https://www.lighthousewriters.org/ 
• Neil Gaiman, American Gods, https://www.goodreads.com/book/show/30165203-american-gods 
• Deep Reading taught by Michael Duszat, The Reader Berlin, https://www.thereaderberlin.com/weekend-workshop/the-deep-reading-workshop-with-michael-duszat/ - sign up for this class whenever it is on next!
• E.M. Forrester, A Passage to India (not voyage!), https://www.goodreads.com/book/show/45195.A_Passage_to_India 
• Toni Morrison, Paradise, https://www.goodreads.com/book/show/5198.Paradise?ref=nav_sb_ss_1_14 - "They shoot the white girl first. With the rest they can take their time." - what a line!
• Eimear McBride, A Girl Is a Half-Formed Thing,  https://www.goodreads.com/book/show/18218630-a-girl-is-a-half-formed-thing?from_search=true&from_srp=true&qid=69SsZIKOJh&rank=1 
• Experimental Writing for Non-Experimental Writers  was facilitated by Porochista Khakpour  (https://porochistakhakpour.com/) via The Center for Fiction  (https://centerforfiction.org/groups-workshops-all/) 
• Brittany’s amazing VONA instructor for Fiction, Mathangi Subramanian,  https://www.mathangisubramanian.com/ 
• VONA- https://www.vonavoices.org/
• Rooted and Written Poetry Cohort - https://rooted-written.org/ led by Tonya Foster (https://tonyafosterpoet.com/)

Jeannetta & Brittany discuss permission and possibility in Episode 2.

 

Questions

1. How do you steal while still being original?

2. Do you feel like you already have an inclination where you need to go, which form you need to use, do you experiment with different forms, or do you just start writing? What comes first?

3. How do you navigate when people say a poem is too abstract? My expectation is that a poem will always be somewhat abstract. Do you get what people are saying when they say it is?

4. How do you honor permission in your work? In what ways are you giving yourself permission? In what way are you noticing you are not? How do you address this in your writing?

 

Show Notes

Writers, books, articles, ideas and questions mentioned in this episode

• Jericho Brown “Duplex” from his book The Tradition. Also available on the Poetry Foundation website: https://www.poetryfoundation.org/poems/152729/duplex 
• Steal like an Artist by Austin Kleon: https://austinkleon.com/steal/
• Turns out this one was Hemingway…“All you have to do is write one true sentence. Write the truest sentence that you know.” - https://www.goodreads.com/quotes/30849-all-you-have-to-do-is-write-one-true-sentence 
• Spike Lee, School Daze: https://www.imdb.com/title/tt0096054/ 
• Lidia Yuknavitch  and Corporeal Writing - https://www.youtube.com/watch?v=o9pUjixyWI4