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TitreDateDurée
How to Prepare for an African Photo Safari: Gear, Settings & Daily Checklists27 oct. 202600:51:10

An African photo safari is one of the most extraordinary experiences a wildlife photographer can have. But here's the catch...the best photographic opportunities often happen in seconds, and the difference between getting the shot and missing it can come down to how well you've prepared.

In this episode, I share my complete approach to preparing for an African photo safari, whether it's your first time in Africa or your twentieth. From choosing the right camera gear and practicing before departure to my personal morning game-drive checklist, camera settings, photo backups, and techniques for maximizing wildlife encounters, this episode is designed to help you arrive ready and make the most of every day.

We also dive into specific strategies for African wildlife and landscape photography, including anticipating animal behavior, working with dramatic light, and capturing those spectacular environmental portraits that make Africa such a special photographic destination.

What You'll Learn

Before Your Safari: Gear & Preparation

  • Why a versatile telephoto zoom (100–400mm, 100–500mm, or 200–600mm) is one of the best investments for safari photography.
  • The advantages of bringing two camera bodies, especially in dusty safari environments.
  • How much memory card space to pack (hint: probably more than you think!).
  • Essential accessories, from lens-cleaning tools to lightweight alternatives to photography beanbags.
  • Why camera gear belongs in your carry-on, particularly when small aircraft are involved.
  • How to practice autofocus, shutter speed, burst shooting, and exposure compensation before leaving home.

Every Morning: My Safari Photography Checklist

Before I leave camp, I make sure my camera is ready to photograph wildlife immediately—not five minutes after a sighting begins.

  • Fully charged battery installed, with spare batteries packed.
  • Memory card inserted with plenty of available space.
  • Wildlife telephoto lens attached and ready.
  • Lens cap off, lens hood on, camera powered on.
  • Manual exposure mode with Auto ISO selected.
  • Shutter speed preset for the conditions (often 1/640–1/800 sec in good light, adjusted for darker mornings).
  • Aperture set toward the wider end of my lens's range.
  • Autofocus mode selected, with the ability to switch quickly to animal tracking.
  • High-speed continuous shooting enabled.
  • RAW image capture confirmed.
  • Image stabilization turned on.

The goal? When your guide suddenly spots a leopard, you're ready to make a technically solid photograph in about two seconds.

During Your Safari: Making Better Photographs

  • Take the "insurance shot" first, then experiment creatively.
  • Work each wildlife sighting with different focal lengths, compositions, and backgrounds.
  • Anticipate animal behavior rather than simply reacting to it.
  • Photograph through action sequences to capture the perfect split-second moment.
  • Don't fear high ISOs when a faster shutter speed is needed.
  • Use backlighting, dust, and silhouettes for dramatic wildlife photographs.
  • Remember to zoom out and photograph wildlife within the vast African landscape.
  • Use both wide-angle and telephoto lenses for spectacular landscape photography.

Evening Preparation & Photo Management

We also cover battery-charging strategies for safari camps with limited electricity, systems for organizing charged and depleted batteries, whether a laptop is worth bringing, and why keeping at least two copies of your photographs is so important.

Links & Resources Mentioned

Related Podcast Episode

A Deep Dive into Memory Cards: Speed, Maintenance, Formatting and More — Everything you need to know about choosing, maintaining, and managing memory cards for an important photography trip.

Gear & Accessories

Nomatic McKinnon Battery Case — The Peter McKinnon battery organizer I discuss, with magnetic closure and handy stickers for distinguishing charged from depleted batteries.

LensPen — A useful little cleaning tool for keeping dust off your lenses while on safari.

I also discuss rocket-style air blowers, microfiber cloths, multi-battery chargers, and travel adapters. The right versions of these will depend on your particular camera system and safari destination.

More Photography Tips

Watch Court Whelan on YouTube — Practical wildlife and landscape photography tutorials, camera settings, gear advice, and lessons from the field.

Visit CourtWhelan.com — More photography, conservation, and travel inspiration.

One Final Thought

Prepare for everything you can control—your gear, settings, batteries, storage, and technique. But when you're finally sitting in that safari vehicle, camera in hand, stay open to the unexpected.

Your favorite photograph from Africa may very well be one you never imagined taking.

And every once in a while, put the camera down and just soak it all in. After all, the better you experience a moment, the better you'll probably photograph it, too.

Happy photographing, and see you out there!

Court's Websites

Sponsors and Promo Codes:


Love 'em or Hate 'em? Five Pieces of Controversial Photography Gear Explained 13 oct. 202600:38:54

Can using a tripod actually make you a worse photographer? Are $15,000 super-telephoto lenses really worth it? And could a crop-sensor camera actually be better than full-frame for wildlife photography?

Photographers have surprisingly strong opinions about gear. But after years of guiding photography expeditions around the world, I've come to realize that some of the most passionately debated pieces of equipment don't have a clear right or wrong answer.

In this episode of The Wild Photographer, I'm diving into five surprisingly "controversial" pieces of camera gear, exploring why some photographers swear by them while others avoid them entirely. From giant wildlife lenses and teleconverters to tripods, crop sensors, and polarizing filters, I'll break down the advantages, disadvantages, and my own field-tested opinions.

The goal isn't to convince you to buy more gear—or throw anything out. It's to help you think more critically about the equipment you already have and make better decisions for the photography you actually do.

What You'll Learn in This Episode

  • Tripods: Essential or creativity killers? Why tripods are indispensable for long exposures, astrophotography, and certain landscapes, but can also slow you down and discourage experimentation with composition.
  • Giant super-telephoto primes vs. zoom lenses: The extraordinary image quality and low-light advantages of 400mm f/2.8 and 600mm f/4 lenses versus the versatility, portability, and freedom of telephoto zooms.
  • Crop sensors vs. full-frame for wildlife: Understanding crop factors, pixel density, the myth of "extra reach," and when a smaller sensor might actually put more useful pixels on your subject.
  • Teleconverters: Brilliant innovation or optical compromise? Why I'm much more enthusiastic about 1.4x teleconverters than 2x versions, and when cropping your image might be the better solution.
  • Circular polarizers: Amazing tools that are often overused: How polarizers can eliminate reflections and improve landscapes in ways editing software can't easily replicate—and why permanently leaving one on your lens might be a mistake.
  • Bonus: The great UV-filter debate. Why I use high-quality protective filters on most of my lenses, despite understanding why other photographers won't touch them.

Links & Resources Mentioned

Related Podcast Episodes and Photographers

Lenses and Teleconverters Discussed

These are examples of the types of equipment discussed in the episode, rather than a definitive shopping list.

Polarizing and Protective Filters

A few of the filter manufacturers and options I discuss:

Keep Learning Photography

For more photography tutorials, editing demonstrations, gear discussions, and lessons from the field, check out my YouTube channel, Court Whelan.

And I'd love to hear your thoughts on this episode! What's a piece of photography gear you absolutely love that everyone else seems to hate? Or something you think is completely overrated?

Head over to my YouTube channel and leave a comment. Your answer might just inspire a Part Two!

Remember: The best piece of camera gear isn't necessarily the most expensive, the sharpest, or the one other photographers tell you to buy. It's the one that helps you make the photograph you actually want to make.


Court's Websites

Sponsors and Promo Codes:


Wildlife Photography Gear for Beginners: Cameras, Lenses and Industry Trends with Allison McLaughlin29 sept. 202601:20:10

What camera gear do you actually need for getting into wildlife photography? And perhaps just as importantly, what don’t you need?

In this episode, Court sits down with Allison McLaughlin for a deep dive into building a wildlife photography kit, particularly for beginner and intermediate photographers. They cover everything from why autofocus tracking and telephoto reach matter so much for wildlife, to the advantages of crop sensors, zoom lenses, used gear, and even sticking with a DSLR for a little longer.

They also get very specific, working through approachable camera bodies and wildlife lenses from Canon, Nikon, Sony, Fujifilm, and OM System/Micro Four Thirds. Along the way, Court and Allison talk about how much telephoto reach you really need, why a 600mm lens isn't automatically better than a 400mm lens, and why the wide end of a telephoto zoom can be every bit as important as the long end.

Perhaps the biggest lesson from this conversation is that your next camera does not have to be your final camera. Wildlife photography gear can get expensive very quickly, but there is a huge amount of excellent equipment available one or two generations back, particularly on the used market.

Connect with Allison: https://www.reddit.com/user/mpbcom/

Cameras Mentioned

Canon

Canon EOS R50
View the Canon EOS R50

Canon EOS R10
View the Canon EOS R10

Canon EOS 7D Mark II
View the Canon EOS 7D Mark II

Canon EOS 5D Mark IV
View the Canon EOS 5D Mark IV

Nikon

Nikon Z50 II
View the Nikon Z50 II

Nikon D500
View the Nikon D500

Nikon Z8
View the Nikon Z8

Sony

Sony A6100
View the Sony A6100

Sony A6400
View the Sony A6400

Sony A6600
View the Sony A6600

Sony A1
View the Sony A1

Sony A1 II
View the Sony A1 II

Fujifilm

Fujifilm X-T30 II
View the Fujifilm X-T30 II

Fujifilm X-S10
View the Fujifilm X-S10

OM System

OM System OM-5
View the OM System OM-5

Lenses Mentioned

Canon

Canon RF 100-400mm f/5.6-8 IS USM
A lightweight, relatively affordable RF wildlife zoom that Allison specifically highlights as a strong starting point.

View the Canon RF 100-400mm

Canon EF 100-400mm f/4.5-5.6L IS USM
The transcript does not specify which generation of the EF 100-400mm, so both versions are included here.

View the original Canon EF 100-400mm

View the Canon EF 100-400mm II

Nikon

Tamron 70-300mm f/4.5-6.3 Di III RXD for Nikon Z
One of Allison's budget-conscious recommendations for someone building a Nikon Z wildlife kit.

View the Tamron 70-300mm Nikon Z

Nikon AF-S Nikkor 200-500mm f/5.6E ED VR
An older F-mount wildlife favorite that can also be adapted to Nikon Z bodies.

View the Nikon 200-500mm

Sony

Sony E 70-350mm f/4.5-6.3 G OSS
Allison's standout recommendation for Sony APS-C wildlife shooters.

View the Sony 70-350mm G OSS

Sony FE 200-600mm f/5.6-6.3 G OSS
Discussed as an excellent example of the versatile long-telephoto range that works especially well for wildlife and birds.

View the Sony 200-600mm

Sony FE 400-800mm f/6.3-8 G OSS
An example of just how much reach modern wildlife lenses can provide, while also illustrating why the minimum focal length of a zoom matters.

View the Sony 400-800mm

Sony FE 100-400mm f/4.5-5.6 GM OSS
The Sony 100-400mm is also discussed when comparing versatile wildlife zoom ranges.

View the Sony 100-400mm GM OSS

Fujifilm

Fujifilm XF 70-300mm f/4-5.6 R LM OIS WR
Allison's pick for a compact Fuji wildlife setup, with stabilization and weather resistance.

View the Fujifilm XF 70-300mm

Micro Four Thirds / OM System

Olympus M.Zuiko 150-400mm f/4.5 TC1.25X IS PRO
The lens Court used in Namibia, giving a tremendous effective focal range on the Micro Four Thirds system.

View the Olympus 150-400mm

Olympus M.Zuiko Digital 75-300mm
Allison recommends the 75-300mm range as an especially compact way to get roughly a 150-600mm full-frame equivalent field of view. The episode does not specify which generation.

View the original Olympus 75-300mm

View the Olympus 75-300mm II

Panasonic Lumix G Vario 100-300mm
Another Micro Four Thirds option discussed for getting substantial wildlife reach without carrying a huge lens. The specific generation is not identified in the conversation.

View the original Panasonic 100-300mm

View the Panasonic 100-300mm II

Lens Adapters Mentioned

Canon Mount Adapter EF-EOS R
Allows Canon EF DSLR lenses to be used on Canon RF mirrorless bodies.

View the Canon EF-EOS R Adapter

Nikon FTZ Mount Adapter
Allows compatible Nikon F-mount DSLR lenses to be used on Nikon Z mirrorless cameras.

View the Nikon FTZ Adapter


Court's Websites

Sponsors and Promo Codes:


Making Photography Fun (Again?)14 sept. 202600:27:32

Photography is supposed to be fun. But somewhere along the way, as we get better at it, acquire more gear, learn more techniques, and start expecting more from every photograph, some of that original excitement can fade.

In this episode, Court explores how to bring some of that playfulness, curiosity, experimentation, and excitement back into photography. This isn't really an episode about taking technically better photographs. In fact, that's sort of the point. It's about enjoying the process, trying things without worrying whether they'll work, and occasionally giving yourself permission to make some genuinely bad photos along the way.

From simplifying your camera kit and creating photo assignments to breaking your own habits, printing photographs, shooting with friends, and sometimes leaving the camera at home altogether, Court shares practical ways to reset your photographic brain and rediscover some of the excitement that probably got you hooked on photography in the first place.

In This Episode

  • Simplify your gear. Try heading out with one camera and one lens. Removing choices forces you to work a little harder creatively and spend less time managing equipment.
  • Give yourself a very specific photo assignment. Photograph only shadows, reflections, textures, one color, things in motion, or subjects less than a foot off the ground.
  • Limit yourself to one focal length. Even with a zoom lens, pick something like 35mm and don't touch the zoom ring.
  • Pretend you're shooting film. Give yourself exactly 24 photographs, or tell a complete photo story using only five images.
  • Make photographs you never intend to share. Take Instagram, portfolios, competitions, and other people's opinions completely out of the equation.
  • Break your normal photographic habits. Photograph wildlife wide, landscapes with a telephoto, moving subjects at slow shutter speeds, or scenes at apertures you'd normally avoid.
  • Learn one small new technique. Try focus stacking, panoramas, intentional camera movement, exposure bracketing, astrophotography, macro, or black-and-white photography.
  • Try a completely different genre. Wildlife photographers can photograph architecture. Landscape photographers can try street photography. Travel photographers can spend an hour chasing insects and wildflowers.
  • Stop waiting for perfect conditions. Instead of asking whether the light or weather is "good," ask what kind of photography those conditions make possible.
  • Spend more time with fewer subjects. Pick one tree, flower, bird, landscape, or street corner and photograph it for 15 or 20 minutes. The interesting photographs often start after you've exhausted the obvious ones.
  • Observe wildlife instead of simply collecting photographs of it. Once you've "got the shot," keep watching. Behavior, light, composition, and interactions can change quickly.
  • Print your photographs. Even a simple 4x6, 5x7, or small collection of prints can completely change your relationship with an image.
  • Photograph with other people. Seeing what catches another photographer's eye can reveal compositions and ideas you would have walked right past.
  • Occasionally leave the camera at home. Experience a hike, sunset, wildlife sighting, or beautiful place without constantly evaluating it as a photograph.
  • Remember why you started. Photography becomes a lot more interesting when you start asking "What if?" again.

Mentioned in the Episode

Court Whelan on YouTube
Search "Court Whelan Photography" on YouTube for photography tutorials, editing videos, techniques, and photo-travel content.

https://www.youtube.com/@courtwhelan

FoxPrint
Small Polaroid-style photo prints and other easy ways to turn digital photographs into something physical.

https://www.foxprint.com/collections/square-prints


Court's Websites

Sponsors and Promo Codes:


Talking with Pete Ramsden - Techniques for Photographing in Challenging Conditions, Advice on Light Painting, Capturing the Northern Lights and More01 sept. 202601:28:12

In this episode of The Wild Photographer, Court sits down with fellow photographer, naturalist and expedition leader Pete Ramsden for a wide-ranging conversation about what it actually takes to make great photographs in some of the more challenging environments on the planet.

They start in the rainforests of Borneo, where heat, humidity, and surprisingly low light can be challenging for both photographers and their gear. Pete shares some of the systems he has developed over years of guiding, including using silica gel and dry bags to fight moisture, acclimating cameras before heading outside, keeping lens cloths dry, and taking advantage of modern image stabilization to shoot at shutter speeds that would have seemed impossible not long ago. From there, the conversation moves north to the Arctic, with a deep dive into light painting and northern lights photography, including focusing in near-total darkness, composing around the aurora and experimenting with long exposures.

Court and Pete also get into the bigger picture of photography today. What does it mean to actually be "successful" as a photographer? How important is social media? How should photographers approach editing, culling thousands of images and traveling with increasingly complicated camera kits? Pete shares his Lightroom workflow, favorite travel tricks, current Sony setup and the one piece of gear that has become an unexpected game changer in the field.

Links & Resources Mentioned

Pete Ramsden

Light Painting

Travel & Camera Carrying Gear

Pete's Camera Gear

Gear Court Mentions

Court's Websites

Sponsors and Promo Codes:


A Deep Dive into Memory Cards: Speed, Maintenance, Formatting and More18 août 202600:52:01

Memory cards might be one of the least exciting things in your camera bag…right up until one fails, or a camera buffer "locks up" in the middle of an incredible wildlife moment, or you find your card simply isn't fast enough.

In this episode, Court does a deep dive into how memory cards actually work, what all those increasingly cryptic symbols on the front mean, and—more importantly—how to choose the right card for the way you photograph. The episode covers SD vs. CFexpress, read speed vs. write speed, UHS-I vs. UHS-II, V30/V60/V90 ratings, card capacity, camera buffers, dual-card setups, formatting, backups, field care, and a whole lot more.

At the end of the day, the best memory card is the one a photographer almost never has to think about. Court's advice is to choose something that matches the camera and the way it's being used, build a solid backup and formatting routine around it, take care of it in the field, and then get back to worrying about the much more interesting stuff happening on the other side of the lens.

A Quick Memory Card Cheat Sheet

General photography / landscapes / casual travel:
A good-quality SD card is usually plenty. If the camera supports UHS-II, it's worth considering, but there isn't necessarily a need for the fastest card available.

Wildlife, birds, and action:
Write speed becomes much more important. When shooting large RAW files at 15, 20, or 30+ frames per second, a slow card can become a bottleneck very quickly.

High-resolution cameras:
The bigger the files and the faster they're being captured, the more card speed matters.

Video:
Pay particular attention to sustained write speed. This is where V30, V60, and V90 ratings become important. Photographers should always check their camera's requirements for the specific video mode they're using.

CFexpress:
If a camera supports it and you're routinely shooting large RAW bursts, high-frame-rate wildlife, 4K/8K video, or RAW video, CFexpress can be a major performance upgrade.

Capacity:
For many still photographers, Court thinks 128GB–256GB is a great sweet spot. High-megapixel wildlife shooters and hybrid photo/video shooters may be happier around 256GB–512GB, while serious video shooters can very quickly find themselves looking at 1TB or more.

Court's 10-Point Memory Card Checklist

  1. Buy the right card for the camera. Compatibility comes first.
  2. Prioritize write speed for shooting and read speed for transferring files.
  3. Pay attention to sustained write speed for video. Look at ratings such as V30, V60, and V90 and check what the camera requires.
  4. Don't bargain-hunt too aggressively. Buy good cards from reputable brands and trustworthy retailers.
  5. Use a real memory-card case. Loose cards rattling around in the bottom of a camera bag are asking for trouble.
  6. Have a system for full vs. empty cards. Face-up/face-down, separate cases, labels—whatever works. Just make it obvious.
  7. Format cards in the camera only after the photos are safely backed up.
  8. Import → Backup → Verify → Format
  9. Don't remove cards while they're being accessed. Give the camera or computer a few seconds to finish its work.
  10. Retire suspicious cards. Court's philosophy is simple: if a card starts giving errors, transfer problems, or anything else that makes him nervous, it doesn't come on an important trip.
  11. Remember that a memory card is temporary storage—not an archive. Build a proper backup workflow for both the trip and when you get home.

Products & Resources Mentioned

ProGrade Digital CFexpress Type B + SDXC Dual-Slot Card Reader
Court mentions ProGrade readers as a fast and reliable option for working with CFexpress and SD cards.
https://shop.progradedigital.com/collections/sd-readers/products/dual-slot-cfexpress-type-b-sdxc-reader

SD Association Memory Card Formatter
The official SD Association formatting utility mentioned in the episode.
https://www.sdcard.org/downloads/formatter/

Memory Card Brands Mentioned

Court mentions several established memory-card manufacturers in the episode. He doesn't recommend one specific card model for everyone because the right choice depends heavily on camera compatibility, burst rate, video settings, and card-slot type.

SanDisk Memory Cards
https://www.sandisk.com/products/memory-cards

Sony Memory Cards
https://electronics.sony.com/imaging/imaging-accessories/memory-cards-storage

Lexar Memory Cards
https://americas.lexar.com/product-category/memory-cards/

ProGrade Digital Memory Cards
https://shop.progradedigital.com/collections/memory-cards

Kingston Memory Cards
https://www.kingston.com/en/memory-cards

B&H Photo — Memory Cards
One of the reputable retailers Court mentions for purchasing cards.
https://www.bhphotovideo.com/c/buy/Memory-Cards/ci/1097/N/4093113320

Court's Websites

Sponsors and Promo Codes:


Talking with Shem Compion: Making Memorable Wildlife Photographs on Safari and Beyond04 août 202601:10:37

When it comes to African wildlife photography, Shem Compion has done just about everything. He is an award-winning photographer, naturalist, author, and pioneering hide builder who has spent more than 25 years exploring and photographing the wild landscapes of Africa. He is also a professional photo guide where he helps photographers experience Africa with the timing, access and creative guidance needed to come home with something truly special.

In this episode, Shem and I dig into what separates a technically good wildlife photograph from one that stops people in their tracks. For Shem, much of it comes down to combining emotion with narrative. A photograph should make the viewer feel something, but it should also tell us where the animal lives, what it is doing and why that particular moment matters.

We also explore the enormous value of photographic guides, the temptation to photograph every animal you encounter on safari and why harsh midday light is rarely your friend. Shem shares the fascinating story behind the underground photography hides at Mashatu Game Reserve, including the new overnight hide that functions almost like a wildlife photography studio, complete with controlled lighting, beds and, crucially, a coffee machine.

From there, our conversation expands into visual storytelling, conservation photography, building a lasting body of work and organizing your image library so you can actually find those photographs 15 years from now. Shem also walks us through his current Nikon kit, his relatively light-handed approach to editing and the advice he wishes he could give his younger self: take more photographs, especially of the people, experiences and behind-the-scenes moments that make a journey memorable.

Links and Resources Mentioned

Learn More About Shem...

Photography Hides and Safari Experiences

Conservation Photography

  • Wildscreen ARK — Wildscreen’s nature education and visual storytelling platform
  • The ARKive Legacy — The original conservation image library referenced during the conversation. ARKive went offline in 2019, but its collection of more than 100,000 wildlife images and videos remains preserved by Wildscreen.

Photo Books, Organization and Editing

Shem’s Primary Camera Kit

Court's Websites

Sponsors and Promo Codes:


Snapshot Episode: A Quick Guide to Ultra-Wide Angle Lenses28 juil. 202600:17:21

Ultra-wide angle lenses may not take the majority of the photographs on a typical trip, but the images they produce can be some of the most immersive, useful and memorable. They are fantastic for astrophotography, Northern Lights, travel assignments, interiors and those experiential photographs that place the viewer right in the middle of the action.

In this episode, Court explores what qualifies as an ultra-wide angle lens, how crop-sensor conversions affect focal length, and why wider is not always better. He also compares prime and zoom lenses, explains the tradeoff between maximum aperture and field of view, and shares why approximately 20mm has become his personal sweet spot for many nighttime and travel-photography situations.

Court's Websites

Sponsors and Promo Codes:


All About Camera Sensors: Understand them and Improve your Photography20 juil. 202600:48:39

In this episode of The Wild Photographer, Court takes a deep dive into one of the most important but often misunderstood parts of your camera: the digital sensor.

While camera sensors can sound technical at first, understanding how they work has a very real impact on the photos you make in the field. From ISO and noise to dynamic range, RAW files, megapixels, sensor size, rolling shutter, and even sensor dust, this episode breaks down the core concepts with practical advice in a photographer-friendly way.

Court explains the sensor as a light-gathering tool—the digital equivalent of film—and uses the helpful analogy of tiny “light buckets” to explain exposure, blown highlights, low-light performance, and why getting more real light to your sensor is often the key to better image quality.

Whether you’re photographing a jaguar at dusk, a polar bear on snow, birds in flight, or a sunrise landscape, understanding your sensor helps you make better decisions in the field. This episode is all about turning the technical side of photography into practical knowledge you can actually use.

Expect to Learn:

  • What a digital camera sensor actually does
  • The difference between photosites and pixels
  • Why high ISO creates noise—and why ISO is not the enemy
  • How sensor size affects low-light performance and dynamic range
  • When more megapixels help, and when they can create trade-offs
  • Why protecting highlights matters so much in digital photography
  • How RAW files preserve more of what your sensor captures
  • How cameras interpret color
  • Why a properly exposed high ISO image can beat an underexposed low ISO image
  • What ISO invariance and dual gain sensors mean in practical terms
  • When to use mechanical vs. electronic shutter
  • How rolling shutter can affect wildlife and action photography
  • What BSI and stacked sensors mean for modern camera performance
  • Why phone cameras are impressive—but still different from larger-sensor cameras
  • How to prevent and manage sensor dust in the field

Key Takeaways:

Your camera sensor is not just a spec on a camera brochure. It is the heart of your digital camera and the thing that determines how your camera receives light. Once you understand how your sensor works, you can expose more intentionally, choose ISO more confidently, protect important highlights, shoot RAW when quality matters, and make better creative decisions in the field.

Court's Websites

Sponsors and Promo Codes:


UV Filters Explained: Worth It, Overrated, or Essential Lens Protection?14 juil. 202600:14:40

UV filters are one of those deceptively simple pieces of camera gear that somehow manage to spark wildly passionate opinions.

Some photographers swear by them. Others won’t let them anywhere near their expensive glass. And somewhere in the middle are a whole lot of people wondering, “Wait… do I actually need one of these things?”

In this episode of The Wild Photographer, we’re taking a practical, field-tested look at UV filters: what they are, why they exist, why they mattered more in the film era, and why many photographers still use them today even though digital cameras don’t really need UV filtration in the same way.

The big shift is this: for most modern photographers, UV filters are no longer about filtering UV light. They’re about protection.

A good UV filter acts like a clear, protective layer in front of your lens. It can help shield your front element from scratches, smudges, dust, rain, mud, salt spray, and the occasional “oops, that branch was closer than I thought” moment. And for photographers who travel, guide, shoot in rough conditions, or frequently clean their gear in the field, that extra layer can provide a lot of peace of mind.

But there are trade-offs. Cheap filters can potentially degrade image quality, stacking filters can cause issues like vignetting or optical weirdness, and if you’re using extremely high-end prime lenses, there’s a very reasonable argument that you may not want to place a lower-quality piece of glass in front of a truly elite lens.

So this episode is less about declaring UV filters “good” or “bad,” and more about understanding when they make sense, when they don’t, and how to shop for one if you decide to use them.

UV Filter Product Links Mentioned

Here are the UV filter brands and shopping resources mentioned in the episode:

  • PolarPro QuartzLine UV Filters — a higher-end UV filter option with quartz glass, anti-reflection coatings, scratch protection, and no exposure adjustment needed.
  • Hoya UV Filters at B&H Photo — Hoya offers a wide range of UV and protective filters, including multi-coated and higher-end HD options.
  • Hoya HD3 UV Filter — a premium Hoya UV filter with nano multicoating, scratch resistance, water and oil repellency, and no exposure change.
  • B+W UV-Haze MRC MASTER Filter — a high-quality UV protection filter with MRC nano coating and low reflective qualities.
  • B+W Clear Protection Filter — a clear protective filter option designed to protect against dust, fingerprints, splashing water, and other field hazards.
  • B&H Photo Protective and UV Filters — a useful place to compare UV, haze, and protective filters by size, brand, price, and coating type.
  • Lensrentals — a place where photographers can research or rent gear, including filters depending on availability.

Final Takeaway

UV filters are not magic. They will not transform your photos, make your colors explode, or really much of anything when it comes to look.

But a good UV filter can protect your lens, make cleaning easier, reduce stress in rugged field conditions, and help preserve resale value. For most lenses, especially everyday travel, wildlife, and landscape lenses, I think they’re a very smart investment.

The key is to buy a good one. Look for reputable brands, multi-coated glass, and a price point that matches the quality of the lens you’re protecting.

And when you’re stacking filters, working with ultra-premium glass, or chasing the absolute highest optical quality possible, that may be the time to take the UV filter off and let the lens do its thing.


Court's Websites

Sponsors and Promo Codes:


Wildlife Photography 102 and 103: Advanced Methods for Pro-Level Results07 juil. 202600:44:48

There’s a big difference between taking a photo of wildlife and making a wildlife photograph.

That’s really the heart of this episode. In Wildlife Photography 102 and 103, we move beyond the basics and into the field-tested techniques that help transform a good wildlife sighting into a more captivating, artful, professional-looking image.

This isn’t about needing the fanciest camera or the biggest lens. It’s about learning how to stack the deck in your favor, first with Technique... choosing your angle, understanding light, reading behavior, waiting for the moment, managing your background, and dialing in the right settings so that when the magic happens, you’re ready for it. And, why the best wildlife photographers are often the ones who watch first and shoot second.

Then we shift into the Settings side of the equation: why shooting in RAW is such a game changer, why I love manual mode with Auto ISO, how to think about shutter speed for calm wildlife versus true action, and when to use burst mode or pre-record features to capture moments that happen faster than your brain can react.

The overall goal? To move past the “field guide shot” and create wildlife images that feel more alive, more intentional, and more memorable.

In This Episode

We cover:

  • How to avoid the classic “field guide shot”
  • Why low angles create more intimate and aesthetic wildlife images
  • How telephoto lenses can help lower your effective shooting angle
  • How background separation creates that pro-level wildlife portrait look
  • Why distance between the animal and background matters so much
  • How to choose backgrounds based on color, texture, pattern, and layers
  • Why patience is often the secret ingredient in great wildlife photography
  • How to wait for the best moment instead of settling for the obvious one
  • What catch light is and why it brings life into an animal’s eye
  • Why shooting to edit can improve your compositions
  • How golden hour, clouds, and dramatic weather can elevate your photos
  • When spot metering can create more dramatic or unexpected exposures
  • Why shooting in RAW is essential for advanced editing
  • Why manual mode plus Auto ISO is my favorite setup for wildlife
  • How to think about shutter speed for different kinds of wildlife behavior
  • When to use motion blur creatively
  • How panning can create streaky, dynamic wildlife images
  • Why burst mode is so useful for fleeting behavior
  • How pre-record features can help capture pounces, takeoffs, breaches, and other split-second moments

Final Thoughts

Wildlife Photography 102 and 103 is really about becoming more intentional and creating art vs. just documenting what you saw. It’s the shift from “I saw something amazing” to “I made something compelling out of the moment.”

That comes from little choices that add up: getting lower, watching the background, waiting for behavior, catching the light in the eye, choosing the right shutter speed, and giving yourself room to edit. None of these techniques require perfection. They just require awareness — and a willingness to slow down, observe, and make decisions before the moment disappears.

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Shutter Speeds Necessary for Various Types of Wildlife Movement30 juin 202600:32:23

There are few things more frustrating in wildlife photography than thinking you nailed the moment… only to later realize the animal is just a little bit soft. That is, you didn't freeze the wildlife movement. 

In this episode of The Wild Photographer, we’re diving into one of the most practical, field-tested topics in wildlife photography: what shutter speeds you actually need to freeze motion.

But here’s the important part: not all movement is created equal. A sleeping polar bear, a restless lion, a nursing cub, a walking raccoon (any raccoon photographers out ther?), a sparring bear, a flying bird, and a twitchy little forest bird all require different thinking. And while faster shutter speeds are usually safer, they come with trade-offs: higher ISO, more noise, wider apertures, less depth of field, or the need to lean on de-noise software later.

We’ll start by separating two types of movement: camera movement and subject movement. Camera shake can sometimes be handled with the classic “one over focal length” rule, image stabilization, tripods, monopods, or good bracing technique. But subject movement? That’s a whole different beast — sometimes literally.

From there, we walk through practical shutter speed ranges for different wildlife scenarios, from resting animals all the way up to fast, frenetic movement like birds in flight, pouncing predators, or fast-twitch action. We also talk about when not to freeze motion, because intentional motion blur can be one of the most creative ways to make your wildlife photography stand out.

The goal here isn’t to memorize a rigid formula. It’s to build a mental field guide so that when the action starts, you can make fast, confident decisions — instead of fumbling with settings while the cheetah, bear cub, or twitchy bird does something spectacular and then immediately pretends nothing happened.

Here’s the summary list of shutter speeds discussed in the episode:

Wildlife Scenarios | Recommended Shutter Speed Range 

Resting animal / no movement | 1/100 to 1/250 sec
Slightly restless animal / periodic movement | 1/200 to 1/320 sec
Restful interaction — nursing cubs, gentle behavior | 1/250 to 1/500 sec
Steadily moving but calm — slow bear, relaxed walking, gentle movement | 1/320 to 1/600 sec
Playful interaction — gorilla baby playing, active family behavior | 1/500 to 1/800 sec
Walking or trotting mammal | 1/800 to 1/1250 sec
Fast movement — sparring, chasing, rolling, running | 1/1600 to 1/2000 sec
Frenetic movement — birds in flight, pouncing, twitchy action | 1/1600 to 1/3200 sec
Extremely fast wings — hummingbirds, insects, wingbeats | 1/4000 to 1/8000 sec may help, but even this may not fully freeze wing motion
Twitchy birds on branches | Can range from 1/250 to 1/1600 sec, depending on timing
Intentional motion blur | Start around 1/40 sec, then experiment slower
Slow-motion blur experiments | Try 1/20, 1/10, 1/8, 1/5, or 1/2 sec
Panning wildlife | Often around 1/40 to 1/20 sec
Handheld landscapes | Absolute slow end around 1/50 sec, but often safer at 1/200 to 1/250 sec
Tripod landscapes | Much slower shutter speeds are possible because the subject usually isn’t moving, and tripods take out all hand movement.


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How Pros Travel with Camera Gear (Safely and Effectively!)23 juin 202601:01:51

In this episode of The Wild Photographer, Court digs into one of the most practical, important, and occasionally nerve-wracking topics in travel photography: how to travel with camera gear safely and effectively.

If you’ve ever walked through an airport with thousands of dollars of camera equipment on your back, you know the feeling. You don’t want that bag leaving your side, you don’t want your lenses rattling around, and you definitely don’t want to arrive in Botswana, Alaska, Borneo, or anywhere else only to discover that you missed packing something or have something break in transit.

After 20-plus years of traveling the world as a professional photographer, wildlife guide, and expedition leader, Court has developed a very practical system for getting gear from home to the field and back again. This episode covers everything from choosing the right camera bag to navigating airline restrictions, packing lenses properly, dealing with lithium batteries, deciding whether to bring a laptop, evaluating tripods and monopods, and keeping gear clean in dusty, wet, muddy, salty, or otherwise gear-hostile environments.

The big theme throughout this episode is that traveling well with camera gear is not about bringing every accessory you own or treating your equipment like a museum artifact. It’s about building smart habits, reducing risk, staying organized, and protecting the gear enough that it can do what it’s meant to do--help you make great photos in wild places.

Products Mentioned + Links:

Shimoda Designs Action X40
Camera backpack mentioned by Court as one of his favorite travel and field bags.
https://shimodadesigns.com/action-x40-v2-backpack-black/

Peak Design
Camera bags, clips, straps, tripods, and carry accessories.
https://www.peakdesign.com/

Peak Design Capture Camera Clip
Camera clip that attaches to a backpack strap or belt.
https://www.peakdesign.com/products/capture

Peak Design Camera Straps
Quick-release camera strap system.
https://www.peakdesign.com/collections/straps

Peak Design Carbon Fiber Travel Tripod
Compact travel tripod mentioned by Court.
https://www.peakdesign.com/products/travel-tripod

f-stop Gear
Adventure camera backpacks and modular camera inserts.
https://fstopgear.com/

ORTLIEB Waterproof Backpacks
Waterproof backpack options for wet, rainy, or boat-based travel.
https://us.ortlieb.com/collections/waterproof-backpacks

NOMATIC / McKinnon Battery Case
Battery case mentioned by Court for organizing three camera batteries.
https://www.nomatic.com/products/battery-case

PolarPro
Filters and camera accessories; Court mentions liking a sturdier PolarPro lens cloth that came with a filter.
https://www.polarpro.com/

ProGrade Digital Card Readers
Dedicated memory card readers for SD, CFexpress, and other card types.
https://shop.progradedigital.com/collections/sd-readers

Anker
Charging hubs and USB-C charging accessories.
https://www.anker.com/

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Snapshot: Why Every Photographer Should Own a Nifty Fifty Lens16 juin 202600:14:46

In this snapshot episode of The Wild Photographer, Court dives into one of the most beloved, affordable, and surprisingly powerful lenses in photography: the Nifty 50.

A “Nifty 50” is the nickname for a 50mm prime lens with a very fast aperture, often somewhere around f/1.8, f/1.4, or even f/1.2. These lenses are famous for being small, lightweight, relatively inexpensive, and capable of producing beautifully shallow depth of field. In other words, they can give your photos that dreamy background blur, strong subject separation, and low-light flexibility that usually comes with much more expensive gear.

While a 50mm lens may not seem like the obvious choice for nature and wildlife photography, Court makes the case that it deserves a permanent spot in just about every photographer’s kit. It may not be the lens you use all day, every day, but it can become your “X factor” lens — the one you pull out when you want a different look, a creative constraint, or a way to make images that feel a little more cinematic, intimate, or unexpected.

In this episode, Court explains what makes the Nifty 50 so useful, why it’s such a great lens for beginning photographers, how it can help you learn aperture faster, and where it fits into a travel, nature, portrait, cultural, or even video workflow.

Key Takeaways

  • A Nifty 50 is a 50mm prime lens with a fast aperture, often f/1.8 or f/1.4.
  • It is one of the most affordable ways to experience very shallow depth of field.
  • It is small, lightweight, and easy to keep in your camera kit.
  • It is not the perfect lens for classic landscapes or traditional wildlife close-ups, but it can create fantastic, creative nature images.
  • It excels at portraits, travel, culture, food, markets, low light, and video.
  • It is especially valuable because it teaches aperture through real-world use.
  • For many photographers, the inexpensive version is more than enough.

Court Whelan on YouTube
Court shares weekly photography videos, editing tutorials, on-site video lessons, and practical tips for growing as a photographer.
https://www.youtube.com/@courtwhelan

The Wild Photographer Podcast
If you’re enjoying the show, please consider sharing the podcast with a friend and leave a review on Apple Podcasts, Spotify, or your podcast platform of choice. I truly appreciate it and and appreciate you for listening!

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When and How to "Break the Rules" and Think Different with your Wildlife, Landscape and Nature Photography09 juin 202600:36:26

In this episode of The Wild Photographer, Court follows up on his recent conversation about the “rules” of photography by exploring the equally interesting topic: when should we break them?

Photography rules exist for good reason. Things like the rule of thirds, sharp focus, proper exposure, level horizons, golden hour light, and clean composition all help us make stronger images more consistently. They give us a useful framework, especially when we’re learning or working quickly in the field. But as every photographer eventually discovers, those rules are not laws. They are shortcuts, not mandates.

At the end of the day, photography is art. A technically perfect image can fall flat, while a photograph that bends or completely ignores the rules can be the one that draws more attention and pop. Sometimes a slightly blurred subject, an "overly bright" exposure, a centered animal, a tilted horizon, or a chaotic scene full of visual clutter creates more feeling, more story, and more originality than the “correct” version ever could.

In this episode, Court walks through some of his favorite ways to break traditional photography rules with intention. He talks about exaggerated composition, center-weighted subjects, high-key and low-key exposure, motion blur, focusing somewhere other than the eyes, embracing bad weather, shooting at midday, experimenting with minimalism and maximalism, photographing the aftermath of a moment, and even leaning into star trails instead of trying to avoid them.

The big idea is not to throw every rule out the window and hope for the best. It’s to understand the rules well enough that you can recognize when breaking them might create a stronger photograph. When done thoughtfully, breaking the rules gives you more creative control and a way to make images that feel more personal, more memorable, and sometimes a whole lot more fun.

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Snapshot: A Simple Formula for Great Astrophotography02 juin 202600:24:36

In this snapshot episode of The Wild Photographer, Court shares a quick, practical guide to astrophotography — specifically, how to photograph the Milky Way with strong composition, sharp stars, and a plan for success.

Astrophotography can feel intimidating at first. You’re working in extreme low light, trying to make tiny points of starlight stand out in a big, dramatic way. Plus, you're likely using gear that is specialized, and let's face it, things are more challenging in the pitch dark.

But the good news is that with a solid plan, it's a fairly straightforward formula. With the right lens, a sturdy tripod, thoughtful foreground composition, and a few repeatable camera settings, you can create beautiful night sky images that will really help elevate your nature photography.

Links Mentioned in the Episode:

Sun Surveyor App
A planning app for tracking the sun, moon, and Milky Way, including augmented reality tools for scouting compositions.
https://www.sunsurveyor.com/

Timeanddate Moonrise and Moonset Calculator
Useful for checking moonrise, moonset, moon phase, moon direction, and timing for astrophotography planning.
https://www.timeanddate.com/moon/

Court Whelan on YouTube
Court’s YouTube channel includes photography tutorials, editing walkthroughs, and visual companions to topics discussed on the podcast.
https://www.youtube.com/@courtwhelan

Smallrig LED Light: https://amzn.to/3PlZvTT

Petzl Actik headlamp: https://amzn.to/4nUlwWE

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The 7 Photo Tips I Teach on DAY ONE of my Guided Photo Adventures26 mai 202600:37:35

In this episode of The Wild Photographer, Court shares the core lessons he teaches at the beginning of every photography trip. These are the foundational tips that help guests quickly gain more creative control, troubleshoot challenging field conditions, and start making stronger nature and wildlife images from the very first outing.

Whether you’re heading on safari, photographing bears in Alaska, chasing landscapes in Iceland, or simply trying to get more out of your camera, these are the habits that can make a huge difference.

The 7 Things

  1.  Move off full auto 
  2.  Practice exposure compensation 
  3.  Use center point autofocus 
  4.  Work on composition and visual balance 
  5.  Remember to zoom out 
  6.  Choose your background 
  7.  Choose your white balance 

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How to Get that "Pro Look" with your Nature Photography: 10 Tips and Strategies to Level Up your Game12 mai 202601:03:02

Ever looked at a photo and thought, “Why does that look so much better than mine?” 

In this solo episode, I break down the real, practical ingredients that separate good photos from truly professional ones. I cover 10+ techniques, including special times of day, dialing in your gear, ISO, tripod use, shutter speed, black & white photography, high and low key photography, editing considerations and more.

The more of these techniques you stack, the more pro your photos will become!

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Talking with Rich de Gouveia: Low-light Techniques, Best Lenses, "Making" Photographs to Represent Something, and Much More28 avr. 202601:16:16

In this episode, Court sits down with pro safari photographer and guide, Richard de Gouveia, to get practical about what actually improves your wildlife and landscape images on the ground, from low-light decisions to vehicle positioning and daily image review. 

A lot is covered in this episode with so many wonderful takeaways, including best-practices when planning an African photo safari, conservation photography, the best gear, thoughts on improving your odds in photo contests and his advice for sharing photos, particularly on social media (he's got an impressive following).

The thread that ties it all together is intention: making photographs that represent something, not just collecting wildlife sightings.

Key Takeaways:

  1. Start with the end in mind - Plan safaris around what you want to photograph, not just where you want to go—build the itinerary backward from your goals. 
  2. A great guide is your secret weapon - The best results come from guides who understand both wildlife behavior and photography.
  3. Stay longer, shoot better - Proper duration allows for better light, behavior, and storytelling opportunities. 
  4. Low light is the biggest technical challenge - The best moments happen at dawn/dusk—so mastering shooting technique is critical. 
  5. Gear matters—but only at the margins - You don’t need top-tier gear, but you do need gear that can handle motion + low light.
  6. Big primes = power + constraints - They deliver incredible image quality and subject isolation—but require mindset shifts.
  7. Background is everything - Great wildlife photos aren’t just about the subject—it's equally about what’s behind it.
  8. Think in sequences, not single shots - As an animal approaches: shoot wide → mid → tight. This builds a complete visual story instead of a one-off frame. 
  9. Review your photos daily (non-negotiable) - Why waiting until you get home is too late.
  10. Photography is about representation, not just aesthetics - How to get your best images to mean something.


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Customizing Your Camera: A Deep Dive for Setting Up Your Camera for Wildlife, Landscape, and Nature Photography14 avr. 202600:40:34

In this solo deep dive, I walk you through the exact camera setup I use before every shoot, every trip, and sometimes even check between battery or memory card swaps. These aren’t just preferences—they’re the important, yet often-overlooked settings that can make or break your ability to capture fleeting moments in nature photography. 

We get into the philosophy behind shooting in manual with auto ISO, why I prioritize speed and readiness for wildlife over anything else, and how I customize my camera to react as fast as the scene unfolding in front of me. From autofocus strategies and drive modes to white balance and RAW vs. JPEG, this episode is all about removing friction so you can focus on what really matters: making great photographs.

Whether you’ve just unboxed a new camera or you want to fine-tune your current setup, think of this as your field-ready blueprint for getting your gear working for you, not against you.

Not all things do I check and reset daily, but here is a quick guide for those that I do look at near-daily:

  • Double-check RAW is still active
  • Confirm drive mode it back to high-speed
  • Re-check autofocus settings for single point / single shot
  • Verify Manual + Auto ISO is set
  • Check exposure settings (and go back to an even exposure)
  • Image stabilization is turned on, both in-camera and on lenses

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How to Turn your Phone into the Best Camera in the World31 mars 202600:43:01

Your smartphone is already the camera you carry everywhere — and in this episode, Court makes the case for why that can make it the best camera in the world. From smarter shooting shortcuts and better composition to long exposures, portrait mode, slow motion, and simple edits, this episode is packed with practical ways to get more out of the camera that’s already in your pocket. Court also shares which phone features he actually uses, which ones he skips, and a few favorite apps for shooting and editing on the go.

What You’ll Learn

  •  Why your phone can genuinely become your most useful camera 
  •  Quick access tricks that make it easier to capture fleeting moments 
  •  How to improve composition with aspect ratio choices and grid lines 
  •  When night mode, portrait mode, and live-mode long exposures shine 
  •  Why pinching to zoom can reduce photo quality
  •  How to think about editing for photos that will mostly live on phones 
  •  Which smartphone features are worth using — and which Court mostly ignores 

Talked about in the Episode: 

Leica LUX App

Lightroom Mobile App

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Talking with Eric Rock: How to Become a Better Wildlife and Nature Photographer in the Field17 mars 202601:15:30

In this episode I sit down with legendary photographer, guide, and longtime friend Eric Rock for a conversation packed with field-tested wisdom, big-picture perspective, and the kind of insight that only comes from a lifetime spent photographing (and guiding instructional photo tours) in wild places.

We dive into what it really takes to become a stronger nature photographer, from learning to capture a wildlife subject with intention, to building fieldcraft techniques that help you create better images before you ever touch the shutter. 

We also get into the nuts and bolts of photography: prime lenses vs. zooms, what focal lengths Eric tends to trust most for wildlife, how he thinks about exposure, and why the histogram is still one of his favorite tools on a digital camera. Eric also discusses his editing philosophy, his evolving visual style, and how photography can be used as a meaningful tool for conservation and education.

This episode is full of practical advice, but it’s also a deeper conversation about patience, purpose, and staying connected to the passion that got you into photography in the first place.

In this episode, we discuss:

  • Why bears are such powerful teachers for wildlife photographers
  • How to approach wildlife photography ethically and effectively
  • The importance of guides, awareness, and fieldcraft
  • Telephoto choices, zooms vs. primes, and lens versatility
  • Setting photography goals for daily practice and long-term growth
  • What makes a compelling travel photograph
  • How to become successful in nature photography today
  • Why the histogram still matters
  • Eric’s minimalist editing workflow and evolving creative style
  • OM System gear, favorite lenses, and surprisingly useful non-camera gear

Find Eric Rock online:

Additional Photo Resources: Court's YouTube Channel

New Course! Conservation Communications Course - with Court and Colby

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Landscape Photography 101 & 102: Tips to Instantly Elevate Your Landscape Photos03 mars 202600:44:33

In today's episode, Court records in-location while prepping to photograph the Rocky Mountains from Boulder, Colorado—then pours a couple decades of landscape photography lessons into a practical, no-fluff playbook. From where to focus (so everything’s sharp) to when to shoot (with specifics for best times of day), to nearly a dozen other tips, this is a field guide you can use immediately—whether you’re shooting mirrorless, DSLR, or point-and-shoot. He concludes with bonus content on editing and forecasting for the best weather and sun position.

Summary

Landscape photography gets dramatically easier when you simplify it into a repeatable workflow:

  1. Build the scene in layers (foreground, mid-ground, background).
  2. Lock in focus and stability (hyperfocus “one-third in,” tripod, and a no-shake shutter method).
  3. Let time-of-day do the magic (golden hour + blue hour are your unfair advantage).
  4. Nail exposure the smart way (manual settings, protect highlights, and hedge with slight underexposure).
  5. Edit with intention, not chaos (masking first, then a few powerful sliders).
  6. Scout light and weather (and use tools like Sun Surveyor to predict where the sun will be in relation to your subject). 

Mentioned Resources & Links

Sun Surveyor (official site): https://www.sunsurveyor.com/  

Will Patino's Editing Videos: https://www.youtube.com/@WilliamPatinoPhotography


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One Thing, One Frame: Talking with Jason Edwards on Powerful Storytelling Techniques, Advice on Becoming a Photographer, and Much More17 févr. 202601:25:33

Today’s guest is National Geographic legend Jason Edwards—a photographer who doesn’t just document the world… he translates it via powerful storytelling techniques, which we cover in excellent depth in the conservation.

Jason talks about storytelling as a responsibility: becoming a portal for people who may never stand where you’re standing. We dig into his deceptively simple “five frames” storytelling challenge, his ruthless “one thing per photo” rule, and a powerful litmus test: does your image land emotionally without a caption?

We also get wonderfully practical—how he builds images in-camera (no object removal), how he culls his thousands of photos per trip, why “context shots” still matter even if everyone’s taken them, and how to think like a pro without getting swallowed by social media.

Top 10 takeaways

  • Storytelling = connection: you’re sharing an experience for someone who may never get to be there.
  • The 5-frame storytelling concept forces clarity—every frame must earn its place.
  • A single image can be “the one” if it moves someone without needing a caption.
  • Use an adjective test (cold, lonely, chaotic, tender) to strengthen emotional storytelling.
  • Jason’s core rule: you only get one thing in a photo—build everything around that anchor.
  • Supporting elements are “actors,” not clutter: if it doesn’t add, it subtracts.
  • Don’t copy the internet: avoid pre-researching other photographers’ shots if you want your story.
  • Practice “context shots” (the obvious wide/establishing frames) so your story has structure.
  • His culling workflow is brutally efficient: 3 passes + color labels to find the true story set.
  • Be a pro by acting like one: protect your credit, respect your work, and don’t let social metrics define your worth.

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Travel Photography 101 (and Then Some): Capturing Moments for Beautiful Memories03 févr. 202601:03:51

In this episode of The Wild Photographer, host Court Whelan dives into a long-awaited deep dive: Travel Photography. It’s an episode designed for photographers who want their images to capture the moment during travel and adventures in a more meaningful, creative, and artistic way. 

This is both a comprehensive breakdown and a highly practical guide, whether you’re shooting with a full-frame camera, a mirrorless setup, or just your smartphone. Court pulls from decades of experience as a travel photographer himself, photo guide, biologist, and expedition leader to distill what one should look for and how to capture stunning travel imagery when in the field.

Listeners will learn:

  • Why travel photography shouldn’t be an afterthought—and how prioritizing it leads to stronger memories and better storytelling
  • How to instantly improve compositions using angles, layers, and intentional framing
  • What to look for in great light, including golden hour, blue hour, and creative use of white balance
  • When to use shallow versus deep depth of field, and how shutter speed can either freeze action or create dynamic motion
  • Practical, respectful approaches to photographing people and street scenes without being intrusive
  • How all of these techniques translate directly to smartphone photography, including exposure control, portrait mode, and simple long-exposure tricks

Whether you’re preparing for a once-in-a-lifetime expedition or documenting a weekend trip close to home, this episode delivers tools you can use immediately—no matter what camera is in your hand.

Here is the small travel printer (great for sharing in-the-moment with the people you photograph) he mentions - Selphy printer - https://amzn.to/3NSi8xp

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Light, Composition, Moment: Ralph Lee Hopkins, on Building a Life in Photography20 janv. 202601:38:47

In this episode of The Wild Photographer, Court sits down with Ralph Lee Hopkins—National Geographic photo instructor, expedition leader, and one of the most influential photo guides in adventure travel—to unpack what it really means to live the life of a photographer.

Ralph traces his journey from geology student to global photo mentor, sharing how photography became a way to slow down, tune in, and stay deeply present in nature. Along the way, he breaks down his core mantra—Light, Composition, Moment—and explains why mastering these fundamentals matters more now than ever.

The conversation dives deep into the realities of building a sustainable photography career: shooting what you know, starting locally, developing multiple revenue streams, and understanding how travel, teaching, and storytelling intersect. Ralph also shares hard-earned lessons from decades of ship-based polar expeditions, including how to work fast in extreme conditions, simplify your kit, and stay ready when fleeting wildlife moments unfold.

On the technical side, Ralph offers practical advice on exposure (why slightly overexposing can preserve color), Lightroom organization (collections are everything), and editing with restraint—letting strong images shine without over-processing. He also reflects on photography as a powerful conservation tool, emphasizing long-term projects, meaningful partnerships, and images that tell more complicated, honest stories.

Whether you’re an aspiring photographer or a seasoned pro, this episode is packed with wisdom, field-tested techniques, and perspective from someone who’s spent a lifetime behind the camera—often at the edge of the world.

Follow Ralph Online:

Instagram: @ralphleehopkins (https://www.instagram.com/ralphleehopkins/)

Facebook: https://www.facebook.com/RalphLeeHopkinsPhotography/

Website/portfolio: RalphLeeHopkins.com (https://ralphleehopkins.zenfolio.com/)

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Best Lenses and Gear for Wildlife Safari Photography06 janv. 202600:34:45

Summary

In this episode, Court Whelan discusses the essentials of wildlife photography, particularly focusing on the best lenses for wildlife safaris. He emphasizes the importance of adequate reach, low light sensitivity, and flexibility in lens choice. The conversation also covers the necessary accessories for wildlife photography, including tripods and camera bags, and concludes with recommendations for both lenses and gear to enhance the wildlife photography experience.

Takeaways

  • Wildlife photography is a pinnacle experience for photographers.
  • Choosing the right lens is crucial for capturing wildlife.
  • Low light sensitivity is a challenging but key consideration for wildlife photography.
  • Flexibility in lens choice provide more photo opportunities and simplify your gear.
  • Travel-friendly gear is essential for wildlife safaris.
  • The 100-400mm or 200-600mm lens class is recommended for most photographers.
  • Consider renting high-end prime lenses for specific trips.
  • Accessories like dry bags, excellent camera bags and tripods are vital for protection.
  • Third-party lenses may not match the quality of brand lenses, but do have oodles of options.
  • A "nifty 50" lens can be a super fun and helpful lens for low light situations.

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All About Night Photography with Jeff Pfaller: Eclipses, Stars, Fireflies, and Much More23 déc. 202501:09:59

Court sits down with Jeff Pfaller to go deep on photographing the night: Milky Way fundamentals, foreground strategy (and why your cell phone flashlight is secretly a lighting tool), photo stacking workflows, fireflies (including the Smokies synchronous phenomenon), eclipse photography and logistics, editing philosophy, and gear that matters most when it’s 10:30pm and your fingers are questioning your life choices.

Key Topics Include:

  • The importance of planning a night photo shoot during the day
  • Double exposures for night photography to capture the landscape
  • Firefly photography
  • The mindset needed for photographing and publishing a photo book
  • A step by step playbook for Eclipse photography
  • Some amazing advice for assembling the perfect camera kit for you

You can find Jeff (including his fabulous book) at:

Book - https://jeffpfaller.com/products/dark-skies-photography-book

Instagram - https://www.instagram.com/pfallerj

Facebook - https://www.facebook.com/jeffpfaller

YouTube - https://www.youtube.com/user/pfallerj

Court's Websites

Sponsors and Promo Codes:


The Fundamental "Rules" of Photography09 déc. 202500:41:35

In this episode, Court lays out a practical foundation of photography “rules” — not as rigid constraints, but as dependable starting points. These principles show up again and again because they work: they help you handle light, composition, focus, and technical settings with more confidence. Once you understand them, you can follow them when they serve the image, and break them deliberately when the scene calls for something different. The goal is simple: more intentionality, and better photographs in the field.

The 14 Fundamental Rules of Photography

  1. Focus on the eyes.
  2. Use the rule of thirds.
  3. Follow the inverse focal length rule for handholding.
  4. Prioritize side lighting.
  5. Shoot during golden hour.
  6. Compose with odd numbers of subjects.
  7. Keep horizons straight.
  8. Include foreground, mid-ground, and background.
  9. Expose for the highlights.
  10. Leave space in the direction your subject is looking (eye-line rule).
  11. Avoid lines cutting through faces/heads (face-and-line rule).
  12. Use the 500 rule for astrophotography.
  13. Create subject/background separation.
  14. Simplify the frame

Court's Websites

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What's the Deal with ISO (and why you should care...a lot)25 nov. 202500:29:01

ISO is one of those photography tools that feels like a superpower… right up until it bites you. In this solo deep dive, Court unpacks why ISO is both a “magical unicorn” and a ruthless double-edged sword: it can rescue your shot in low light, but it can also quietly inject noise and crush editability.

You’ll learn what ISO actually does (and what it doesn’t), how to think about it in terms of light and "stops" and how to use it strategically in the field—especially in the real-world low-light scenarios we all love to shoot. Court also shares his go-to ISO workflow, how to set guardrails so your camera doesn’t go rogue, and why modern de-noise software changes the risk/reward equation—but doesn’t eliminate it.

If ISO has ever felt confusing, intimidating, or like the setting you touch only when you’re desperate… this episode is your new playbook. 

Expect to Learn:

  • What ISO is (in plain English)
  • ISO as part of the Exposure Triangle
  • Stops and ISO math (the simple rule)
  • The tradeoff: noise + reduced editability
  • Manual ISO vs Auto ISO
  • Avoiding Auto ISO “oops”
  • A field-friendly hack: slight underexposure
  • De-noise software: powerful but not magic
  • Two mechanical ways to keep ISO lower

Using these links to purchase gear helps support the show can keeps me making more content. Thank you in advance!

Camera: https://amzn.to/43MJbPQ

Travel tripod: https://amzn.to/44vGAKn

Travel hard drive: https://amzn.to/3KcUFpg

CF card of choice: https://amzn.to/4a7mAkY

SD card of choice: https://amzn.to/4pxENgb

My favorite battery case: https://amzn.to/4ijn2Pe

Magnetic filter set (polarizer, NDs, UV): https://amzn.to/49VtUAj

Go-to Wildlife Lens (zoom telephoto): https://amzn.to/3JWeLnI

Wide angle (landscapes, travel, culture): https://amzn.to/4ptkmAU

Ultra-wide angle (night, northern lights, milky way): https://amzn.to/43MLTVy

Travel camera backpack: https://amzn.to/47YvgJ1

Small video camera: https://amzn.to/4riVw8z

Camera sensor cleaning kit: https://amzn.to/44mmphX

Court's Websites

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Talking with Will Patino: The 4 Pillars of Landscape Photography, Simple Editing Techniques, and Why he Ditched the Tripod11 nov. 202501:16:07

Will Patino is a landscape photographer extraordinaire and excellent photography teacher. In this conversation, the New Zealand–based landscape photographer shares oh-so-many valuable tips for nature photography. 

During our time together, he breaks down his Four Pillars of Landscape Photography (location, composition, light, and processing) into a field-ready mindset, how he uses balance for composition vs. solely following compositional rules, how he reliably shoots handheld at 1/8s without a tripod, and the simple local-dodge/burn workflow he uses to keep post-processing effective and artistic. We also get into topics like flow state when photographing, why he only edits on small screens, intentional motion blur, and the his sage advice to budding photographers.

Lots of excellent pieces of advice in this fun conversation!

Will Patino on YouTube: https://www.youtube.com/@WilliamPatinoPhotography

Will Patino on Instagram: https://www.instagram.com/williampatino_photography/
 

Workshops & Gallery:  https://williampatino.com/ || William Patino Photography

Sponsors & Promos

ArtStorefronts.com — Mention The Wild Photographer for a free website build (approx. $2,000 value). See an example layout at shop.courtwhelan.com.


Court's Websites

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Tricks for Tricky Lighting - How to Take Great Photos even in Bad Light28 oct. 202500:38:21

Harsh midday highlights, blinding backlight, gloomy overcast, barely-there dawn… and full-on darkness. In this episode of The Wild Photographer, Court breaks down five common lighting scenarios that routinely present challenges for even experienced shooters—and gives you practical, field-tested fixes for each. 

From when to lean into the shadows, to when to under-expose, to the advantages of black-and-white photography, you’ll get settings, positioning tips, and creative pivots you can use on your very next outing.

What you’ll learn

  • How to tame harsh midday light with even lighting, B&W conversions, fast shutters, and deep depth of field (hello, f/22 starbursts).
  • Smart ways to handle backlighting: underexpose to protect highlights, pivot your position to remove sky, or embrace high-key silhouettes.
  • Low-light playbook for golden hour: fast glass vs. slower zooms, workable shutter rules with IBIS, intentional motion blur, and when to “shoot dark.”
  • Why flat, cloudy light is secretly great—and how to add shape and depth with composition, shallow DOF, and selective post work.
  • A simple, repeatable night wildlife recipe (spot metering + auto ISO + shallow aperture + slight underexposure) that actually works.

Chapter markers

  • 00:00 – Welcome & Episode Setup: Five “tricky light” scenarios you’ll face in the field.
  • 02:05 – Sponsors & Resources: Art Storefronts overview + Lensrentals promo; YouTube & blog pointers.
  • 06:30 – Harsh Midday Light: Seek even light; when to go black & white; leverage F11–F22 and ultra-fast shutters; birds-in-flight at noon.
  • 14:55 – Backlighting: Why highlights are hard to recover; underexpose a touch, use spot metering, minimize sky by changing your angle/elevation; creative high-key looks.
  • 23:40 – Low Light / Golden Hour: Start at widest aperture; practical shutter targets with/without IBIS; widen out if needed; intentional motion blur & panning; purposefully underexpose for mood.
  • 34:10 – Flat, Cloudy Light: Even light advantages; watch for edge-of-cloud transitions; add depth via background distance and shallow DOF; post tweaks (contrast, clarity, dehaze).
  • 42:45 – Night Wildlife: The simple settings stack; why spot metering + underexposure isolates the subject and keeps the scene clean.
  • 49:30 – Wrap-Up & Next Steps: Recap, podcast reviews, where to find Court’s portfolio and videos.

Court's Websites

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My Most Popular Episode (Re-Release): How Pro Photographers Get Perfect Wildlife Portraits17 oct. 202500:17:09

Ever wonder what makes a professional wildlife portrait pop? In this fan-favorite episode, Court breaks down the secrets behind tack-sharp eyes, buttery-smooth backgrounds, and that magical “pro photo” look. 

You’ll learn how aperture, telephoto compression, and background distance all work together to make your shots stand out. 

From choosing your f-stop to post-processing blur and sharpening tricks, this episode is a masterclass in getting your wildlife portraits to wow.

Court's Websites

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How to Make your Wildlife Photography More Captivating and Creative30 sept. 202500:38:11

In need of a creative jolt for your wildlife photography and get better, more captivating images (and memories)? 

In this episode of The Wild Photographer, Court shares a dozen practical ways to make wildlife images truly captivating. We cover when to crank your drive mode for expressive behavior, how getting low and shooting at eye level transforms background separation, and the simple distance ratio that creates creamy blur even at f/8. You’ll learn to choose your background (not accept it), frame with natural elements, and zoom in on intriguing details for a story-driven series. 

Court also demos creative exposure tools—spot metering for dramatic light, in-camera white balance shifts for mood—and several motion techniques, from slow-shutter pans to zoom/rotate effects. Finally, we break composition “rules” on purpose, using exaggerated negative space and dead-center symmetry when the scene calls for it. If you’re ready to move from documentation to impact, this one’s for you.

Chapter Markers

00:00 Introduction to Captivating Wildlife Photography
00:44 Thanks to Sponsors
04:20 Introduction
04:59 Understanding Drive Motor for Wildlife Photography
08:23 Get Low (and on eye level)
10:27 Utilizing Shallow Depth of Field
15:09 Zooming in on Animal Details
18:16 Framing your Shots
20:02 The Allure of Spot Metering
23:28 Matching (or playing with) White Balance
26:23 Intentional Motion Blur Techniques
28:35 Other Uses of Slow Shutter
31:03 Composition Techniques
34:08 Choosing the Your Background
37:28 Conclusion

Court's Websites

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Talking with Colby Brokvist: Mountain Photography, Intentionality When Setting Up the Shot, Defining Style, and How to Get into Photo Guiding16 sept. 202501:06:11

What does it mean to slow down, be intentional, and truly see before pressing the shutter? In this episode of The Wild Photographer, Court sits down with renowned guide and photographer Colby Brokvist for a wide-ranging conversation on creativity, simplicity, and storytelling in photography. From the ethereal landscapes of Antarctica to the discipline of putting your camera down and being present, Colby shares wisdom on cultivating intentionality, developing a personal style, and guiding others to find their own voice as photographers. Along the way, they explore the balance between technical skill and creative vision, the evolving role of conservation photography, and the realities of leading photo trips around the world.

Main Takeaways:

  • How to get into guiding photo trips and teaching photography
  • Simplicity is the answer (why and how to keep it simple)
  • Thoughts from Colby on Photographing Antarctica
  • Colby’s Go-To Settings and why he’s always prepared for fast action
  • Colby’s advice for honing your style (but not to be put in a box) and thoughts on a timeless style
  • Colby's Tips on Mountain Photography
  • Why image searches on google can elevate your photography for your upcoming trip
  • Why Colby always recommends traveling with a lightweight kit
  • Plus, Colby's favorite x-factor lens

Links Discussed and to Share:

Colby's Guide-Training Academy: Waypoint Guide Academy Website

And IG Account: Waypoint Instagram

Colby's Personal IG: Colbyoutdoors Instagram

Colby's Guide-Training Book: The Professional Guide's Handbook

Colby's Photo Website: Colby Outdoors Photography

The Creative Act by Rick Rubin

Will Patino's YouTube (Colby's favorite YouTube Photographer)

Court's Websites

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The Golden Triangle Explained: Understand it and Master Photography Settings Forever02 sept. 202500:28:12

Modern cameras can feel like mini computers with endless settings, but at the core of every great photograph lies just three: aperture, shutter speed, and ISO. 

In this episode of The Wild Photographer, Court unpacks the “Golden Triangle” of photography and explains how these three elements work together to shape exposure, creativity, and artistic intent. Through clear analogies and practical examples, you’ll learn how to balance depth of field, motion, and light to capture the scene in front of you exactly as you envision it. 

Whether you’re exploring landscapes, photographing wildlife, or diving deeper into your craft, this episode provides a straightforward guide to mastering the fundamentals that matter most in mastering photography.

Court's Websites

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My Thoughts on the 24-70mm vs. 24-105mm Class of Lenses19 août 202500:20:19

These lenses are no doubt your workhorses in any sort of photography. However, it can be a little complex deciding which one to invest in and have as part of your trusty camera kit.

In this episode, I go into detail on what makes each lens great, and why you might want to choose one over the other depending on your style and needs.

Takeaways

  • The 24-70mm lens is a favorite among professionals for its sharpness and low-light capabilities.
  • F2.8 aperture is excellent for portrait and low-light photography.
  • The 24-105mm lens offers more versatility with its extended range.
  • Weight and size are significant factors for travel photographers (feather in the cap for 24-105mm).
  • The 24-70mm lens has better resale value due to its popularity.
  • Consider your primary photography style when choosing a lens--do you need f/2.8?
  • The 24-105mm is more affordable and lighter, making it a great option for many.
  • Image stabilization can influence the choice between the two lenses.
  • Ultimately, the best lens is the one that fits your needs and is with you when you need it. 
  • If you don't need f/2.8 for your landscape/walking-around lens, save the money, size, and weight and go for the 24-105mm.

Court's Websites

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Wildlife Photography 101: The Basics (and Cornerstones) of Wildlife Photography05 août 202500:50:45

This episode is dedicated to the fundamentals—the essential building blocks of great wildlife photography. Whether you’re just stepping into the world of nature photography or you’ve spent years in the field, revisiting the core principles can sharpen your eye and elevate your work.

In this episode, we break down what I consider the six cornerstones of wildlife photography: composition, aperture, shutter speed, ISO, focus, and editing. These aren’t just technical settings—they’re the tools that shape your ability to tell compelling stories through your images.

We begin with composition, exploring everything from the classic rule of thirds to more nuanced tools like the phi grid and exaggerated framing. We’ll also touch on strategies for capturing wildlife in its broader landscape, and how to approach moments of behavior with both creativity and technical precision. From there, we move through the vital exposure triangle—understanding how aperture, shutter speed, and ISO work together—and close with a look at editing as the final, intentional step in the process.

This is a practical guide to grounding your photography in strong technique, while allowing space for creative decision-making and artistic growth.

Special thanks to our sponsor, ArtHelper.ai, whose AI-powered platform helps photographers transform finished images into powerful content. Use promo code WILD for six months free.

Let’s get started—this is Wildlife Photography 101.

Court's Websites

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My Quick & Dirty (but oh-so-aesthetic!) Macro Photography Technique – No Macro Lens Needed24 juil. 202500:19:54

Hey friends, welcome back to The Wild Photographer! Today, we’re diving into one of my favorite rabbit holes in photography—macro. And not just any macro… I’m talking about a quick and dirty (but oh-so-aesthetic) technique that lets you capture stunning macro shots without even bringing a macro lens. Yep, you heard that right.

As a biologist and entomologist turned travel photographer, I’ve always had a deep love for the miniature world—those textures, patterns, and critters that usually go unnoticed. But let’s be real: when you're packing for a trip, you can't always justify hauling a full macro setup. That’s why I’ve dialed in a portable, practical method using your everyday lenses—think 24–105mm or a basic kit lens—and I’m breaking it all down for you in this episode.

Whether it’s a dew-drenched wildflower or the intricate veins of a rainforest leaf, I’ll walk you through the physical setup, manual focus tricks, camera settings with and without flash, and the creative flair that turns good shots into great ones. I even cover editing tips to make those textures pop and that drama sing.

So if you’ve ever wanted to make small things look big (and beautiful), grab your gear—or even just your backyard—and let’s explore how to bring the tiny into focus in a bold new way.

Let’s get wild. Let’s get macro.

Court's Websites

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Talking with Alex Bogaard: Portfolio Design, Authentic Storytelling, and how to Engage Buyers and Collectors10 juil. 202501:08:27

In this conversation, Alex Bogaard shares his journey into photography, discussing the balance between commercial work and personal passion. He emphasizes the importance of continuous learning, building a portfolio, and developing a personal style. Alex also highlights the significance of storytelling in photography and how it can be used for conservation efforts. He provides insights on engaging clients, maximizing digital exposure, and the importance of appropriate gear for travel photography. The discussion concludes with advice for budding photographers and a look at Alex's upcoming projects.

Find more from Alex on Instagram at @alexbogaard and his website at www.alexbogaard.com

Court's Websites

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Shooting to Crop: What it Means and How To Do it Well26 juin 202500:17:50

In this episode, the host discusses the technique of 'shooting to crop' in photography, particularly in wildlife photography. The conversation covers the importance of camera settings such as ISO, shutter speed, and aperture to ensure high-quality images that can withstand cropping. The host also emphasizes the significance of editing techniques and the role of camera gear in achieving the best results. Overall, the episode provides valuable insights for photographers looking to enhance their skills in capturing distant subjects.

Court's Websites

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Tips for Great Night Wildlife Photography15 juin 202500:29:30

Photographing wildlife at night is tough, but there's a formula I've found that works incredibly well. It produces high quality, even low ISO, inspiring images of rarely seen animals we may encounter on wildlife photo adventures.

In this episode I also go over the tools and specific camera settings, along with lessons and techniques from over 20 years on this topic for how to capture stunning nocturnal wildlife in their natural habitat.

Sponsors & Promo Code:

LensRentals.com - WildPhotographer15 for 15% off
ShimodaDesigns.com - Whelan10 for 10% off
Arthelper.Ai - WILD for 30 day free trial of Pro Version

Takeaways

  • Nighttime wildlife photography is challenging due to low light.
  • A good flashlight is essential for illuminating subjects. No flash--too harsh!
  • Using a headlamp helps in adjusting camera settings in the dark.
  • Spotting wildlife at night can be easier with a guide.
  • Any camera can work, but DSLRs or mirrorless are preferred.
  • Fast lenses are not always necessary for nighttime wildlife photography.
  • Manual plus auto ISO is a great setting for low light.
  • Underexposing the shot helps capture the essence of night.
  • Editing can enhance the darkness around the subject.
  • Macro photography can be done without a dedicated macro lens.

Court's Websites

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Talking with Marlo Shaw: Advice for Photographing in Polar Environments, Discussions on Color Theory, and All About Art Exhibits 29 mai 202501:14:46

Summary

In this engaging conversation, Marlo Shaw, a talented artist and photographer, shares her insights on the intersection of art and photography, emphasizing the importance of color theory, composition, and the creative process. She discusses her experiences with art shows, the techniques she employs in polar photography, and her strategies for capturing wildlife, particularly polar bears. Marlo also delves into the intricacies of photo processing and editing, highlighting her personal style and the significance of confidence in a photographer's journey.

Mentioned in the Episode

Marlo's Website

Michael Freeman's books on Composition and Color Theory

Poster Jack Photo Printing Website (Marlo uses for her work)

Arthelper.Ai - art promo tool using AI. use code WILD for 30 day free trial

Lensrentals.com - WildPhotographer15 for 15% off

Shimoda Designs - Whelan10 for 10% off (I mention the ActionX40 Backpack)

Takeaways

  • Photography is a form of visual art that shares principles with painting.
  • Color theory plays a crucial role in both photography and painting.
  • Rules in art and photography are meant to be broken for creativity.
  • Art shows can significantly enhance an artist's visibility and sales.
  • Patience is essential when photographing wildlife to capture authentic moments.
  • The perspective from which a photo is taken can change its impact.
  • Dark and moody images can evoke strong emotions in viewers.
  • Efficient photo processing is key for managing large volumes of images.
  • Confidence in one's skills is vital for growth as a photographer.
  • Sharing work leads to learning and improvement in photography. 

Court's Websites

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How Pros Travel (and Prep for travel) with Camera Gear05 mai 202500:47:40

Summary
In this episode, Court Whelan shares his insights on traveling with camera gear, focusing on the joys and challenges of preparation, lens selection, and the importance of accessories. He discusses strategies for packing, flying with gear, and maintaining equipment while traveling, emphasizing the need for careful planning to ensure a successful photography trip.

All Gear Mentioned in List Format (and easy purchase links)

Promo Codes:

LensRentals.com - WildPhotographer15 for 15% off

ShimodaDesigns.com - Whelan10 for 10% off

Arthelper.Ai - WILD for 30 day free trial of Pro Version

Takeaways

  • Traveling with camera gear can be stressful but rewarding.
  • Prepping for a trip is part of the photography journey.
  • Selecting the right lenses is crucial for different photography styles.
  • A second camera body can significantly increase your shooting opportunities.
  • Always bring extra batteries and memory cards on trips.
  • Packing strategies can help protect your gear during travel.
  • Never check sensitive camera equipment in luggage.
  • Humidity can cause camera fogging; keep gear cool and dry.
  • A lens pen is an effective tool for cleaning your camera.
  • Planning ahead for gear needs can enhance your photography experience.

Court's Websites

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Five Techniques to Inject Creative Vision into your Photography11 avr. 202500:30:34

In this episode, Court discusses five techniques to inject creative vision into photography, emphasizing the importance of breaking traditional rules and experimenting with different perspectives and methods. From composition to intentional motion blur, each technique is designed to enhance creativity and encourage photographers to think outside the box.

Takeaways

  • Inject creative vision into your photography on any camera.
  • Exaggerate composition to break traditional rules.
  • Intentional motion blur adds a unique element.
  • Top-down perspectives provide a fresh view.
  • Black and white photography enhances contrast and mood.
  • Change camera angles for creative effects.
  • Spot metering can create unique lighting.
  • Experiment with different techniques for creativity.
  • Photography is an art form that thrives on creativity.
  • Always strive to refresh your perspective in photography.

Court's Websites

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Mastering Wildlife Photography: Insights from Pro Photo Guide Mike Hillman20 mars 202500:54:49

In this episode, host Court Whelan sits down with professional photo guide and Director of Photo Expeditions at Natural Habitat Adventures, Mike Hillman. Mike shares invaluable insights on wildlife photography, from mastering perfect pawsture in bear photography to the art of bird photography and finding your personal photographic style. We also dive into intentional camera movement (ICM), editing techniques that harness the psychology of the eye, and the logistics behind planning the perfect photo expedition. Plus, Mike gives us expert advice on photographing in the dramatic landscapes of Canyon Country. Whether you're a budding wildlife photographer or a seasoned pro, this episode is packed with tips to elevate your craft!

Resources & Links:

Sponsors:

  • Art Helper AI – A game-changing tool for photographers to market their work. Use code WILD for a free 30-day pro trial at ArtHelper.AI
  • LensRentals.com – Rent specialty camera gear with 15% off using promo code wildphotographer15 at LensRentals.com
  • Shimoda Designs camera backpacks. Perhaps the best camera bag designed to-date.  My new go-to!

Thanks for Listening! If you enjoyed this episode, please rate, review, and share it with fellow photographers. Stay inspired and keep capturing the wild world around you!

Court's Websites

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All about Tripods (and other stabilization) and My Recommendations02 mars 202500:40:15

In this episode of The Wild Photographer, host Court Whelan dives deep into the world of tripods and stabilization techniques essential for photographers. He discusses the importance of tripods, the differences between cheap and expensive options, and the various types of tripod heads. The episode also covers travel tripods, monopods, and alternative stabilization methods, along with recommendations for top brands. Finally, Court shares tips for achieving silky water photography, emphasizing the necessity of using a tripod for slow shutter speeds.

Takeaways

  • Tripods are essential for slow shutter photography.
  • Investing in a quality tripod can enhance your photography.
  • The type of tripod head can significantly affect usability.
  • Carbon fiber tripods offer a great balance of weight and stability.
  • Travel tripods should be sturdy enough for field use.
  • Monopods provide a lightweight alternative for stabilization.
  • GorillaPods are versatile for travel and quick setups.
  • Silky water photography requires careful shutter speed management.
  • Understanding tripod leg mechanisms is crucial for ease of use.
  • Choosing the right tripod brand can impact your photography experience.

Court's Websites

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How Pro Photographers Get Super Sharp Images Every Time13 févr. 202500:42:40

Episode Summary:

In this episode of The Wild Photographer, Court Whelan breaks down the essential techniques for getting sharp images in both landscape and wildlife photography. He shares insider tips on shutter speed, aperture, and focusing techniques, plus the real impact of ISO on sharpness. You’ll also learn how to leverage image stabilization, drive mode, and post-processing tools like Topaz Denoise to get crystal-clear shots.

💬 Enjoyed the episode? Leave a review and share it with your fellow photographers! 🎧


Court's Websites

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National Geographic Photo Instructor, Giulia Ciampini, on the way to blend Art, Science and Storytelling in Nature Photography30 janv. 202500:57:00

In this episode of The Wild Photographer, host Court Whelan discusses the art and science of photography with the talented Giulia Ciampini. As a photographer, educator, and conservationist, Giulia shares her journey from her first childhood photos to her current work in wildlife photography and photo instruction.

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Want to turn your passion for photography into profit?
Download the FREE guide now and kickstart selling your stock photography journey today. https://bit.ly/guide-to-selling-stockphotography
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Giulia provides important points on the intersection of art and conservation, discussing her philosophy of storytelling through photography, her creative process, and the importance of mastering technical skills.She also shares practical advice for aspiring photographers, touching on gear recommendations, field techniques, and the art of curating cohesive bodies of work.

Expect to Learn:

  • How Giulia blends art and science in her photography.
  • Tips for mastering your gear and creative process.
  • The role of storytelling in creating impactful conservation photography.
  • Strategies for building a cohesive photographic style and body of work.
  • Insights into post-processing, gear selection, and fieldwork preparation.

Court's Websites

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5 Key Camera Settings for Nature and Wildlife Photography - What They Are and How to Use Them16 janv. 202500:37:29

Summary:

Want to turn your passion for photography into profit?

Download the FREE guide now and kickstart selling your stock photography journey today.

https://bit.ly/guide-to-selling-stockphotography

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In this episode of the Wild Photographer podcast, Court Whelan discusses the five most important camera settings that every photographer should master to enhance their photography skills. He explains the significance of the drive motor, exposure compensation, autofocus zones, autofocus types, and white balance. Additionally, he addresses a listener question about the differences between RAW and JPEG formats, emphasizing the advantages of shooting in RAW for better editing flexibility. The episode is packed with practical tips and insights for photographers of all levels.

Takeaways:

  • Camera settings can seem complicated but are essential to master.
  • The five key settings are drive motor, exposure compensation, autofocus zone, autofocus type, and white balance.
  • Setting your drive motor correctly is crucial for capturing action shots.
  • Exposure compensation allows for quick adjustments to lighting in your photos.
  • Autofocus zones should be set to the center for better focus control.
  • Continuous autofocus is beneficial for fast-moving subjects.
  • Shooting in RAW provides more editing flexibility than JPEG.
  • Memory storage for RAW files is relatively inexpensive now.
  • Experimenting with white balance can dramatically change photo colors.
  • Listener questions are encouraged for future episodes. 

Court's Websites

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