Explorez tous les épisodes du podcast The Upside of Jazz

Atlanta-based jazz pianist Joe Alterman expresses his deep appreciation of jazz and swing in his performances and compositions. Now he shares that love of jazz on The Upside of Jazz, celebrating the legendary performers of jazz and exploring what makes the music so timeless and endearing to listeners.

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Jazz as sustenance. Jazz as resistance.

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Bassist Christian McBride and host Joe Alterman talk why jazz is far from dead and McBride's latest album, "Without Further Ado, Vol. 1."

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Joe sits down for a conversation with the Saxophone Colossus himself.

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Guitarist John Scofield joins Joe for a discussion about what playing music means for Scofield, seamlessly flowing between genres, and more.

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From small record shop on 42nd Street in New York City to recording company that worked with the likes of Billie Holiday, Ella Fitzgerald, and Bill Haley & The Comets, Commodore Records holds an important place in music history.

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Bassist Ron Carter joins Joe to talk about growing up with church music, his introduction into jazz, and returning to his church roots on the new album, “Sweet, Sweet Spirit.”

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Joe and bassist Rufus Reid have a conversation about the role the bass plays in a band and finding chemistry with fellow musicians .

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Joe and pianist Sean Mason get together for a chat in which Sean explains why he believes the 20s are the most underrated jazz era, making the piano dance, and how Sean didn't feel like himself in the fullest sense until he started playing jazz.

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Joe and guitarist Bobby Broom talk about his latest album featuring Sonny Rollins' compositions, "Notes of Thanks," 16-year-old Broom getting his start alongside Sonny Rollins, and making a career in jazz in Chicago instead of New York City.

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The relationship between Black and Jewish musicians in jazz has a long and sometimes complicated history. In this episode, saxophonist Jimmy Heath reflects on his own experiences and what he learned from a lifetime in the music.

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Joe looks behind the serious face that jazz sometimes puts on and uncovers a world of silliness, both on and off the stage.

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Host Joe Atlerman invites Julie Benko and Jason Yeager to the show to talk about finding spirituality in music and theater, how to define Jewish music, and traditions built on questioning and listening.

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Joe Alterman and trumpeter Charles Tolliver chat about revisiting Tolliver's debut album as band leader, "Right Now... And Then," for its recent remixing and reissue, knowing he was going to be a trumpet player no matter what, and "rumbling" through improvisation. 

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Guitarist Pat Metheny joins Joe Alterman to share his thoughts on being a musician in a time of AI, how he developed his understanding of playing an instrument, and how sometimes the music finds us instead of the other way around.

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Guitarist/Vocalist John Pizzarelli and host Joe Alterman sit down to talk about Pizzarelli's career — including growing up and working alongside his father, jazz guitarist Bucky Pizzarelli — learning not just how to play guitar but entertain, and his new Tony Bennett tribute album, "Dear Mr. Bennett."

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Joe Alterman has a conversation with guitarist Randy Johnston about improvisation (and if that's what makes jazz jazz), if there's a connection between jam bands and jazz music, and what it means to be the side man.

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Today he plays jazz, tomorrow he betrays the motherland.

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Guitarist Oliver Wood (who happens to be Joe's guitar teacher from years ago) and Joe talk about the joy of being surprised by the music you make as well as Wood's career, including touring with Tinsley Ellis, playing with King Johnson, and form The Wood Brothers with his brother Chris. 

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This week we revisit one of Sonny Rollins's final interviews recorded in October 2025, when Joe Alterman sat down for a conversation with the Saxophone Colossus himself.

Sonny Rollins passed away on May 25, 2026.

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Joe sits down for a conversation with pianist, singer, actor, bandleader, and author, Harry Connick, Jr. to talk about learning piano from James Booker and Ellis Marsalis in New Orleans, musical influences, and the importance of accepting what one has to offer when looking for your own sound.

If you’re listening in Atlanta, catch Harry Connick, Jr. in concert at Chastain Park on July 11 at 8 p.m.

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To celebrate the United States’ 250th, Joe Alterman explores the remarkable story of Louis Armstrong — how America found its voice in him, how he became one of its greatest ambassadors to the world, and why that voice continues to resonate today.

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Joe explores the important, prolific, and complicated relationship between Jewish immigrants and Black musicians — and how their intersecting stories helped give birth to the American music business and shape what Americans listened to throughout the 20th century.

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Joe shares the history of how the sounds of Jewish and Black communities came together and ended up shaping the sound of American music.

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In the next episode of The Upside of Jazz featuring artists out of the South, Joe has a conversation with Columbia, South Carolina native, trumpeter, composer, and educator Matt White about how music swings just a little differently from city to city, his latest album of Dolly Parton songs, "Matt White's Dolly," and  how the care put into learning jazz empowers musicians to learn any kind of music.

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In the first of two episodes featuring artists out of the South, Joe talks with Austin, Texas-based vocalist Sarah Sharp about sitting down and listening to multiple versions of the same song to learn how nuanced different artists' interpretations can be, the jazz scene in Austin, and her new album, "Déjà Vu."

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Joe talks with pianist and organist Larry Goldings about finding his ​own sound while playing a range of styles with a variety of people, "Rhombus," Goldings's new album with guitarist Peter Bernstein and drummer Bill Stewart, and how being able to listen back to a recording of yourself is both a blessing and a curse.

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Joe and pianist/drummer Luther S. Allison sit down for a discussion about exploring jazz by learning how to play different instruments, how the places you live shape the kind of music you play, and how the hope he finds in jazz is through its connection to the history of the United States.

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Pianist Tia Fuller and saxophonist Shamie Fuller-Royston have a chat with Joe about playing music as a family when they were kids and now together as adults, their latest album, "Dynasty, Vol. 2," and how, as long as the music is good, they embrace all genres.

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Joe and pianist John Beasley have a chat about Beasley's new album, Invisible Piano, which was inspired by a tour of an art museum in Stuttgart, Germany, how he found musical inspiration in non-musical art forms, his time playing alongside Miles Davis, and how spiritual practice and practicing music are both rooted in trying to improve.

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