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We open with the headline everyone’s talking about: Saturday Night Live host Sabrina Carpenter dropping not one but two F-bombs during her performance. Was it an accident—or marketing genius? The crew recalls when saying that word on air could end your career (see: Charles Rocket, 1980) and marvels at how little anyone seems to care now. That morphs into a look back at TV’s most shocking live moments, including the Bud Dwyer tragedy, and a reminder that some things on television really can’t be unseen.
From there the discussion shifts to streaming supremacy. The consensus? Apple TV+ might quietly be the new number one. Between prestige hits like The Lost Bus, Shrinking, and Lessons in Chemistry—and now Brad Pitt’s F1 racing movie—Apple keeps outclassing competitors while HBO Max raises prices. Still, the question lingers: will F1 actually make Americans care about Formula One racing? Angelo’s doubtful, Rhea’s open-minded, and Glenn just wants to avoid another algorithm-driven flop.
Naturally, that launches a Philly-centric tangent: the upcoming TV series about the making of Rocky that’s currently filming around the city. The gang debates whether Sylvester Stallone’s absence from the project is a bold move or a missed opportunity. Either way, they agree the story—and the city—deserve another moment in the spotlight.
Jay’s standing question of the week then takes over: If you could make a “making-of” series about any movie, what would it be? Glenn picks Caddyshack, calling it the most chaotic comedy production ever. Rhea goes with The Birdcage, imagining the behind-the-scenes magic between Robin Williams, Gene Hackman, and Nathan Lane. The group riffs on how both films were equal parts brilliance and madness, the kind of creative chaos that just doesn’t exist anymore.
Before signing off, everyone shares their weekly watchlist. Rhea recommends Maigret on PBS Masterpiece—a stylish French detective show that’s surprisingly addictive. Glenn throws in And Then There Were None on Prime Video, an elegant Agatha Christie mystery, and on Hulu, a gritty noir starring Ethan Hawke. Angelo ends with on Netflix, a body-cam-style thriller that hits hard and stays with you long after the credits roll.
