Explorez tous les épisodes du podcast The Spirit of Schubert

Donald Macleod explores the life and work of Franz Schubert, as part of a season of programmes devoted to the Viennese composer

Sean Rafferty is taken to the ‘Sterbewohnung’, the house where Schubert spent his final days and where he composed some of his greatest works, and goes to the Zentralfriedhof where Schubert is buried.

Sean Rafferty is taken for a turn around the ballroom by period dance specialist Pia Brocza and hears how Schubert’s Vienna was waltz-crazy.

Tom Service tries to answer today's question: Schubert; classical or romantic? Was he either, neither or both?

Sean Rafferty talks to Thomas Trabitsch, director of the Austrian Theatre Museum and discovers the importance of theatre in Schubert’s Vienna.

Night Waves' Philip Dodd reflects on the paradoxes on snow in music and literature and life, with Schubert as the point of departure and return.

Sean Rafferty delves below the elegant surface of Biedermeier Vienna to find what lurks there with the University of Vienna's Karl Vocelka.

Tom Service presents the fifth episiode of The Schubert Lab and investigates what Schubert was looking for and what he found in his 'wanderings'.

Sean Rafferty rifles through the contents of Schubert's wardrobe with Regina Karner of the Vienna Museum Fashion Collection.

Jenny Uglow concentrates on Schubert and Scotland exploring his settings of Ossian poems, and Scott's The Lady of the Lake.

Sean Rafferty travels to Upper-Austria and Salzburg to follow in the footsteps of one of Schubert's holidays.

Sean Rafferty meets Prater Collection curator Ursula Storch, zoo historian Gerhard Heindl and Regina Karner of the Vienna Museum Fashion Collection to hear some of the surprising things that made for a good day out in Schubert's Vienna.

Sean Rafferty sees grisly evidence of Schubert’s syphilitic condition with Dr Beatrix Patzak, director of the Federal Pathology and Anatomy Museum, and hears about the symptoms, progress and treatment of the disease.

Tom Service introduces the fourth episode of The Schubert Lab and tries to answer the day's question; Schubert makes the piano represent the outdoors as well as any painting of the period. How does he do it?

Tom Service tries to answer today's question: What was the magic of Vienna and how did it shape Schubert's music?

The novelist Clare Morrall imagines what may have happened during one of Schubert’s meetings with his great hero, Beethoven

Sean Rafferty drops in at the offices of the Wiener Zeitung, Vienna's oldest newspaper, and talks to its editor Reinhard Göweil and journalist Richard Solder to see what was in the news in Schubert's Vienna.

Sean Rafferty hears about the layout of Schubert's Vienna from Sándor Békési of the Vienna Museum and Caroline Jaeger-Klein from the Vienna University of Technology and is guided round the house where Schubert was born by Peter Stuiber

Schubert's voice emerges uniquely from song which emanates from poetry. Robert Vilain, a specialist in the German poetic tradition, examines Schubert's poetic sources from Goethe to Wilhelm Muller

Tom Service presents the second episode of The Schubert Lab, where he aims to find out what Schubert got up to with his mates.

Attempts to explain both Schubert's achievements and mood swings through theory, often fall short of explanation. The writer, philosopher and retired medical doctor Raymond Tallis re examines the neurological and psychological evidence of a composer who increasingly meditated on the darker side of the human psyche and human relationships

The journey Sir George Grove made to Vienna by train was one of vision and passion. He went in pursuit of the lost works of a neglected composer, Franz Schubert, and his pilgrimage resulted in the discovery of the score of Rosamunde. Travel writer Simon Calder explores the journey of anticipation and what drove the founding editor of Grove's Dictionary of Music and Musicians to seek out the work of a relatively unpopular composer.

As part of Radio 3's Spirit of Schubert season, Sir John Tusa explores the many and varied ways in which the composer has been used and reinvented after his death, in politics, art and literature. Who has claimed Schubert - and why? And what are the different things that he has come to represent since his death in 1837?

In the eight and final episode of The Schubert Lab, Tom Service tries to answer the question: Is Schubert's final year an end or a begining?

Sean Rafferty visits fifth generation coffee roaster Thomas Meinl at Julius Meinl to find out what was in Schubert's cup.

Sean Rafferty visits Maximillan Platzer, proprietor of Café Wiemer and Eva Abi-Fadel who owns the oldest pipe shop in Europe to find out about coffee-houses and smoking in Schubert's Vienna.

Tom Service presents the first episode of The Schubert Lab, where he aims to get to the bottom of the man and his music.

Researcher Karin Schneider and Karl Vocelka, Head of History at Vienna University tell Sean Rafferty about the pervasive grip of the Secret Police in Schubert's Vienna.

Sean Rafferty learns about the Congress of Vienna from Karl Vocelka, Head of History at Vienna University.

Sean Rafferty finds out about drinking, Schubert-style, from restaurant manager Udo Kaubek and wine grower and heuriger owner, Rainer Christ.

Sean Rafferty asks Udo Kaubek, Manager of Julius Meinl am Graben restaurant, about the sorts of things Schubert might have eaten.

Romance proved difficult for Schubert - he stood barely five feet tall, with a long oval face and a deeply cleft chin. In turning to the streets of 19th century Vienna, "a night in the arms of Venus lead to a lifetime on Mercury" Whilst uncertainty exists about the cause of Schubert's death from syphilis, what do his attempts at mercury remedies reveal about his final few years? The medical historian and author of Romanticism and the Sciences Andrew Cunningham, examines The UnRomantic death of the mercurial Schubert.

Sean Rafferty is guided round the Lichtenthal Church, scene of Schubert’s baptism and first public performance, by parishioner Hannah Martin.

In the seventh episode of The Schubert Lab, Tom Service tries to answer the question: Who is Schubert? Prove whether he was a composer up with the angels or bathed in slime.

Sean Rafferty follows in Schubert’s schoolboy footsteps as Nora Tunkel takes him to Mass sung by the Vienna Boys’ Choir at the Hofburgkapelle, and reads Schubert’s school report with Simon Posch, director of the Vienna House of Music.

Donald Macleod explores the life and work of Franz Schubert, as part of a season of programmes devoted to the Viennese composer

During the 19th century public performance became polite and professional. Audiences listened attentively in an environment free of gimmicks, and performance criticism blossomed. Night Waves' Matthew Sweet examines the legacy that controlling an audience would create, and how this new wave of respectability enabled writing, composing and performance to prosper.