Our final look at the music of Star Trek puts us in the position of the show's music editors and composers. With so many classic episodes to get through, how did they stretch their music budget to cover an entire season? The music of Sol Kaplan, Joseph Mullendore, Gerald Fried and Fred Steiner is examined, and we also look at a series of clever music edits for tracked scores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Music production on a full season of Star Trek begins! Our first two composers get to work, as Alexander Courage and Fred Steiner start writing and recording music at a frantic pace. We'll hear the rest of Courage's work on season one, and listen to Steiner's amazing contributions to Star Trek's musical vocabulary. We also examine the critical role played by the music editors, as they work to establish and shape the music of season one. Learn more about your ad choices. Visit megaphone.fm/adchoices

The music to original NES title The Legend of Zelda is discussed. We break down the main overworld theme, talk about its impact, and share memories of the original Zelda experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

In part II of our interview with Carlos Rafael Rivera, we discuss how he wrote around diagetic music and sound design. Themes for the main character are discussed, as well as parts of The Queen's Gambit that feel like a sports movie. Learn more about your ad choices. Visit megaphone.fm/adchoices

We meet and celebrate Carlos Rafael Rivera, the composer for the hit Netflix series The Queen's Gambit. His musical background and career rise are discussed, as well as his overall approach to working with directors. His love for Randy Newman and film music is also covered, and we begin our in-depth discussion of The Queen's Gambit's wonderful score. Learn more about your ad choices. Visit megaphone.fm/adchoices

In part II of our interview with Zach Robinson and Leo Birenberg, we discuss the rock and metal influences in Cobra Kai's score. We also talk about their use of thematic material, musical humor, and the show's return to Okinawa. Learn more about your ad choices. Visit megaphone.fm/adchoices

We get a chance to sit down with Cobra Kai composers Zach Robinson and Leo Birenberg, as they discuss their music, their process, and their love of film scoring. The various musical styles of the Karate Kid franchise are discussed, as well as their own unique take on this hit TV series. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our second episode on the music of Karate Kid, we take a close look at the music of Mr. Miyagi, the pan flute music of Zamfir, and how it tells the story of Miyagi and Daniel's friendship. More songs are discussed, and we hear restored music in the movie's dramatic finale for the very first time. Learn more about your ad choices. Visit megaphone.fm/adchoices

The music in 1984's The Karate Kid is both song score and film score, and composer Bill Conti worked with both. We discover how the songs and underscore are musically related, and discuss how main character themes are woven throughout this musically eclectic movie. The history of "You're The Best" is discussed, as is the movie's dramatic finale. Learn more about your ad choices. Visit megaphone.fm/adchoices

We take a close listen to the end of Home Alone, breaking down how the music scores the comedy, and when it holds back. Diagetic songs and song scores are discussed, as is the recording of a large collection of Holiday hits. We hear how Williams uses themes to complete the story, bringing it all home with a feel-good conclusion. Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's hear it from the top! We take a close look at various parts of Home Alone to break down the compositions, and we examine a scene with omitted music restored. The use of popular Christmas music is discussed, as is the comedic effect of orchestration. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our first look at John Williams' score for Home Alone, we discuss the background of the project, and how it greatly influenced the score. We listen to a few leitmotifs, and discuss how they became songs for the film, and we examine their use in the film. Broad styles of Holiday music are also discussed, as are themes of family, fear, and love. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before making it to air, Star Trek had not one, but two pilots scored by Alexander Courage. Once the first season finally went into production, it took five composers to pull it off. This episode explores the musical, financial and creative realities of 1960s television music production, as we discuss the scores for these two pilots, and the creation of some of the show's musical sound effects. We are also introduced to season one's other four composers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our final episode on Superman the Movie takes a close look at the heroic music in Metropolis, as well as the unfolding villainy of Lex Luthor. The heavy use of Superman's fanfare leitmotif is discussed, and we share thoughts from John Williams about the lasting, positive impact of Christopher Reeve as Superman. Learn more about your ad choices. Visit megaphone.fm/adchoices

In part three of our look at Superman the Movie, we examine great musical moments from the film score, starting at the beginning. Multiple versions of Krypton are compared, and we listen to more of the music from Smallville. Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our fly-through of Superman (1978) by listening to the love theme from the film score, and discuss a fascinating behind-the-scenes story. Other themes are analyzed and discussed, including a theme for Smallville, Lex Luthor and the March of the Villains, and a theme for the green crystal of Krypton. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Williams' iconic Superman score is analyzed in context of a 3-part superhero movie: science fiction in the beginning, Americana growing up in Smallville, and a full-blown comic book in Metropolis. The main themes used in Williams' score are analyzed via breaking down these three influences. The history of Superman is discussed, and behind-the-scenes stories of the making of 1978's Superman are revealed. Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our interview with Robert Lopez and Kristen Anderson-Lopez, discussing the iterative and very personal nature of songwriting, life stories shared in the writers room, Anna's character arc, and the heart-warming struggle that Kristoff faces when trying to express his feelings. We also discuss the inspiration behind Olaf's song "When I Am Older." Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Lopez and Kristen Anderson-Lopez join us in the studio for a 2-part interview about the songs of Frozen II. They discuss their process of discovering the songs that drive the story, their collaboration with Disney, and share fascinating stories of their iterative songwriting adventures into the unknown. Learn more about your ad choices. Visit megaphone.fm/adchoices

We conclude our listen to Return of the Jedi, and the whole classic Star Wars trilogy, with the Battle of Endor. Themes are discussed, as are moments where music was omitted. We explore more diagetic music with the Ewoks, and compare multiple versions of the film's ending. Learn more about your ad choices. Visit megaphone.fm/adchoices

In part 2 of our analysis, we look at roughly the first half of Return of the Jedi. We discuss each cue, its dramatic effect, and the creative process behind the final presentation. The diagetic, in-world music is also discussed, and we compare the original 1983 music to the changes that were made in the 1997 Special Edition. Learn more about your ad choices. Visit megaphone.fm/adchoices

Return of the Jedi is the third Star Wars score from John Williams, and it transforms his overall musical approach to that of an operatic cycle. We look at how familiar themes from the first film are treated, and we explore and dissect some of the major new themes that greatly enrich the classic trilogy. Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our listen to Morricone's groundbreaking, stylish scores for director Sergio Leone and his "Spaghetti Westerns," including a close examination of For a Few Dollars More, and The Good, The Bad, and The Ugly. The cultural impact of these movies is also discussed, and we listen to the clever sound editing and effects that made the soundscape so memorable. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of television and the origins of Star Trek are explored through the life and career of composer/orchestrator Alexander Courage, television star Lucille Ball, and Desilu music director Wilbur Hatch. The main title melodies for Star Trek are analyzed and discussed, along with their place in the history of 20th Century television music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ennio Morricone's iconic music for the "Spaghetti Westerns" of Sergio Leone had an enormous impact on western soundtracks... especially the violent and stylish trilogy of films that featured Clint Eastwood as "The Man With No Name." We analyze the trilogy's first film, A Fistful of Dollars, and its unique film score by Morricone. The history of how this film was made is discussed, as is the sound design and post-dubbing that makes the soundtrack of Leone's westerns so unique. Learn more about your ad choices. Visit megaphone.fm/adchoices

Season 3 intermission Learn more about your ad choices. Visit megaphone.fm/adchoices

In our second look at The Nightmare Before Christmas, we discuss the enormous contirbutions of the voice talent in this cast. We also continue looking at great moments from the film's score, discuss the orignal motion picture soundtrack album, and analyze the remaining songs from the middle of the film - all the way to it's dramatic finale. Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Elfman's contribution to Tim Burton's The Nightmare Before Christmas is enormous, as the composer not only wrote the score, but helped with story development by writing the songs. He even stars as the lead singer. Elfman's songs are discussed, along with stories behind this musical's development.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Danny Elfman redefined the sound of superheroes on the silver screen. His theme for the Batman is explored, as well as his musical treatment of the Joker and Vicki Vale. Prince's music is also discussed, and we break down Elfman's use of rhythm, themes, and textures. Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Elfman's origin story is as fascinating as his music. We discuss his incredible success with Oingo Boingo, as well as his long-time collaboration with director Tim Burton. We explore the origin of his European "Doom-pah" sound, his humor, and his very first films with Burton: Pee-Wee's Big Adventure, and Beetlejuice. Learn more about your ad choices. Visit megaphone.fm/adchoices

The music of The Goonies is a unique mix of classic film scoring, 80s pop, and film nostalgia, all combined with Dave Grusin's contemporary musical sensibilities. The result is a very effective film score that breathes life, adventure, and humor into this cult classic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's sit back and enjoy Casablanca and its music with this feature-length commentary. Max Steiner's wonderful music is dissected, and many behind-the-scenes stories about Casablanca's production are discussed. The commentary also touches on the fascinating stories behind the actual Warner brothers. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the greatest films to ever be produced by the classic Hollywood studio system features a song that infuriated composer Max Steiner. Regardless, he produced one of the most memorable and effective film scores of his entire career. The history of Casablanca's troubled production is explored, as is the time period: Casblanca debuted shortly after the United States entered World War II. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our look at the music and sound of Raiders of the Lost Ark concludes with a breathtaking truck chase, scoring Indy in disguise, and the climactic opening of the Ark.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In our final episode on the music of E.T. we listen to the second half of the movie's incredible music, cue by cue. We also discuss the work of film editor Carol Littleton, and vocal sound designer Ben Burtt. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our adventures continue with Indiana Jones in Cairo, where John Williams and Steven Spielberg masterfully use film score and diegetic music to tell a story of mystery, danger, and romance.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We take a much closer look at the music of Raiders, starting with the opening adventure in South America. Specific musical moments in the film are discussed and analyzed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our musical adventures with Indiana Jones begin by taking a close look at the inspiration behind Raiders and its film score. We break down the main musical themes, including the famous Raiders March, Marion's theme, and a theme for the Ark. Learn more about your ad choices. Visit megaphone.fm/adchoices

Author Doug Adams shares his exciting experiences as he was writing his comprehensive book on the music of The Lord of the Rings. Learn more about your ad choices. Visit megaphone.fm/adchoices

The languages of Middle Earth are more than just vital to the Lord of the Rings: They are an essential part of Howard Shore’s operatic film score. Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our look at Fellowship by discussing the beautiful and familiar music of the Hobbits, in all its permutations. The musical connections between Hobbits, the One Ring, and Gollum are explored, and we break down the theme for The Fellowship of the Ring itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our first look at not only the film scores of Middle Earth, but also at composer Howard Shore. The creation of his music for Fellowship is examined, as is the source material for these amazing films. Themes are broken down, and the overall style and approach of Shore's music is analyzed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Film music has its roots in 19th century opera. The fascinating and controversial life and music of Wagner is explored, as well as an overview of how film music has its roots in opera. Musical examples are played, and history is uncovered. Learn more about your ad choices. Visit megaphone.fm/adchoices

In part 2 of our interview with composer Vince DiCola, we discuss his work on the 1986 animated feature, Transformers the Movie. His influences are explored, and comparisons are made between his approach to songwriting versus film scoring.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In our interview with Vince DiCola, we learn about how he became the composer for Rocky IV. We explore his musical background as a drummer and keyboardist, how he was influenced by progressive rock, and we discuss his innovative use of synthesizer. Songwriting for Staying Alive is also discussed, and learn the story of how DiCola made it in Hollywood.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part II we take it from the top, and listen to how the film score for E.T. is constructed in the first half of the movie. We examine multiple themes, and discuss the movie's emotional honesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our final look and listen to the music of The Empire Strikes Back covers the end of the film, and its main location: Cloud City. We listen to more restored music during the lightsaber duel, explore even more themes like Boba Fett's theme and Lando's Cloud City theme, and we examine how John Williams carefully scores the trap that awaits our heroes, playing against the gorgeous visuals and the illusion of safety that they present. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our in-depth look at The Empire Strikes Back continues as we examine the middle of the film: the asteroid field, the planet Dagobah, and more. Continuous changes to the final score are discussed, and we get our first listen to an instrument that makes its debut in the Star Wars saga: the synthesizer. Learn more about your ad choices. Visit megaphone.fm/adchoices

We look at the music of the first act of The Empire Strikes Back: the planet Hoth. Multiple cues are discussed, as well as the creative process of iterating on musical ideas. We even get to hear restored music that was written and performed for many long sequences, but was cut from the film. Lastly, we focus on the battle in the snow, and the moment that the Imperial March is established as a theme for Darth Vader himself.  Learn more about your ad choices. Visit megaphone.fm/adchoices

When approaching the film score to The Empire Strikes Back, the sequel to the unprecedented smash hit Star Wars just three years before, John Williams made it all look easy. It wasn't. The pressure was intense, and the timeline was challenging. We discuss the initial spotting session for Empire, as well as the new, central musical themes that emerge in this sequel... one that changed the Star Wars franchise, and its music, forever.  Learn more about your ad choices. Visit megaphone.fm/adchoices