Welcome to the Sound and Music Podcast – a place where extraordinary new music and ideas are brought to life by the people who make it.
Each episode is hosted by Susanna Eastburn MBE alongside an invited guest host, and features interviews and music by three composers from diverse backgrounds and genres, introducing you, the listener, to new ways of understanding new music and the processes behind it.
Featured composers include Shabaka Hutchings, Errollyn Wallen, Lei Liang, Reeta Loi, India Jordan, Rocky Dawuni, Cassandra Miller and Amble Skuse, with co-hosts Des Oliver, Fiona Robertson, Will Eaves and Ruari Patterson-Achenbach.
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Composers Blythe Pepino, Rocky Dawuni and Emily Hall share their music and thoughts exploring activism in the climate crisis. What is the place of music in climate activism, and how do composers take action in their music?
From protest songs to upbeat afroroots music inspiring hope and action, we listen to the origins of Extinction Rebellion’s “Emergency” anthem, what is the vision of a future Zion, and how music can help make sense of climate anxiety. Join our CEO Susanna Eastburn MBE and composer Anthony R. Green for a unique insight into composing – and if you like this episode, check out Ep.4: Portals which features Anthony R. Green and his fantastic music.
Our recommendation at the end is an invitation to join Music Declares Emergency and Earth Percent, and inspire your colleagues, employers, and collaborators to take one further step in this journey of addressing the largest challenge our species have ever faced.
In this episode, you listened to the following music and sounds:
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
Climate: Place (Hanna Tuulikki, Colin Riley, Dai Fujikura) | Ep.10
Saison 1 · Épisode 10
lundi 1 novembre 2021 • Durée 36:01
Composers Hanna Tuulikki, Colin Riley and Dai Fujikura share their music and thoughts exploring the importance of place in music. How does the more-than-human manifest itself in the composers’ music, and what does it mean to be composing music in times of the climate crisis?
From imitating birds to Japanese onomatopoeia, we listen to a song written for a stream in the Cairngorms, music that imitates the freedom and order of birds flying, and how can one make sense of climate grief through sound and movement. Join our CEO Susanna Eastburn MBE and festival director Fiona Robertson (Sound Scotland) for a unique insight into composing.
Our recommendation at the end is for In Place, a collection of songs by Colin Riley which you can explore fully at InPlaceProject.co.uk
In this episode, you listened to the following music and sounds:
We listen to a piece of music lasting 1,000 years, explore the politics of history and time past, and get a flavour for what non-linear music sounds like. Join our CEO Susanna Eastburn MBE and composer Des Oliver for a unique insight into composing.
The new Sound and Music podcast is nearly here – a place where new music is brought to life, Susanna Eastburn MBE (CEO, Sound and Music) and composer Des Oliver explore the extraordinary creators, stories and concepts behind new sounds and music.
Climate: Emergency (Daniel Kidane, Clarice Assad, Lei Liang, Evelien van den Broek) | Ep.9
Saison 1 · Épisode 9
mercredi 29 septembre 2021 • Durée 35:11
Composers Daniel Kidane, Clarice Assad, Lei Liang and Evelien van den Broek share their music and thoughts exploring the climate emergency in music. What does it mean to be a composer in times of a climate crisis? How does our awareness of the crisis enter our work, and how do we find meaning in our work in these times?
From exploring cultural belonging and understanding our place on this planet through myth to the imperative of artists to be good storytellers, we listen to field recordings of extinct species and vanishing rainforests and music that reflects and inspires. Join our CEO Susanna Eastburn MBE and composer Des Oliver for a unique insight into composing.
Queerness (Reeta Loi, Michael Wolters, Maya-Leigh Rosenwasser) | Ep.8
Saison 1 · Épisode 8
vendredi 27 août 2021 • Durée 35:18
Composers Reeta Loi, Michael Wolters and Maya-Leigh Rosenwasser share their music and thoughts exploring queerness in music. What does it mean to be a queer composer today, and is there such a thing as queer music?
From the playful to the divine, we listen to a drag character lost in space, gender-bending tracks, and work that plays with failure as a creative starting point. Join our CEO Susanna Eastburn MBE and composer/researcher Ruari Paterson-Achenbachfor a unique insight into composing.
Our recommendation at the end is for the creative collective the mermaid café (Joanna Ward and Ruari Paterson-Achenbach)
In this episode, you listened to the following music and sounds:
Taken (unreleased), by Reeta Loi and James Perera – to be released in Autumn 2021
Michael Wolters
‘Aria Cuntata and the Black Holes (2020), conceived by Michael Wolters and performed by Michael Wolters and Paul Norman
(2020), performed by and Saxophone Department, conducted by
Distractions (Neil Luck, India Jordan, David Austin Grey) | Ep.7
Saison 1 · Épisode 7
vendredi 23 juillet 2021 • Durée 30:03
Composers Neil Luck, India Jordan and David Austin Grey share their music and thoughts on the place of distractions in the process of creating music – are distractions bad or are they necessary? We listen to the sounds of a dream, hear the power of music to heal, and dive into what it means to create music during lockdown. Join our CEO Susanna Eastburn MBE and writer Will Eaves for a unique insight into composing.
Our recommendation at the end is the album Watch Out! by India Jordan.
In this episode, you listened to the following music and sounds:
Dear Nan King and Emotional Melodical (2020) from the album For You released by Local Action Records
And Groove and Feierabend (2021) from the album released by Ninjatune in May 2021
Offerings (Errollyn Wallen, Richard Ayres, Hannah Catherine Jones) | Ep.6
Saison 1 · Épisode 6
mardi 26 janvier 2021 • Durée 31:17
Composers Errollyn Wallen, Richard Ayres and Hannah Catherine Jones join Susanna Eastburn MBE and Des Oliver to share their music and thoughts exploring the gift of making music with and for other people.
We listen to music written for billions of listeners and music written for a community orchestra, the gift it is to write music and the gift it is to rehearse it. Join our CEO Susanna Eastburn MBE and composer Des Oliverfor a unique insight into composing.
This podcast wasproduced by Michael Umney (Resonance FM) and mixed by Chris Bartholomew, with our theme tune composed by Rob Bentall. Our recommendation at the end is for Hannah Catherine Jones’ PhD research which is published by NTS Radio - tune in to Part 1 and Part 2 for an exploration of decolonisation through sound.
In this episode, you listen to the following music and sounds:
We listen to compositions rooted in friendship, explore attempts to decolonialise music, and intimate performances recorded in a toilet during lockdown. Join our CEO Susanna Eastburn MBE and composer Des Oliverfor a unique insight into composing.
Composers Anthony R. Green, Nathan Riki Thomson and Amble Skuse share their music and thoughts on what music might mean beyond just sounds, and how we connect to each other and the world around us through the act of making music.
We listen to the sounds of an augmented double bass, hear the inner workings of a digital opera, and dive into a social justice piano concerto. Join our CEO Susanna Eastburn MBE and composer Des Oliver for a unique insight into composing.
In this episode, you listen to the following music and sounds:
Anthony R Green - Collide-oscope V (2019) for mixed quintet, performed by Sound of Late. - Piano Concerto: Solution (2019) for piano and percussion orchestra, commissioned by Robert McCormick for the McCormick Percussion Group and soloist Eunmi Ko (piano). - Collide-oscope II (2016) for string trio, performed by Desdemona.
- Seeds (2019), for solo augmented bass and electronics from the album , released by Siba Records / NAXOS. - Ode to Nana (2019), duo with Nathan Riki Thomson and percussionist from the same album.
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Litanies for the Furness Fells (2018), featuring words by Richard Skelton and Autumn Richardson; part of In Place, released by Squeaky Kate Music
Water over Stone (2018), featuring words by Nan Shepherd; part of In Place released by Squeaky Kate Music
Earth Voices: I. Luften (2021), commissioned by and premiered by Helsingborg Symphony Orchestra at Helsingborg Konserthus, Sweden conducted by Alfonso Scarano
Gliding Wings (2019), performed by Ensemble Nomad with Makoto Yoshida, Hideo Kikuchi (clarinets) and conducted by Norio Sato; released on Minabel records
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
Watch Out!
David Austin Grey
Over Seas and Out of Reach (2020), a commission by Stoney Lane Records, performed by David Austin Grey (piano, electronics), Mike Fletcher (clarinet, flute) and David Duffy (double bass, electric bass)
A Dark Place to Nest (2019), a work developed at Snape Maltings
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
- Owed to Diaspora(s) (2019), displayed as an audio-visual installation at Sydney Biennale 2020 and available on The Wire
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
- Stamp Club Report 1980 (2018), commissioned by Kammerkoret GNEIS and performed by vocalists Signe Bjorvatn, Lisa Braathen, Alexander Fiske Fosse, Jung-Jae Kim, Jone Kuven, Bendik Savstad, Tanja Silvestrini, Joar Simarud Stabell, Ørjan Hammar Vollvik and Emilie Wright. Recorded at The Grieg Academy (Bergen) by Cem Arapkirlioglu, mixed by Alwynne Pritchard
- Recorded Delivery (2020), a lockdown project inviting people to send fragments, to which Alwynne responded with a video postcard. We heard extracts from Recorded Delivery No.3 (Peter de Moncey-Conegliano) and No.6 (Bernd Bleffert)
- good day good day bad day bad day (2018), written for and recorded by GBSR duo, released by another timbre
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
Amble Skuse - We Ask These Questions of Everybody (2019), a digital opera by Amble Skuse and Toria Banks performed by an all-disabled ensemble; commissioned by Sound Festival and supported by Help Musicians, Mahogany Opera Group, Ignite Ticket Fund and Creative Scotland. - Normalised Interfacing Karlsruhe (2017), a soundwalk of Karlsruhe commissioned by Zentrum für Kunst und Medien, Karlsruhe (ZKM)
Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.
