Explorez tous les épisodes du podcast The Shakespeare and Company Interview

Meena Kandasamy joins Adam Biles to discuss Fieldwork as a Sex Object, her fearless new novel about Amy Chaturvedi, the avowedly communist daughter of wealthy Brahmin parents whose life unravels when a pornographic deepfake of her goes viral. Kandasamy explains why she made Amy an “imperfect victim,” and examines the political economy of online hate: paid trolls, WhatsApp pile-on groups, and soft-porn accounts that quietly turn far-right. She reads from the novel, reflects on how When I Hit You became a “handbook of divorce” in India, and shares her worries about how a story of Indian misogyny lands in the West. The conversation also covers writing for the “reel generation” spotting AI slop, and why a novel must always have grey areas.

Buy Fieldwork as a Sex Object: https://www.shakespeareandcompany.com/books/fieldwork-as-a-sex-object

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Dr Meena Kandasamy FRSL is a poet and provocateur who has spent two decades triggering online trolls. She has been translated into more than 20 languages. Her previous novel, When I Hit You, was shortlisted for the Women's Prize, Jhalak Prize and Hindu Literary Prize, and longlisted for the Dylan Thomas Prize. It was also Book of the Year in the Financial Times, Observer, Daily Telegraph and Irish Times. Her viral poetry collection, Ms Militancy, is a symbol of feminist revolt across South Asia. In 2022, she was awarded the PEN Germany Prize for being a ‘fearless fighter for human rights.’ She has two sons.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Jeanette Winterson joined us to celebrate the French edition of One Aladdin, Two Lamps, her book-length exploration of storytelling, built around One Thousand and One Nights. She recalls finding Shahrazad in her hometown library and the insight this led her to: that she could read herself as fiction as well as fact, and so rewrite her own story. The conversation moves from Freud, epigenetics and the plasticity of the brain to Manchester's Industrial Revolution and the lessons we failed to learn from it. Winterson traces AI from Ada Lovelace to Turing to today's tech moguls, making a case for cautious optimism and for calling it "alternative intelligence." She also argues for being present in the world, and looking at art without a phone.

Buy One Aladdin Two Lamps here: https://www.shakespeareandcompany.com/books/one-aladdin-two-lamps-2

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Jeanette Winterson CBE was born in Manchester. She published her first novel, Oranges Are Not the Only Fruit, at twenty-five. Over two decades later she revisited that material in her internationally bestselling memoir Why Be Happy When You Could Be Normal?. Winterson has written thirteen novels for adults and two previous collections of short stories, as well as children's books, non-fiction and screenplays. She is Professor of New Writing at the University of Manchester. She lives in the Cotswolds in a wood and in Spitalfields, London.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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“Childhood is once again a resource to be extracted at any cost.”

Filmmaker-turned-legislator Beeban Kidron joined us to discuss Users: How Big Tech Took Control and How to Fight Back. Kidron traces her path from directing documentaries to entering the House of Lords in 2012 (the same year smartphones became affordable enough for parents to hand to children) and how a strange, silent moment with four teenage girls in her kitchen launched a fourteen-year campaign. She unpacks the deliberate design choices behind addictive notifications and CSAM failures, and discusses why she focused her fight on children's rights as a strategic, less polarising lever. The conversation covers tech's grip on governments from Starmer to Trump, and considers how the industry's "free" business model is quietly reversing 150 years of social progress: from child labour laws to a generation working, unpaid, for the attention economy.

Buy Users: https://www.shakespeareandcompany.com/books/users-3

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BARONESS BEEBAN KIDRON is a global authority on digital regulation and accountability and is a leading voice on children’s rights in the digital environment. She has played a determinative role in establishing standards for online safety and privacy across the world. Baroness Kidron sits as a crossbench peer in the UK’s House of Lords, and is founder and former Chair of the 5Rights Foundation. She serves on the Joint Committee on the National Security Strategy and is a former member of the UN Broadband Committee. She is a Visiting Professor in Practice at the London School of Economics, where she chairs the Digital Futures for Children research centre, and is an advisor to the University of Oxford Institute for Ethics in AI. Before she became a peer, Baroness Kidron was an award-winning film director. She co-founded the charity Filmclub (now Into Film) in 2006, and was awarded an OBE for services to drama in 2012.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Dave Eggers joins us to discuss his 14th novel, Contrapposto, a six-decade love story between childhood friends Cricket and Olympia, illustrated with his own drawings. Eggers traces the book's twenty-year gestation, the moment Olympia's character unlocked its structure, and why he gave Cricket his own boyhood fantasy of being "apprenticed" as a young artist. The conversation ranges widely: the decline of art-school access and the pier-side art collective he's launched in San Francisco; his literacy nonprofit 826 Valencia and its typewriter-obsessed students; and a candid, sometimes fiery take on AI's effect on writing, translation, and education, including an anecdote from his visit to OpenAI's offices. 

Buy Contrapposto: https://www.shakespeareandcompany.com/books/contrapposto-3

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Dave Eggers is the author of many books for adults and kids. He’s the founder of McSweeney's and the co-founder of 826 Valencia, and the International Alliance of Youth Writing Centers. A finalist for the National Book Award and the Pulitzer Prize, he was recently awarded the Newbery Medal for his all-ages book, The Eyes & the Impossible.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In the second episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist Megan Nolan to discuss Illusions by Ruth Rehmann, in a new translation by Rob Madole, the latest title in the Faber Editions imprint.

First published in Germany in 1959 and lost to English-language readers for decades, the novel follows four employees of a vast West German corporation across a single weekend. Cinematic, fragmented, and seductively modernist, it is at once an intimate and hypnotic portrait of four inner lives and an incisive state-of-the-nation novel about West Germany's postwar "economic miracle" - and the illusions that sustain it.

Our conversation covers Rehmann's place in the influential German postwar literary movement Gruppe 47, the novel's debts to and divergences from Virginia Woolf's Mrs Dalloway and James Joyce's Ulysses, the way that the war haunts a generation trying to forget it, the mischievous omniscient window cleaner who watches over the story, and what it means for a woman writer to be faulted, as contemporary reviewers said of Rehmann, for "an excess of contemporaneity."

Buy Illusions

UK: https://www.faber.co.uk/product/9780571396580-illusions-faber-editions/

Rest of World: https://www.shakespeareandcompany.com/books/illusions-faber-editions 

Megan Nolan's novels Acts of Desperation and Ordinary Human Failings are also available from Shakespeare and Company, and your local independent bookstore.

Sign up to Faber's Heritage Subscription, featuring all Faber Editions titles: Subscribers get a book in the post each month for just £9 alongside a curated email with exclusive extra content about the book and its author. https://tr.ee/DsDYp5

Books & Authors Discussed

The Tin Drum — Günter Grass

Mrs Dalloway — Virginia Woolf

Ulysses — James Joyce

The Forged Coupon — Leo Tolstoy

Perfection — Vincenzo Latronico

American Psycho — Bret Easton Ellis

Acts of Desperation — Megan Nolan

Ordinary Human Failings — Megan Nolan

Films/TV Shows Discussed

Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles — dir. Chantal Akerman

Playtime — dir. Jacques Tati

The White Ribbon — dir. Michael Haneke

Frozen Land — dir. Aku Louhimies

Bios

Megan Nolan is an Irish writer based in New York. Her most recent novel is Ordinary Human Failings (Little, Brown and Company, 2024), chosen as one of the best books of the year by The Guardian, The Times, and Sunday Times. It was shortlisted for the Orwell Prize for Political Fiction, the Nero Prize for Fiction, The Gordon Burn Prize, The Royal Society of Literature Encore Award, and longlisted for the Women's Prize. Her debut novel, Acts of Desperation (Little, Brown and Company, 2021) was an international bestseller, and was chosen as a best book of the year by Time. Nolan was also among The Observer’s Best Debut Novelists of 2021.

Ella Griffiths is Faber's Head of Classics & Heritage

Adam Biles is Literary Director at Shakespeare and Company

Listen to Alex Freiman Spotify: https://open.spotify.com/artist/3dbKbpFyqPbklwEdeLYYZR?si=Q5vy9KkRTrqf1BqU1v33cg Insta: @alex.guitarfreiman

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Amit Chaudhuri joins Adam Biles to discuss his new novel Chateau Rouge, set not in the postcard Paris of Hemingway and Midnight in Paris, but in the neighbourhood around Gare du Nord — a Paris that resists being known, curated, or confirmed.

Chaudhuri talks about writing against the "already known" city, drawing on Roland Barthes and the idea of "heritage modernity" to explain why he wanted to deconstruct Paris's status as a museum-piece rather than a lived-in place. He discusses his narrator's disorientation on arrival, the subtle presence of race and visibility in the book, and how global events — the Gilets Jaunes, the Notre Dame fire — pass through the novel as lived, unfinished moments rather than history. The conversation turns, too, to marriage: how a decades-old, unread copy of A Moveable Feast, gifted by his wife, becomes a quiet emotional throughline.

Buy Château Rouge: https://www.shakespeareandcompany.com/books/chateau-rouge

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Amit Chaudhuri is the author of nine novels, whose ‘languorous, elliptical, beautiful prose is impressively impossible to put in any category at all’ (Salman Rushdie). He is also an essayist, poet, short story writer, singer and composer.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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M. John Harrison returns to the Shakespeare and Company Podcast to talk with Adam Biles about his new novel, The End of Everything, a disaster story set in a "wrong UK" where societal collapse coincides with the arrival of an alien presence, and the strange shape-shifting "artefacts" it leaves behind.

Harrison discusses writing an "epistemological" catastrophe rather than a physical one, the decades of discipline it took to trust readers without over-explaining, and how the book's permacrisis mirrors post-2008 Britain and Brexit. He talks character-building from "bits and pieces" of real people, why he refuses to fully reveal his monsters, and how AI anxieties seeped into a book largely conceived before ChatGPT. 

Buy The End of Everything: https://www.shakespeareandcompany.com/books/anabasis-2

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MICHAEL JOHN HARRISON is the author of, among others, the Viriconium stories, The Centauri Device, Climbers, The Course of the Heart, The Sunken Land Begins to Rise Again, Signs of Life, Light and Nova Swing. He has won the Boardman Tasker Prize (Climbers), the James Tiptree Jr Award (Light), the Arthur C. Clarke Award (Nova Swing) and the Goldsmiths Prize (The Sunken Land Begins to Rise Again). He lives in Shropshire.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Edward Chisholm joins Adam Biles to discuss Murder in Paris '68, his deep-dive into the Markovic Affair, one of the most explosive scandals of postwar France. In October 1968, the dismembered body of Stevan Markovic, a Yugoslav immigrant and bodyguard to Alain Delon, was found on the outskirts of Paris. The case implicated France's most iconic film star, the Corsican “milieu”, and eventually the Élysée Palace itself.

Chisholm traces how he stumbled onto the story in an obscure Parisian crime library, and what followed: years of obsessive research, classified archives in the suburbs of Versailles, and a surveillance-heavy reading desk watched over by attentive archivists. The conversation covers Delon's impenetrable persona, the Ripley parallels, France's Resistance-era ties between politicians and gangsters, and why a murder nobody solved still can't be fully declassified today.

Buy Murder in Paris ’68: https://www.shakespeareandcompany.com/books/murder-in-paris-68-2

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Edward Chisholm was born in Dorset, England, and moved to Paris in 2012 where he worked all manner of low-paid jobs, from waiting and bar work to museum security and market hand, while trying to build a career as a writer. His memoir, A Waiter In Paris has sold over 100,000 copies and has been translated into several languages. Now, Chisholm makes a living as a creative director, author and screenwriter, based in Switzerland. His writing has appeared in the New York Times, the Guardian and the Financial Times magazine.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Recorded for Bloomsday 2026. If you're in Paris and it's still June 16th, join us between 2pm and 5pm at Shakespeare and Company, 37 Rue de la Bûcherie, Paris.

Find the film here: 

https://vimeo.com/408613317

https://www.youtube.com/watch?v=h7xAM_eXuuk

Adam Biles and Lex Paulson reunite after an eighteen-month hiatus for a live commentary on the 1967 Joseph Strick film adaptation of Ulysses. They discuss Joyce's real-life role launching Dublin's first cinema, the film's scandalous festival history (Cannes brawl, Irish ban, New Zealand sex-segregated screenings), and Milo O'Shea's towering performance as Leopold Bloom. Along the way: Circe's Monty Python energy, the "Me Too" moment, and why Joyce (thanks to Nora) remains decades ahead of us all.

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Tracy K. Smith comes to Shakespeare and Company for a conversation with Adam Biles. They discuss her book Fear Less: Poetry in Perilous Times, a bold manifesto on poetry as a tool for deeper living, clearer thinking, and more compassionate citizenship. Drawing on her time as US Poet Laureate, Smith reflects on taking poetry to rural America, and how poems, unlike political debate, can open rather than entrench. She talks about the origins of Fear Less, and why she chose to write a love letter to the art form rather than a polemic. Smith also reads from her forthcoming collection The Forest, sharing new poems on war, complicity, the divine feminine, and an expansive, unsettling "us" that includes those we revile.

Buy Fear Less: https://www.shakespeareandcompany.com/books/fear-less-4

Tracy K. Smith was born in Massachusetts and raised in northern California. She earned a BA from Harvard University and an MFA in creative writing from Columbia University. From 1997 to 1999 she held a Stegner fellowship at Stanford University. Smith is the author of four books of poetry: The Body's Question (2003), which won the Cave Canem prize for the best first book by an African-American poet; Duende (2007), winner of the James Laughlin Award and the Essense Literary Award; Life on Mars (2011), winner of the Pulitzer Prize for Poetry; and Wade in the Water (2018). In 2014 she was awarded the Academy of American Poets fellowship. She has also written a memoir, Ordinary Light (2015), which was a finalist for the National Book Award in nonfiction. Her latest book is Fear Less: Poetry in Perilous Times (2025).

In June 2017, Smith was named U.S. poet laureate. She teaches at Harvard University, where she is a professor of English and of African and African American Studies and the Susan S. and Kenneth L. Wallach Professor at the Harvard Radcliffe Institute. 

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In the debut episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist and performer Taìno Mendez to discuss Ladies of the Rachmaninoff Eyes by Henry Van Dyke, the twentieth title in the Faber Editions imprint.

Published in 1965 and long out of print, the novel follows Oliver, a Black teenager spending a final summer before college in the eccentric Michigan household of his wealthy patron Etta Klein and his aunt Harriet. Witty, camp, and shot through with tragedy, it defies easy categorisation; a drawing-room satire, a coming-of-age story, and a quietly radical work of civil rights era fiction.

The conversation covers the novel's Wildean wit, its oblique engagement with race and queerness, the role of photographer Carl Van Vechten in the Harlem Renaissance, and what it means to write against expectation.

Buy Ladies of the Rachmaninoff Eyes

UK: https://www.faber.co.uk/product/9780571391783-ladies-of-the-rachmaninoff-eyes-faber-editions/

Rest of World: https://www.shakespeareandcompany.com/books/ladies-of-the-rachmaninoff-eyes-faber-editions

Buy Rainbow Milk: https://www.shakespeareandcompany.com/books/rainbow-milk

Sign up to Faber’s Heritage Subscription, featuring all Faber Editions titles: Subscribers get a book in the post each month for just £9 alongside a curated email with exclusive extra content about the book and its author.

https://tr.ee/DsDYp5

Books & Authors Discussed

The Daring Young Man on the Flying Trapeze — William Saroyan (foreword by Stephen Fry)

Mrs Caliban — Rachel Ingalls

Palace of the Peacock — Wilson Harris

Omeros — Derek Walcott

The Flower Beneath the Foot — Ronald Firbank

Sorrow in Sunlight (retitled Prancing N-) — Ronald Firbank

Go Tell It on the Mountain — James Baldwin

Giovanni's Room — James Baldwin

Another Country — James Baldwin

À rebours (Against Nature) — Joris-Karl Huysmans

En rade (Stranded) — Joris-Karl Huysmans

Checkout 19 — Claire-Louise Bennett

Rainbow Milk — Taìno Mendez

Ulysses — James Joyce 

Works by Ivy Compton-Burnett, Brigid Brophy and Iris Murdoch also mentioned

Illusions— Ruth Lehmann (upcoming Faber Editions title, discussed with Megan Nolan on our next podcast episode)

Films/TV Shows Discussed

Get Out — dir. Jordan Peele

Lovers Rock — dir. Steve McQueen

The Defiant Ones — starring Sidney Poitier

Playtime — dir. Jacques Tati

Severance

Bios

Taíno Mendez is a novelist based in the southern English town of Margate. Their first novel, Rainbow Milk, was an Observer Top Ten Best Debuts choice for 2020 and widely named as one of the best novels of the year, being shortlisted for a British Book Award and for the Jhalak Prize, Polari Prize and Gordon Burn Prize. Their non-fiction has been published in a variety of outlets including the WritersMosaic, the London Review of Books, Esquire, the Guardian and British Vogue. They are currently working on their second novel. 

Ella Griffiths is Faber's Head of Classics & Heritage

Adam Biles is Literary Director at Shakespeare and Company

Listen to Alex Freiman

Spotify: https://open.spotify.com/artist/3dbKbpFyqPbklwEdeLYYZR?si=Q5vy9KkRTrqf1BqU1v33cg

Insta : @alex.guitarfreiman

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Philosopher and author Lea Ypi joins Adam Biles at Shakespeare and Company Paris to discuss her latest book Indignity: A Life Reimagined, an extraordinary work blending biography, history, and fiction. When a photo of her grandparents' 1941 honeymoon went viral in Albania, sparking online abuse, Ypi found herself compelled to investigate her grandmother Leman's life in full. The search took her into the Albanian Secret Service archives, back to the collapse of the Ottoman Empire, and deep into questions of memory, belonging, and what it means to preserve dignity in a world that conspires against it. Ypi discusses the dual narrative voices of the book, the "silence of the archives," the ethics of fictionalising real lives, and how writing as a novelist rather than a philosopher transformed her understanding of her subject. A conversation about history, imagination, and the moral necessity of hope.

Buy Indignity: https://www.shakespeareandcompany.com/books/indignity-2

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Lea Ypi holds the Ralph Miliband Chair in Politics and Philosophy at the London School of Economics. Her first trade book, Free: Coming of Age at the End of History won the Ondaatje Prize and the Slightly Foxed Best First Biography Prize and was shortlisted for the Baillie Gifford Prize and the Costa Biography Award. It is translated into over thirty languages.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-arundhati-roy

Recorded live at Shakespeare and Company, Paris, Adam Biles sits down with Arundhati Roy to discuss her memoir Mother Mary Comes to Me. Roy reflects on writing a “novelist’s memoir,” where memory and imagination blur, and explores her complex relationship with her mother, Mary Roy. The conversation moves from Roy’s unconventional childhood in Kerala to her formative years in architecture, activism, and the aftermath of The God of Small Things. She discusses resisting literary celebrity, embracing political responsibility, and finding strength in chosen families and friendship networks. With candour and wit, Roy rejects reductive “therapy narratives,” instead offering a portrait of identity shaped by contradiction, resilience, and love.

Buy Mother Mary Comes to Me: https://www.shakespeareandcompany.com/books/mother-mary-comes-to-me

Arundhati Roy is the author of the novels The God of Small Things, which won the Booker Prize in 1997, and The Ministry of Utmost Happiness, which was longlisted for the Booker Prize in 2017. She is the author of various works of non-fiction including My Seditious Heart, Azadi and The Architecture of Modern Empire.

Adam Biles is Literary Director at Shakespeare and Company, Paris

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Recorded live at Shakespeare and Company, Adam Biles speaks with Ben Lerner about his novel Transcription, a formally inventive meditation on technology, memory, and human connection.

Beginning with the novel’s deceptively simple premise (a writer loses his recording device and reconstructs an interview from memory) the conversation expands into questions of mediation, voice, and authenticity. Lerner explores how devices reshape attention and relationships, suggesting that humans themselves function as “media,” transmitting voices across time and between generations.

The discussion moves between the philosophical and the intimate: from the limits of digital communication to the emotional power of disembodied voices, from intergenerational care to the fragile transmission of experience. Ultimately, Transcription emerges as a reflection on how stories, memories, and voices persist—less as fixed recordings than as living, shifting acts of interpretation.

Buy Transcription: https://www.shakespeareandcompany.com/books/transcription-4

Ben Lerner was born in Topeka, Kansas, in 1979. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, and is the author of three other internationally acclaimed novels, Leaving the Atocha Station, 10:04 and The Topeka School. He has published the poetry collections The Lichtenberg Figures, Angle of Yaw (a finalist for the National Book Award), Mean Free Path and No Art as well as the essay The Hatred of Poetry. Lerner lives and teaches in Brooklyn.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Why Translate Homer Again? Daniel Mendelsohn on his new Odyssey

This conversation explore’s Daniel Mendelsohn’s new translation of The Odyssey. Mendelsohn reflects on why this endlessly retranslated text still invites fresh interpretation, describing Odysseus as a “proto-author” whose storytelling shapes reality itself.

The discussion delves into the craft of translation; balancing precision with poetic vitality, preserving the strangeness of Homeric Greek while remaining readable, and making deliberate choices about line length, diction, and even spelling. 

Mendelsohn also highlights the influence of teaching and lifelong engagement with the text, emphasising close reading and the role of students in deepening understanding.

Beyond technique, the conversation explores why The Odyssey endures. its themes of homecoming, identity, storytelling, and time continue to resonate across generations, making it both an ancient epic and a strikingly modern work.

Buy The Odyssey: https://www.shakespeareandcompany.com/books/the-odyssey-51

Memoirist, critic, translator, and frequent contributor of essays to The New Yorker and The New York Review of Books, where he is Editor-at-Large, Daniel Mendelsohn is the author of ten books, including the international bestsellers The Lost: A Search for Six of Six Million, winner of the National Jewish Book Award and the National Book Critics Circle Award, and An Odyssey: A Father, a Son, and an Epic, an NPR and Kirkus Best Book of the Year. His other honors include the Prix Médicis in France and the Premio Malaparte, Italy’s highest honor for foreign writers. In 2022 he was made a Chevalier de l’Ordre des Arts et des Lettres by the Republic of France. He is currently the Charles Ranlett Flint Professor of Humanities at Bard College.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this special edition, we revisit three conversations with Shakespeare and Company rare book dealer Ben Brown, originally recorded in 2022. Across these episodes, Ben guides us into the fascinating, often mysterious world of book collecting.

We begin with the basics: what makes a first edition and how collectors identify them. Ben shares insights into the thrill of the hunt and the appeal of owning a first edition. Next, we explore the extraordinary publishing history of Ulysses, from censorship battles to rare early editions, revealing how controversy shaped its legacy. Finally, we turn to signed books, unpacking why an author’s signature adds emotional and monetary value—and how provenance can transform an object into a story.

Discover our rare books collection here: https://www.shakespeareandcompany.com/lists/rare-books

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This week Adam Biles speaks with Tash Aw about The South, his novel of inheritance, identity, and quiet upheaval. Set on a decaying farm in southern Malaysia, the story follows a family confronting generational fracture, class tension, and the uneasy weight of belonging. Aw explores how landscape is felt through the body rather than described, and how memory—fragmentary and unreliable—shapes narrative voice.

The conversation covers adolescence, queer awakening, and the tension between freedom and fear when removed from social scrutiny. Aw reflects on writing from hindsight, the interplay between personal experience and fiction, and the ways families both sustain and constrain individual identity. 

Buy The South: https://www.shakespeareandcompany.com/books/the-south-7

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TASH AW is the author of five novels, including We, the Survivors, and a memoir of a Chinese-Malaysian family, The Face: Strangers on a Pier, both finalists for the Los Angeles Times Book Prize. His work has also won a Whitbread Award, a Commonwealth Writers’ Prize, and an O. Henry Prize, and has three times been longlisted for the Man Booker Prize. His fiction has been translated into twenty-three languages.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-david-szalay

This week Adam Biles sits down with Booker Prize–winner David Szalay to discuss his novel Flesh — a work that begins in post-Soviet Hungary and expands into a stark portrait of Europe over the last three decades.

Szalay describes writing a book that takes almost nothing for granted, grounding experience in the physical body rather than psychology. They explore the novel’s emotionally charged yet morally unresolved relationships, its refusal of overt judgment, and its spare, withholding prose style.

The conversation covers masculinity, violence, agency, and the seductive fantasy of “the West,” asking whether István is passive — or simply shaped by forces larger than himself. What happens when a novel resists explanation? When language reaches its limits? And how can restraint intensify emotional impact rather than diminish it?

Buy Flesh: https://www.shakespeareandcompany.com/books/flesh-2

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Winner of the Booker Prize 2025 for Flesh. David Szalay was born in Canada, grew up in London and now lives in Vienna. He is the author of six works of fiction that have been translated into over 20 languages, as well as several BBC radio dramas. His debut novel, London and the South-East, won Betty Trask and Geoffrey Faber Memorial prizes. All That Man Is was awarded the Gordon Burn Prize and Plimpton Prize for Fiction, and was shortlisted for the Booker Prize in 2016. 

He was selected for the 2013 edition of Granta’s Best of Young British Novelists, and in 2010 appeared in the Telegraph’s list of the top 20 British writers under 40. In November 2025, Flesh won the Booker Prize.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Recorded live in the bookshop, this conversation dives into the inventive world of Perspectives, Laurent Binet’s historical novel that transforms Renaissance Florence into the scene of a gripping whodunnit. The discussion explores how a real painter’s death becomes the catalyst for a dazzling literary experiment: a murder investigation told entirely through letters, gossip, and competing testimonies.

The author reveals how the book blends meticulous archival research with narrative play—treating history not as a fixed record but as a puzzle assembled from partial truths. From the politics of ducal courts to the working lives of artists and artisans, the episode uncovers a city in creative and ideological upheaval, grappling with what comes after artistic perfection.

At once detective story, art-history meditation, and sly reflection on storytelling itself, this is a lively exploration of how the past can feel startlingly contemporary—and how every account depends on who’s holding the pen.

Buy Perspectives: https://www.shakespeareandcompany.com/books/perspectives-4

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Laurent Binet lives and works in France. His first novel, HHhH, was an international bestseller which won the prestigious Prix Goncourt du premier roman, among other prizes. The 7th Function of Language won the Prix de la FNAC and Prix Interallié. Civilisations is a bestseller that has won the Grand Prix de l'Académie française.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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George Saunders returns to the Shakespeare and Company Podcast to talk with host Adam Biles about Vigil, his long-awaited new novel. Set on the threshold between life and death, Vigil follows a dying oil executive and the ghost tasked with comforting him, unfolding as a darkly comic, morally urgent meditation on guilt, responsibility, and free will in the age of climate collapse.

Saunders discusses his fascination with liminal spaces and afterlives, the technical challenges of writing beyond realism, and how revision allows fiction to think more deeply than polemic ever could. Drawing on his own past in the oil industry, he reflects on writing characters implicated in environmental harm with both empathy and moral seriousness. The conversation ranges across Dickens, Tolstoy, Buddhism, and the novel’s central question: whether redemption is possible when action is no longer an option. As ever, Saunders brings humor, generosity, and intellectual daring to a discussion that embraces complexity rather than easy answers.

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George Saunders is the author of thirteen books, including the novel Lincoln in the Bardo, which won the Booker Prize in 2017, and five collections of stories including Tenth of December, which was a finalist for the National Book Award, and the recent collection Liberation Day (selected by former President Obama has one of his ten favourite books of 2021). Three of Saunders’ books –Pastoralia, Tenth of December, and Lincoln in the Bardo – were chosen for the New York Times’ list of the 100 Best Books of the 21st Century. Saunders hosts the popular Story Club on Substack, which grew out of his book on the Russian short story, A Swim in a Pond in the Rain. In 2013, he was named one of the world's 100 Most Influential People by Time magazine. He teaches in the creative writing program at Syracuse University.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this wide-ranging and deeply thoughtful conversation, writer Emily LaBarge speaks with host Adam Biles about Dog Days, her groundbreaking new work of nonfiction. Rooted in the 2009 hostage event she and her family survived while on holiday in the Caribbean, the book explores not the incident itself but the psychic “mark” it left—its shape, depth, and resistance to narrative. Emily discusses the instability of storytelling after trauma, the pressure to produce coherent versions for police, insurers, or therapists, and the unsettling sense that the world itself had changed in the aftermath. She reflects on the limits of therapy, the body’s relationship to memory, and how literature, art, and cinema became “fellow travelers” in her attempt to understand the experience. Adam and Emily also consider genre, experiment, and the essay’s capacity to hold fractured thought. Dog Days emerges as a radical, erudite, and emotionally exacting exploration of what it means to live on after rupture.

Buy Dog Days: https://www.shakespeareandcompany.com/books/dog-days-13

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Emily LaBarge is a Canadian writer based in London. Her essays and criticism have appeared in Granta, The London Review of Books, Artforum, Bookforum, Frieze, and The Paris Review, amongst others. She is a regular contributor to The New York Times and 4Columns. Dog Days is her first book.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode, Adam Biles welcomes Jonathan Coe to Shakespeare and Company in Paris for a rich, funny, and wide-ranging conversation about Coe’s genre-bending novel The Proof of My Innocence. What begins as a playful pastiche of a cozy crime mystery evolves into three interlocking novellas—a whodunnit, a piece of dark academia, and a fragment of autofiction—that push at the limits of storytelling itself. Coe discusses why crime fiction offers comfort in anxious times, how the destabilising politics of late 2022 (from Liz Truss to the Queen’s death) seeped into the book, and why he’s increasingly drawn to overtly fictional narratives in an age suspicious of facts. He reflects on class, Cambridge, generational politics, and the powerful role fiction plays in preserving memory. Filled with humour and insight, the conversation offers both a defence of storytelling and a portrait of Britain in flux.

Buy The Proof of My Innocence: https://www.shakespeareandcompany.com/books/the-proof-of-my-innocence-3

Jonathan Coe was born in Birmingham in 1961. He is the award-winning, bestselling author of fifteen novels, including What a Carve Up!, The Rotters’ Club, Middle England and, most recently, The Proof of My Innocence. He has won the Costa Novel Award, the Prix du Livre Européen, the John Llewellyn Rhys Prize, the Prix Médicis Étranger and the Bollinger Everyman Wodehouse Prize, among many others. He is a Fellow of the Royal Society of Literature and an Officier de l'Ordre des Arts et des Lettres. His work has been translated into twenty-two languages. Jonathan Coe lives in London.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode of the Shakespeare and Company Podcast, Adam Biles speaks with poet, translator and critic Ian Patterson about Books: A Manifesto, his passionate defence of reading in all its forms. What begins with the construction of a personal library in a converted coach house opens into a wide-ranging meditation on memory, loss, vulnerability and the profound role books play in shaping a life. Patterson discusses the anguish of parting with thousands of volumes, the intimacy of marked-up, well-lived-in books, and the politics of reading slowly in a culture addicted to speed. The conversation moves through genre snobbery, guilty pleasures, poetry’s complex rewards, the porous borders of contemporary literature, and Patterson’s experience translating the final volume of Proust—an immersion so deep it altered his own prose. It’s a warm, generous exploration of why books matter, how they remake us, and why defending them feels more urgent than ever.

Buy Books: A Manifesto: https://www.shakespeareandcompany.com/books/books-a-manifesto

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Ian Patterson is a widely published poet and translator, and a former academic. The translator of Finding Time Again, the final volume of the Penguin Proust, he is also the author of Guernica and Total War and Nemo’s Almanac. He won the Forward Prize for Best Poem in 2017, with an elegy for his late wife, Jenny Diski. He worked in Further Education between 1970 and 1984, had a second-hand bookselling business for ten years after that, and from 1995 until 2018 was an academic, teaching English Literature at the University of Cambridge. Many of his students have gone on to shape the world of publishing and writing, both in the UK and the US.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this live conversation at Shakespeare & Company in Paris, Adam Biles speaks with writer Ian Leslie about John & Paul: A Love Story in Songs, Leslie’s acclaimed exploration of the creative and emotional bond at the heart of The Beatles. Together they trace John Lennon and Paul McCartney’s relationship from their first meeting as bereaved teenagers in Liverpool, through the crucible of Hamburg, the frenzy of Beatlemania, and the artistic revolutions of the 1960s. Leslie explains why their partnership was neither simple friendship nor sibling rivalry, but a passionate, volatile, and profoundly collaborative romance—one that shaped their music as much as their music shaped them. They discuss myth-making around the band’s breakup, why McCartney’s reputation took decades to recover, and how John and Paul remained “entangled particles” long after going their separate ways. A rich, moving conversation about genius, chemistry, and the power of creative partnership.

Buy John & Paul, A Love Story in Songs: https://www.shakespeareandcompany.com/books/john-and-paul

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lan Leslie is a journalist and author of two acclaimed books on human behaviour, Born Liars, and Curious. His first career was in advertising, where he worked as a strategist for some of the world's biggest brands at ad agencies in London and New York. He now counsels business leaders on communication and writes about psychology, technology, politics and business for the New Statesman, Economist, Guardian and the Financial Times. He is the co-host of a podcast series called Polarised, on the way we do politics today. lan is a fellow of the Royal Society of Arts. He lives in London with his wife and two young children.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this intimate conversation recorded at Shakespeare and Company, novelist Miriam Robinson joins Adam Biles to discuss her remarkable debut, And Notre Dame Is Burning. Together, they explore the novel’s fractured structure and the emotional aftermath of betrayal, loss, and motherhood. Robinson reflects on her protagonist Esther—a woman piecing together the wreckage of a marriage through letters and fragments—as well as on grief, storytelling, and the disorientation of time. From the shadow of Notre Dame to the uncertainty of rebuilding a life, Robinson examines how women navigate love, autonomy, and the stories they tell themselves. Touching on subjects from miscarriage and memory to patriarchy and the politics of intimacy, this conversation balances literary craft with raw honesty.

Buy And Notre Dame Is Burning: https://www.shakespeareandcompany.com/books/and-notre-dame-is-burning

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Miriam Robinson is an author who has worked in the world of books and bookshops for over 15 years. Previously the host of podcast My Unlived Life, she holds an MA in Creative Writing from Goldsmiths, University of London and her short fiction has been shortlisted for a Pushcart Prize, the inaugural Pindrop/RA Short Story Prize and the Pat Kavanagh Prize. Originally from Colorado, Miriam lives in East London with her daughter and their six-toed cat Astrid.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-miriam-toews

Trigger warning: This is a tender, funny, and hopeful conversation, that inevitably touches on the subjects of suicide and depression. Please be advised before listening.

In this moving and intimate discussion, Miriam Toews joins Adam Biles at Shakespeare and Company to talk about her memoir A Truce That Is Not Peace. Beginning with the question “Why do I write?”, Toews embarks on a deeply personal exploration of creativity, doubt, family, and loss. She reflects on her Mennonite upbringing, the deaths of her father and sister, and the ways in which writing—and laughter—have helped her make sense of pain and love. With warmth, wit, and clarity, Toews examines the limits of narrative, the pull of silence, and the stubborn hope that persists in the face of despair. A meditation on grief, rebellion, and the meaning of home, this is a conversation about how to keep living, and how to keep creating, when life itself resists coherence.

Buy A Truce That Is Not Peace: https://www.shakespeareandcompany.com/books/a-truce-that-is-not-peace

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Miriam Toews is the author of the bestselling novels Women Talking, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, Irma Voth, Fight Night and one work of nonfiction, Swing Low: A Life. She is the winner of the Governor General’s Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers’ Trust Fiction Prize and the Writers’ Trust Engel/Findley Award. She lives in Toronto.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode recorded live at Shakespeare and Company, historian and cultural critic Andrew Hussey joins Adam Biles to discuss his powerful new book, Fractured France: A Journey Through a Divided Nation. With wit, erudition, and decades of on-the-ground insight, Hussey examines how France—once the model of revolutionary ideals and republican universalism—has splintered along social, cultural, and political lines. From the banlieues to the boulevards, from secularism to identity politics, Hussey traces the fractures that now define the French experience and asks whether the nation can still live up to its promise of liberté, égalité, fraternité. Their conversation moves between history, journalism, and personal reflection, exploring nationalism, colonial legacies, and the uneasy relationship between Paris and the rest of the country. Fractured France is both an elegy and a challenge: can a republic built on unity survive in an age of division?

Buy Fractured France: https://www.shakespeareandcompany.com/books/fractured-france

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Andrew Hussey was Director of the Centre for Post-Colonial Studies in the School of Advanced Study, University of London. He is a regular contributor to the Guardian and the New Statesman, and the writer/presenter of several BBC documentaries on French food and art. He is the author of The Game of War: The Life and Death of Guy Debord (2001), and Paris: The Secret History (2006). He was awarded an OBE in the 2011 New Years Honours list for services to cultural relations between the United Kingdom and France. His latest book, The French Intifada, was published by Granta Books in 2014. He lives in Paris.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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This week Adam Biles speaks with international lawyer and acclaimed author Philippe Sands about his latest book, 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia. Building on East West Street and The Ratline, Sands traces the remarkable and disturbing links between Nazi officer Walter Rauff—architect of the mobile gas vans—and Chilean dictator Augusto Pinochet. Their conversation explores how Rauff escaped Europe, settled in South America, and later became entangled with Pinochet’s regime, raising profound questions about memory, complicity, and justice. Sands also shares his personal and professional connection to this history: as a barrister involved in Pinochet’s extradition case, and as the descendant of a family decimated by the Holocaust. Blending archival detective work, courtroom drama, and encounters with extraordinary witnesses, Sands reveals the human stories behind the law. This is a gripping, moving, and sometimes unsettling dialogue about the echoes of history and the pursuit of accountability.

Buy 38 Londres Street: https://www.shakespeareandcompany.com/books/38-londres-street-2

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Philippe Sands was born in London in 1960 and studied Law at the University of Cambridge. His book East West Street was the winner of the Baillie Gifford Prize for Non Fiction 2016, the British Book Awards Non-fiction Book of the Year 2017 and 2018 Prix Montaigne He is also the author of Lawless World: America and the Making and Breaking of Global Rules, which inspired a stage play (Called to Account, Tricycle Theatre) and a television film (The Trial of Tony Blair, Channel 4). He writes regularly for the press and serves as a commentator for the BBC, CNN and other radio and television producers. His BBC Storyville film My Nazi Legacy: What Our Fathers Did premiered in April 2015 at the Tribecca Film Festival. Sands co-wrote a podcast of the same name for the BBC. Sands lectures around the world and has taught at New York University and been a visiting professor at the University of Toronto, the University of Melbourne, and the Université de Paris I (Sorbonne). He was appointed a Queen’s Counsel in 2003. The Ratline: Love, Lies and Justice on the Trail of a Nazi Fugitive, was published in 2020 and The Last Colony: A Tale of Exile, Justice and Britain's Colonial Legacy in 2022. His most recent book, 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia was published in 2025. He is currently Professor of Law at University College London and a barrister and arbitrator at 11 King's Bench Walk. He served as president of English PEN and is on the board of the Hay Festival of Arts and Literature.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this conversation recorded live at Shakespeare and Company, travel writer Monisha Rajesh talks about her new book Moonlight Express: Around the World by Night Train. From Paris to Istanbul, Scotland to India, the United States to Lapland, Rajesh explores the romance and realities of sleeper trains—where the carriages, the landscapes, and above all, the people become the story. She shares how her love of rail travel began in India, why night trains are enjoying a resurgence amid the climate crisis, and what it means to travel as a woman, a mother, and a writer in a turbulent world. Alongside the practicalities of packing eye masks and hot water bottles, Rajesh reflects on the communities that form in dining cars, the unexpected intimacy of train travel, and the way technology, politics, and global events shape the journeys we take.

Buy Moonlight Express: https://www.shakespeareandcompany.com/books/moonlight-express

Monisha Rajesh is a British journalist whose writing has appeared in Time magazine, the New York Times, and Vanity Fair. Her first book, Around India in 80 Trains, was named one of the Independent’s best books on India. Her second book, Around the World in 80 Trains, won the National Geographic Traveller Book of the Year and was shortlisted for the Stanford Dolman Travel Book of the Year. In 2024 she was named in Condé Nast Traveller’s Women Who Travel Power List. She lives in London.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this special episode of the Shakespeare and Company Interview Podcast, we celebrate the paperback release of The Shakespeare and Company Book of Interviews (Canongate), a compelling collection of literary conversations recorded live at our bookshop in Paris. Capturing a decade of rich, revealing discussions, the episode revisits unforgettable moments with some of the world’s most acclaimed writers, exploring the craft of writing, the power of stories, and the electric atmosphere of bookshops. Expect insights into the creative process, unexpected moments of vulnerability, and reflections on how literature intersects with politics, identity, and the human condition. Featuring live clips and commentary, this episode is both a celebration and an invitation—to listen, to read, and to be part of the ongoing conversation.

Buy The Shakespeare and Company Book of Interviews: https://www.shakespeareandcompany.com/books/the-shakespeare-and-company-book-of-interviews-2

Featuring…

Percival Everett

Olivia Laing

Marlon James

George Saunders

Karl Ove Knausgaard

Colson Whitehead

Hari Kunzru

Leïla Slimani

Jesmyn Ward

Reni Eddo-Lodge

Carlo Rovelli

Jenny Zhang

Annie Ernaux

Rachel Cusk

Meena Kandasamy

Madeline Miller

Miriam Toews

Katie Kitamura

Claire-Louise Bennett

Geoff Dyer

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode Adam speaks with translator Frank Wynne and Argentinian writer Samanta Schweblin about the first-ever English edition of Mafalda, the beloved Argentine comic strip by Quino (Archipelago Books). Together, they explore how this precocious, principled six-year-old girl—who challenged everything from soup to capitalism—shaped generations of readers in Argentina and beyond. Frank discusses the joys and puzzles of translating Mafalda’s quick wit and political edge, while Samanta recalls how the strip introduced her to feminism, philosophy, and satire as a child. The conversation touches on cartooning as subversion, and why Mafalda’s questions still matter today. Whether you're meeting Mafalda for the first time or grew up with her, this episode is a moving celebration of one of the 20th century's most enduring comic heroines.

Buy Mafalda: https://www.shakespeareandcompany.com/books/mafalda-3

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Samanta Schweblin won the 2022 National Book Award for Translated Literature for her story collection, Seven Empty Houses. Her debut novel, Fever Dream, was shortlisted for the International Booker Prize, and her novel Little Eyes and story collection Mouthful of Birds have been longlisted for the same prize. Her books have been translated into more than forty languages, and her stories have appeared in English in The New Yorker, The Paris Review, Granta, Harper’s Magazine and elsewhere. Originally from Buenos Aires, Schweblin lives in Berlin. Good and Evil and Other Stories is her third collection.

Frank Wynne is a writer and award-winning literary translator. Born in Ireland he has lived and worked in Dublin, Paris, Amsterdam, London, Buenos Aires and currently lives in San José, Costa Rica. He has translated more than a dozen major novels, among them the works of Michel Houellebecq, Frédéric Beigbeder, Pierre Mérot and the Ivorian novelist Ahmadou Kourouma. A journalist and broadcaster, he has written for the Sunday Times, the Independent, the Irish Times, Melody Maker, and Time Out.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Katharina Volckmer joins Adam Biles to discuss her biting, bleakly funny second novel, Calls May Be Recorded for Training and Monitoring Purposes. Set in a London call centre, the book follows Jimmie, a disillusioned former actor trapped in a soul-crushing job, a suffocating home life with his immigrant mother, and an alienating body. Volckmer discusses the novel’s inspirations—from her own time in call centres to reflections on work, class, intimacy, and the dehumanising effects of late capitalism. They explore Jimmie’s idiosyncratic voice, his desire for connection, and his fumbling pursuit of freedom through subversion, humour, and misfit tenderness. The conversation touches on linguistic displacement, the emotional poverty of modern holidays, and the strange intimacy of customer service. It's a wry, bold, and compassionate dive into modern alienation—with lipstick, sharks, and sex in the supply closet.

Buy Calls May Be Recorded for Training and Monitoring Purposes: https://www.shakespeareandcompany.com/books/calls-may-be-recorded-for-training-and-monitoring-purposes

Katharina Volckmer was born in Germany in 1987. She now lives in London where she works for a literary agency. Her first novel The Appointment has been translated into over 15 languages and has been adapted for the stage and radio in several countries.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this textured conversation, author Eimear McBride joins Adam Biles at Shakespeare and Company to discuss her latest novel The City Changes Its Face. Set in Camden Town in the 1990s, the book revisits characters from The Lesser Bohemians as they navigate the complexities of love, art, aging, trauma, and parenthood. McBride explores the enduring impact of childhood abuse, the fraught territory of families, and the search for creative meaning as her protagonists transition from actors to writers and filmmakers. She also reflects on the changing face of London, her writing process, and how voice, rhythm, and instinct drive her work. With warmth, candour, and a touch of wry humour, McBride shares insights into the emotional and formal risks of fiction, the influence of modernism, and why survival—not just suffering—deserves narrative space.

Buy The City Changes Its Face: https://www.shakespeareandcompany.com/books/the-city-changes-its-face

Eimear McBride is the author of four novels: A Girl is a Half-formed Thing, The Lesser Bohemians, Strange Hotel and The City Changes Its Face. She held the inaugural Creative Fellowship at the Beckett Research Centre, University of Reading and is the recipient of the Women’s Prize for Fiction, Goldsmiths Prize, Kerry Group Irish Novel of the Year, and the James Tait Black Memorial Prize.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Katie Kitamura joins Adam Biles to discuss her remarkable novel Audition. Centred on a middle-aged actress whose settled life is upended by a young man claiming to be her son, Audition blurs the lines between performance, identity, and narrative certainty. Kitamura reflects on the novel’s dual structure—a “rabbit-duck” ambiguity—and her fascination with roles we perform in relationships, particularly within marriage and family. The conversation explores the mutability of identity, the ethical power of embracing contradiction, and the unique capacity of the novel to hold multiple truths simultaneously. Kitamura also discusses craft, genre, and the challenges of maintaining ambiguity without sacrificing narrative tension. An essential listen for readers drawn to fiction that resists easy answers and revels in complexity.

Buy Audition: https://www.shakespeareandcompany.com/books/audition-3

Katie Kitamura is the author of five novels, including Intimacies, named one of the 10 Best Books of 2021 by the New York Times. It was also one of Barack Obama's favourite books of the year, and was longlisted for a National Book Award and a PEN/Faulkner Award and was a finalist for the Joyce Carol Oates Prize. Kitamura's novel A Separation was a New York Times Notable Book. Her work has been translated into more than twenty languages and is being adapted for film and television. A recipient of the Rome Prize in Literature and other honours, she teaches in the creative writing programme at New York University.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this electric conversation, Irvine Welsh joins Adam Biles at Shakespeare and Company to discuss Men in Love, the long-awaited sequel to Trainspotting. Picking up moments after Renton's betrayal, Welsh dives deep into the aftermath—friendship, love, addiction, class, and the cultural hangover of 1980s Thatcherism. The pair explore writing authentic historical fiction, how ecstasy (both drug and emotion) shaped a generation, and why mobile phones are killing drama. Welsh also shares insights into masculinity, social mobility, and why Sick Boy might just be the tragic heart of this novel. Expect laughs, gallows humor, biting commentary—and a live reading that’s pure, unfiltered Welsh.

Buy Men In Love: https://www.shakespeareandcompany.com/books/men-in-love-2

Irvine Welsh was born and raised in Edinburgh. His first novel, Trainspotting, has sold over one million copies in the UK and was adapted into an era-defining film. He has written fourteen further novels, including the number one Sunday Times bestseller Dead Men’s Trousers, four books of shorter fiction and numerous plays and screenplays. Irvine Welsh currently lives between London, Edinburgh and Miami.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode novelist Natasha Brown joins Adam Biles to discuss her daring second book, Universality. The conversation explores the novel’s structural audacity—opening with a fictional long-read article—and its thematic interrogation of class, race, media narratives, and the modern British middle class. Brown dives into her creation of Leni, a polarising columnist whose charisma masks deeper questions about power and identity. She explains the exhaustive research behind mimicking journalistic language and crafting complex, contradictory characters, all while reflecting on the fractured state of truth in the digital age. The conversation touches on the erosion of trust in traditional media, class performance, and the shifting role of fiction in helping us understand our sociopolitical moment.

Buy Universality: https://www.shakespeareandcompany.com/books/universality

Natasha Brown is a British novelist.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this rich conversation, Francesca Wade joins Adam Biles to discuss her biography Gertrude Stein: An Afterlife. Wade explores the complexities of Stein’s life, legacy, and literary innovations, foregrounding Stein’s long-overlooked partner, Alice B. Toklas, as a powerful and persistent force behind the myth. They dive into questions of biography, erasure, performance, and gender, as well as Stein’s fraught political affiliations during WWII. Wade’s approach is both formally inventive and deeply human, highlighting unpublished interviews and fresh archival finds that illuminate the tension between public persona and private life. Whether you're a Stein devotee or merely curious about modernism’s most elusive icon, this episode offers a fascinating entry point into the world of radical art, language, and love.

Buy Gertrude Stein: An Afterlife: https://www.shakespeareandcompany.com/books/gertrude-stein

Francesca Wade’s first book, Square Haunting, was longlisted for the Baillie Gifford Prize and shortlisted for the RSL Ondaatje Prize. She has held fellowships at the New York Public Library's Cullman Center and the Harvard Radcliffe Institute. Her work has appeared in The New York Review of Books, London Review of Books and Granta, among other places.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode, Adam Biles speaks with acclaimed author Geoff Dyer live from Shakespeare and Company about his new memoir, Homework. Dyer reflects on growing up in 1960s Cheltenham, navigating family, class, and the formation of self. With characteristic wit and insight, he paints portraits of his quietly disappointed mother and parsimonious father, capturing an era that feels remote yet familiar. The conversation explores the power of memory, the weirdness of grammar schools, the ambient presence of war, and the subtle tyranny of the English class system. Dyer discusses how language, books, and music shaped him—and how the past persists in surprising phrases and daily habits. By turns hilarious and moving, this event reminds us why Dyer remains one of the UK’s most original and generous literary voices.

Buy Homework: https://www.shakespeareandcompany.com/books/homework-3

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Geoff Dyer is an award-winning author of four novels and numerous non-fiction books, including Out of Sheer Rage, Yoga for People Who Can’t Be Bothered to Do It, Zona and, most recently, See/Saw. A fellow of the Royal Society of Literature and a member of the American Academy of Arts and Science, Dyer lives in Los Angeles, where he is Writer in Residence at the University of Southern California. His books have been translated into twenty-four languages.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this powerful in-store conversation, Rebecca Solnit joins Adam Biles to discuss her new book No Straight Road Takes You There — a rallying call for hope, justice, and the reimagining of our collective future. With wit, clarity, and courage, Solnit explores how stories shape our world — and how changing them can change everything. Drawing on decades of activism and deep historical insight, she challenges despair, celebrates solidarity, and reminds us that even in dark times, “we are always in the middle of the story.” From climate crisis to the power of protest, from Silicon Valley dystopia to unexpected beauty in community, this conversation is a galvanizing reminder: the future is unwritten — and it’s ours to shape.

Buy No Straight Road Takes You There: https://www.shakespeareandcompany.com/books/no-straight-road-takes-you-there

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REBECCA SOLNIT is the author of more than twenty books, including Orwell’s Roses, which was shortlisted for the Orwell Prize for Political Writing, Recollections of My Non-Existence, which was longlisted for the 2021 Orwell Prize for Political Writing and shortlisted for the James Tait Black Award, The Faraway Nearby, Wanderlust, A Field Guide to Getting Lost, River of Shadows and A Paradise Built in Hell. She is also the author of Men Explain Things to Me and many essays on feminism, activism, social change, hope, and the climate crisis. She lives in San Francisco and writes regularly for the Guardian. She lives in San Francisco.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode of the Shakespeare and Company Podcast, Adam Biles speaks with acclaimed author Catherine Lacey about her daring new work The Möbius Book. Structured as a "Tête-bêche"—two intertwined texts printed back-to-back—the book pairs a memoir chronicling the fallout of a painful breakup with a novella that spirals into the psychological suspense of a possible murder next door. As the narratives bend and mirror each other, Lacey explores the porous boundary between fiction and nonfiction, faith and doubt, intimacy and estrangement.

The conversation dives deep into Lacey’s creative process, her early entanglement with religion, the disorienting legacy of male anger, and how the pandemic shaped her understanding of confinement and rupture. Candid and philosophical, Lacey reflects on memory’s distortions, the ethics of writing memoir, and the liberating act of leaving questions unanswered. 

Buy The Möbius Book: https://www.shakespeareandcompany.com/books/the-mobius-book

Catherine Lacey is the author of the novels Nobody Is Ever Missing, The Answers, Pew, and Biography of X, and the short story collection Certain American States. She has received a Guggenheim Fellowship, a Whiting Award, the New York Public Library’s Young Lions Fiction Award and twice been shortlisted for the Dylan Thomas Prize, and was named one of Granta’s Best of Young American Novelists.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Trigger Warning: This episode contains detailed discussions of child sexual abuse, rape, trauma, and the failures of the justice system.

In this powerful and deeply affecting conversation, Neige Sinno speaks with Adam Biles about her landmark book Sad Tiger, recently published in English in a luminous translation by Natasha Lehrer. A searing literary interrogation of the years of abuse Sinno suffered at the hands of her stepfather, Sad Tiger explores the limits of testimony, the insufficiencies of language, and the deep societal denial that silences victims. Sinno reflects on the ethics and formal challenges of writing about trauma, the intellectual and emotional paradoxes of bearing witness, and how literary form can both expose and protect. The conversation touches on Nabokov’s Lolita, the myth of the “monster,” and how society colludes in refusing to see evil when it wears a familiar face. Courageous, lucid, and unflinching, Sinno’s presence and insights make this an unforgettable episode.

Buy Sad Tiger: https://www.shakespeareandcompany.com/books/sad-tiger

Neige Sinno is a French writer who has studied American literature in the United States and Mexico, and worked as a translator and literature professor. She is the author of two previous books, Le Camion and La Vie des rats. Born in France, she has lived in Mexico for the past 20 years. Her 2023 book, Triste tigre, won several of France’s top literary prizes and became the publishing sensation of the year. It will be published in English as Sad Tiger by Seven Stories, in a translation by Natasha Lehrer.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this rich conversation, Guadalupe Nettel joins Adam Biles at Shakespeare and Company to explore the themes of her short story collection The Accidentals. They delve into the complexities of perception and the uncanny, the deep strangeness embedded in familial relationships, and the porous boundary between nature and human nature. Nettel discusses how her stories often begin with a striking image and unfold through a character’s voice, frequently taking shape in the liminal space between realism and the fantastic. The conversation touches on the lasting psychological and social effects of the pandemic, the emotional and moral ambiguities of parenthood, and the hidden influence of family histories. Nature—particularly animal behaviour—serves both as metaphor and mirror, challenging the illusion of human superiority. The episode also examines the short story form, translation as reincarnation, and literature’s power to illuminate the cracks in our perceived reality.

Buy The Accidentals here: https://www.shakespeareandcompany.com/books/the-accidentals-2

Guadalupe Nettel is a Mexican author of award-winning novels and short story collections. Her work has been translated into more than twenty languages and adapted for theatre and film. Still Born, her most recent novel, was shortlisted for the 2023 International Booker Prize. In 2008 she received a PhD in Literature from the EHESS in Paris. She has edited cultural and literary magazines such as Número Cero and Revista de la Universidad de México. She lives in Paris as a writer in residence at the Columbia University Institute for Ideas and Imagination.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode of the Shakespeare and Company Interview Podcast, Adam Biles welcomes Philip Hoare to the bookstore for a mesmerizing conversation about Hoare’s latest book, William Blake and the Sea Monsters of Love. With characteristic lyricism, Hoare explores the mystic intersections between Blake’s visionary art and poetry and the siren call of the ocean. The discussion flows through queer longing, mythic imagery, and the enduring pull of nature and art. A haunting, moving, and often playful exchange—as unruly and evocative as the sea itself.

Buy William Blake and the Sea Monsters of Love: https://www.shakespeareandcompany.com/books/the-moon-is-a-watery-star

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Philip Hoare is the author of ten works of non-fiction. His Leviathan won the Baillie Gifford Prize, and the New York Times praised his last book, Albert &; the Whale, as the result of ‘the forceful weather system that is Hoare’s imagination’. Writing in the Observer, Laura Cumming called his writing ‘the animating magic that brings people of the past directly into our present and unleashes spectacular visions along the way’. He lives in Southampton, on the south coast of England, and swims every day in the sea.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode, Adam Biles is joined by writer Dan Richards to talk about his new book Overnight, a deep dive into the world of the night and the people who live and work while the rest of us sleep. From ferry captains and bakers to ICU nurses, researchers, and racing drivers, Richards explores the unseen rhythms and quiet heroism of nocturnal life. The conversation touches on the origins of the book—an unexpected night stranded on a mountain with his father—and how a life-threatening experience during the pandemic reshaped his understanding of vulnerability, care, and community. With warmth, wit, and poetic insight, Richards discusses circadian myths, the industrialisation of sleep, bats, and the benevolence of those who keep the world turning in the dark. Overnight is a tribute to those who inhabit the night, and this conversation shines a light on their often-unseen contributions.

Buy Overnight: https://www.shakespeareandcompany.com/books/overnight

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Dan Richards is the co-author of Holloway (with Robert Macfarlane and Stanley Donwood), and the author of The Beechwood Airship Interviews, Climbing Days, Outpost and Overnight. Only After Dark, a BBC Radio 4 series about the nocturnal world, was broadcast to acclaim in 2022. Dan has written for the Guardian, Economist, Esquire and Monocle.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode, Adam Biles is joined in the bookshop’s writing studio by Anna Whitwham, author of Soft Tissue Damage, a raw and electrifying memoir of grief, boxing, and womanhood. Following her mother’s death, Whitwham trained and fought competitively as a boxer—an act of both healing and reckoning. She discusses how physical pain can become a language for emotional anguish, how class and family history shaped her connection to the sport, and how boxing offered a surprising community of tenderness and care. A conversation about loss, rage, strength, and the power of being witnessed.

Buy Soft Tissue Damage: https://roughtradebooks.com/collections/books/products/soft-tissue-damage-anna-whitwham

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Anna Whitwham was born in 1981 in London, where she still lives. She studied Drama and English at the University of California, Los Angeles, Queens University Belfast and at Royal Holloway, London where she teaches a course called ‘Writing Men: The Burden of Masculinity’.

She is the author of Boxer Handsome (Chatto&Windus). Her latest book, Soft Tissue Damage is published by Rough Trade Books.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Hosted on Acast. See acast.com/privacy for more information.

In this episode recorded live at Shakespeare and Company, celebrated Danish author Solvej Balle returns to the bookshop she once called home to discuss her monumental literary project On the Calculation of Volume. The novel’s protagonist, Tara Selter, finds herself reliving November 18th—again and again—opening up a profound meditation on time, memory, isolation, and human existence. Balle reflects on the decades-long journey of crafting this work, the philosophical underpinnings of time loops, and the quiet radicalism of writing it from a female perspective. Touching on everything from Ulysses to Groundhog Day, to quantum physics, she shares how her character emerged through a process of deep listening and experimentation. Tara's attempts to replicate seasons and find meaning through repetition prompt larger questions about how we process time, our relationships, and the rituals that structure our lives. Balle reveals how a “stupid idea” turned into a seven-volume epic currently shortlisted for the International Booker Prize—and how writing it has transformed her own understanding of life, aging, and narrative possibility.

Buy On the Calculation of Volume: https://www.shakespeareandcompany.com/books/on-the-calculation-of-volume-i

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Solvej Balle was born in 1962, made her debut in 1986 with Lyrefugl, and

went on to write the highly-acclaimed According to the Law: Four Accounts of Mankind (praised by Publishers Weekly for its blend of “sly humor, bleak vision, and terrified sense of the absurd with a tacit intuition that the world has a meaning not yet fathomed”). She’s also published a book on art theory, a political memoir, and two books of short prose. On the Calculation of Volume expands the possibilities of the novel and heralds the arrival of a major literary artist.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Nobel Prize-winning author Abdulrazak Gurnah sits down with Adam Biles in store to discuss his new novel, Theft. Their conversation delves into the intricate interplay between personal history and the enduring legacy of colonialism, examines the complex dynamics of family and servitude, and discusses the challenge of transcending inherited narratives.

Buy Theft: https://www.shakespeareandcompany.com/books/theft-2

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Abdulrazak Gurnah is the winner of the Nobel Prize in Literature 2021. He is the author of ten novels: Memory of Departure, Pilgrims Way, Dottie, Paradise (shortlisted for the Booker Prize and the Whitbread Award), Admiring Silence, By the Sea (longlisted for the Booker Prize and shortlisted for the Los Angeles Times Book Award), Desertion (shortlisted for the Commonwealth Writers’ Prize) The Last Gift, Gravel Heart, and Afterlives, which was shortlisted for the Orwell Prize for Fiction 2021 and longlisted for the Walter Scott Prize. He was Professor of English at the University of Kent, and was a Man Booker Prize judge in 2016. He lives in Canterbury.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Author portrait Hugo Clair Torregrosa (c) Shakespeare and Company Paris

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For this bonus episode, the Shakespeare and Company podcast welcomes Jeremy Pelt, renowned jazz trumpeter and author of Griot: Examining the Lives of Jazz Great Storytellers. In conversation with Alex Freiman, Pelt discusses the evolution of jazz, the influence of oral traditions, and the importance of documenting firsthand accounts from legendary musicians. Reflecting on his early days at Berklee, his experiences touring worldwide, and his deep reverence for jazz elders like Roy Haynes and Wayne Shorter, Pelt shares insights into both the triumphs and struggles of jazz musicians. He also addresses the debate over the term “jazz,” the intersection of jazz and hip-hop, and the ongoing challenge of preserving the music’s integrity in an industry that often sidelines its true practitioners. Listen in for a compelling exploration of jazz history, culture, and the passion that fuels one of its modern torchbearers.

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Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson and The Skatalites, to name a few.

Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues.

Pelt's recordings and performances have earned him critical acclaim, both nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is currently touring throughout the United States and Europe in support of his latest release, "Soundtrack".

Alex Freiman is a guitarist, composer, and singer trained at the Berklee College of Music in Boston. Drawing from jazz, blues, soul, and funk, he masterfully blends these influences with energy and virtuosity, creating music that is both groovy and sophisticated. After collaborating with major figures on the French and international scenes, including Stéphane Belmondo, he released his debut album as a leader, Play It Gentle, in 2017. Recorded with Léon Parker (drums), Fred Nardin (organ), and special guest Stéphane Belmondo, this album reflects his passion for improvisation and sonic elegance. Constantly seeking innovation, he launched Alex Freiman & The Hot Sauce, an explosive project where jazz, funk, soul, and hip-hop intertwine. His EP In The Beginning (September 2024) marks the start of a new musical era, followed by the singles We Are One (January 2025), featuring rapper Tiemoko, and This Is The Hot Sauce (March 2025), affirming his vibrant and innovative musical identity. In 2025, Alex Freiman continues his groove exploration with a new album and fresh collaborations. Alex Freiman & The Hot Sauce will also be performing in Paris and across France, delivering electrifying shows where improvisation and energy collide.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode, we’re joined by novelist and filmmaker Xiaolu Guo to discuss her latest novel, Call Me Ishmaelle. A bold reimagining of Moby-Dick, Guo's novel audaciously swaps the gender of Melville’s narrator and plunges into a world of hidden identities, maritime adventure, and cultural collision.

With host Adam Biles, Guo reflects on her personal and literary journey—from her early, abandoned encounters with Moby-Dick in Chinese to her deep dive into American whaling history and the Civil War. She shares insights on writing in a second language, the challenge of adapting a literary classic, and the influence of Taoism and Darwin’s Voyage of the Beagle on her storytelling.

Buy Call Me Ishmaelle: https://www.shakespeareandcompany.com/books/call-me-ishmaelle-2

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Xiaolu Guo was born in China. She published six books before moving to Britain in 2002. Her books include: Village of Stone, shortlisted for the Independent Foreign Fiction Prize; A Concise Chinese-English Dictionary for Lovers, shortlisted for the Orange Prize; and I Am China. Her recent memoir, Once Upon a Time in the East, won the National Book Critics Circle Award, was shortlisted for the Costa Biography Award and the Rathbones Folio Prize 2018. It was a Sunday Times Book of the Year. Her most recent novel A Lover's Discourse was shortlisted for the Goldsmiths Prize 2020. She is a fellow of the Royal Society of Literature and a visiting professor at the Free University in Berlin.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Hosted on Acast. See acast.com/privacy for more information.

In this thought-provoking discussion, poet and oral historian Sarah Hesketh discusses her latest book, 2016 (CB Editions), a powerful exploration of one of the most pivotal years in recent history. Through a poetic and documentary approach, she captures the voices of twelve individuals reflecting on key events that shaped the world—Brexit, Trump’s election, the Syrian refugee crisis, celebrity deaths, and the climate emergency.

Hesketh discusses her unique oral history-meets-poetry methodology, weaving real voices into a literary tapestry that highlights how people experience history personally. She explains the ethical dilemmas of working with real testimonies, her structured yet fluid approach to editing interviews, and how historical narratives evolve over time.

The conversation touches on:

• How the death of Hesketh’s father led her to explore grief, memory, and storytelling.
• The 2016 political landscape and the increasing polarization of public discourse.
• The challenges of finding diverse interviewees, including Trump and Brexit supporters.
• The power of literature and poetry to engage with contemporary crises.
• How the pandemic and Trump’s return to power in 2025 reshaped the book’s relevance.

A compelling discussion on history, human connection, and the enduring power of conversation in fractured times.

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Sarah Hesketh is a writer and editor from Pendle, in East Lancashire. She is the authorof the poetry collections Napoleon’s Travelling Bookshelf (Penned in the Margins, 2009) and The Hard Word Box (Penned in the Margins, 2014), and the editor of The Emma Press Anthology of Age (2015). She has been an Artist in Residence with Age Concern and The Holocaust Memorial Day Trust. Her work has a focus on socially engaged writing practices and in 2022 she wa awarded a Royal Society of Literature ‘Literature Matters’ Award. She currently lives in London and works as Managing Editor for Modern Poetry in Translation.

Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Hosted on Acast. See acast.com/privacy for more information.