The Next Reel Film Podcast – Détails, épisodes et analyse

“It’s called ‘Murdered Man’.”
Roger Corman's Comical Foray into Beatnik Horror

In the late 1950s, American International Pictures approached Roger Corman to create a low-budget horror film in just five days, using sets from another project. Corman, along with screenwriter Charles B. Griffith, decided to take a satirical approach, crafting a black comedy that poked fun at the beatnik culture of the era. The result was A Bucket of Blood, a quirky and entertaining film that showcases Corman's ability to deliver a memorable movie on a shoestring budget. Join us – Pete Wright and Andy Nelson – as we continue the member bonus Roger Corman series with a conversation about A Bucket of Blood.

Sculpting a Masterpiece of Macabre Humor

In our discussion of A Bucket of Blood, we delve into the film's clever satirical elements and its comical take on the horror genre. We explore how the movie lampoons both the beatnik scene and the pretentiousness of the art world, with Corman and Griffith drawing from their own experiences and observations. The film's lead actor, Dick Miller, delivers a standout performance as the lovable yet misguided busboy-turned-artist Walter Paisley, whose quest for fame and acceptance takes a dark and murderous turn.

Corman's Signature Style and Social Commentary

Throughout our conversation, we touch upon various aspects of the film that showcase Roger Corman's signature style and his ability to infuse social commentary into his low-budget productions. We examine how A Bucket of Blood addresses themes of social mobility, the search for identity, and the folly of pursuing success at any cost. Additionally, we discuss how the film fits into the broader context of 1950s cinema, drawing comparisons to other notable works of the era, such as Rebel Without a Cause and film noir.

Other points covered in our discussion include:

• The film's effective use of a limited set and budget
• The portrayal of the beat generation and youth culture
• The transformation of Walter Paisley from protagonist to antagonist
• The satirical representation of the art world and its patrons

A Timeless Tale of Ambition and Morality

A Bucket of Blood may be a product of its time, but its themes and humor remain relatable and entertaining decades later. Corman's ability to craft a compelling and thought-provoking story within the constraints of a tight budget and schedule is a testament to his skill as a filmmaker. While the film's low-budget origins are evident, its clever writing, memorable performances, and biting satire more than compensate for any technical limitations. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Film Sundries

• Watch this on Apple or Amazon, or find other places at JustWatch
• Theatrical trailer
• Letterboxd

This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.

“Did someone hear a woman cry?”
A Haunting Guatemalan Ghost Story

In 2019, Guatemalan filmmaker Jayro Bustamante released his third feature film, La Llorona, a haunting ghost story that explores the aftermath of the Guatemalan genocide. The film premiered at the Venice Film Festival and was selected as the Guatemalan entry for the Best International Feature Film at the 93rd Academy Awards. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about La Llorona.

Women Confronting the Horrors of the Past

In our discussion of La Llorona, we focus on how the film centers around the women in a retired general's family as they grapple with the accusations of genocide against him. Through the mysterious presence of their new housekeeper, Alma, and the visions she induces, the general's wife, daughter, and granddaughter are forced to confront the truth about his actions and their own complicity in the horrors of the past. As the story unfolds, the general becomes an increasingly antagonistic figure, unable to face the consequences of his past deeds.

Blending the Ghost Story Genre with the La Llorona Myth

La Llorona effectively combines elements of the traditional ghost story genre with the well-known Latin American folktale of La Llorona, the weeping woman. Bustamante skillfully weaves these two narrative threads together, creating a haunting and atmospheric tale that slowly reveals the truth behind Alma's presence and her connection to the general's victims. The film's use of water imagery and the unsettling presence of ghostly figures further enhances the eerie and unsettling tone.

Other topics covered in our conversation include:

• The strong performances of the cast, particularly María Mercedes Coroy as Alma and Margarita Kenéfic as the general's wife
• The film's commentary on the intergenerational trauma caused by the Guatemalan genocide
• The gradual revelation of Alma's true nature and her role in the story
• The importance of acknowledging and confronting the atrocities of the past

A Thought-Provoking and Haunting Film

La Llorona is a powerful and thought-provoking film that uses the ghost story genre and the La Llorona myth to shed light on the horrors of the Guatemalan genocide. Through its haunting atmosphere, strong performances, and exploration of intergenerational trauma, the film leaves a lasting impact on its viewers. La Llorona is a compelling and important work that deserves to be seen and discussed. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Film Sundries

• Watch this on Apple or Amazon, or find other places at JustWatch
• Theatrical trailer
• Letterboxd

Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.

Follow the other podcasts in The Next Reel’s family of film podcasts:

• Cinema Scope: Bridging Genres, Subgenres, and Movements
• The Film Board
• Movies We Like
• Sitting in the Dark

Join the conversation with movie lovers from around the world in our Discord community!

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“In this world of guns and knives, wherever Tang Lung may go to, he will always travel on his own.”
Bruce Lee's One-and-Done Showcase of Martial Arts Mastery

In 1972, Bruce Lee was already a rising star in the martial arts film world, having starred in a handful of successful films. However, he had yet to have the opportunity to fully showcase his unparalleled fighting skills on his own terms. That all changed with The Way of the Dragon, a film that allowed Lee to demonstrate his incredible martial arts prowess while also taking on the roles of writer, director, and producer. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Way of the Dragon.

Exploring the Comedic Side of Kung Fu and the Legendary Bruce Lee

In our discussion, we delve into the humor infused throughout The Way of the Dragon, from the situational comedy to Bruce Lee's character-driven gags. While the film's comedic elements may not land for everyone, they provide an intriguing glimpse into the lighter side of the kung fu genre. We also examine Bruce Lee's importance to the world of martial arts cinema and how his unique style and charisma helped popularize the genre on a global scale.

The Way of the Dragon may not be a perfect film, but it stands as a testament to Bruce Lee's immense talent and enduring legacy. His only directorial effort provides a platform for him to showcase his unrivaled martial arts skills and offers a fascinating glimpse into what could have been had he not tragically passed away at a young age. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Film Sundries

• Watch this on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Letterboxd

Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.

Follow the other podcasts in The Next Reel’s family of film podcasts:

• Cinema Scope: Bridging Genres, Subgenres, and Movements
• The Film Board
• Movies We Like
• Sitting in the Dark

Join the conversation with movie lovers from around the world in our Discord community!

Here’s where you can find us around the internet:

• The Web
• Letterboxd
• Facebook
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• Threads
• Bluesky
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• Pete 
• Andy

What are some other ways you can support us and show your love? Glad you asked!

• You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.
• Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
• Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
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“A day may come when the courage of men fails, when we foresake our friends and break all bonds of fellowship, but it is not this day!”

There and Back Again

With the success of Jackson’s Lord of the Rings trilogy in 2003, he proved that epic fantasy storytelling could not only work, but that it could be worth the risk to film them all at once. It could be argued that the biggest downside to this production method – filming all three movies at once then releasing them separately over the course of three years – is that many awards voters didn’t feel each film deserved to be recognized individually. This film won all 11 Oscars for which it was nominated, but should the previous efforts also fared better? Regardless, Jackson delivers an epic trilogy, and this film’s extended edition certainly gives us a lot to enjoy. Join us – Pete Wright and Andy Nelson – as we wrap up our conversations about the Lord of the Rings trilogy with a conversation about Jackson’s 2003 film The Lord of the Rings: The Return of the King.

Here’s a hint at what we talk about.

The opening’s fantastic, but why does Smeagol talk the way he does when he’s morphed into Gollum? Andy has a bit of a quibble with that. We look at a number of the added scenes in the extended edition, focusing on the death of Saruman, the mouth of Sauron, and the relationship between Faramir and Eowen. How does the mad steward Denethor work for us? What about the massive armies and the battle at the end? Does it go a bit too far? We talk about a few of our favorite sequences – the lighting of the beacons, Shelob’s lair and Sam rescuing Frodo from the Orc tower, Sam picking Frodo up to carry him up Mount Doom. We continue looking at the roles of women in the films and how Jackson and his writing team handled expanding their roles. And then, of course, we ponder the plight of the cave trolls. The olyphaunts aren’t treated very well either, but we’ve seen cave troll abuse from the start. 

No matter how many points we have to poke at in this film, it’s an easy one to love. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

Film Sundries

• Learn more about supporting The Next Reel Film Podcast through your own membership.
• Watch this on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Poster artwork
• Flickchart
• Letterboxd

Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.

Follow the other podcasts in The Next Reel’s family of film podcasts:

• Cinema Scope: Bridging Genres, Subgenres, and Movements
• The Film Board
• Movies We Like
• Sitting in the Dark

Join the conversation with movie lovers from around the world in our Discord community!

Here’s where you can find us around the internet:

• The Web
• Letterboxd
• Facebook
• Instagram
• Threads
• Bluesky
• YouTube
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• Pinterest
• Pete 
• Andy

What are some other ways you can support us and show your love? Glad you asked!

• You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.
• Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
• Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
• Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.
• Or sign up for AUDIBLE.

“I told you he was tricksy. I told you he was false.”

The Epic Journey Continues

With his three epic films of one epic book shot back to back, it’s amazing that Peter Jackson, Fran Walsh, and Philippa Boyens found a path through the stories to build a film that works as well as this one does. Sure, it has elements of many famous middle films in trilogies, but it still stands strong. Join us – Pete Wright and Andy Nelson – as we continue our journey through Middle Earth with a conversation about Jackson’s 2002 film The Lord of the Rings: The Two Towers.

Here’s a hint at what we talk about.

How well do the extended and new scenes work in this film? We quite like them. Our characters are split so we have a number of story threads to track. Do they all work? Lots of new characters. Gollum is often brought up as the biggest and most important addition to the film because of the process of motion capture with Andy Serkis to bring him to life. He’s astounding and certainly worth a discussion. Does the CGI still generally work? Jackson’s cinematic style comes through a few times. Does it always work? What about his epic battle sequence in Helm’s Deep? 

There’s plenty to talk about with these films and this franchise. And we talk again about the plight of the cave trolls. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

Film Sundries

Learn more about supporting The Next Reel Film Podcast through your own membership.

• Watch this on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Poster artwork
• Flickchart
• Letterboxd

Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.

Follow the other podcasts in The Next Reel’s family of film podcasts:

• Cinema Scope: Bridging Genres, Subgenres, and Movements
• The Film Board
• Movies We Like
• Sitting in the Dark

Join the conversation with movie lovers from around the world in our Discord community!

Here’s where you can find us around the internet:

• The Web
• Letterboxd
• Facebook
• Instagram
• Threads
• Bluesky
• YouTube
• Flickchart
• Pinterest
• Pete 
• Andy

What are some other ways you can support us and show your love? Glad you asked!

• You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.
• Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
• Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
• Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.
• Or sign up for AUDIBLE.

“Your mother can’t be with you anymore.”

Talking About Bambi with our Guest Todd Alcott, Screenwriter

When released in 1942 during WWII, Walt Disney’s Bambi struggled to find its audience. It still did well enough for itself, but it wasn’t until its subsequent releases over the decades when Disney would bring its classics back to theatres where it really found its audience. Since that time, it’s often cited as one of the best animated films out there. Why does this simple film about a young deer learning about life in the forest work so well?

Screenwriter and graphic artist Todd Alcott joins us to talk about Bambi, one of his favorites. But as he says, even that didn’t happen over night. It took decades and multiple viewings to realize what the story was really about and why it clicked so suddenly. And for a film from 1942, there are elements within that make it feel somewhat subversive. It’s a story with little plot about a passive protagonist that doesn’t have any clearly established goal, after all. What screenwriting handbook said that was okay? 

The film is about life, the mistakes we make, and how we try learning from them. It’s also a reminder that there’s no clear path for life. Just when things make sense, life changes the rules. It’s quite a lot to absorb from what seems like a simple little film. But that’s why we like it, and are thrilled that Todd brought it for us to talk about on Movies We Like. 

Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

Film Sundries

Learn more about supporting The Next Reel’s Movies We Like through your own membership with The Next Reel.

• Todd’s site
• Todd on Facebook, Instagram, Twitter, and IMDbPro or IMDb
• Watch Bambi on Apple or Amazon, or find other places at JustWatch
• Original 1942 Theatrical trailer
• Poster artwork
• Letterboxd

Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.

Follow the other podcasts in The Next Reel’s family of film podcasts:

• Cinema Scope: Bridging Genres, Subgenres, and Movements
• The Film Board
• Movies We Like
• Sitting in the Dark

Join the conversation with movie lovers from around the world in our Discord community!

Here’s where you can find us around the internet:

• The Web
• Letterboxd
• Facebook
• Instagram
• Threads
• Bluesky
• YouTube
• Flickchart
• Pinterest
• Pete 
• Andy

What are some other ways you can support us and show your love? Glad you asked!

• You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.
• Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
• Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
• Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.
• Or sign up for AUDIBLE.

“Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends.”

We Finally Talk About Peter Jackson’s Epic Fantasy Trilogy

Considering our immense love for this film and the original material, it’s a bit surprising that it’s taken us into our twelfth season to discuss The Lord of the Rings trilogy. Peter Jackson and his amazing team believed in this world and crafted a script, found a cast, built a crew, and gave it their all to deliver a series of films that perfectly told a cinematic version of J.R.R. Tolkien’s books while also creating a model for fantasy filmmaking as well as a model for massive scale film production. Join us – Pete Wright and Andy Nelson – as we kick off our Lord of the Rings series with a conversation about Jackson’s 2001 film The Lord of the Rings: The Fellowship of the Ring. 

Here’s a hint at what we talk about.

It’s a challenge having a conversation about this trilogy as so much has already been said and documented about the production, etc. Still, it gives us a chance to discuss what Jackson brings to the table. How does his production style work in the film? We talk about the cast and many other options that are in the could-have-been version. We certainly prefer this one, but there are interesting actors to discuss. How do the extended and additional scenes work to expand the story for us? We love Howard Shore’s score so of course discuss it, but we are fans of what each department brings to the film as they’re all working on something they clearly were passionate about. There are some dated effects, but barely any and they don’t really bug us much. As for the creatures, they all stand out as impressive but we do have some questions about Jackson going all King Kong on us with the Cave Troll. And lest we forget the Sean Bean memes...

We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

Film Sundries

• Learn more about supporting The Next Reel Film Podcast through your own membership.
• Watch this on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Poster artwork
• Flickchart
• Letterboxd

Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.

Follow the other podcasts in The Next Reel’s family of film podcasts:

• Cinema Scope: Bridging Genres, Subgenres, and Movements
• The Film Board
• Movies We Like
• Sitting in the Dark

Join the conversation with movie lovers from around the world in our Discord community!

Here’s where you can find us around the internet:

• The Web
• Letterboxd
• Facebook
• Instagram
• Threads
• Bluesky
• YouTube
• Flickchart
• Pinterest
• Pete 
• Andy

What are some other ways you can support us and show your love? Glad you asked!

• You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.
• Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
• Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
• Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.
• Or sign up for AUDIBLE.

“Friendship means little when it’s convenient.”

Wrapping Up the John Wick Saga

Before the pandemic, director Chad Stahelski and team had been planning to film John Wick: Chapter 4 and Chapter 5 back to back. After delays, they ended up dropping the fifth chapter, opting to wrap everything up in the fourth film. So how does Chapter 4 work to continue expanding this world of assassins while also wrapping up John’s story? Do more story threads get dropped? And how do they amp up the stunt sequences throughout the film? Join us – Pete Wright and Andy Nelson – as we wrap up our John Wick series with a conversation about Stahelski’s latest entry, now in theatres, John Wick: Chapter 4.

Here’s a hint at what we talk about.

John’s back breaking the High Table’s rules, starting off right out of the gate in this film by killing The Elder. But why so little involvement by The Bowery King? His resolution at the end of Chapter 3 seemed to indicate that he was going to go after the High Table with John. Maybe that’s just another in the line of plot threads set up upon which they never execute. Or perhaps it was connected to the whittling down of two films into just this one. Who knows? Regardless, we would have loved more Laurence Fishburne. 

That being said, we do get the introduction of many great characters in this new film. They’re great, and the actors portraying them are great. Plus, we have some spectacular action set pieces that are incredible. The staircase sequence is one for the ages, particularly the insane fall down its entire length. 

We discuss some of Stahelski’s influences in the film, as well as several direct homages. And we discuss the impending spinoff film and TV show, while pondering if they’ll find a thread to pick up in order to continue the story again.

We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

Film Sundries

Learn more about supporting The Next Reel Film Podcast through your own membership.

• Find where to watch this at JustWatch
• Theatrical trailer
• Poster artwork
• Flickchart
• Letterboxd

Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.

Follow the other podcasts in The Next Reel’s family of film podcasts:

• Cinema Scope: Bridging Genres, Subgenres, and Movements
• The Film Board
• Movies We Like
• Sitting in the Dark

Join the conversation with movie lovers from around the world in our Discord community!

Here’s where you can find us around the internet:

• The Web
• Letterboxd
• Facebook
• Instagram
• Threads
• Bluesky
• YouTube
• Flickchart
• Pinterest
• Pete 
• Andy

What are some other ways you can support us and show your love? Glad you asked!

• You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.
• Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
• Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
• Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.
• Or sign up for AUDIBLE.

“I will serve. I will be of service.”

We’re On the Run With John Wick.

Picking up right where Chapter 2 ended, John Wick: Chapter 3 – Parabellum gives us more of what came before – amazing fight sequences with serious stuntwork, beautiful cinematography, and expanded world-building. While it delivers on all fronts, some people found this one’s expanded universe to be a bit too much. But is it? Or does it work? Join us – Pete Wright and Andy Nelson – as we continue our journey through the John Wick series with our conversation about Chad Stahelski’s 2019 film John Wick: Chapter 3 – Parabellum. 

Here’s a hint at what we talk about.

First off, what’s with the addendum to the title? Did we need “Parabellum” added, even if it fits both in the Latin phrase mentioned as well as the aptly named parabellum Luger cartridge? Title issues aside, we dig into the world-building here and try to sort out how much world-building is too much, and at what point does it feel like the world-building is there just to get John out of and into particular situations. 

That aside, we have a fantastic slew of new characters – The Director, The Elder, The Adjudicator, Sofia, Tick Tock Man, Ernest, and more – not to mention more with some of our favorites, particularly Lance Reddick who we sadly lost between our last recording and this one. 

The stunt work and action choreography is top notch in this film, particularly the work with the dogs. It’s a fun, violent film and whether you feel it’s better than, worse than, or on par with what came before, it certainly fits in this world. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!

Film Sundries

Learn more about supporting The Next Reel Film Podcast through your own membership.

• Watch this on Apple or Amazon, or find other places at JustWatch
• Script Options
• Theatrical trailer
• Poster artwork
• Flickchart
• Letterboxd

Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.

Follow the other podcasts in The Next Reel’s family of film podcasts:

• Cinema Scope: Bridging Genres, Subgenres, and Movements
• The Film Board
• Movies We Like
• Sitting in the Dark

Join the conversation with movie lovers from around the world in our Discord community!

Here’s where you can find us around the internet:

• The Web
• Letterboxd
• Facebook
• Instagram
• Threads
• Bluesky
• YouTube
• Flickchart
• Pinterest
• Pete 
• Andy

What are some other ways you can support us and show your love? Glad you asked!

• You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.
• Or buy or rent movies we’ve discussed on the show from our WATCH PAGE.
• Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.
• Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.
• Or sign up for AUDIBLE.

When we started our movie podcast, the original name was Movies We Like. Eventually, as we began talking about some movies we didn't like, we figured we should rebrand. Hence, The Next Reel Film Podcast was born. But we never could let go of the name Movies We Like. We just didn't have a place for it at the time.

Then, as we were looking at rebranding this podcast as we worked to bring more guests from the industry to join us in talking about a movie they liked, we realized that this would be the perfect show to use the name Movies We Like! 

So here we are – a new era of the Speakeasy, now rebranded as Movies We Like. We're looking forward to the future conversations!