In this podcast we talk about Ian Marter's first two stories after his character, Harry Sullivan, joins the TARDIS crew: The Ark in Space and The Sontaran Experiment. We discuss the ease at which Marter portrays Sullivan as a decent, square-jawed Englishman. We also lament what could have been if the Doctor Who production team better utilised the character since he was an effective foil and compatriot of Tom Baker's Doctor. At the end of the podcast are two brief convention panel answers from Marter (on Harry being "naff" and "clumsy") in 1983 in Chicago celebrating 20 years of the programme. Opening music is from The Ark in Space soundtrack and closing music is from The Sontaran Experiment soundtrack, both composed by Dudley Simpson. We recorded this episode on 16 September 2024.

We continue with our Ian Marter discussion with a brief conversation about the debut of Harry Sullivan in "Robot"! But, before we get underway, we pick up where we left off with new details about Marter's time at St. Edmund Hall at Oxford University with the discovery that there is a recording on vinyl of Marter singing in You Can't Do Much Without a Screwdriver, an original musical staged by the Oxford University Experimental Theatre Club at the Oxford Playhouse in May 1965. Marter played the lead character, Guy Ffolkes, an Amnesian nationalist, and sings "Bang On" with Jack and Harry, described as two villains in the playbill. There's a photograph of Ian with Adèle Geras née Weston on stage during the production. We also uncovered a photograph of young Ian with fellow Oxford students, Tamara Ustinov, John Dodgson, Anne Bibby, and Nick Elliott rehearsing for another play. Plus a photograph of Marter with actor Richard Burton in a local pub. Opening and closing music is "Mysterious Robots," composed by Dudley Simpson. We recorded this episode on 26 August 2024.

With Moffat back writing for who and RTD as showrunner does it feel like 2005 all over again? Well, maybe? We discuss the latest Doctor Who episode, Boom, complete with the requisite fatherly love, casting surprises, LED scenery, returning vicars, twist speculation, and a dose of handwavium to resolve this tight, immersive bottle episode. Opening Music is "Skye Boat Song" performed by Martine Mussies. Closing music is from "Let's Go Crazy" by Prince and the Revolution. We recorded this episode on 20 May 2024.

In this episode, we discuss sideways Who and how this story type was not too common in the classic Who era, but has come into its own with the show's revival and is, perhaps, in its golden age under Chibnall's tenure as showrunner. Opening music is "Univers Sideral" composed by Paul Bonneau and closing music is the main title theme for the "Attack of the 50 Foot Woman" composed by Ronald Stein. We recorded this episode on 3 May 2020.

We land on the Galápagos Islands with the Doctor and Evelyn to review Bloodtide from Big Finish. And since this is a Silurian story, we try to cobble together a timeline of their history and are flummoxed by the inconsistencies. A story overflowing with historical characters and ideas, we wonder if Silurian Tulok's real crime was genetically engineering lady bumps on Silurian women. Opening music is "Tried" and closing music "The Cave"; both pieces composed by Alistair Lock for Bloodtide. We recorded this episode on 19 April 2020.

After a quick recap of our afternoon playing the Quiz of Rassilon with fellow teammates Greg and Jess, we discuss space opera. We explore which stories fit the genre and what does it take to make a space opera story in Doctor Who? The conventional wisdom is Doctor Who is a genre machine, so how frequently does it dip into space opera like other popular sci-fi franchises like Star Trek and Star Wars? Opening and closing music is from "The Frontier in Space," composed by the incomprable Dudley Simpson. We recorded this episode on 13 April 2020.

Since Big Finish made The Maltese Penguin a free download last week, we decided what better time to give it the ol' Metebelis Two listen. We discuss how the view of the writer, Rob Shearman, may have changed on his story over the past nearly two decades since its release. Discussion on acting, sound design, and why recommend BF create more Frobisher adventures in this week's episode. Opening and closing music is from David Darlington's score and sound design for the story. We recorded this episode on 5 April 2020.

The Metebelis Two is joined by Eliot, David's son, to talk about the new DVD and Blu-ray release of The Faceless Ones in animated form. Opening music is "Pacific Dawn" by Tom Dissevelt from his 1963 LP Fantasy In Orbit, which used as the Faceless Ones soundtrack. Closing music is Slade's 1984 hit, "Run Runaway". We recorded this episode on 29 March 2020.

Ben and David brainstorm on which one-off monsters from Doctor Who should return for series 13 and find that they are more than a little stir-crazy after just one week of quarantine, aka "sheltering at home." Opening and closing music is the 1972 "Delaware version" of the theme realized by Delia Derbyshire and Brian Hodgson with Paddy Kingsland. We recorded this episode on 22 March 2020.

A bonus episode discussion on the fourth episode of the original Hitch-Hiker's Guide to the Galaxy radio drama on BBC Radio 4, which is 42 years old this month! We find ourselves on prehistoric Earth, admiring Slartibartfast's signature on a glacier and trying to teach cave men how to play Scrabble. Opening music is an excerpt from "Journey of the Sorcerer" by The Eagles. Closing music is a 1968 live recording of Louis Armstrong singing "What a Wonderful World". We recorded this episode on 21 March 2020.

A bonus episode discussion on the fourth episode of the original Hitch-Hiker's Guide to the Galaxy radio drama on BBC Radio 4, which is 42 years old this month! In which we dine at the Restaurant at the end of the Universe. Opening and closing music is excerpts from "Journey of the Sorcerer" by The Eagles. We recorded this episode on 20 March 2020.

A bonus episode discussion on the fourth episode of the original Hitch-Hiker's Guide to the Galaxy radio drama on BBC Radio 4, which is 42 years old this month! A short discussion about Deep Thought, mice, Vroomfondel and Majikthise. Sound quality for Ben picks up 5 minutes in. Opening and closing music is excerpts from "Journey of the Sorcerer" by The Eagles. We recorded this episode on 19 March 2020.

A bonus episode discussion on the third episode of the original Hitch-Hiker's Guide to the Galaxy radio drama on BBC Radio 4, which is 42 years old this month! We land the Heart of Gold on the mythical planet Magrathea and discuss Fit the Third of the original HHGTTG, prog rock, and Jim Rockford. Opening and closing music is excerpts from "Journey of the Sorcerer" by The Eagles. We recorded this episode on 18 March 2020.

Doctor Who, aka Ncuti Gatwa, is off in space and time with Ruby, his new traveling companion. So what does Russell T Davies have in store for a new generation of Who fans, and what do two old Who fan podcasters make of all of it? Opening Music is "My Dog Fred" by Murray Gold. Closing music is "Scream & Shout" by will.i.am and featuring Britney Spears. We recorded this episode on 13 May 2024.

A bonus episode discussion on the second episode of the original Hitch-Hiker's Guide to the Galaxy radio drama on BBC Radio 4, which is 42 years old this month! We chat about tea, tv casting, Marvin the Paranoid Android, and Eddie the Computer! Opening and closing music is excerpts from "Journey of the Sorcerer" by The Eagles. We recorded this episode on 17 March 2020.

A bonus episode discussion on the first episode of the original Hitch-Hiker's Guide to the Galaxy radio drama on BBC Radio 4, which is 42 years old this month! Opening and closing music is excerpts from "Journey of the Sorcerer" by The Eagles. We recorded this episode on 16 March 2020.

With the left coast of the United States going into quarantine from the novel coronavirus, Ben and David maintain their social distance of about 300 miles to discuss germs, bacteria, and viruses in Doctor Who and, of course, Terry Nation's mid-1970s series, The Survivors. Opening and closing music is the respective themes from The Survivors composed by Anthony Issac. We recorded this episode on 14 March 2020.

Series 12 concludes with a continuity expanding/contracting finale. With Ben on a busman's holiday in Maui, David calls him up to share their inital thoughts of The Timeless Children. (Apologies in advance for the poor sound quality this episode.) Opening music is an isolated excerpt of Segun Akinola's Doctor Who theme. Closing music is a 2008 recording by Cyndi Lauper of "Time After Time". We recorded this episode on 1 March 2020.

With the penultimate episode of series 12 upon us, we try to piece together all the clues to the mystery Chibnall has left. Who is Brendan? Is Gallifrey in Ireland? Is Ashad really a Cyberman, or is he just a poser? Why can't Chibnall create names that we can easily remember? So many questions. Opening and closing music taking from this episode's soundtrack composed by Segun Akinola. We recorded this episode on 23 February 2020.

Ben recounts watching The Haunting of Villa Diodati in Hall A at Gallifrey One with several hundred of his closest Who friends. From Graham looking for the loo, to Yaz's conversation with Clair, to Ryan's tortured chopsticks, to the Doctor fending off a lecherous Lord Byron, the Time Team had much, much to do this scary and beautifully written episode. After brief speculation what the 2-part series finale will and won't contain, Ben talks about his great lobbycon on the last night of #Gally1. Opening and closing music taking from this episode's soundtrack composed by Segun Akinola. We recorded this episode on 20 February 2020.

Ben is in Los Angeles attending the 31st Gallifrey One Convention. Calling in live from the pool deck, he chats with David about what happened on Day 3 of the convention, from a wonderful hour with Christopher Eccleston to comic book artists to upcoming Blu-ray and DVD releases. Plus speculation about the privatization of the BBC. Music is the "Doctor's Theme" from Series 1 by Murray Gold. We recorded this episode on 16 February 2020.

Ben is in Los Angeles attending the 31st Gallifrey One Convention. Calling in live from the convention floor, he chats wth David about his experienced on the second day of the convention and plans for tomorrow. Opening and closing music composed by Roger Limb and is "Nyssa Is Hypnotised" and "Nyssa's Theme" respectively. We recorded this episode on 15 February 2020.

Ben is in Los Angeles attending the 31st Gallifrey One Convention. Calling in live from the convention food court, he chats wth David about his experienced on the first day of the convention and plans for tomorrow. Music is "Bill's Theme" by Murray Gold. We recorded this episode on 14 February 2020.

A bit of a split decision this week on the Metebelis Two. Discussion covering the plot, believability of the time team's nightmares, animation, the sonic screwdriver, and the high stakes.Was Zellin's freaky fingers the stuff of nightmares and is the Doctor emotionally available to Graham and the rest of the fam? Opening music is "Sonic Screwdriver" by Segun Akinola and closing music is an excerpt from Mike and the Mechanics' 1985 hit "Silent Running". We recorded this episode on 9 February 2020.

Kicking off this pod, Ben recounts his visit to Gunnerysbury Museum to see "Set to Stun: Designing and Filming Sci-Fi in West London". Then we watch and discuss the two teaser trailers put out by the BBC in anticipation of Ncuti Gatwa's first season of Doctor Who with our usual spoiler-free rampant speculation, wild theories, spotting of the pre-title sequence clip, and more. Opening music is from "Bowie" by Flight of the Conchords and closing music is from David Bowie's demo of "Changes". We recorded this episode on 21 April 2024.

Back down to Earth after last week's continuity busting episode, we catch a deadly Praxeus pathogen and talk about birds behaving badly. David has many questions, but thankfully Ben has ready answers. Does the ending really prove the Doctor didn't like Adric? Who fan Pip Madeley has the true ending of Earthshock. Opening music is Radiohead's 1995 single "Fake Plastic Trees" and closing music is the end of the Minute Waltz composted by Frédéric Chopin and performed by Arthur Rubinstein. We recorded this episode on 2 February 2020.

Wow! More big reveals in Doctor Who than perhaps a single podcast episode can contain! We certainly will be talking about the Fugitive of the Judoon for years to come. Ben is way enthused about the new Doctor and David loves the retro TARDIS console room. Both offer their theories on how the season will unfold to try to make everything fit. This episode was recorded on Sunday evening in the United States, and by the time it was about to be posted Tuesday morning, Ben discovered that the Doctor may have been hiding in plain sight in the pages of the Doctor Who Magazine comic strip for more than a year, so Ben explains all in a late breaking addendum at then end of the podcast. Opening music is from this week's soundtrack composed by Segun Akinola. We recorded this episode on 26 and 27 January 2020.

In this episode, Messrs Tesla and Edison, a.k.a AC/DC, snipe at each other and help the Doctor outwit some rather nasty space scavenger scorpions. The two agree that it was great seeing the fam in period costume and David was excited about seeing a steam train finally in Doctor Who. Ben wonders why a new monster of the week when there is such a rich back catalog to use. Overall good writing, directing, and performances combine for an enjoyable mid-series romp in 1903 New York despite some sloppy CGI work. Opening music is from this week's soundtrack and closing music is "You Really Need to Get Out of Those Clothes" from series 11, both composed by Segun Akinola. We recorded this episode on 20 January 2020.

So Orphan 55 was that green haired kid, right? Despite the tantalizing deep space squid, we're instead trapped this week on a mysterious planet in a resort under siege by the dregs of humanity, but that's nothing a few well-placed bombs can't solve. We discuss the efficacy of the Doctor's speech and what it should mean for next week, but won't. Opening music is "Tsuranga" by Segun Akinola from series 11 and closing music is "Have a Drink on Me" from AC/DC's 1980 album "Back in Black". We recorded this episode on 12 January 2020.

In which Ben deals with the cold, harsh reality that the Kasaavin really weren't the Vardans in disguise and David dwells on founding fathers of Gallifrey and how it could relate to the United States. Yes, this week the conclusion of Spyfall is discussed this week complete with historical cameos from Charles Babbage and almost replacement fam: Ada Lovelace, and Noor Inayat Khan. Plus Ben reads Sacha Dhawan's lovely Instagram post where he wrote about being cast as the Master. Opening music is by Segun Akinola from the Spyfall, part 2 soundtrack. Closing music is the timeless "Master's Theme" composed by Dudley Simpson. We recorded this episode on 5 January 2020.

With 2020 upon us all, it is great to see the return of Doctor Who to BBC One with a new adventure, Spyfall, part one! Ben explains his reasoning why he thinks those shimmery aliens are Vardans, while a skeptical David suggests perhaps they're Gallifreyans from an alternative universe; and is time and space big enough for both Lenny Henry and Sacha Dhawan? Opening and closing music is from the Spyfall soundtrack by Segun Akinola. We recorded this episode on 2 January 2020.

It's series 12 trailer day on Metebelis Two. Ben and David almost go frame-by-frame over the two trailers and speculate on what awaits us in series 12. Should the Doctor be working for MI-6? Are those really Vardans? Is Lenny Henry the Doctor's friend or nemesis? Has the Meddling Monk regenerated into the Meddling Nun? All this and more as we nibble at breadcrumbs that have fallen from Chibnall's high table. Opening Music is "It's a Good Day to Save the World" from the Danger Twins. Closing Music is "This New Nose Is So Unreliable" by Segun Akinola. We recorded this episode on 16 December 2019.

It wouldn't be Christmas without Mrs Baddeley's plum pudding and so Ben and David travel along with the Doctor and Charley to an old Edwardian mansion in 1906 to hear The Chimes of Midnight. What makes this story tick? Is this merely a ghost story, or does writer Rob Shearman have more to say about class, horror, the line between fantasy and reality? Plus Ben, keeper of the tome, cracks open the Big Book of Big Finish and relays behind the scene details of the story's production. This episode's opening and closing excerpts is from the Chimes soundtrack with music by Russell Stone, sound design by Andy Hardwick, and humming featuring Louise Rolfe. Tick-Tock, Bing-Bong. We recorded this episode on 13 December 2019.

In a twisted mash-up of Osirian gift giving and the twelve days of Christmas, the Metebelis Two bring you Sutekh's twelve gifts of Christmas to all Whomanity. Yes kiddos, Sutekh Claus is coming to town. What gifts is he going to bestow? Opening and closing music are also a bit of a mash-up of the Pyramids of Mars and Christmas music from first Elvis and then Jimmy McGriff. Ho Ho Ho. We recorded this episode on 8 December 2019.

The Brigadier reunites with the Doctor in this week's journey into Big Finish's back catalogue with The Spectre of Lanyon Moor. This is a story mines a rich vein of classic 1970s Who to tell a new, but familiar story perfect for tea time. Does this story hold the secret to the sixth Doctor's character's rehabilitation? Are round-trip holidays to Athens that short? And, why is British electricity better? Answers to these questions in more in this weeks' podcast. Music this episode is from Alistair Lock's score from The Spectre of Lanyon Moor. We recorded this episode on 24 November 2019.

Ben is in England where he had the opportunity to visit the "Adventures in Time and Space - 60 Years of Doctor Who Art" exhibition at the Weston Museum in Weston-super-Mare, Somerset. This impressive collection spans the show's history and features original art from novelisations, VHS covers, annuals, and other visual treasures, including works from Chris Achilléos, Andrew Skilleter, Roy Knipe, and Colin Howard. Ben has shared some pictures he took of the overall exhibit and artwork on his Instagram, including Knipe's "Death to the Daleks" Target cover and Achilléos' "Loch Ness Monster", "Kklak", and "Seeds of Doom" covers. Plus the portait of Ace from 'Silver Nemesis' done in the style of Thomas Gainsborough. In addition to being agog as a fan, Ben also shares his curatorial view of the exhibit's strengths and weaknesses. Opening and closing music is by Dudley Simpson from his score to The Android Invasion. We recorded this episode on 1 April 2024.

The series 12 trailer dropped this past weekend, so what better time for the Metebelis Two to give their quick take on what they thought. Maddeningly though, no broadcast date was given so we speculate about possible rumoured air dates; which, in turn, leads to discussing some of the other trolling rumours swirling around series 12, and ultimately, the fate and future of Doctor Who at the BBC. Opening music is from Segun Akinola's series 11 soundtrack. Closing music is from Alistair Lock's score from the Spectre of Lanyon Moor.

This week we chat about the magical meeting that took place during this year's Children in Need special, when Anastasia, a young Who fan, met her amazing Doctor, Jodie Whittaker. Then we discuss the announcement of series 12 writers and directors and speculate on what Chibnall has planned for our favourite show in 2020? Opening and closing music is from Segun Akinola's series 11 soundtrack; including excerpts from "Sonic Screwdriver" and "Me and My Mates".

We review Invaders from Mars, the Big Finish Main Line release from 2002 featuring Paul McGann as Doctor Who. Ben and David laugh along with this fun story written and directed by Mark Gatiss and set at Halloween 1938. Gatiss creates a joyful pastiche from 1930s radio drama, gangster films, and a hearty dose of 1950s popular sci-fi done with the sketch-comedy stylings of The League of Gentlemen. Ben enjoyed listening to this with fresh ears nearly 18 years after its release and David wondered if the time fallout from Charley would have confused listeners as much as it did for him. Opening and closing music is by Alistair Lock's sound design for the story.

The Metebelis Two talk briefly about the two "missing" Troughton stories that will be released as animations next year. David wonders if Deborah Watling's likeness be successfully realized? Was that Emil Keller or Rev. Magister in the Faceless teaser trailer? Then in our main feature, Ben serves as our guide to 13 spooky and horrible Doctor Who stories to watch. What does Ben choose and what did he pass over? Discussion about when is the proper time to watch spooky stories? Halloween like in the America or Christmas like in Britain? And is the encroachment of Halloween in the UK lessening Guy Fawkes night? This episodes music is from Carey Blyton's score for "Death to the Daleks".

We continue on with our discussion of spooky Doctor Who and try to answer whether horror truly works in the confines of the show. Does more realistic effects detract or enhance the storytelling of spooky stories? Is Ben a horror snob and what makes David a fan of theatre? Opening music is "Mysteries" composed by Don Harper from "The Invasion" and closing music is "Keeler's Transformation Begins" composed by Geoffrey Burgon from "The Seeds of Doom".

The Metebelis Two remember Stephen Moore and his role of Marvin the Paranoid Android from the Hitchhikers Guide to the Galaxy. Followed by speculation on what the next 1960s Who animation will be, which then leads to a conversation of the University of Central Lancashire's recent restaging of Mission to the Unknown. Should more missing Who be restaged? Who would the two cast as the Doctor? Opening music is "Marvin" sung by Stephen Moore and interstitial stings and closing music is by Trevor Duncan and was from the soundtrack of Mission to the Unknown. (Note: Our sincere apologies that throughout the podcast we mistakenly referred to the wrong university and not University of Central Lancashire.)

Christopher Eccleston is embracing Doctor Who fandom in a big way with appearances at Rose City and New York Comic Cons. Ben is excited that Eccleston is the headliner at next year's Gallifrey One. Ben references two stores in The Guardian. 20 questions with Eccleston and Sylvester McCoy modeling scarves. The two anticipate the screening of the Univesity of Central Lancashire's recreation of Mission to the Unknown and David pitches an idea for "Who in the Park" loosely based off of "Trek in the Park". Ben suggests "Who in the Quarry" may be more of a fit. Then the two close with thoughts on spooky versus scary Doctor Who stories and suggest it will be the theme of the podcast this month. Opening music is "The Doctor's Theme" and closing music is "Clockwork TARDIS", both composed by Murray Gold for Series 1.

This week we pay our respects to Terrance Dicks, the script editor and writer, who made such an enormous impact on Doctor Who and, in turn, our lives. From Target novelisations, to script editing, to original stories, Terrance Dicks was the quintessential professional who lent credibility to every Who-related project he was associated with. Also please donate to Save the Children, in memory of Terrance. Opening this episode is Dicks describing the Doctor's character from the 1993 documentary "Thirty Years in the TARDIS". Closing music is "Eye of Orion" composed by Peter Howell for "The Five Doctors" and followed by former producer Barry Letts asking Dicks how he'd would like to be remembered from "Terrance Dicks: Fact & Fiction" and a brief riff from Dudley Simpson from "Carnival of Monsters".

The Metebelis Two discuss the Pertwee stories that fell in the lower half of the last Doctor Who Magazine (#474) reader's poll and why these stories may deserve reappraisal. With nine stories in all to cover, Ben and David question whether fan wisdom is right on these "lesser" Pertwee outings. Along the way, Ben admires the great man's wardrobe and David pitches the Master's Companions Chronicles for Dr. Ruth Ingram and Stuart Hyde! Plus why Bill Filer should return to Doctor Who. All this and more, much more! Opening music is the "Dalek March" from Cary Blyton's score for Death to the Daleks. Closing music is "II" from Tristram Cary's score for The Mutants.

The concluding episode of the Metebelis Two's three-part celebration of the Jon Pertwee centenary focusing on seasons 9 through 11. Ben explains how first reading Target novilisations made the actual viewing of the stories a bit anticlimatic. BBC productions values of the early 1970s could not compete with the vivid memories of an 8-year-old's imagination, Ingrid Pitt's costume in The Time Monster aside. Then the two do a deep dive into how Omega's guards are pronounced. Is it with a /g/ sound like with gar or a /j/ sound like with jar; on-the-fly research was done and sources were cited. A brief sidebar about the new action figures for Big Finish / Character Option, including Harry Sullivan. Were Ogrons the classic series Judoon? Why was the Master having a bit of laugh in Roger Delgado's final story? Did Mac Hulke not like Pertwee's usual outfits? These questions and more! Opening music is from Dudley Simpson's score for the Frontier in Space and closing music is from his score for Planet of the Spiders.

Ben checks in before heading back to the UK to give our listener and David the scoop on what happened this year at the GallifreyOne Convention. Opening music is "Dancing Across Space and Time" and closing music is "Nothing Is Forever", both composed by Segun Akinola. We recorded this episode on 10 March 2024.

This is the second episode of our three-part Jon Pertwee centenary celebration. We begin by discussing Pertwee's career post-Who and wonder about Worzel Gummidge. What was the appeal for Jon and the audience? We briefly touch upon his recording career and his tenure as a quiz show host. (Ben, fiercely loyal to Pertwee as Doctor Who, boycotted it all!) Then we begin a retrospective of seasons 7 and 8 and talk about how having a regular company or family of actors on the who probably helped out actors like Pertwee and Nick Courtney. We wrap up singing Roger Delgado's praises and how much his untimely death altered the course of Who forever. Opening music is "Dover Castle" composed by Dudley Simpson. Closing music is "I am the Doctor" with Jon Pertwee.

In this, the first of our three-part Jon Pertwee centenary celebration, we talk about the man who played the Third Doctor and his legacy. Ben notes that Pertwee's Doctor is the first Time Lord and contrasts Pertwee's aristocratic portrayal of the Doctor to the more working-class character of the Doctor that Patrick Troughton gave. David comments on how there is a Pertwee revival now happening in fandom over the past few years. Opening music is "The Axons Approach" composed by Dudley Simpson and performed by Brian Hodgson. Closing music is "Silurians" composed by Carey Blyton. The clip at the end is of Pertwee being interviewed on Pebble Mill by Gloria Hunniford.

The Metebelis Two Ace retrospective continues this week with a discussion about The Genocide Machine, which was the second Big Finish release to feature Ace. The story is very reminiscent of a Terry Nation story with all that entails. So, a jungle planet with Daleks and rather one-dimensional supporting characters. With the Daleks return for the first time since Remembrance was this story able to deliver? The opening sound is a gentle rain fall. Closing music is the Eurythmics' song "Here Comes the Rain Again" from 1983.