In this special episode of The Lonely Palette, I’m sharing the episode I made for the PRX limited-run podcast series "Monumental," which interrogates the state of monuments across the greater U.S. and what their future says about where we are now and where we’re going. This was the concluding episode, exploring how some monuments are larger than life, dwarfing us, making us feel small relative to the grandness of history. But what if a monument was human-scaled? What if it made us aware of our bodies in space? We don’t often think about the design choices that go into making a monument, but more and more, a new generation of artists and designers are reimagining what a monument can look and feel like, and the kinds of stories they can hold. This episode takes us to Montgomery, Alabama to the National Memorial for Peace and Justice, to Shreveport, Louisiana, to the South Side of Chicago, to Navajo Nation in Arizona. It explores how many American monuments to slavery took inspiration from Holocaust memorials in Germany. And it looks at decentralized memorials that are using technology to help bring monuments to the past into the future. See the images: https://bit.ly/49FR3Ui Support the show: www.patreon.com/lonelypalette

The Lonely Palette, as you've heard so often, is an enormously proud founding member of the Hub & Spoke Audio Collective, a group of fiercely independent, story-driven, mind-expanding podcasts. Since 2017, we've supported each other while forging our own paths, prioritizing craft and humane storytelling above all else. Now, if you haven't noticed, media in general, and podcasting in particular, is in a space some may generously call post-apocalyptic. But an incredible silver lining is that the industry is now recognizing how important independence is. We've been here all along, and with your support, we're not going anywhere. Please enjoy a bonus episode of the Hub & Spoke Radio Hour, a tasty sampler of a few of our shows in a dapper audio package. Today's theme is love. As the philosopher Haddaway once asked, what is love? It turns out, love can be anything that stirs the heart: passion, grief, affection, kin. The desire to consume; the poignancy of memory. Here at Hub & Spoke, we want to stretch our arms, and ears, around it all. This episode is hosted by Lori Mortimer and edited by Tamar Avishai. Production assistance from Nick Andersen. Music by Evalyn Parry, The Blue Dot Sessions, and a kiss of Dionne Warwick. Listen to the full episodes: - Rumble Strip, “Forrest Foster Lays Karen to Rest” - Mementos “Cherie’s Letters” - Ministry of Ideas, “Consumed” - The Lonely Palette, “Jean-Honoré Fragonard's The Desired Moment (c. 1770)” You can also share the love by supporting our Valentine’s Day fundraiser: www.hubspokeaudio.org/love

The new season of The Lonely Palette is achingly close to starting up on Wednesday, June 7, but in the meantime, this week and next we're giving our feed over to some fellow Hub & Spoke shows that might pique your eardrums. Hub & Spoke, as you know, is our mighty audio collective of proudly independent podcasts. We aim to expand minds, viewpoints, knowledge, understanding. We have zero corporate interests or expectations, which means we are offbeat, unexpected, formidable, and really poor, so please take a listen to our shows and, if you like what we do, join our mailing list and consider supporting the collective: www.hubspokeaudio.org Link to our live event in at the Norman Williams Public Library in Woodstock, VT on Thursday, June 15: https://normanwilliams.org/events/podcasts-a-listening-event/ *** Today's episode: "The Museum of Everyday Life" by Rumble Strip The mission of The Museum of Everyday Life is "a heroic, slow-motion cataloguing of the quotidian–a detailed, theatrical expression of gratitude and love for the miniscule and unglamorous experience of daily life in all its forms." The museum's home is in a barn on Route 16 in the Northeast Kingdom. It is Erica Heilman's favorite museum. This is a show featuring the museum's creator, Clare Dolan. This show is co-produced by Erica Heilman and Mark Davis. Episode webpage: https://bit.ly/3oz1CGh Support The Lonely Palette: www.patreon.com/lonelypalette

You've just had a manic break, cut off a piece of your ear, and gifted it to a prostitute. Who ya gonna call? Your get-a-grip postman friend, of course! See the image: http://www.thelonelypalette.com/episodes/2017/3/27/episode-16-vincent-van-goghs-postman-joseph-roulin-1888 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Step In Step Out", "Scratcher", "Over the Fence", "Scalloped", "On Belay" Lee Rosevere, "Curiosity" Joe Dassin, “Les Champs-Elysees” Podington Bear, "A1 Rogue"

One man's trash is Ghanaian fiber artist El Anatsui's treasure. See the image: http://www.thelonelypalette.com/episodes/2017/3/1/episode-15-el-anatsuis-black-river-2009 Music used: Podington Bear, "Down and Around" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Coronea", "Mercurial Vision", "Stipple", "Our Quiet Company", "Step In Step Out" Joe Dassin, “Les Champs-Elysees”

The gospel according to Gauguin is basically an existential hodgepodge that you and I were never supposed to understand. See the image: http://www.thelonelypalette.com/episodes/2017/1/25/episode-14-paul-gauguins-where-do-we-come-from-what-are-we-where-are-we-going-1897-98 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Flagger", "Pacing", "Open Flames", "One Quiet Conversation" Mathieu Lamontagne & Emmanuel Toledo, "Point de vue" Joe Dassin, “Les Champs-Elysees”

Welcome to Edward Hopper's specific, yet schematic, love letter to the alienation of the modern American city. See the image: http://www.thelonelypalette.com/episodes/2016/12/28/episode-13-edward-hoppers-room-in-brooklyn-1932 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Lacquer Groove", "In Passage", "Cats Eye", "Tranceless", "Simple Melody", "Flagger" Joe Dassin, “Les Champs-Elysees”

Dust off your verbs, it's time to make sense out of chaos. See the image: http://www.thelonelypalette.com/episodes/2016/11/30/episode-12-jackson-pollocks-10-1949-1949 Music used: Eric Dolphy, "Out To Lunch" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Parade Shoes", "Inessential", "City Limits", "Lacquer Groove" Joe Dassin, “Les Champs-Elysees”

The darlings, the crown jewels, the moneymakers. Just what the heck is it about these girls?! See the image: http://www.thelonelypalette.com/episodes/2016/11/14/episode-11-john-singer-sargents-the-daughters-of-edwards-darley-boit-1882 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Brass Buttons", "Heliotrope", "Vittoro", "Filing Away" Lobo Loco, "White Shapes Beauty" Joe Dassin, “Les Champs-Elysees” Eric Dolphy, "Out To Lunch"

Think abstraction is totally inaccessible? Pull up a chair. See the image: http://www.thelonelypalette.com/episodes/2016/10/6/episode-10-piet-mondrians-composition-with-red-yellow-and-blue-1927 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "The Provisions", "A Certain Lightness", "A Rush of Clear Water", "Brass Buttons" Lee Rosevere, "Puzzle Pieces" Tamar Avishai, "Grid (after Sol LeWitt's Drawing Series)"

The German Expressionists get hot. Nazis get bothered. See the image: http://www.thelonelypalette.com/episodes/2016/9/28/episode-9-ernst-ludwig-kirchners-reclining-nude-1910 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" David Szeszlay, "Night Surfing" Michael Howard, "The Tallest Man in Idaho (Instrumental)" Jason Leonard, "Ritual Twelve" The Blue Dot Sessions, "Stilt", "Manele", "The Provisions" Joe Dassin, “Les Champs-Elysees”

This big bully is about to give you a lesson in contrasts you won't soon forget. Featuring Dar Williams! See the image: http://www.thelonelypalette.com/episodes/2016/9/19/episode-8-richard-serras-torqued-ellipses-1998 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Turning", "Downhill Racer", "Cloud Line" Lee Rosevere, "Reflections" Dar Williams and the WASTM Good Times House Choir, "The Water is Wide"

After centuries in the shadows, it's light's turn to shine. See the image: http://www.thelonelypalette.com/episodes/2016/9/5/episode-7-claude-monets-rouen-cathedral-series-1892-94 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "The Spinnet", "Lahaina", "Discovery Harbor", "Santre" Joe Dassin, “Les Champs-Elysees”

The new season of The Lonely Palette is achingly close to starting up on Wednesday, June 7, but in the meantime, this week and next we're giving our feed over to some fellow Hub & Spoke shows that might pique your eardrums. Hub & Spoke, as you know, is our mighty audio collective of proudly independent podcasts. We aim to expand minds, viewpoints, knowledge, understanding. We have zero corporate interests or expectations, which means we are offbeat, unexpected, formidable, and really poor, so please take a listen to our shows and, if you like what we do, join our mailing list and consider supporting the collective: www.hubspokeaudio.org Link to our live event in at the Norman Williams Public Library in Woodstock, VT on Thursday, June 15: https://normanwilliams.org/events/podcasts-a-listening-event/ *** Today's episode: "Rekindling Hope" by Out There Carolyn McDonald was struggling — hard. The depression had gotten so bad that she couldn’t see a way forward. Then, one day, she went to the beach. Story and sound design by Willow Belden. Script editing by Corinne Ruff. Special thanks to Lori Mortimer for sound-design feedback. Music includes works from StoryBlocks and Blue Dot Sessions. Episode webpage: https://www.outtherepodcast.com/episodes/rekindlinghope Support The Lonely Palette: www.patreon.com/lonelypalette

You think your seven-year-old could paint this indecipherable abstract Cubist painting? Well, it's not abstract, it's totally understandable, and... he couldn't. See the image: http://www.thelonelypalette.com/episodes/2016/7/19/episode-6-pablo-picassos-portrait-of-a-woman-1910 Music used: Paolo Pavan, “Blue Night Dance” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Balti", "The Rampart", "Steadfast", "Beast on the Soil" Joe Dassin, “Les Champs-Elysees” Heftone Banjo Orchestra, "Peaceful Henry"

Elbow-deep in trauma, Andy Warhol plays with repetition and bores us into action. See the image: http://www.thelonelypalette.com/episodes/2016/7/5/episode-5-andy-warhols-red-disaster-1962 Music used: Chris Zabriskie, “Cylinder Four” The Andrews Sisters, "Bei Mir Bist Du Schoen" Ketsa, “Catching Feathers” The Blue Dot Sessions, “Drifting Spade” Joe Dassin, “Les Champs-Elysees” Paolo Pavan, “Blue Night Dance”

Hey! You there! Don't walk by this seemingly-boring painting. You might miss the 19th century. See the image: http://www.thelonelypalette.com/episodes/2016/6/21/episode-4-edgar-degas-duchessa-di-montejasi-with-her-daughters-elena-and-camilla-c-1876 Music used: Reynold Philipsek, "Intro and Nuages" (Django Reinhardt cover) The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “A Burst of Light”, “The Silver Hatch” Lee Rosevere, “Wandering” Joe Dassin, “Les Champs-Elysees” Chris Zabriskie, “Cylinder Four”

While John Singleton Copley is busying himself with past and present art historical styles, Samuel Adams is getting all up in your biz. See the image: http://www.thelonelypalette.com/episodes/2016/6/2/episode-3-john-singleton-copleys-portrait-of-samuel-adams-1772 Tri-Tachyon, “Little Lily Swing” The Blue Dot Sessions, “Decompression”, “Turning on the Lights” Velella Velella, “Hard Egg Timer” The Andrews Sisters, "Bei Mir Bist Du Schoen" Joe Dassin, “Les Champs-Elysees” Reynold Philipsek, "Intro and Nuages" (Django Reinhardt cover)

Christian Boltanski tackles memory and death. We tackle Christian Boltanski. See the image: http://www.thelonelypalette.com/episodes/2016/5/18/episode-2-christian-boltanskis-lumieres-blue-square-sylvie-2000 Music used: The Blue Dot Sessions, “That Horse Ithica”, “The Terrarium”, “That River Wide” The Andrews Sisters, "Bei Mir Bist Du Schoen" Joe Dassin, “Les Champs-Elysees” Tri-Tachyon, “Little Lily Swing”

Just how did Cezanne keep that fruit from tumbling all over the place? We have theories. See the image: http://www.thelonelypalette.com/episodes/2016/5/10/episode-1-paul-cezannes-fruit-and-jug-on-a-table-c-1890-94 Music Used: Django Reinhardt, "Dinah" The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Stale Case”, “Tripoli”, “Andelo”, “This Horse Ithica” Joe Dassin, “Les Champs-Elysees”

Art is everywhere. Why shouldn't it be for everyone, no matter how fluent you are in art history? This podcast says it should. Music used: The Blue Dot Sessions, "Cirrus", "The Spills", "The Zeppelin" The Andrews Sisters, "Bei Mir Bist Du Schoen" Doctor Turtle, "Marty Ladies and Gentlemen" Dave Depper, "All the Pieces Come Together" Django Reinhardt, "Dinah"

Happy 7th birthday, The Lonely Palette! We're ringing in our itch with an quick update on next season, which starts in June, and a recording of our live show at On Air Fest, which was held in Brooklyn this past February. Please enjoy this revamped and refreshed episode of Mary Kelly's "Post-Partum Document," smash that subscribe button, and we'll see you next month. See the episode images: https://bit.ly/411KA0F Support the show: www.patreon.com/lonelypalette

We're in THE HOME STRETCH of our Patreon Listener Challenge! This is indeed the time to pull up your socks and start supporting the show, all to the dulcet tones of a re-release of our second and most lauded Patreon listener-supported episode from 2019 on the Ecce Homo restoration fiasco, wherein a well-intentioned, though, uh, untrained parishioner in a small Spanish town decided to take it upon herself restore a crumbling fresco and inadvertently birthed the meme of our young century. And if you're so moved, please consider making us happy little trees by becoming a Patreon patron at any level, and we'll do you one better with an episode on your favorite soothing soft-voiced paint-dabby PBS mainstay and mine, Bob Ross. See the images: http://www.thelonelypalette.com/episodes/2019/1/25/episode-36-behold-the-monkey-the-ecce-homo-restoration Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Sylvestor”, “Mute Steps”, “Mr. Graves”, “Lobo Lobo”, “Lumber Down”, “Cloudy Cider” Tracie Potochnik, “Cecilia and the Saints” Support the show! www.patreon.com/lonelypalette

Our Patreon Listener Challenge is ongoing! And if you're on the fence about supporting the show, why not sit back with a re-release of our first-ever Patreon listener-supported episode from 2018 on C.M. Coolidge's "Dogs Playing Poker," where we dive into the trials and tribulations of kitsch, the battle between the Sams and Dianes of the world, and what it means to appreciate art at a frequency that we all can hear. And if you're so moved, please consider making us happy little trees by becoming a Patreon patron at any level, and we'll do you one better with an episode on your favorite soothing soft-voiced paint-dabby PBS mainstay and mine, Bob Ross. See the images: www.thelonelypalette.com/episodes/201…g-poker-1903 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Rose Ornamental," "Flattered," "Arizona Moon," "Laser Focus," "Alchemical," "Two in the Back," "Maisie Dreamer," "Gullwing Sailor," "Maldoc" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette

A number of years ago, my Twitter pinged. Then it pinged again. All of a sudden, a whole host of people were following the show, and when I giddily found the source, it was the soulful and stylish Avery Trufelman, longtime 99% Invisible producer, currently of Articles of Interest, and fashionista tastemaker, who had pronounced The Lonely Palette her favorite art history podcast. Bestill my heart! It was the beginning of a beautiful friendship, a kinship between co-founders of a mutual admiration society where the stories of stuff - art, objects, design, things, everything they say you can’t put on the radio - reigned supreme. Avery and I popped into our respective closets to chat about writing, audio, art, fashion, the trappings of podcast success, storytelling in a heated political climate, trusting your voice, that infamous cerulean blue scene in The Devil Wears Prada, ranking the heroes of epic poetry, and much more. Episode webpage: https://bit.ly/3jtcOBl Music used: The Blue Dot Sessions, “Swapping Tubes” The Kinks, “Dedicated Follower of Fashion” Support our year-end fundraiser! bit.ly/3An5jSd

They say that those who can do and those who can’t teach. But “they” don’t seem to have ever met a proper teacher. In honor of the Norwegian town of Bodø’s recognition as a 2024 European Capital of Culture, we dive into Bodø’s most famous artist, Adelsteen Normann, the teacher you’ve never heard of, the picture-postcard modernist who introduced us to the scream that is Edvard Munch, and, eclipsed though he may have been, the painter who illuminated both the town he loved and the students he nurtured with the warmth of a sun that never sets. This episode was produced in partnership with Bodø2024: European Capital of Culture. See the images: https://bit.ly/3FX0S3H Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Lerennis,” “Lissa,” “Ice Tumbler,” “Mr. Graves,” “Throughput,” “A Rush of Clear Water,” “Pinky,” “The Green Room” Vivaldi, “Summer” Support our year-end fundraiser! bit.ly/3An5jSd

Light and dark. Frozen action. Angels with dirty faces. Infamously both a hothead punk and one of the most extraordinarily potent and virtuosic painters in the canon, Caravaggio is nothing if not a man of contrasts. See the images: https://bit.ly/3iNqpTY Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" Charles Daab, “Irish and Scotch melodies (take 2)” The Blue Dot Sessions, “Highway 430,” “Angel Tooth,” “Di Breun,” “Rainy Day Drone,” “No Smoking,” “Cornicob,” “Tarte Tatin,” “Vernouillet,” “Thread of Clouds,” “Set the Tip Jar,” “Homin Brer” Joe Dassin, “Les Champs-Elysees" Support our year-end fundraiser! https://bit.ly/3An5jSd Episode sponsor: www.visualartspassage.com/palette

Dar Williams has been described by The New Yorker as “one of America’s very best singer-songwriters,” but to thirteen-year-old Tamar she was, quite simply, a personal hero: a songwriter whose poetry, poignancy, and humor could capture at once the authentic voices of an inner child, a searching young adult, and a wizened sage. We met in person in 2013 at Dar’s songwriting retreat, and our friendship has been evolving ever since, exploring together the rigors of writing and storytelling through sound and song, and what it means to dip in and out of a creative space as a way of simply getting through the day. Dar has recently published a book about songwriting that is chock full of philosophical wisdom and applicable nuggets, many of which borne from a decade of retreats. We sat down together to talk about songwriting, art museums, the art of writing songs about art, and specifically her evocative, ambivalent "Mark Rothko Song," which tackles it all head-on. [2:05] Dar’s relationship with museums and creating a space for poetic thinking. [8:40] Specific museums, exhibitions, paintings that have inspired Dar’s songs: Dia, “Made in America,” the Fogg. [11:45] Writing Mark Rothko Song. Where did Dar go? Where did Dar really go? [14:45] The difficulties inherent in writing about art. What prompted the writing of this song? Dar’s first encounter with Rothko’s “Untitled (Blue Green)” and the first verse. [20:15] Diving into the prosody of the song, how the music and lyrics support the voice of the song: finger picking, major to minor, chord to chord, key to key, mood to mood. [27:41] Return to the lyrics and narrative. The way that Rothko encourages people to make subjective associations…but then comes the foil of the second verse, creating the contrast between subjective and objective. [33:52] The song’s dueling (or complementary?) aha moments in the bridge and final verse. People both love Rothko and struggle to connect to him. Following the narrator’s journey as she wrestles with seeing something versus knowing something. [45:47] Appreciating an honest song about art viewing that doesn’t flatten the characters. Reflecting on the elements of the song that hold up as Dar has gotten older. [51:19] The similarities between art museums and songwriting retreats: opening up, engaging poetic thinking. [55:28] Also the hazards of living in a space of poetic thinking, especially as a parent. The necessary objectivity of the caretaking space. [1:02:20] The “Five Things” Rule, and whether Mark Rothko might just be the exception that proves the rule. Tamar meets her Rothko and gives hope to kind pedestrians everywhere. [1:09:14] Mark Rothko Song in full. Music Used: Dar Williams, “When I Was A Boy”; “Mark Rothko Song” (live); “The Beauty Of The Rain”; “Mark Rothko Song” (album version) Episode Webpage: https://bit.ly/3RJm9Ak Support the Show: www.patreon.com/lonelypalette

Hello, friends to art podcasts! I'm giving my feed over today to a preview of a new podcast from Pushkin Industries, Somethin’ Else, and Sony Music Entertainment: "Death of an Artist". The show examines a tragedy in the art world. For more than 35 years, accusations of murder shrouded one of the art world’s most storied couples: was the famous sculptor Carl Andre involved in the death of his up-and-coming artist wife Ana Mendieta? Host Helen Molesworth revisits Mendieta’s death, taking a closer look at how she might have fallen out of the window of Carl’s 34th floor New York apartment, and the following trial which has divided the art world since 1985. Hear more from "Death of an Artist" at https://podcasts.pushkin.fm/artist?sid=palette.

Since her arrival on the art scene in the 1960s, legendary art writer Lucy Lippard’s work - searing, novelistic, crisp, and endlessly curious - as well as her insights, activism, entrenchment in the art world, and friendships have secured her role as one of the most important minds in art criticism of her generation. Now, at 86 years old, all of the stuff that she’s collected along the way – photographs, drawings, relationships, grandchildren – is the subject of her new memoir, or, actually, what she calls “Stuff (Instead of a Memoir).” She joined me to talk about the book, but also more than 60 years of writing about art in the way that centered life. After all, “art,” she often quotes, “is what makes life more interesting than art.” Art is the artists, the world they inhabit, their shared cultural references, their shared understanding of the art world and art history. Their human experiences rendered in paint. The stuff they leave behind. Music Used: The Blue Dot Sessions, “Lacquer Groove,” “Hardwood Lullaby” Episode Webpage: https://www.thelonelypalette.com/interview/2023/12/20/lucy-lippard-art-writer

There isn’t a single subject that Adam Gopnik’s prose can’t bring to life. As staff writer at the New Yorker since 1986, he has written about almost everything, including, just in the last year, Proust, gun control, the Beatles, and the Marquis de Lafayette. But it’s when he starts writing about art that things get particularly delectable: “the runny, the spilled…the lipstick-traces-left-on-the-kleenex” life and style of Helen Frankenthaler; “the paint, laid on with a palette knife, that deliciously resembles cake frosting” technique of Florine Stettheimer; “the monumental and mock-monumental that tango in the imagination” of Claes Oldenburg. And perhaps the reason why Gopnik, who has a graduate degree in art history from NYU’s Institute of Fine Art, is able to write about art with such lucidness and latitude is that he isn’t just knowledgeable about art; he adores it. The charge, the perfume, the misty spray of the orange peel that is evoked when you stand in the Arena Chapel - everything that, if you’re not careful, becoming a professional in your creative field will neutralize. We talked about being docents in large museums, how to hook your audience, how to write a poem about art, Vladimir Tatlin, Steve Martin, Stephen Sondheim, the incompatible forces that create beauty, and the noble truths of art creating and art writing: eye to hand, and I to you. Episode webpage: https://bit.ly/3COhnOp Music used: The Blue Dot Sessions, “Balti” Mandy Patinkin, “Finishing the Hat” from Sunday in the Park with George Support the show: www.patreon.com/lonelypalette

Art history textbooks, so excellent for flattening curled-up rug corners and holding open doors, are expected to tell us the entire story of our civilization, one painting at a time. It's more than any book, even one that weighs a spine-crunching twenty-five pounds, should be expected to do. And it opens our eyes to the way that history is narrated, and taught, and even, it follows, to how paintings are displayed, and museums are curated. So much is touched on; so much is left out. It's too much, and far too little, all at once. Dr. Charlotte Mullins has decided to lean into the brevity, and in doing so, manages to tell us so much more. In her new book, "A Little History of Art," she tells the story of 100,000 years of art history, in, in her words, language akin to a haiku, every word intentionally chosen, every artwork telling its own story. She turns us into time-travelers in a scant 300 pages. We talked about reading art history, teaching art history, writing art history, and much more. Charlotte is the art critic for Country Life and has written for specialist titles and newspapers including the Financial Times, Telegraph, Independent on Sunday, RA Magazine, Art in America and Tate Magazine. A former editor of Art Quarterly, V&A Magazine and Art Review, she has appeared on BBC TV arts programmes and is a regular on BBC Radio 4's Front Row and Radio 3's Free Thinking. She is the author of more than a dozen books including a monograph on Rachel Whiteread and A Little Feminist History of Art, both for Tate, and the internationally acclaimed Painting People, and its companion volume Picturing People, both for Thames & Hudson. Music used: The Blue Dot Sessions, "Spark" Rod Stewart, "Every Picture Tells A Story" Episode webpage: https://bit.ly/3ARd17U Charlotte's book: https://amzn.to/3TksKDl Episodes referenced: Anselm Kiefer: https://bit.ly/31gUSwW Sarah Sze: https://bit.ly/3NRnGmr Support the show: www.patreon.com/lonelypalette

“I am for the art of underwear and the art of ice cream cones dropped on concrete. I am for an art that is heavy and coarse and blunt and sweet and stupid as life itself.” Today, the art world - and, as he would attest, the world world too - lost a giant, and we're re-releasing our episode from September 2020 in his honor. RIP, Claes Oldenburg, and thank you for plucking art from its spotless frame and returning it to our messy, magnificent plane. Hope you're enjoying that great big floor pie in the sky. See the images: bit.ly/3hcHjVq Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Cradle Rock,” “Sylvestor,” “A Little Powder,” “Our Only Lark,” “Town Market,” “Contrarian,” “The Rampart” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

What goes up into the sky must come down into the earth, and fortunately for us we’ve got Sarah Sze, mistress of materials, memory, and meaning, helming the journey. This episode was produced with support from Storm King Art Center. See the images: https://bit.ly/3NRnGmr Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Plate Glass,” “Leatherbound,” “The Onyx,” “Silent Ocean,” “ZigZag Heart,” “Curious Case,” “On Top of It” Evan Blanch, “Where The Streets Have No Name (Instrumental)” (U2 cover) Episode sponsor: www.visualartspassage.com Support the show: www.patreon.com/lonelypalette

Betcha never realized how deeply color colored your world - and the world - until you found yourself dancing down the diagonal of this showstopping print. This episode was produced in partnership with the Harvard Art Museums. The exhibition "Prints from the Brandywine Workshop and Archives: Creative Communities" is on view until July 31, 2022. Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Valley VX,” “Forgot His Jam,” “Dear Myrtle,” “Lakeside Path,” “Paramo Ocho,” “White Limit,” “Bivly” See the images: https://bit.ly/3MzWc47 Support the show: www.patreon.com/lonelypalette

We stan a queen. This episode was produced in partnership with the Museum of Fine Arts, Boston. See the images: https://bit.ly/3tXx80o Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Pigpaddle Creek,” “Temperance,” “Highway 94,” “Floating Whist,” “Danver County,” “Mr. Graves,” “Willow Belle” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

The Lonely Palette is on maternity leave until early March, which means that we've been turning to the archives to feature episodes specific to the many shades of motherhood. This episode, from March 2020, tackles the noble melons, jugs, and knockers that nourish the gazes and stomachs of the world. So why are we so disgusted when a woman – and specifically performance artist Patty Chang - saves a little bit for herself? See the images: bit.ly/33DsB4P Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Flatlands 3rd,” “Louver,” “Sino de Cobre,” “Dorica Theme,” “The Dustbin,” “We Shall Know Speed” Support the show: www.patreon.com/lonelypalette

The Lonely Palette is on maternity leave until early March, which means that for the next few weeks, we'll be turning to the archives to feature episodes specific to the many shades of motherhood. This episode, from May 2018, looks at the Virgin Mary and her baby Jesus, and explores how their gentle, intimate relationship - as she gathers her diaphanous skirts to sit with her little nugget on the probably Cheerio-strewn floor of heaven - helps us understand the Renaissance. See the images: https://bit.ly/3rtNJIh Music Used: The Andrews Sisters, "Bei Mir Bist Du Schoen" Lobo Loco, "Piano Cora Theme" The Blue Dot Sessions, "UpUpUp and Over", "Slow Line Stomp", "Lakeside Path", "Perspiration", "Threads and Veils", "Moon Bicycle Theme" Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

The Lonely Palette is on maternity leave until early March, which means that for the next few weeks, we'll be turning to the archives to feature episodes specific to the many shades of motherhood. This episode, from February 2021, speaks not just to the hazy, cozy, time-out-of-joint space that Tamar is currently in, but also to the state of the pandemic, which, unfortunately, doesn't feel much sunnier today than it did a year ago. But what good is a mom if not to help us see our way out of the fog? See the images: bit.ly/3uaWHta Music used: The Blue Dot Sessions, “La Inglesa,” “Eggs and Powder,” “Paper Feather,” “Arizona Moon,” ”Lowball,” “Palladian,” “Simple Vale” Joe Dassin's “Les Champs-Elysees" via music box, ft. Calvin giggles Support the show: www.patreon.com/lonelypalette

When tragedy strikes an individual, a nation, or an entire people, artists and architects are tasked with designing a public display that memorializes the event and its victims. But how do you do that? In this episode, we explore the Memorial to the Murdered Jews of Europe in Berlin, the Vietnam Veterans’ Memorial in DC, the 9/11 Memorial, and others, to look at how respecting and remembering loss collides with the demands of history and politics. Why do abstract, rather than representational, memorials resonate more profoundly in recent years? And no matter how well done they are, will they inevitably lose their impact after a single generation? This episode of The Lonely Palette was produced in collaboration with Slate’s Hi-Phi Nation. Music Used: The Blue Dot Sessions, “Drone Pine,” “Taoudella,” “The Consulate,” “Our Fingers Cold,” “Slider” Silver Maple, “After the Rain” Megan Wofford, “Awake” Yi Nantiro, “Blue Lantern” Christian Nanzell, “Contraband” Gunnar Johnsen, “Documents 4” Fabien Tell, “Liaison” Arden Forest, “Monastral” Niclas Gustavsson, “My Kind of Illusion 1” Niclas Gustavsson, “Reflection 4” Episode webpage: https://bit.ly/3pkhoCI Support the show: www.patreon.com/lonelypalette

In the 1950s and 60s, Coenties Slip—an obscure street on the lower tip of Manhattan overlooking the East River—was home to some of the most iconic artists in history, and who would define American Art during their time there: Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, these artists created a unique community for unbridled creative expression and experimentation. Prudence Peiffer is the kind of art historian who understands the importance of context and place, and her book, “The Slip: The New York City Street that Changed American Art Forever” provides the kind of rich context and human detail that textbooks could only dream of. She joined me to discuss the history of these artists, why we have such a hard time seeing artists as people, the friction between accessible artists and their inaccessible art, why watching Robert Indiana eat a mushroom for 39 minutes is actually totally beautiful, and what it means to authentically nudge art history towards inclusion. Prudence Peiffer is an art historian, writer, and editor, specializing in modern and contemporary art. She is Director of Content at MoMA, New York. She was a Senior Editor at Artforum magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times, New York Review of Books, Artforum, and Bookforum, among other publications.  Her book, “The Slip: The New York City Street that Changed American Art Forever” has been longlisted for the National Book Award. See the images: https://bit.ly/3rOM7vE Music used: The Blue Dot Session, “Skyforager” Rufus Wainwright, “11:11” Support the show: www.patreon.com/lonelypalette

Quilts, and textiles in general, have a funny way of being overlooked by the fine art world. They’re dismissed as craft, as outsider, as “women’s work,” or as potentially uninteresting museum exhibits. But some quilts, and some quilters, tell their stories, explain our histories, and simply refuse to be denied. This episode was produced in partnership with the Museum of Fine Arts, Boston. The exhibition “Fabric of a Nation: American Quilt Stories” is on view until January 17, 2022. See the images: https://bit.ly/3jNT4FZ Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" Blue Dot Sessions, “Moon Bicycle Theme,” “Stucco Blue,” “Coronea,” “Lumber Down,” “Velvet Ladder,” “Gale” Get tickets to the exhibition: https://bit.ly/3GAli0M Support the show: www.patreon.com/lonelypalette

A man. A woman. A window. A pitchfork. It’s the most seemingly straightforward double portrait to come out of rural America - and certainly the most famous - yet it’s become synonymous with ambiguity and mystery, parody and polarization. Amazing how hungry we are to turn a portrait of an artist’s hometown spirit into a portrait of a larger American cultural moment, both then and now. See the images: https://bit.ly/2WuV2CQ Music used: Django Reinhardt, “Django’s Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Long and Low Cloud,” “Hakodate Line,” “Cornicob,” “Sylvestor,” “Di Breun,” “The Silver Hatch,” “Speaker Joy” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

A year ago today, we released our most ambitious episode yet: an exploration of postwar German artist Anselm Kiefer's layered, dense, enormous canvases that themselves respond to the enormity of Holocaust survivor Paul Celan's layered, dense poem, "Todesfugue." In honor of it taking the gold in podcasting at the American Alliance of Museums' MuseWeb awards, we're re-releasing the episode, and with it the layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com. See the images: bit.ly/31gUSwW Music used: The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike” John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler’s List” Support the show: www.patreon.com/lonelypalette AAM MuseWeb award press release: https://bit.ly/37hItwi

Like so many of us, Dr. Rachel Saunders had a tough 2020. As the curator of Asian art at the Harvard Art Museums, she was thrilled to co-curate, with professor Yukio Lippit, the exhibition "Painting Edo: Japanese Art from the Feinberg Collection," the largest single exhibition the museum had ever mounted. And then, a month after its opening, it was shuttered by Covid, and remained closed until the entire exhibition came down early last month. But what could have been a bitter disappointment actually became exceptionally educational - perhaps par for the course at a prestigious university art museum, but with far-reaching implications for museums everywhere. Because when we talk about accessibility - and inaccessibility - in this context, we start to think about it in every context. How accessible are museums, ever? How authentically cross-cultural are our conversations? How do art historians wrestle with and decide on narratives? And how do we honor the multiplicity of these objects' histories while still making them present, today? I sat down with Dr. Saunders this past May, the last month that the exhibition was up on the gallery walls but still behind locked doors, and we dove into these issues and more. See the images discussed: https://bit.ly/3kQbAii Music used: The Blue Dot Sessions, “One Little Triumph,” “Sage the Hunter” Tamar’s exhibition review in the New York Review of Books: https://bit.ly/36X64Cg The Lonely Palette episode on Painting Edo: https://bit.ly/3iEFl2Q The HAM page on Painting Edo https://bit.ly/3zrYBY7 Support the show! www.patreon.com/lonelypalette

The Lonely Palette is collaborating with the Addison Gallery of American Art in celebration of the museum's 90th anniversary! In this episode, we're using the Addison's collection to explore the American city in the same way that art history has been looking at landscape since time immemorial: what it represents, what stories it tells us about ourselves, what stories it leaves out, what it replaces, and how its relationship to the human figure is as fraught and dramatic as any relationship you'll ever find on a canvas. Artists Explored: Winslow Homer, Edward Hopper, Robert Frank, Berenice Abbott, Charles Sheeler, Martin Wong See the Images: bit.ly/34AE9Xw Music Used: The Blue Dot Sessions, “The Zeppelin,” “Towboat Theme,” “Cat’s Eye,” “PlainGrey,” “Dorica Theme,” “Tranceless” Further Listening: The Lonely Palette on Edward Hopper: https://bit.ly/3wyqg8Y Support the Show: www.patreon.com/lonelypalette

The world is reopening just as Harvard's special exhibition "Painting Edo: Japanese Art from the Feinberg Collection" is permanently closing, having been open to the public for one heartbreakingly short month. But the exhibition, which documented the Edo period in all its diverse, aesthetic richness, doesn't have to be in front of you to describe its uncannily Buddhist and modernist moment, or to share in the strange lightness of ours. This episode was produced with support from Harvard Art Museums. See the images: http://www.thelonelypalette.com/episodes/2021/6/5/episode-53-painting-edo-post-pandemic Music used: The Blue Dot Sessions, “Noe Noe,” “A Certain Lightness,” “Algea Trio,” “Kilkerrin,” “Gullwing Sailor,” “Two Dollar Token,” “Silent Flock” Billie Holiday, “Blue Moon” Support the show: www.patreon.com/lonelypalette

The Lonely Palette is collaborating with the Addison Gallery of American Art in celebration of the museum's 90th anniversary! In this episode, we're using the Addison's collection to explore the figure, which, in art history, is almost exclusively the object of the gaze. But what does it mean when the body – that is, the multi-dimensional person who inhabits it – steps behind the lens as well to take back control? Artists Explored: Lalla Essaydi, Laurie Simmons, Cindy Sherman, Lorna Simpson, Sally Mann, Dawoud Bey See the Images: https://bit.ly/34AE9Xw Music Used: The Blue Dot Sessions, “The Zeppelin,” “Dirty Wallpaper,” “Polycoat,” “Pastel de Nata,” “Turning to You,” “The Consulate” Further Listening: The Lonely Palette on Mary Cassatt: https://bit.ly/3uFM9Bj Support the Show: www.patreon.com/lonelypalette

The Lonely Palette is collaborating with the Addison Gallery of American Art in celebration of the museum's 90th anniversary! In this episode, we're using the Addison's collection to explore abstraction, i.e. the one guaranteed way to alienate your visitor. Or...maybe not? Maybe, when it comes to art without a fixed meaning, our presence is requested, and even required? Artists Explored: Agnes Martin, Jackson Pollock, Mark Bradford, Jasper Johns, Donald Judd See the Images: https://bit.ly/34AE9Xw Music Used: The Blue Dot Sessions, “The Zeppelin,” “Pinky,” “Flattered,” “A Little Powder,” “Arizona Moon,” “Daymaze,” “The Summit,” Jason Leonard, “Ritual Six” Further Listening: The Lonely Palette on Jackson Pollock: https://bit.ly/3eUQdsE The Lonely Palette on Jasper Johns: https://bit.ly/3hDFq82 Support the Show: www.patreon.com/lonelypalette

In honor of the Addison Gallery of American Art's 90th anniversary, we've teamed up to release a three-part podcast series! We'll be taking a thematic view of their diverse and world class collection, exploring abstraction, the figure, and the urban sublime. New episodes will be released on The Lonely Palette feed every two weeks beginning Tuesday, May 18th. For more information on the exhibition, visit: https://addison.andover.edu/Exhibitions/90/Pages/default.aspx. Music used: The Blue Dot Sessions, "Waterbourne"