The Last Thing I Saw – Détails, épisodes et analyse

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The Last Thing I Saw

Nicolas Rapold

Cinéma & Séries

Fréquence : 1 épisode/6j. Total Éps: 396

Critic Nicolas Rapold talks with guests about the movies they've been watching. From home viewing to the latest from festivals and retrospectives. Named one of the 10 Best Film Podcasts by Sight & Sound magazine. Guests include critics, curators, and filmmakers.

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Ep. 396: Eric Hynes on Cannes 2026: Club Kid, The Beloved (El Ser Querido), Clarissa, Propeller One-Way Night Coach

mardi 19 mai 2026 • Durée 29:11

Ep. 396: Eric Hynes on Cannes 2026: Club Kid, The Beloved (El Ser Querido), Clarissa, Propeller One-Way Night Coach Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. With the 2026 Cannes Film Festival in full effect, I sat down again with Eric Hynes, critic and director of film curation and programming at the Jacob Burns Film Center. First we discussed two very different Competition titles about parent-child entanglements: Club Kid (directed, written by, and starring Jordan Firstman) and The Beloved (aka El Ser Querido, directed by Rodrigo Sorogoyen, starring Javier Bardem and Victoria Luengo). Then we exchanged films that only one of us had seen: Clarissa, from Directors’ Fortnight, a Mrs. Dalloway adaptation directed by Arie & Chuko Esiri; and then John Travolta’s directorial debut, Propeller One-Way Night Coach. Subscribe/follow for more on the latest movies premiering at Cannes! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 395: Jonathan Romney on Cannes 2026: All of a Sudden (Soudain), Gentle Monster, John Lennon the Last Interview

samedi 16 mai 2026 • Durée 23:50

Ep. 395: Jonathan Romney on Cannes 2026: All of a Sudden (Soudain), Gentle Monster, John Lennon the Last Interview Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2026 Cannes Film Festival is underway, and I sat down with regular guest Jonathan Romney, who is filing as usual for Screen Daily. We couldn’t resist exchanging first (and differing) impressions of a few freshly premiered films: the much-anticipated new feature from Ryusuke Hamaguchi, All of a Sudden, plus the harrowing Gentle Monster from the director of Corsage, Marie Kreutzer, and finally the inventive new documentary John Lennon: The Last Interview from Steven Soderbergh, using an interview recorded just hours before Lennon’s assassination. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 394: Eric Hynes on Cannes 2026: Fatherland, Parallel Tales, In Waves, The Match

vendredi 15 mai 2026 • Durée 34:40

Ep. 394: Eric Hynes on Cannes 2026: Fatherland, Parallel Tales, In Waves, The Match Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2026 Cannes Film Festival is underway, and I was delighted to sit down with Eric Hynes, critic and director of film curation and programming at the Jacob Burns Film Center. We discussed a few titles from the first days of the festival: Fatherland (directed by Pawel Pawlikowski, starring Sandra Hüller and Hans Zischler), Parallel Tales (Asghar Farhadi, starring Isabelle Huppert, Virginie Efira, Vincent Cassel, Adam Bessa), In Waves (Phuong Mai Nguyen), and the 1986 World Cup documentary The Match (Juan Cabral and Santiago Franco). Subscribe for more to keep up with the latest premieres from Cannes! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 393: Jordan Cronk on Cannes 2026: Directors’ Fortnight Preview, Teenage Sex and Death at Camp Miasma, Nagi Notes, Butterfly Jam, plus Play-Doc retro + Jeonju

mercredi 13 mai 2026 • Durée 36:12

Ep. 393: Jordan Cronk on Cannes 2026: Directors’ Fortnight Preview, Teenage Sex and Death at Camp Miasma, Nagi Notes, Butterfly Jam, plus Play-Doc retro + Jeonju Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the 2026 Cannes Film Festival, I’m very happy to start the big show with Jordan Cronk, critic and programmer. We discussed a few films from the first full day of programming: Teenage Sex and Death at Camp Miasma (directed by Jane Schoenbrun, starring Gillian Anderson and Hannah Einbinder), Nagi Notes (Koji Fukada), and Butterfly Jam (Kantemir Balagov, starring Barry Keoghan, Riley Keough, Harry Messing). But I was also treated to a preview of Directors’ Fortnight, the Cannes showcase where Cronk is also a program advisor, and which this year includes films by Radu Jude, Alain Cavalier, Dominga Sotomayor, Lisandro Alonso, longtime Apichatpong Weerasethakul collaborator Sompot Chidgasornpongse, Clio Barnard, and Bruno Dumont. But that's not all! Cronk also shares a highlight from two festivals he visited just before Cannes: Play-Doc in Galicia, Spain, where he saw a very intriguing retrospective, and the Jeonju International Film Festival in Jeonju, South Korea. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 392: Ildiko Enyedi on her new film Silent Friend, tree time, the everlasting serenity of Tony Leung, and theories of consciousness

samedi 9 mai 2026 • Durée 23:00

Ep. 392: Ildiko Enyedi on her new film Silent Friend, tree time, the everlasting serenity of Tony Leung, and theories of consciousness Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Silent Friend is the latest feature from filmmaker Ildiko Enyedi, whose On Body and Soul won the Golden Bear at the 2017 Berlinale and was an Oscar nominee. Like the Hungarian director's debut feature, My Twentieth Century (1989), Silent Friend is her latest ambitious work, spanning three time periods: 1908, when the first female student at a German university attempts to begin her studies; 1972, when a student finds the activities of a geranium far more intriguing than protests; and 2020, when a visiting professor (played by Tony Leung) conducts experiments around plant consciousness. What ties the eras together is a giant, beautiful gingko tree, in a film that’s equally a work of ideas, sensuous textures, and youthful experience. I had the pleasure of chatting with Enyedi during her visit to New York for the release of Silent Friend, and the conversation fairly quickly went into the realm of deep tree thoughts. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 391: Michael Lee Nirenberg on Cinematic Immunity, his new oral history about New York filmmaking crews

jeudi 30 avril 2026 • Durée 43:57

Ep. 391: Michael Lee Nirenberg on Cinematic Immunity, his new oral history about New York filmmaking crews Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I go behind the scenes with filmmaker and author Michael Lee Nirenberg, whose new book Cinematic Immunity is an oral history of New York filmmaking of a different sort. Rather than directors or screenwriters, Nirenberg interviewed crew members across departments—and decades—to recount the making of movies like The French Connection and Do the Right Thing, shows like Pee-Wee’s Playhouse and The Sopranos, and generally the ethos of working with Sidney Lumet or Spike Lee. As our conversation demonstrates, we were able to delve into stories and anecdotes that offer different perspectives and angles on film culture and the esprit de corps of studio filmmaking. “Cinematic Immunity: An Oral History of New York Filmmaking As Told by the Crews That Got the Shot” is available for purchase online and in bookstores. Also, the Frank Perry film that's mentioned, Last Summer (1969), is screening on May 3 at the Paris Theater. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 390: James N. Kienitz Wilkins on The Misconceived

dimanche 19 avril 2026 • Durée 40:51

Ep. 390: James N. Kienitz Wilkins on The Misconceived Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Destined to be one of my favorite movies of 2026, The Misconceived is the latest feature from James N. Kienitz Wilkins, a filmmaker who’s always boldly playing with film form, ideas around authenticity and class, and how we talk about cinema. The Misconceived centers on a carpenter, Tyler, who once wanted to be a filmmaker and whom we now join renovating the country cabin of a college classmate, Tobin, who has found success as an artist. On paper it's an "indie drama" of class tensions and resentments—but it's filmed using motion capture, a computer graphics game engine, and naturalistic, scathingly funny dialogue streaked with savvy movie and critical references. I was delighted to speak with Wilkins about The Misconceived, the benefits of motion capture, the post-2016 political morass, cinephilia, and much more. The Misconceived opens the First Look 2026 at the Museum of the Moving Image (which runs April 23 to May 3) and then plays at Anthology Film Archives in May. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 389: Amy Taubin on The Christophers, Ken Jacobs Tributes, Kontinental 25, her New Directors pick, Elvira Notari, Crimson Gold, plus Fiume o Morte!

jeudi 9 avril 2026 • Durée 51:18

Ep. 389: Amy Taubin on The Christophers, Ken Jacobs Tributes, Kontinental 25, her New Directors pick, Elvira Notari, Crimson Gold, plus Fiume o Morte! Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It’s Amy Taubin Time! I’m delighted to share another conversation with Amy Taubin, covering new releases and repertory selections. Among the new films included are The Christophers (directed by Steven Soderbergh, starring Ian McKellen and Michaela Coel), Kontinental 25 (Radu Jude), Fiume o Morte! (Ivan Bezinovic), and from New Directors New Films 2025, Chronovisor (Kevin Walker and Jack Auen). Taubin also discusses the city-wide tribute to the late Ken Jacobs, aka The Whole Shebang, screening across New York, as well as a documentary about pioneering filmmaker Elvira Notari. Plus, as some cultural counterprogramming to the news: we revisit a pivotal Jafar Panahi film from the 2000s, Crimson Gold. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 388: Margaret Barton-Fumo on Ladies and Gentlemen, the Fabulous Stains, Breaking Glass, Paying for It, plus early Mira Nair

mercredi 1 avril 2026 • Durée 48:08

Ep. 388: Margaret Barton-Fumo on Ladies and Gentlemen, the Fabulous Stains, Breaking Glass, Paying for It, 28 Years Later: The Bone Temple, plus early Mira Nair Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week, friend of the pod Margaret Barton-Fumo returns to talk about her recent writing on music-related movies. A critic and the host of the show No Pussyfooting on East Village Radio, she’s been writing booklets for Fun City Editions as well as contrib, and this time she brings a pair of movies about young female singers who suddenly capture the imagination of the public: Ladies and Gentlemen, the Fabulous Stains (1982, directed by Lou Adler) and Breaking Glass (1980, directed by Brian Gibson). Then she talks about some recent viewing: 28 Years Later: The Bone Temple (directed by Nia DaCosta), and the Canadian independent film Paying for It (directed by Sook-Yin Lee, adapting graphic memoir by Chester Brown). And I chime in with my recent viewing of Mira Nair’s early documentary So Far from India (1983). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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Ep. 387: Clyde Folley on VHS Forever: Videoheaven, 52 Pick-Up, Re-Wind, The Big Hit, Ring, Clerks, Lost Highway

samedi 21 mars 2026 • Durée 45:11

Ep. 387: Clyde Folley on VHS Forever: Videoheaven, 52 Pick-Up, Re-Wind, The Big Hit, Clerks, Ring, Lost Highway Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week Clyde Folley comes back the podcast to talk about the VHS series he programmed on the Criterion Channel: VHS Forever! (Exclamation point mine.) The selected movies feature video stores or video-recording or anything related to VHS culture, spanning the 1980s, 1990s, and 2000s—and culminating in Alex Ross Perry’s comprehensive video essay Videoheaven (which Folley also edited). Titles we discuss include: 52 Pick-Up (directed by John Frankenheimer), Re-Wind (Hisayasu Sato), The Big Hit (Kirk Wong), Ring (Hideo Nakata), Clerks (Kevin Smith), Lost Highway (David Lynch), and of course Videoheaven and its making. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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The Last Thing I Saw – Détails, épisodes et analyse

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