The Iris Murdoch Society podcast – Détails, épisodes et analyse

In this episode Miles is joined by Robert Cremins (University of Houston, Texas) and Daniel Read (Kingston University) to celebrate the anniversary of Murdoch's Whitbread Award-winning novel from 1974. They cover the culture of the 1970s, trauma, childhood, cruelty, black humour, love triangles, links to other writers, links to other novels by Murdoch and much more. Robert is a writer and Senior Lecturer in the Honours College at the University of Houston, and the Faculty Director of Creative Works. A novelist, short story writer and literary critic, Robert has got a lifelong love of Murdoch’s fiction. He is currently working on next year’s North American special edition of the Iris Murdoch Review which will be published in the Autumn of 2025. Daniel Read lectures at the University of Kingston and his monograph, Degrees of Evil in Iris Murdoch's Fiction and Philosophy, is due from Palgrave MacMillan in early 2025.

In this episode Miles is joined by Dr Frances White (University of Chichester) and Liz Whittome (Former Chief and Principal Examiner of English for Cambridge Examinations) to discuss dogs in Murdoch's Fiction. The episode covers Under the Net, The Sandcastle, The Nice and the Good, The Sacred and Profane Love Machine, The Green Knight and The Philosopher's Pupil in some depth as well as discussing other Murdoch novels. You can buy Chris Boddington's 'Iris Murdoch's People A-Z' via the society website, here: https://irismurdochsociety.org.uk/product/iris-murdoch-people-a-to-z/

In this episode Miles is joined by Matthew Congdon (Vanderbilt University, USA) to discuss his new book 'Moral Articulation: On the Development of New Moral Concepts' (Oxford University Press) which is deeply indebted to Murdoch's philosophy. They discuss the limits of moral language, the practical ramifications of rethinking our concepts, connections to the broader humanities and much else besides. Matthew Congdon is a philosopher specializing in ethics, social philosophy, and aesthetics. He writes about emotions, interpersonal recognition, moral change, the aesthetics of interpersonal ethical life, and the intersections of ethics and epistemology. His work on these topics has appeared in The Philosophical Quarterly, Analysis, Philosophy, The European Journal of Philosophy, Episteme, and Philosophical Topics, amongst others. You can find his new book, here: https://global.oup.com/academic/product/moral-articulation-9780197691571?cc=it&lang=en&

In this special episode celebrating the Oxford Quartet Miles is joined by Lesley Brown (Somerville College, Oxford) and John Hacker-Wright (University of Guelph, Canada) to discuss the life and work of Philippa Foot, as well as her connections to Anscombe, Midgley and Murdoch. Lesley Brown is Centenary Fellow in Philosophy at Somerville and expert on Ancient Philosophy. She was taught by both Foot and Elizabeth Anscombe and is Foot's literary executor. https://www.some.ox.ac.uk/our-people/lesley-brown/ John Hacker-Wright is a world-leading expert on Foot's work having published 'Philippa Foot's Moral Thought' (Bloomsbury, 2013),Philipp Foot on Goodness and Virtue (Palgrave, 2018) and 'Philippa Foot's Metaethics' (CUP,2021). You can find details of all his work here: https://www.uoguelph.ca/arts/philosophy/people/john-hacker-wright

In this special edition of the podcast Miles is joined by Dan Read (Kingston) to answer questions sent in by listeners. These are: Is it possible to say where Murdoch stands in relation to other ‘great’ writers? Is she on a par with Dickens, Shakespeare (or others) for example? In A Fairly Honourable Defeat Murdoch assigns astrological birth signs on several of the characters, and they discuss the subject somewhat knowledgeably. Does she give evidence of interest in the subject in other works? Do we know if de Beauvoir read Murdoch? Does she mention Murdoch anywhere in her writings? Did any other existentialists reply to Murdoch’s criticisms of their views? To what extent are changing ways of reading Murdoch novels mere fashion, and how much do they have to do with what someone might refer to as “academic work”? Iris seemed to say that philosophy and fiction were totally separate things. Is this borne out in her work or not? I'd like to know more about which of her contemporaries she admired most as a reader. (And the writers she hated reading!) Did Kierkegaard influence Murdoch's writing and thinking? What do you think is the most underrated work by Iris? Daniel Read lectures at the University of Kingston (UK). His monograph, Degrees of Evil in Iris Murdoch's Fiction and Philosophy, is due from Palgrave MacMillan later this year.

This talk was given by Professor Anne Rowe at the Iris Murdoch Research Centre, University of Chichester (UK) on Saturday 17th February 2024. Anne Rowe is Visiting Professor at the University of Chichester and Emeritus Research Fellow with the Iris Murdoch Archive Project at Kingston University. Her publications include The Visual Arts and the Novels of Iris Murdoch (2002); Iris Murdoch: A Literary Life (2010) with Priscilla Martin, and Living on Paper: Letters from Iris Murdoch 1934-1995 (2015), co-edited with Avril Horner and Iris Murdoch (2019) in the Writers and their Work series from Liverpool University Press. She has just completed work as a co-editor of the Poetry of Iris Murdoch (Forthcoming).

In this episode Miles is join by Paul Hullah (Meiji Gakuin University, Tokyo) and Chiho Omichi (Aoyama Gakuin University, Tokyo) to discuss Murdoch and Japan - her visits, the inspiration she took from Japan, Murdoch in translation, her philosophical links, the Japanese Murdoch Society, and much more. https://irismurdochjapan.jp/en/ Paul Hullah (MA (Hons), PhD) is Associate Professor of British Literature at Meiji Gakuin University and, since 2015) has been President of The Iris Murdoch Society of Japan (1997-). With Murdoch’s active participation, he co-edited and wrote a 'Critical Introduction’ to the authorised collection of Murdoch’s Poems (UEP 1997), and her Occasional Essays (1998). He has published literary studies, including Romanticism and Wild Places (Edinburgh University Press & Quadrega 1998) and We Found Her Hidden: The Remarkable Poetry of Christina Rossetti (Partridge 2016); twenty university-level ‘literary’ textbooks, including Rock UK: A Sociocultural History of British Popular Music (Cengage, 2013); and seven collections of award-winning poetry, including Climbable (Partridge 2016). Murdoch herself described Hullah’s poetry as ‘fine... with an enchantment that touches me deeply’, and John Bayley also praised his work. Hullah received the 2013 Asia Pacific Brand Laureate Award for ‘paramount contribution to the cultivation of literature’. He was keynote speaker at the 2022 Tenth International Iris Murdoch Conference (University of Chichester, UK), contributed a chapter on Murdoch and Zen to the recent volume Iris Murdoch’s Literary Imagination (Palgrave Macmillan 2023), and is currently working on The Japanese Iris: Murdoch’s Affinities and Interactions with Japanese Thought, a critical monograph tracing the important impact of Japanese ideas on Murdoch’s literary and philosophical writings. Chiho Omichi is Professor at Aoyama Gakuin University, Tokyo, Japan and Vice President of the Iris Murdoch Society of Japan. She earned a BA in English literature from Tokyo’s Keio University, MAs from Keio University and London University, and a PhD from Keio University. Her research considers British 20th-century women novelists, particularly Murdoch and Dorothy Richardson, and she has published widely in this area.

In this episode Miles is joined by Gillian Dooley (Flinders University, Australia) and Daniel Read (Kingston University, UK) to celebrate the Twentieth Anniversary of 'From a Tiny Corner in the House of Fiction: Conversations with Iris Murdoch', a collection of interviews with Murdoch from across her career, as well as to discuss the wealth of unpublished interview and conversational material in the Kingston Archive. We discuss what we can learn about her works but, perhaps more enticingly, the woman behind them. Until the end of 2023 the collection is half price from the publisher using code JHOL23. https://uscpress.com/From-a-Tiny-Corner-in-the-House-of-Fiction Gillian Dooley is an Honorary Associate Professor in English literature at Flinders University, South Australia. She has published widely on various literary and historical topics, including Jane Austen, Iris Murdoch, J.M. Coetzee, V.S. Naipaul, and the maritime explorer Matthew Flinders. Her latest monograph is Listening to Iris Murdoch: Music, Sounds, and Silences (Palgrave Macmillan, 2022), and her book She Played and Sang: Jane Austen and Music is due out from Manchester University Press in 2024. Daniel Read teaches and researches at the University of Kingston, UK. He is an editor of the Iris Murdoch Review and his first monograph, The Problem of Evil in the Fiction and Philosophy of Iris Murdoch is due to be published by Palgrave Macmillan in the 'Iris Murdoch Today' series in 2024.

In this episode Miles is joined by artists Kevin Petrie (University of Sunderland), Matthew Richardson (University of Kingston) and Carol Sommer to discuss their latest work which has been inspired by Murdoch's writing. Kevin Petrie is Head of the School of Art and Design and Professor of Glass and Ceramics at University of Sunderland. He is known for his artwork on ceramics and glass, especially in combination with printmaking and drawing. Kevin has also written and edited a number of books and articles about ceramics and glass and lectured around the World. Kevin’s artwork is held in a number of private and public collections including National Glass Centre and National Museums of Scotland. In recent years, Kevin has focused on his painting practice and this work can be seen on his website at https://kevinpetrieart.com. Matthew Richardson is an artist and illustrator who works across physical and digital media seeing how things fit or collide through processes of collage and assemblage. He is interested in how, why and what is kept or discarded, lost or found, and left behind. He studied at Central St. Martins and Cardiff University and is currently completing a practice-based PhD at Kingston School of Art, titled Para-illustration: Gaps, fragments and spaces of the literary imagination, which explores the materiality of a writer’s notes, drafts and archives as a method for making literary images. https://matthew-richardson.co.uk/ Carol Sommer visual artist and art educator based in Darlington, Co. Durham. I’m interested in the potential of piracy to interrogate value systems. Sometimes within the aesthetic context of conceptual writing, my practice includes making books, videos, performances, installation and an Instagram account @cartography_for_girls. In 2019 I completed a practice led Ph.D. at Leeds Beckett University, and I am the author of ‘Cartography for Girls, an A-Z of Orientations Identified within the Novels of Iris Murdoch’. Her work is currently being exhibited at the Phoenix Art Space in Brighton until the 19th November as part of the ‘Are you a Woman in Authority’ exhibition. https://www.carolsommer.net/ https://www.phoenixbrighton.org/Events/are-you-a-woman-in-authority/

In this podcast, Miles is joined by Eva-Maria Düringer (Tübingen, Germany) and Mariëtte Willemsen (Amsterdam University College) to discuss their work translating 'The Sovereignty of Good' into German and Dutch respectively. Eva-Maria Düringer is a researcher at the University of Tübingen, Germany, where she currently leads a funded project on suffering and its role in virtue ethics - you can find her website here emduringer.de. Her work is very much influenced by the writings of Simone Weil, Iris Murdoch and Philippa Foot. She is the author of Evaluating Emotions (Palgrave 2014) and various articles on emotions and ethics. As well as the German translation of The Sovereignty of Good which came out this past July with Suhrkamp, here: https://www.suhrkamp.de/person/eva-maria-dueringer-p-17193 Mariëtte Willemsen is senior lecturer in Philosophy at Amsterdam University College. She teaches courses in Ethics and The History of Philosophy, with a focus on Arthur Schopenhauer, Simone Weil, and Iris Murdoch. Together with Hannah Altorf she translated Murdoch’s The Sovereignty of Good into Dutch (Boom 2003). Her most recent publications look into connections between Schopenhauer and Murdoch, and Weil and Murdoch. Together with Hannah Altorf she is currently working on a translation of Iris Murdoch's 1977 book, The Fire and The Sun. Why Plato Banished the Artists. You can find the details of their translation here: https://www.deslegte.com/over-god-en-het-goede-1195981/ There's a great interview with Mariëtte here: https://blog.apaonline.org/2021/05/14/genealogies-willemsen/