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How did Bernard Leach turn a small pottery in St Ives into the centre of a new ceramics movement? In the second episode of our three-part series, we follow Leach as he returns to Britain with Shōji Hamada and establishes the Leach Pottery in St Ives. We explore the challenges of those early years, the development of his distinctive approach to making, and the ideas that would eventually be captured in his influential A Potter’s Book. As Leach’s reputation grows, so does his influence. Through teaching, writing and a new generation of apprentices, his pottery becomes a meeting place for ideas drawn from East and West. This is the story of how Bernard Leach helped transform the status of the studio potter — and began building a movement that would reach far beyond St Ives. To see images of the pots being discussed on this podcast, please switch to video in your podcasting apps. Featured Artworks: Bernard Leach 1913 early Raku Vase,   The V&A Collection Photo of Bernard Leach with Shōji Hamada and Sōetsu Yanagi, 1952 St. Ives Harbour and Porthminster Beach - Cornwall – UK Cornwall - St. Ives, Back Lane - 1920's Photochrom Postcard The Leach Pottery, St. Ives, Cornwall Blueprint of “The Leach Pottery Japanese Style of climbing Kiln. Design by Tsurunosuke Matsubayashi”, 1923. Crafts Study Centre, University for the Creative Arts Grade II Listed Climbing Kiln, Leach Pottery Raku Firing Kiln Bowl, early 20’s, Bernard Leach Barbara Hepworth & Bernard Leach, 1968, St Ives Museum 1934 (relief), Ben Nicholson, 1934, Tate Shōji Hamada, 1894-1978 Tsurunosuke Matsubayashi, 1894-1932 D W & L K Elmhirst,' 1893-1970, Dartington Hall Trust Archive Two Bowls by Bernard Leach and Teabowl By Shoji Hamada Herbert Read by Mark Gerson, 1967, The National Gallery A Potters Book by Bernard Leach, 1940 Salmon Vase, Bernard leach, 1950 Slipware Plate, Bernard Leach, c. early 1930’s Early Slipware dish, Bernard Leach, c. early 1930’s Early Jar with Firing crack, Bernard Leach, c. early 1930’s, courtesy of Paul Greenhalgh Charger, 1929, Bernard Leach, courtesy of Paul Greenhalgh The Mermaid dish, 1670-1689, Thomas Toft, The V&A Collection A Dartington Pottery Salt Glazed Stoneware Flagon Photo of David Leach, 1911-2005 Teapot, David Leach and Charger, Bernard Leach, courtesy of Paul Greenhalgh Vase, c. 1959, Bernard Leach, The V&A Collection, courtesy of Paul Greenhalgh Standard Ware, c. 1941, Bernard Leach, The V&A Collection, courtesy of Paul Greenhalgh Chapters 00:00:00 Introduction: Bernard Leach Returns to England 00:01:30 St. Ives: A Haven for Artists and Traditional Craft 00:07:48 Building the Pottery: Early Struggles and Failures 00:14:06 Hamada's Departure and the Kiln Rebuilt 00:15:02 The Elmhursts and Dartington: Patronage and Philosophy 00:17:36 Pottery as Art: Breaking Down the Barriers 00:22:25 The Leach Aesthetic: Japanese Meets English Slipware 00:30:44 A Potter's Book: The Ceramic Bible Published 00:35:44 David Leach Takes Over: Professionalization and Production 00:36:58 Legacy: The Apprentice Model and Global Influence Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Executive Producer: Emma Cahusac

How did an English artist in Japan become one of the most influential figures in modern ceramics? In the first of our three-part series on Bernard Leach, we explore the extraordinary early years that shaped his life and work. From his return to Japan and his first encounters with pottery to his friendship with Shōji Hamada, we discover how Japanese culture transformed Leach's understanding of what a pot could be. This is the story of the meeting of East and West — and how the ideas Leach discovered in Japan would eventually help change the course of modern ceramics. To see images of the ceramics being discussed in this podcast, please switch to video in your podcasting app. Featured Artwork: Bernard Leach and bookcase, Tokyo, 1917-1919  Bernard Leach, A Potters Book, 1940 Bernard Leach with grandparents in Japan, c. 1890 Frank Brangwyn, by Reinhold Thiele, c 1900 John Ruskin, by W. & D. Downey, 1863 William Morris by Frederick Hollyer, 1887 Leaping Salmon Vase, c.1950, Bernard Leach; Okinawa Style Teabowl, c.1970, Shōji Hamada, Oxford Ceramics Gallery Harmony in Blue and Gold, The Peacock Room, by James McNeill Whistler, 1834-1903, Public Domain Temple of Heaven, Peking, 1916, printed signature in the plate Bernard Leach 1916,  Public Domain Photograph of rural Japan, C.1900, Public Domain Early Raku Vase, Bernard Leach, c.1925 Raku Firing Kiln Portrait of Ogata Kenzan VI, by Bernard Leach, 1924 Mokko-shaped Food Bowl, by Uruno Shigekichi, 1881-1923 Cup, Ogata Kenzan, 18th Century Photo of Shõji Hamada, 1894-1978 Photo of Sõetsu Yanagi, 1889-1961 Photo of Bernard Leach with Shõji Hamada & Sõetsu Yanagi, Dartington 1952 Cup and Signed Box, Shõji Hamada Large Dish, Shõji Hamada Stoneware Bottle, Shoji Hamada Hamada’s Kiln in Moshiko, Creative Commons License, CC3.0 Unknown Craftsman, Sõetsu Yanagi , 1972 Chapters 00:00:00 Introduction: Bernard Leach - The Making of a Master 00:03:57 Early Life: Colonial Beginnings and Artistic Awakening 00:12:01 The Arts and Crafts Movement: Ruskin, Morris, and Moral Philosophy 00:15:15 Japan's Meiji Period: Transformation and Cultural Identity 00:18:10 Return to Japan: Teaching Etching and Finding Community 00:23:52 The Raku Party: A Life-Changing Moment 00:27:05 Training with Kenzan VI: Entering the Japanese Pottery Tradition 00:28:57 Hamada and Yanagi: The Birth of Mingei 00:30:57 Philosophical Foundations: Arts of the People 00:33:30 The Bold Decision: Sailing for St. Ives Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Executive Producer: Emma Cahusac

In 16th century Japan, a bowl of tea could get you killed. This episode traces the birth of the Ancient Japanese tea ceremony and the aesthetic of wabi-sabi, or the art of finding beauty in imperfection. Paul and Stephanie tell the story of tea master Sen no Rikyu, whose humble, handmade Raku bowls stood in defiance of warlord Toyotomi Hideyoshi's golden excess, in a tale of philosophy, political power, and two tea masters who paid for their art with their lives. To see the pots Stephanie and Paul are discussing in this episode, be sure to switch to video in your podcast app. Featured Artworks Toyotomi Hideyoshi, by Kanō Mitsunobu, 1598, Public Domain Sen No Rikyū, by Tōhaku Hasegawa,1595, Public Domain   Sen no Rikyū's Tai-an Teahouse, Kyoto, Japan, 1952   Black Raku ware tea bowl, late 16th century, The Smithsonian, CC0 Black Raku Tea Bowl, Named “Kaedegure” (Twilight by the Maples), attributed to Raku Cojiro, late 16th Century, The Met Collection, Public Domain Furuta Oribe,  c. 17th Century Square Serving Dish with Bail Handle,  late 16th century, Asia Society Museum, Public Domain Sake Bottle (Tokkuri) with Decoration of Three-Leaf Arrowhead, Early 17th century, Public Domain  Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Sound Mix and Engineering: Joseph Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Secrets of The Japanese Tea Ceremony 00:01:41 Origins of Tea in Japan: From Monasteries to Cultural Power 00:03:00 The Political Tea Ceremony: Toyotomi Hideyoshi's Vision 00:05:09 Wabi Sabi: The Perfection of Imperfection 00:09:23 Sen no Rikyu: The Master Who Stripped Away Ego 00:11:17 The Tea Ceremony Experience 00:14:45 Chojiro and Raku Ware: Hand-Built Tea Bowls 00:19:47 The Death of Sen no Rikyu: When Simplicity Threatened Power 00:24:03 Furuta Oribe: A Warrior's Energy Transforms the Ceremony 00:26:17 Oribe Ware: Chaos, Asymmetry, and the Happy Accident 00:32:35 The Second Suicide: Oribe's Violent End 00:35:23 Legacy: Wabi Sabi and the Birth of Studio Ceramics

Bernard Palissy was an artist, scientist, inventor and one of the most extraordinary figures in the history of ceramics. Driven by religious faith, a fascination with nature, and an obsession to discover the secret of white enamel, he devoted years to relentless experimentation, sacrificing his fortune, and burning almost everything he owned in pursuit of perfection. In this episode Paul Greenhalgh and Stephanie Rozene uncover the remarkable life of the French Renaissance potter whose distinctive rustic wares transformed European ceramics.  Featured Artworks: Self Portrait in Faience, Bernard Palissy, 1862  Rustique figuline, attributed to Bernard Palissy, French c.1560, J. Paul Getty Museum. ‘Rustique Figuline’ Dish with a white background, Bernard Palissy, c. 1550, National Ceramic Museum Maiolica Plate, Italian, ca. 1500, The Met Collection, Public Domain Bowl, Majolica, Italian, 1480-1500, The V&A Collection Dish, Bernard Palissy, 17th century, The Met Collection, Public Domain Plaque depicting Bernard Palissy, Multiple Artists and Makers, 1846, The Met Collection, Public Domain Pilgrim Flask, Bernard Palissy, 1556-67, The Met Collection, Public Domain Still-life platter, Bernard Palissy, c. 1550, Dish, Bernard Palissy, c. 1580,  Moule, Fragment, 16th century, Musee du Louvre Grenouille de fontaine, Atelier de Bernard Palissy, 1565-1610, Musee du Louvre Château de la Bâstie d'Urfé, France, 1550 Henry II, King of France, François Clouet, 1559 Catherine de' Medici, François Clouet, c. 1560 Fontaine en forme de dauphin, 1600-1650, Musee du Louvre Ewer, Saint Porchaire Ware, c. 1550, The Met Collection, Public Domain Mould of Palissy Basin, Musee du Louvre Tazza with cover, Mid 16th century, The Met Collection, Public Domain La Nourrice, Guillaume Dupré (unconfirmed), c. 1640, The Met Collection, Public Domain Plate, Manner of Bernard Palissy, Late 19th century, The Met Collection, Public Domain Platter, Follower of Bernard Palissy, Last Quarter 16th Century, The Met Collection, Public Domain Platter, Manner of Bernard Palissy, 2nd half of 19th Century, The Met Collection, Public Domain Round Plate with Lobster, Rafael Bordalo Pinheiro, 1889, The Met Collection, Public Domain Turkey, Bordallo Pinheiro Factory,19th Century Artichoke Jar, Bordallo Pinheiro Factory Cabbage Ware, Bordallo Pinheiro Factory Round Dish with Lobster and Shells, Thomas Victor-Sergent, 1870-80, The Met Collection, Public Domain Large Basin with Snake, Ferns, and Bark, Charles-Jean Avisseau, C. 1850-55, The Met Collection, Public Domain Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Sound Mix and Engineering: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Bernard Palissy - Obsession, Faith and Myth 00:02:13 A Troubled Age: France in Religious Turmoil 00:04:24 Early Life: The Self-Taught Rustique 00:12:08 The Catalytic Moment: Falling in Love with a Cup 00:17:07 Obsession and Sacrifice: Burning the Floorboards 00:20:03 The Rustiques Figulines: Nature Cast in Clay 00:24:18 Royal Patronage: Catherine de Medici and the Court 00:26:16 The Saint-Porchaire Mystery: A Lost Attribution 00:29:20 Public Intellectual: Lecturer on Science and Nature 00:30:54 Dangerous Faith: The Huguenot Who Wouldn't Hide 00:32:41 The Bastille: A Tragic End 00:33:22 Legacy: From Sons to Revival 00:34:33 Attribution Challenges: Real, School, or Revival? 00:39:37 Eternal Inspiration: Palissy's Enduring Impact

This week Paul Greenhalgh and Stephanie Rozene explore the extraordinary ceramics of the Ming Dynasty, the period that established China as the world's greatest producer of porcelain. From the famous blue-and-white wares of Jingdezhen to magnificent imperial commissions and the global trade that carried Chinese porcelain across Asia, the Middle East, and Europe, we uncover how Ming potters achieved levels of craftsmanship that have rarely been surpassed. We also discover how these exquisite objects became symbols of wealth, power, and cultural exchange, inspiring generations of potters around the world. Emperor Hongwu (21 October 1328 – 24 June 1398) – Public Domain Monks Cape Ewer, 1368-1644, The Met Collection, Public Domain Bowl with Chrysanthemums, late 14th Century, The Met Collection, Public Domain Porcelain Plate with Animals, mid 14th Century, The Met Collection, Public Domain Jar with Dragon, 1426-1435, The Met Collection, Public Domain Bowl with Pomegranates, lotus scrolls, and chrysanthemum Petals, early 15th century, Public Domain Flask with Medallion, early 15th century, The Met Collection, Public Domain Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Jim Fuller & Sam Bond Sound Engineer and Mixer: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Ming Dynasty - When Porcelain Became Power 00:02:36 The Rise of Emperor Hongwu: From Peasant to Power 00:14:19 Technical Mastery: Copper Reds and Chrysanthemum Bowls 00:16:38 Infrastructure and Imperial Ambition: Building the Ming Empire 00:23:00 Emperor Yongle and the Golden Age of Blue and White 00:21:06 The Dragon Jar: Symbolism, Status, and Visual Mastery 00:28:11 Islamic Influences: Cross-Cultural Design and Pattern 00:33:13 The Great Voyages: Porcelain as White Gold 00:36:47 The Inward Turn: Crisis, Capture, and Conservative Retreat 00:41:54 Legacy: Jingdezhen and the Story Written in Glaze

This week Paul Greenhalgh and Stephanie Rozene explore the remarkable ceramics of the Tang Dynasty, one of China's greatest periods of artistic innovation. We venture down into the depths of their magnificent tombs and discover the wonders of their funerary wares. Ceramics creations that capture life in the Imperial Court from dancers, polo players, concubines, warriors and magnificent horses. These treasures open a window into a golden period of Chinese history but also show how the Tang potters transformed the art of clay and influenced ceramic traditions around the world. FEATURED ARTWORKS IN THIS EPISODE: Emperor Li Yuan, 618-626, unknown, Public Domain Excerpt from the handscroll Viewing the Pass List, c. 1540 by Qiu Ying Tang Court Playing Polo, 706AD, Public Domain Cosmetics Box, 8th Century, The Met Collection, Public Domain Figure of a Horse, 700-750, The British Museum, Public Domain Amphora, Late 7th Century, The Met Collection, Public Domain Covered Jar, 8thcentury, The Met Collection, Public Domain Set of Ten Entertainers and Two Dancers, 618-907, Miho Museum, Public Domain Camel and Rider, 701-750, Art Institute of Chicago, Public Domain Horse and Rider, early 8th Century, The Met Collection, Public Domain Camel with Musicians, 723, National Museum of China, Public Domain Horse with Lead Glaze, 728, The British Museum, Public Domain Seated Court Lady, 8th Century, the Met Collection, Public Domain Female Attendant, Mid 7th Century, The Met Collection, Public Domain Female Attendant, 7th-8th Century, The Met Collection, Public Domain Seated girl holding Mirror, first half 8th Century, Art Institute Chicago, Public Domain Polo Player, ca. 618-907, Public Domain Young Female Polo Player,  early 8th Century, Musée Guimet Female Polo Player, c. 750, Musée Guimet For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Jim Fuller & Sam Bond Sound Engineer: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Tang Dynasty - A Golden Age of Chinese Ceramics 00:00:35 Context: From Terracotta Warriors to Tang Dynasty 00:01:33 The Tang Renaissance: Arts, Innovation, and the Birth of Porcelain 00:07:27 Emperor Li Yuan and the Reunification of China 00:09:40 Cosmopolitan Influences: Turkish Origins and Foreign Ideas 00:10:27 The Qianling Mausoleum: Royal Graves and Funerary Traditions 00:16:37 Craft and Technique: How the Figurines Were Made 00:18:58 Sancai Glaze: The Three-Colour Ceramic Revolution 00:22:10 Masterworks: The Covered Jar and Ewer 00:24:00 Ten Musicians and Two Dancers: Capturing Movement in Clay 00:25:44 Colour Theory and Cultural Openness in Tang Art 00:26:47 The Silk Road and Sea Trade: Expanding Horizons 00:28:02 Camels and Foreigners: Depicting a Cosmopolitan World 00:29:07 What Makes a Tang Dynasty Piece? Poise, Pride, and Individuality 00:30:36 The Camel with Five Musicians: A Traveling Band 00:33:10 Heavenly Horses: The Prized Steeds of the Tang Dynasty 00:37:17 Court Life and Leisure: Snapshots of Tang Society 00:39:43 Women Playing Polo: Sport, Warfare Training, and Social Inclusion 00:40:55 Equality and Sophistication: Women in Tang Society 00:42:11 Conclusion: Windows into the Tang World

This week we continue the story by following the extraordinary journey of Hans Coper, a man who arrived in Britain as a refugee with no experience of pottery, yet went on to become one of the greatest ceramic artists of the modern age. Forced to flee Nazi Germany as a teenager, Hans Coper rebuilt his life from scratch in wartime Britain. When he began working in Lucie Rie's studio, he discovered not only a new craft but an entirely new way of expressing himself. Although Rie taught him the fundamentals of working with clay, Coper soon developed a powerful artistic language all his own creating bold, sculptural vessels that blurred the boundaries between pottery and sculpture. In this episode, we explore Coper's remarkable transformation from refugee to internationally celebrated artist, the creative partnership and lifelong friendship he shared with Lucie Rie, and the innovations that changed the direction of modern ceramics forever. More than a story about beautiful objects, this is a story of resilience, identity, and the extraordinary power of art to reshape a life. Join Stephanie Rozene and Paul Greenhalgh as they uncover the life and work of Hans Coper and discover how a man who began with no training in ceramics became one of the defining voices of twentieth-century studio pottery. IMAGES FOR HANS COPER EPISODE: Lucie Rie, Bronzed bowls from the 1980s Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, A group of Cycladic forms, late- 1970s – early-1970s Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, Early composite form, c.1950 and Large jug, c.1953 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, Portrait of Lucie Rie, conceived c.1953 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, Ovoid pot c.1970, Small ovoid pot, c.1972 and Ovoid pot, c.1972 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Monumental Altar Candlesticks, Coventry Cathedral, by Hans Coper, Image courtesy of Julian Osley – CC BY-SA 2.0 ADDITIONAL WORKS: Bernard Leach, Thrown Bowl, 1973 Provided by York Museum https://creativecommons.org/licenses/by-sa/3.0 Bernard Leach Studio St Ives https://creativecommons.org/licenses/by/2.0/ Henry Moore, Three Way Piece No. 2 ( The Archer), 1964-65 On display in front of Toronto City Hall since 1966 https://creativecommons.org/licenses/sa/1.0/ Henry Moore, Large Reclining Figure 1982 (LH 192b), fibreglass. As of 2004 sited outside the Fitzwilliam Museum, Cambridge. On loan from the Henry Moore Foundation. https://creativecommons.org/licenses/by-sa/2.0/ Brâncuși's Paris studio, 1920,  Photograph by Edward Steichen, Public Domain Constantin Brancusi, The Kiss, 1907-08, Public Domain PHOTOGRAPHS: Lucie Rie and Hans Coper in front of Albion Mews, 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Image Courtesy of the Crafts Study Centre, University for the Creative Arts, Farnham Lucie Rie and Hans Coper in front of Albion (B&W) Mews, early 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Lucie Rie and Hans Coper, 1959-69 (in vehicle) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Hans Coper, Albion Mews, c.1956 Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Hans Coper, Albion Mews, c.1967 Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation ‘Lucie Rie / Hans Coper: Life at the Wheel’ will be at Offer Waterman in London from 18 September - 31 October 2026. For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Fraser Watson Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Hans Coper Arrives at Lucy Rie's Door 00:01:49 Hans Coper's Early Life: A Comfortable Beginning in Germany 00:03:04 The Nazi Rise: A Childhood Shattered 00:06:04 Escape from Germany: Hanging from a Moving Train 00:09:13 Internment and the Pioneer Corps: Survival in Canada and Britain 00:12:53 Gone with the Wind: The Day That Changed Everything 00:13:33 The Button Factory: A Hive of Refugee Activity 00:17:39 Learning the Potter's Wheel: A Natural Talent Emerges 00:22:11 The Relationship: Big Sister, Younger Brother 00:27:48 Two Different Visions: Potter vs. Sculptor 00:30:29 The Aesthetic: Delicate Bowls and Textured Monuments 00:34:47 Teaching Philosophies: Steel Fist vs. Graceful Integrity 00:38:43 Architectural Commissions: From Pots to Coventry Cathedral 00:41:28 Legacy: Changing the Direction of British Ceramics

This week on The History of Ceramics, we begin the remarkable story of two artists who transformed the course of modern ceramics. Our journey starts with the extraordinary life of Lucie Rie. Born into the rich cultural world of Vienna, Lucie Rie was already an accomplished ceramic artist when the rise of Nazism forced her to leave everything behind. Arriving in London as a refugee in 1938, she faced the daunting challenge of rebuilding her life and career in an unfamiliar country. Yet through determination, technical brilliance, and an unmistakable artistic vision, she would become one of the defining figures of twentieth-century ceramics. In this episode, we explore Rie's early life in Vienna, the artistic influences that shaped her distinctive style, and the resilience that carried her through exile and war. We discover how her elegant forms and luminous glazes challenged traditional ideas about pottery, and how her tiny London studio became the birthplace of a revolution in ceramic art. This is more than the story of a remarkable potter. It is a story of courage, reinvention, and creativity flourishing against the odds. Join Stephanie Rozene and Paul Greenhalgh as they uncover the life and work of Lucie Rie—and discover how one extraordinary artist helped redefine the possibilities of clay. Featured Images: Lucie Rie, Bronzed bowls from the 1980s,  Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, A group of Cycladic forms, late- 1970s – early-1970s Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation  Lucie Rie, Teapot Designed and Made for Ernst Plischke, 1928 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Lucie Rie, Early London period bowl, c.1945  Lucie Rie & Hans Coper, Early London period cylindrical lidded pot, c.1947  Photograph by Sylvain Deleu © Estate of the artists/The Lucie Rie and Hans Coper Foundation  Lucie Rie, Vase from the 'Black Firing', 1981 and Composite vase, known as the 'God Pot', c.1980 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Lucie Rie, Vase with sgraffito design, c.1982 Footed bowl, c.1978 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Lucie Rie, Pink footed bowl, c.1980 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Bernard Leach, Thrown Bowl,, 1973 Provided by York Museum  https://creativecommons.org/licenses/by-sa/3.0 Bernard Leach Studio St Ives  https://creativecommons.org/licenses/by/2.0/ PHOTOGRAPHS: Lucie Rie and Hans Coper in front of Albion Mews, 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Image Courtesy of the Crafts Study Centre, University for the Creative Arts, Farnham Lucie Rie and Hans Coper in front of Albion Mews, early 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Lucie Rie and Hans Coper, 1959-69 (in vehicle) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Lucie Rie, Albion Mews, c.1960 (at wheel) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation  Lucie Rie, Albion Mews, c.1960 (at wheel with pot) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Lucie Rie, Albion Mews, c.1967 (in studio) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation ‘Lucie Rie / Hans Coper: Life at the Wheel’ will be at Offer Waterman in London from 18 September - 31 October 2026.  For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks.    Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Jim Fuller & Fraser Watson Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Lucy Rie and Hans Coper - Titans of Studio Ceramics 00:03:31 Vienna's Golden Age: The Wiener Werkstätte and Gesamtkunstwerk 00:10:03 Lucy's Upbringing: An Intellectual Jewish Family in Vienna 00:17:18 World War I and Tragedy: The Loss of Her Brother 00:20:53 Discovery of Clay: Finding Her Medium at the Kunstgewerbeschule 00:29:23 Marriage and Early Success: Building a Career in 1920s Vienna 00:32:40 The 1937 Paris Expo: Career Triumph and Rising Darkness 00:36:07 Flight from Vienna: Escaping the Nazis in 1938 00:38:37 Starting Over in London: Albion Mews and the Button Business 00:48:28 A Knock on the Door: Hans Coper Arrives

In 1974, a group of farmers digging a well in rural China made one of the greatest archaeological discoveries in history: an underground army of thousands of life-sized terracotta warriors, standing silently in battle formation for more than two thousand years. But why was this extraordinary army created? Who was the powerful ruler it was built to protect? And what does it reveal about the ambitions, beliefs, and astonishing technological achievements of ancient China? In this episode of The History of Ceramics, we explore the story behind the Terracotta Army and the remarkable reign of Qin Shi Huang, the emperor who unified China and transformed its future. We uncover the extraordinary craftsmanship behind the figures, the vast workforce that produced them, the secrets still buried beneath the emperor's mausoleum, and the ongoing archaeological discoveries that continue to reshape our understanding of one of the world's greatest ceramic masterpieces. From imperial power and military might to artistry, innovation, and the enduring legacy of clay, this is the story of how an army that was never meant to be seen became one of the greatest treasures of human civilisation. Join Stephanie Rozene and Paul Greenhalgh as they uncover the fascinating history behind the Terracotta Warriors—and discover why these silent guardians continue to captivate the world over two millennia after they were made. All artworks included in this episode are courtesy of: Creative Commons license Zero, Public Domain Dedication For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Greatest Ceramic Project Ever 00:00:52 Discovery in 1974: Farmers Uncover a Lost Army 00:04:55 The Secret Keeper: Zhao Kangmin and the Cultural Revolution 00:08:11 Qin Shi Huang: The First Emperor of China 00:11:16 Fear of Death and the Quest for Immortality 00:13:09 Building an Army for the Afterlife 00:15:07 The Mausoleum Complex: The Size of Manhattan 00:22:41 Industrial Scale Ceramic Production 00:29:27 Individual Faces: Eight Types, Infinite Variations 00:34:38 Color and Paint: The Lost Vibrancy 00:39:43 The Emperor's Death and the Fall of Qin 00:42:04 Fire and Destruction: The Tomb Under Attack 00:43:39 Legacy: From Fear to Forever

Paul Greenhalgh and Stephanie Rozene travel to the American South at the end the 19th C to explore the life and work of George E. Ohr - otherwise known as the Mad Potter of Biloxi. Overlooked for much of his life this eccentric character worked tirelessly creating innovative, wild and exquisitely crafted art pottery. He was a renowned showman using slogans, banners and sales gimmicks to market his wares and was the self proclaimed "world's best art-potter". His life’s work remained undiscovered gathering dust in a garage for decades before an antiques dealer happened upon them in his son's auto shop. Today his legacy is firmly recognised as a founding father of the art pottery movement and there is a museum in his name, designed by Frank Gehry, in his hometown of Biloxi. Images of artworks and photographs in this episode: Pitcher, 1889-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (Blue/Twist), 1987-1900, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (Red), 1895-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (pink/purple/pinched), 1897-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Photo of George E. Ohr – The Mad Potter of Biloxi (1857-1918) Photo of George E. Ohr (1857-1918) – outside studio with signage Photo of George E. Ohr (1857-1918) – studio with “Greatest Potter on Earth” signage Photo of George E. Ohr (1857-1918) – inside studio with pots George E. Ohr, The Mad Potter of Biloxi. Harpers Magazine, 1892-1893 Burnt Babies, 1894, George E. Ohr Burnt Babies, 1894, George E. Ohr Vase (Red), 1895-96, George E. Ohr. Image courtesy of TheMET Tea Pot, 1897-1900, George E. Ohr. Image courtesy of TheMET Pitcher (Brown/Gold/Pinched), 1896, George E. Ohr. Image courtesy of TheMET Photo of George E. Ohr (1895-1918) - workshop Bowl (Green/Gold), 1897-1910, George E. Ohr. Image courtesy of TheMET Bowl (Pinched Clay), 1898-1910, George E. Ohr. Image courtesy of TheMET Vase (Black/Blue), 1900, George E. Ohr. Image courtesy of TheMET Vase (Red/Brown), 1890-1905, George E. Ohr. Image courtesy of TheMET Pitcher (Green), 1890-1905, George E. Ohr. Image courtesy of TheMet Clockface and Vase (Pink), 1898, George E. Ohr. Image courtesy of TheMET. (TBC) Photo of Ohr and O’Keefe Museum of Art in Biloxi, Mississippi – architect Frank Gehry. For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Mad Potter of Biloxi 00:04:20 Early Life and Civil War Era Biloxi 00:07:01 The Misfit: Education and Early Jobs 00:10:50 Discovery of Clay: The Duck Finds Water 00:12:04 Research Journey and Return to Biloxi 00:14:10 Building a Life: Marriage and Early Success 00:20:08 World's Fairs and the Great Biloxi Fire 00:26:26 The Golden Age: Reinvention and Masterworks 00:31:29 The Mad Potter Persona and World's Fair Recognition 00:38:51 Rejection and the End of Production 00:44:29 The 50-Year Wait and Miraculous Discovery 00:48:17 Legacy: From Forgotten to Greatest Potter on Earth

Stephanie Rozene and curator Garth Johnson pick up the story of Funk Art and look at the life and work of artist Clayton Bailey who would go on to form the breakaway movement called Nut Art. Taking ceramics into a new realm of world making, eccentricity and humour, Bailey would inhabit an alter egos, stage pranks with the press and take the museum world on an unexpected journey. 00:00 Introduction: Clayton Bailey and the Nut Artists 00:52 Peter Volkos and the Abstract Expressionist Revolution 02:32 Harvey Littleton, Clayton Bailey, and the Wisconsin Connection 04:12 The First Funk Object: Caterpillar with Flying Buttresses 10:01 The Night Pots: Sex, Function, and Subversion 08:38 Make It Ugly: Building a Ceramics Program in Whitewater 13:24 Connecting with Robert Arneson and Moving to California 17:23 The Vermilion Festival and Experimental Education 23:59 Port Costa and the Birth of Nut Art 25:47 World Building and Imagination: The Nut Art Aesthetic 28:10 Dr. Gladstone and the Science of Kaolism 31:54 The Bigfoot Discovery and Media Pranks 32:38 The Wonders of the World Museum 35:36 Performance Art and Compression Testing 37:52 Partner in Mischief: A Personal Relationship 44:06 Legacy: The Greatest Conceptual Ceramic Artist

Join Stephanie Rozene and guest Garth Johnson as they travel back to 1967 and the West Coast of America where an exhibition named Funk would showcase ceramics as a provocative art form. Using humour, satire, colour and form these Funk artists critiqued the world around them and changed ceramics forever. No longer utilitarian vessels - this was art that shocked. Artwork in this episode: Banded White Bottle, 1958, Robert Arneson Spouted Footed Vase, 1959, Robert Arneson No Deposit, No Return, 1961, Robert Arneson Jack and John Trophy, 1964, Robert Arneson His and Her’s, 1964 , Robert Arneson John with Art, 1964, Robert Arneson Typewriter #1 (Touch System) 1965, Robert Arneson Self Portrait of the Artists Losing His Marbles, 1965, Robert Arneson Alice House Wall, 1967, Robert Arnson Assassination of a Famous Nut Artist, 1971, Robert Arneson Portrait of George, 1981, Robert Arneson Other Images: Relax in Electric Chair (Dirty Guy),” 1965, Peter Saul Rocking Pot, 1956, Peter Voulkos, Hole in One, 1978, Peter Voulkos, Bottle, circa 1955. Antonio Prieto Fur Rat, 1962, Joan Brown Cakes, 1963, Wayne Thiebaud For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Fraser Watson Executive Producer: Emma Cahusac

How Art Nouveau transformed Parisian Architecture. In this episode we travel to France to meet Hector Guimard the father of French Art Nouveau and the sweeping organic forms that came to define one of the most exciting eras in European culture. We’ll be exploring how ceramic tiles became a key element in the architecture at the turn of the 19th and 20th centuries, and we venture underground, down into the Paris Metro where to this day tiles continue to reign supreme. Ceramics and artwork in this week’s episode include: Hector Guimard, 1867–1942 Café-Restaurant Au Grand Neptune, 1888, Hector Guimard Tassel House, Brussels, 1892—93, Victor Horta Photo: kat_hly.1608 / Wikimedia Commons (CC BY 2.0) Illustrations to Salome by Oscar Wilde, Aubrey Beardsley The Art Nouveau Bing Pavilion, Paris Exposition, 1900, Siegfried Bing Courtesy of V&A Museum Castel Béranger, 1895—98, Hector Guimard Wikimedia Commons (CC BY 1.0) Alexandre Bigot, 1862—1927 Photo: Absecon 59 / Wikimedia Commons (CC BY-SA 4.0) Inside Castel Béranger, 1895—98, Hector Guimard 29 Avenue Rapp, Paris, 1899—1901 Photo: marsupilami92 / Wikimedia Commons (CC BY 2.0) Photo: Pline / Wikimedia Commons (CC BY-SA 3.0) Maison Coilliot, 1898—1900 Illustrations to Salome by Oscar Wilde, Aubrey Beardsley Porte Dauphine Metro Station, Paris, 1900 Photo :Jean-Pierre Dalbéra / Wikimedia Commons (CC BY 2.0) Abbesses Metro Station, Paris, 1913 Hector Guimard — Andrzej O / Wikimedia Commons (CC BY-SA 4.0) Thesupermat / Wikimedia Commons (CC BY-SA 3.0) Porte Dauphine Metro Station, Paris, 1900 For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac Chapters: 00:00 Introduction: Hector Guimard and French Art Nouveau 00:25 Tile as Architecture: The Third Component of Ceramics 03:57 Guimard's Early Life and Training in the Decorative Arts 08:34 The 1889 Paris World's Fair and New Technologies 10:38 Travels to London and Brussels: Discovering Art Nouveau 12:54 Defining Art Nouveau: Curvilinear Lines and Organic Forms 18:06 Art Nouveau as the First Modernism 19:48 Castel Béranger: Guimard's First Major Building 22:03 The Golden Age of Tile: Technology and Innovation 29:43 Alexandre Bigot: The Chemistry Teacher Turned Ceramic Artist 36:17 Maison Coilliot: Ceramic Architecture in Lille 43:51 The Paris Metro Commission: Art for the People 46:55 Designing the Metro Stations: Cast Iron and Subway Tile 52:38 Controversy and Politics: Art Nouveau Under Fire 55:20 The Decline of Art Nouveau and Rise of Nationalism 1:00:23 Guimard's Later Years and Legacy

How did Wedgwood combine pottery with politics? Paul Greenhalgh is joined by Sir Tristram Hunt to discuss the life and work of potter and abolitionist Josiah Wedgwood who created one of the most famous ceramic companies in British history. Ceramics and artwork in this week’s episode include: Dinner Plate ‘Frog Service’, 1773, Josiah Wedgwood & Sons Courtesy of V&A Museum Plate ‘Frog Service’, 1773–1774, Josiah Wedgwood & Sons Courtesy of V&A Museum Portland Vase, 1790, Josiah Wedgwood & Sons Courtesy of V&A Museum Vase (Creamware), 1764–68, Josiah Wedgwood & Sons Courtesy of V&A Museum The Founding of Australia. By Capt. Arthur Phillip R.N., Sydney Cove, Jan. 26th 1788 Algernon Talmage Medallion, 1790–95, Josiah Wedgwood & Sons Courtesy of V&A Museum Vase (Black Basalt), 1775–80, Josiah Wedgwood & Sons Courtesy of V&A Museum Milk Jug, 1785—95, Josiah Wedgwood & Sons Courtesy of V&A Museum Saucer, 1795—1810 , Josiah Wedgwood & Sons Courtesy of V&A Museum Portrait Medallion, 1775–80, Josiah Wedgwood & Sons Courtesy of V&A Museum Vase, Circa 1800—10, Josiah Wedgwood & Sons Courtesy of V&A Museum Dancing Hours Plaque, 1778, Josiah Wedgwood & Sons and John Flaxman Courtesy of V&A Museum Dancing Hours Salt Cellar, 1786—90, Josiah Wedgwood & Sons and John Flaxman Courtesy of V&A Museum Vase, Circa 1800—10, Josiah Wedgwood & Sons Courtesy of V&A Museum Teapot and cover (Black Basalt), 1810, Josiah Wedgwood & Sons Courtesy of V&A Museum Bust (Black Basalt), 1770–80, Josiah Wedgwood & Sons Courtesy of V&A Museum Teapot (Caneware), 18th Century, Josiah Wedgwood & Sons Courtesy of V&A Museum Edward Gibbon, 1737–94 Portland Vase, Circa 1–25 AD Portland Vase, 1790, Josiah Wedgwood & Sons Courtesy of V&A Museum Josiah Wedgwood statue, Stoke-on-Trent, 1862–3, Edward Davis Anti-slavery medallion, Circa 1787, Josiah Wedgwood & Sons Courtesy of V&A Museum For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Josiah Wedgwood - Turning Pottery into Politics 00:01:32 The London Shop and Marketing Genius 00:04:26 Art Meets Commerce: Wedgwood's Philosophy 00:06:12 Global Ambition: 80% Export Market 00:11:29 Countering Porcelain: Creamware vs European Tradition 00:13:09 Black Basalt and the Innovation of Jasperware 00:15:40 John Flaxman and Ceramics as High Art 00:20:03 The Portland Vase: Artistic Triumph and Commercial Challenge 00:22:03 Free Trade and Empire: A Businessman's Contradictions 00:24:34 Radical Patriotism: Politics and Revolution 00:29:24 The Abolition Badge: Pottery Against Slavery 00:35:37 Legacy and Decline: After Josiah's Death in 1795 00:40:27 The Wedgwood Brand: Surviving 200 Years of Mismanagement 00:43:16 Conclusion: Wedgwood's Enduring Importance to Ceramic History

How did Wedgwood create one of the most famous ceramic companies in British history?  And what fueled his obsession with science and experimentation?  Join Paul Greenhalgh is joined by Sir Tristram Hunt to discuss 18th century England and  the life and work of potter, scientist and abolitionist in part 1 of a 2 part series on Josiah Wedgwood. Ceramics and artwork in this week’s episode include: Josiah Wedgwood, 1730—17 Soup Tureen with Lid (Creamware), Circa 1770—80, Josiah Wedgwood & Sons Terrine With Lid and Saucer (Creamware), Circa 1800—15, Josiah Wedgwood & Sons Platter (Creamware), Circa 1780., Josiah Wedgwood & Sons The First Day's Vase (Black Basalt), 1769, Josiah Wedgwood & Sons Courtesy of V&A Museum Dinner Plate ‘Frog Service’, 1773, Josiah Wedgwood & Sons Courtesy of V&A Museum Platter ‘Frog Service’, 1773—74, Josiah Wedgwood & Sons Courtesy of V&A Museum Plate ‘Frog Service’, 1773—74, Josiah Wedgwood & Sons Courtesy of V&A Museum "To see this and all our episodes go to heni.com/thehistoryofceramics or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks" Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro  Ruocco Executive Producer: Emma Cahusac

In this episode Paul and Stephanie discuss how Louis XV and Madame de Pompadour, and Louis XVI and Marie Antoinette's passion for porcelain created one of the most famous and revered names in the history of ceramics, Sèvres. Ceramics and artwork in this week’s episode include: Tureen (Japanese Kakiemon style), 1725–51, Chantilly Porcelain Manufactory Wikimedia Commons (CC BY-SA 3.0) Tureen, 1749–50, Vincennes Porcelain Manufactory Wikimedia Commons (CC BY-SA 3.0) Madame de Pompadour, 1756, François Boucher Wikimedia Commons (CC BY-SA 3.0) Madame de Pompadour, 1759, François Boucher Postcard – Sèvres – National Sèvres Manufactory – Gilding Workshop Wikimedia Commons (French Open Licence 1.0) Dinner Plate, 1788, Sèvres Porcelain Manufactory Tureen (Rococo Style), 1758, Sèvres Porcelain Manufactory Courtesy of The Met Collection Bleu Céleste Vase, 1779, Sèvres Porcelain Manufactory Walters Art Museum, via Wikimedia Commons (CC BY-SA 3.0) Louis XVI and Marie Antoinette, Circa 1890 Charles Louis Müller Wikimedia Commons (CC BY 4.0) Bleu Céleste Dinner Plates (Manchester Service), 1776–83, Sèvres Porcelain Manufactory The Louis XVI Dinner Service, 1783—93 , Sèvres Porcelain Manufactory "To see images of the artworks in this episode go to heni.com/thehistoryofceramics or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks" Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Power, Porcelain and Prestige at Sèvres 00:02:02 The European Porcelain Race and France's Soft-Paste Experiments 00:07:07 The Birth of Vincennes: Defectors and Royal Patronage 00:09:25 Madame de Pompadour: The Power Behind Sèvres 00:13:30 The Move to Sèvres and Royal Ownership 00:14:43 Inside the Sèvres Factory: Division of Labor and Craftsmanship 00:24:42 The Rococo Style: Opulence and Decadence 00:27:38 Porcelain as Diplomatic Currency: The Bedford and Manchester Services 00:31:46 Louis XVI and Marie Antoinette Take the Throne 00:40:10 The Most Extravagant Service Ever Made 00:45:59 Revolution and the Fall of the Monarchy 00:48:44 Sèvres Survives: From Royal to National Manufactory 00:52:40 Napoleon and the Continuing Legacy of Sèvres

How did an alchemist discover the recipe for porcelain? And why did his discovery ultimately drive him mad? Join Paul Greenhalgh and Stephanie Rozene as they pick up the story of Europe’s obsession with porcelain and the race to discover its secret formula. Stranger than fiction this is another great story in the history of ceramics. Ceramics and artwork in this week’s episode include: King Augustus II the Strong, 1670–1733 Johann Friedrich Böttger, 1682–1719 Friedrich Zorn, 1711–89 King Frederick I of Prussia, 1657–1713 Ehrenfried Walther von Tschirnhaus, 1651–1708 Plate, Circa 1730–35, Meissen Manufactory Courtesy of The Met Collection Vase with cover, 1725, Meissen Manufactory Courtesy of The Met Collection Vase, 1710 –13, Meissen Manufactory Courtesy of The Met Collection Tea caddy, 1710 –13, Meissen Manufactory To see images of the artworks in this episode go to heni.com/thehistoryofceramics or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Chapters 00:00:00 Introduction: The Race for Porcelain Continues 00:02:21 Augustus the Strong: The Porcelain-Obsessed Ruler 00:06:37 Enter Johann Friedrich Böttger: The Young Alchemist 00:12:11 The Fateful Demonstration and Escape to Saxony 00:15:12 Imprisoned by Augustus: The Gold House Laboratory 00:19:13 Ehrenfried Walther von Tschirnhaus: The Scientific Mind 00:20:44 Dark Days: Failed Promises and Attempted Escape 00:28:41 The Turning Point: Discovery of Kaolin 00:31:41 The Breakthrough: Creating European Porcelain 00:41:46 Freedom and Legacy: Böttger's Final Years 00:44:51 The Ironic Twist: China's Secrets Revealed

How did Europe become obsessed with porcelain? And who would win the race to discover the secret formula for this “white gold?” In this episode Paul Greenhalgh and Stephanie Rozene travel from Marco Polo’s China to the courts and palaces of Europe, where this mysterious material bewitched all those that encountered it. Artworks featured in this episode: King Louis XIV King William III & Queen Mary II A late 17th-century engraving of a porcelain room in the style popularised by Mary II Courtesy of The Met Collection Porcelain Room, Charlottenburg Palace, Berlin, Germany Marco Polo Unglazed Ewer (Earthenware) 9th–10th century Courtesy of The Met Collection Francesco de' Medici, 1541—87 Bowl with Variation of 'Baba Nakkas' Design, Circa 1500—25 Courtesy of The Met Collection Iznik Mosque Lamp (Turkey) 1585—95 Courtesy of The Cleveland Museum of Art Potpourri jar (France)Circa 1690—95 Courtesy of The Met Collection Terracotta Jug, Circa 1400–1190 BC Courtesy of The Met Collection Maiolica Plate (Italy), Circa 1500 Courtesy of The Met Collection Handled Vase (Spain), 17th Century Rouen Faience Jug (France), Circa 1720 - Wikimedia Commons (CC BY-SA 3.0) Pilgrim Flask (Italy), Circa 1580, Medici Porcelain Manufactory King Augustus II the Strong, 1670–1733 To see images of the artworks in this episode go to heni.com/thehistoryofceramics or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: White Gold - The Race for Porcelain 00:01:00 Porcelain Fever: Europe's Obsession with China 00:04:12 The Magical Properties of Porcelain 00:06:20 Status Symbol of Monarchs: Porcelain Rooms and Collections 00:08:34 The Portuguese Trade Route and China's Monopoly 00:09:57 Marco Polo and the Mystery of Porcelain 00:15:02 What Porcelain Actually Is: The Science Revealed 00:19:04 Early European Attempts: Medici Porcelain and Soft Paste 00:21:36 The Failed Experiments: Grinding Shells and Burying Clay 00:25:58 Tin Glaze Traditions: Maiolica, Faience, and Delftware 00:30:02 The Race Intensifies: Setting Up for Discovery

Why were Korean potters kidnapped and held hostage by Japanese invaders? And how did they transform the history of Japanese ceramics? In this episode Paul Greenhalgh and Stephanie Rozene explore the complicated relations between Korea and Japan in the 16th and 17th centuries, and show how ceramics became a major factor in the bitter conflict between the two of them during what has become known as the Ceramic Wars. Ceramics and artwork in this week’s episode include: Maebyeong Vase, Late 13th Century Stoneware carving and filling with white and black slip. Toyotomi Hideyoshi (Cropped) - Wikimedia Commons Toyotomi Hideyoshi, Kodai Temple - Wikimedia Commons Toyotomi Hideyoshi on his horse - Wikimedia Commons Wine Ewer, First half of the 13th Century Shigaraki climbing kiln - Wikimedia Commons (CC BY-SA 3.0) Water Jar, 17th Century Noborigama, Tokoname - Wikimedia Commons Raku Tea Bowl, Circa 1600 Ko Tamba Ware Water Jar, Mid 1500’s Shigaraki Ware Vessel, 15th Century Arita Ware Hexagonal Jars, Late 17th Century Shigaraki Ware Vessel, 15th Century Dish Depicting Lady with a Parasol, 1734—1737 Hagi Ware Tea Bowl, 19th Century - Freer Gallery of Art, Wikimedia Commons Hagi Ware Tea Bowl, 20th Century - Wikimedia Commons (CC BY-SA) "To see images of the artworks in this episode go to heni.com/thehistoryofceramics or visit the HENI Talks YouTube channel: www.youtube.com/@HENITalks" Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Ceramic Wars 00:01:05 East Asia in the 16th Century: Three Powers 00:03:55 Korean Ceramics: The Beauty of Seladon 00:09:33 Japanese Ceramics Before the Wars 00:09:54 Toyotomi Hideyoshi and the Unification of Japan 00:15:10 The Japanese Invasions of Korea Begin 00:18:31 The Enslavement of Korean Potters 00:20:02 Korean Potters Transform Japanese Ceramics 00:23:08 Arita: The Birth of Japanese Porcelain 00:26:59 Satsuma Ware and Korean Innovation 00:30:54 Hagi Ware and the Tea Ceremony 00:37:15 Legacy and Lasting Tensions

How did Picasso discover pottery? And how did he transform the fortunes of an ancient town in the process? Join Paul Greenhalgh and Stephanie Rozene to discuss Picasso’s life in the South of France just after the Second World War where he found a new and exciting creative outlet bringing together painting and sculpture and in doing so transformed the history of art. Ceramics and artwork in this week’s episode include: Guernica, 1937 by Pablo Picasso Head Plate, 1957 by Pablo Picasso "Tete au Masque" Plate, 1956 by Pablo Picasso Owl Pitcher, 1957 by Pablo Picasso Three Sardines, 1947 by Pablo Picasso Bull In The Arena, 1948 by Pablo Picasso Vase with Two High Handles, The Queen, 1953 by Pablo Picasso To see images of the artworks in this episode go to heni.com/thehistoryofceramics or visit the HENI Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Picasso the Potter 00:00:53 The Dark Years: Picasso During World War II 00:05:27 Discovering Vallauris: A Holiday That Changed Everything 00:07:41 The Madoura Pottery and First Experiments 00:11:23 Working with Clay: Technique and Collaboration 00:14:04 Picasso's Ceramic Vocabulary 00:22:11 Domestic Life and the South of France 00:28:10 Jacqueline Roque and New Beginnings 00:31:42 Revitalizing Vallauris: Community and Legacy 00:34:29 What Picasso Did for Ceramics

Who created the Mona Lisa of American Ceramics? And how was it stolen from under the noses of museum guards? In this episode Paul Greenhalgh and Stephanie Rozene travel to the American Gilded Age at the end of the 19th C to discuss the life and work of Adelaide Alsop Robineau, the pioneering potter who fought to make her own work her own way, and went on to win the top prize at the prestigious World’s Fair, putting American ceramics on the map. Ceramics and artwork in this week’s episode include: Cup with beetles, 1901 by Adelaide Alsop Robineau Courtesy of The Met Collection Vase (Crystalline)1910 by Adelaide Alsop Robineau Courtesy of the Everson Museum of Art Staff of the University City Pottery and Art Institute, 1910 Courtesy of the Everson Museum of Art Archives Scarab Vase, 1910 by Adelaide Alsop Robineau Courtesy of the Everson Museum of Art Cinerary Urn, Circa 1929 by Adelaide Alsop Robineau Courtesy of the Everson Museum of Art Stolen Art Alert Poster International Foundation for Art Research Courtesy of the Everson Museum of Art Archives To see images of the artworks in this episode go to heni.com/thehistoryofceramics or visit the HENITalks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Adelaide Alsop Robineau and the Scarab Vase 00:01:37 America's Gilded Age and the Rise of Art Pottery 00:03:10 Adelaide's Early Life 00:04:56 China Painting: A Technical Note 00:07:20 Meeting Samuel Robineau and Starting Keramic Studio Magazine 00:09:25 Syracuse: A Hub of the Arts and Crafts Movement 00:11:37 The Magazine Empire and Teaching Women 00:16:47 The Radical Switch from China Painting to Porcelain 00:21:50 Learning from Taxile Doat: Porcelain Secrets Revealed 00:25:10 Mastering Crystalline Glazes 00:29:30 The First Female Studio Potter Working in Porcelain 00:30:19 University City and the Dream Team of Potters 00:32:58 Creating the Scarab Vase: 1000 Hours of Carving 00:38:38 Catastrophic Cracks and Miraculous Repair 00:41:35 The Grand Prix at Turin 1911 00:43:30 Return to Syracuse and Teaching Legacy 00:45:02 Final Years and the Funerary Urn 00:49:08 The Great Scarab Vase Heist of 1989 00:52:27 Recovery: David Rago and the Polaroid Evidence 00:56:15 Adelaide's Legacy: Never Lacking in Self-Confidence

What was the first piece of pottery that humans ever made? What does it reveal about our earliest ancestors? In this episode Paul Greenhalgh and Stephanie Rozene travel back to the earliest civilisations to find out how they created the very first ceramic objects and what that meant to the story of mankind. Ceramics and artwork in this week’s episode include: Venus of Dolní Věstonice, 29,000—25,000 BC Vestonicka venuse edit by Petr Novák, Wikipedia Source - https://commons.wikimedia.org/wiki/File:Vestonicka_venuse_edit.jpg For the full legal code, see the Creative Commons Attribution-ShareAlike 2.5 Generic license. https://creativecommons.org/licenses/by-sa/2.5/legalcode.en Vestonicka venuse back by Petr Novák, Wikipedia Source - https://commons.wikimedia.org/wiki/File:Vestonicka_venuse_back.jpg For the full legal code, see the Creative Commons Attribution-ShareAlike 2.5 Generic license. https://creativecommons.org/licenses/by-sa/2.5/legalcode.en Fire-Flame Cooking Vessel, 2750—2500 BC Deep Vessel with Decorative Handles, 3500—2500 BC Met Museum Bell Beaker, 2475–1800 BC Bell Beaker Rijksmuseum of Oudheden by Gary Todd Source - https://commons.wikimedia.org/wiki/File:Bell_Beaker_Rijksmuseum_of_Oudheden.jpg For the full legal code, see the Creative Commons Attribution ShareAlike 3.0 Unported https://creativecommons.org/licenses/by-sa/3.0/deed.en To see images of the artworks in this episode go to heni.com/thehistoryofceramics or visit the HENI Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: How Ceramics Changed History 00:02:13 Clay vs Ceramic 00:04:50 The Oldest Writing About Potters 00:06:58 The Venus of Dolni Vestonice: The First Ceramic Object 00:12:41 How Early Societies Discovered Ceramic Technology 00:15:32 The First Pots: From China to Japan 00:17:58 The Jomon People 00:19:24 Jomon Pots: Decoration, Function, and Meaning 00:25:01 Fire, Food, and Transformation 00:25:57 Nomadic Potters 00:32:00 Pottery as Archaeological Evidence 00:33:12 The Bell Beaker People of Britain 00:35:25 Ceramics as a Mark of Civilization 00:37:21 An Ancient Technology Still in Use Today

The History of Ceramics brings together British art historian & curator Paul Greenhalgh and U.S. maker and academic Stephanie Rozene as they reveal the most compelling and often surprising stories from this often-overlooked corner of art history.  Travelling around the world and through time, from the very first shards that shed light on early civilizations, to stories of power, political intrigue and espionage.  Famous artists, extraordinary characters, pioneers and rebels from the world of pottery, architecture and design who have all played a role in elevating ceramics to the heart of the art world but also into the homes and lives enthusiasts right around the globe.  Full of revelation, insight and practical expertise, The History of Ceramics offers an alternative history to our times.