The Filmographers – Détails, épisodes et analyse

When we started this podcast, it never even occurred to us that it might be hard to track down some of Steven Soderbergh’s earlier (and even recent) efforts. Here’s a primer on where and how to find them.

Also, please note: There is a video component to this episode, which can be viewed exclusively on our YouTube page (linked below)!

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Website: https://filmographerspodcast.com/

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Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

We usually think of Steven Soderbergh as a prolific and tireless craftsman, but in his 2008 films “The Argentine” and “The Guerilla,” originally released as “Che,” the director let his artistic self take the wheel—with glorious results.

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Website: https://filmographerspodcast.com/

Patreon: Patreon.com/TheFilmographersPodcast

Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Stephen Soderbergh is having the best year of his career. “Erin Brockovich,” released in March, has been raking in the cash and is predicted to do well in awards season. But he’s about to upstage himself with ANOTHER film at the end of December: the sprawling war-on-drugs drama “Traffic.”

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Website: https://filmographerspodcast.com/

Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Steven Soderbergh is on an artistic and critical winning streak, and now, as the new millennium begins, he’s about to finally find box-office success again . . . and maybe win an Oscar, too. (If only he can beat that pesky Steven Soderbergh for Best Director.)

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Website: https://filmographerspodcast.com/

Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

In 1999, as many of his peers take Hollywood by storm, Steven Soderbergh returns to his low-budget indie roots with “The Limey.” Will he maintain his career momentum or succumb to the malaise that defined most of his 1990s efforts? The answer is . . . complicated. 

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Website: https://filmographerspodcast.com/

Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

“Out of Sight” (1998) was Soderbergh’s seventh theatrical feature and his first great film. Keir and Mike are excited. Are YOU excited? You’d better be. Because there are few perfect movies in this world . . . and this is one of them.

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Website: https://filmographerspodcast.com/

Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

In 1997, Steven Soderbergh released not one but TWO films that failed to find an audience. The first was Schizopolis, which we covered in last week's episode.

Gray’s Anatomy, a kind of concert film for monologuist Spalding Gray, was the second. Despite their lack of commercial success, both movies were extremely important to the filmmaker’s growth. But, alas, only one showcases Spalding Gray zestfully saying "macular pucker" more times than anyone probably needs to hear. 

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Do you have a fun fact, piercing insight, or psychic prediction about what Steven Soderbergh will do next? Email us: thefilmographerspodcast@gmail.com

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Credits:

• Keir Graff & Michael Moreci, hosts
• Kevin Lau, producer
• Gompson, theme music
• Cosmo Graff, graphic design

Generic greeting! Short informational introduction including facts such as name and release year of movie (Schizopolis, 1996) and its director (Steven Soderbergh). Labored joke and exhortation to listen!

All meta kidding aside, we’ve arrived at one of the most crucial films in Soderbergh’s long career—it’s the movie no one wanted, but the one he needed. Turns out, it’s pretty good.

Social media:

• Instagram @thefilmographers
• Twitter/X @filmographerpod
• Letterboxd @filmographers
• YouTube @TheFilmographersPodcast

Website: 

https://filmographerspodcast.com/

Credits:

• Keir Graff & Michael Moreci, hosts
• Kevin Lau, producer
• Gompson, theme music
• Cosmo Graff, graphic design

While many of his peers are finding their footing, Steven Soderbergh seems to be losing his grip. Some directors never get a second chance, much less a third or a fourth. With “The Underneath” (1995), is time running out?

Social media Instagram @thefilmographers Twitter/X @filmographerpod Letterboxd @filmographers YouTube @TheFilmographersPodcast

Website: https://filmographerspodcast.com/

Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Avram Gleitsman, theme music Cosmo Graff, graphic design

Soderbergh’s sophomore effort was a critical and commercial dud that made the producers’ money disappear as if by magic. Will the 30-year-old director bounce back with 1993’s “King of the Hill”? Well . . . it’s complicated.

Social media Instagram @thefilmographers Twitter/X @filmographerpod Letterboxd @filmographers YouTube @TheFilmographersPodcast

Website: https://filmographerspodcast.com/

Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Avram Gleitsman, theme music Cosmo Graff, graphic design