Today's episode is a master series that took place in Toronto on September 26th 2023. It is an in depth conversation with award winning editors Dev Singh and Sandy Pereira, they discuss their work on the acclaimed CBC / BET+ historic drama series 'The Porter'. The show won a record 12 Canadian Screen Awards in April of 2023, including the 'Best Picture Editing in a Dramatic Program or Series' award for Sandy, while Dev won the 2023 CCE 'Best Editing in Drama' award in May 2023.

This conversation was moderated by Craig Macintosh.

Today's episode was part of EditCon 2023 that took place in Vancouver on February 25th. Women in Post with Daria Ellerman, CCE (Editor: VIRGIN RIVER), Buket Biles (Post Coordinator: SNOWPIERCER) and Lisa Pham Flowers (Assistant Editor: FIREFLY LANE). They talk with moderator Nicole Ratcliffe, CCE about remote workflows, the importance of communication and mentoring the next generation of Editors.

This episode is an EditCon 2024 exclusive episode of The Editor's Cut with Nick Houy, ACE the editor behind the blockbuster hit BARBIE.

Nick Houy, ACE, is a film editor based in New York. Before editing BARBIE, Houy edited both of Greta Gerwig's previous Oscar-nominated films, LITTLE WOMEN, and LADY BIRD for which he was nominated for the ACE award in 2017. Houy also won the Emmy Award in 2017 for editing the miniseries, THE NIGHT OF. He was nominated for the Independent Spirit Award for editing MID90S in 2018, and in 2022 Houy edited the critically acclaimed Netflix documentary, STUTZ.

Watch the clip here.

In this conversation, editor Peggy Tachdjian, ACE discusses her career journey and her work on the show 'Only Murders in the Building.' She shares her experience transitioning from documentaries and reality TV to scripted television, as well as the challenges and joys of working on different types of shows. Peggy also talks about the collaborative process with other editors on 'Only Murders in the Building' and the importance of creating emotional connections with the characters.

PEGGY TACHDJIAN, ACE, is an Emmy award winning film and television editor who was most recently nominated for an Emmy for her work on the Hulu comedy series Only Murders in the Building. Peggy was born in Lebanon and came to America to flee the war when she was 8. She is now based in Los Angeles and has over 20 years of experience editing across multiple formats and genres. She began her career in documentary and unscripted before transitioning to scripted television and film. Some of her recent credits include Shrinking on Apple+, FX's acclaimed American Horror Story, the Netflix hit Ratched, and the musical feature The Prom starring Meryl Streep. She's also worked on many much loved reality shows like Project Runway, RuPauls Drag Race, The Kardashians and Born This Way, for which she earned 4 Primetime Emmy nominations for Editing.

In this episode Sarah Taylor, CCE sits down with editor Marc Wiltshire to discuss his editing career.

Marc Wiltshire is a TV and Film editor, passionate about storytelling. Most recently, he's edited several episodes on season 3 of Hulu's Wu-Tang: An American Saga, including the first-ever episode written and directed by co-creator The RZA, and season 2 of Peacock's Bel-Air, including the season premiere and finale. As an editor, he is committed to making bold choices, protecting the story, and bringing the best version of the director's vision to life.

Throughout his career, Marc has worked on an impressive list of acclaimed productions, including Emmy and Eddie award-winning Hacks, NAACP-nominated Our Kind of People, Lee Daniels' Star, the First Run Film Festival award-winner Oakland in Blue, and Fantasia Film Festival winner Bullshit.

Marc discovered his passion for editing while working on his first short film on a 16mm Steenbeck editing machine. While Marc pursued his MFA degree in Film & TV Production at NYU's Tisch School of the Arts, he wrote and directed several short films, including award-winner My Avatar, which premiered at the Fantasia Film Festival. Originally from Montreal, Canada, Marc has lived in Italy, Scotland, Singapore, Vietnam and Japan. He currently resides in Los Angeles with his wife and daughter.

Today's episode is the panel that took place March 8th, 2023. It is an in depth conversation with editor Avrïl Jacobson, CCE and Annie Jean, CCE as they discuss their work on crafting powerful documentary films celebrating two bold and visionary indigenous women in Ever Deadly and Mary Two-Axe Early. The panel was moderated by Sophie Farkas-Bolla.

In today's episode Nena Erb, ACE joins Sarah Taylor to chat about her editing work on the hilarious film JOY RIDE.

From first-time director Adele Lim (screenwriter of Raya and the Last Dragon, Crazy Rich Asians), JOY RIDE follows four Asian-American friends on a trip across Asia in search of one of their birth mothers, who end up on the journey of a lifetime. 

You can check out the trailer here.

The film stars Oscar nominee Stephanie Hsu, Critics Choice Award nominee Ashley Park, Sherry Cola, and Sabrina Wu. The film premiered at SXSW in 2023 to critical acclaim, now boasting a perfect score of 100% on Rotten Tomatoes.

Nena Erb, ACE, is a picture editor based in Los Angeles. Raised in an Asian immigrant family, Nena's father wanted her to be a doctor and her mother wanted her to be a pianist with the LA Philharmonic. Nena wanted to be Andy Warhol.

Armed with an art degree, a friend brought her into the industry and she started working in various capacities in production. It was her stint as an associate producer that opened her eyes to the impact of editing. It combined her love of photography and storytelling into one and she was hooked. Since then, Nena has edited projects for Warner Brothers, Apple, HBO, and others.

In 2016, she received an Emmy award on HBO's documentary series PROJECT GREENLIGHT. In addition, she has received three ACE Eddie nominations; two for her work on HBO's comedy-drama series INSECURE and the third for CW's acclaimed series CRAZY EX-GIRLFRIEND. Nena received her second Emmy award in 2020 for her work on season 4 of INSECURE and a third Emmy nomination in 2022 for the final season. She recently finished JOY RIDE directed by Adele Lim for Lionsgate. Her parents no longer ask if she'd reconsider medical school.

Today's episode is the event that took place virtually on June 21st, 2022 - Behind the Screen FRAMING AGNES

Brooke Stern Sebold and Cecilio Escobar chat about the genre-blending and award-winning film FRAMING AGNES. This empowering and stylish documentary explores the legacy and impact that one trans woman left from the 1960s and onwards. This panel was moderator Maureen Grant, and they dive into the intricate layers and structure of this innovative hybrid documentary.

Today we bring to you an interview with the editor's of one of the most successful series this year - THE LAST OF US! Timothy Good, ACE and Emily Mendez share their favourite episodes, how they co-edited together and what it felt like to work on such a popular series!

In this episode Sarah Taylor sits down with Paul Rogers They discuss Paul's career journey and how he approached the editing behind Everything Everywhere All At Once.

Paul Rogers began his professional career in 2007 editing documentary films for public television in Alabama, winning 4 Emmy Awards. He made the jump to Los Angeles in 2013 and kicked off a career in music videos with the DANIELS' directed 'Turn Down For What' and further collaborated with DANIELS on the short films 'Interesting Ball' and 'Boat Dad' as well as one half of the duo, Daniel Scheinert, on the A24 feature film 'The Death of Dick Long,' which premiered at Sundance in 2018. He dipped back into documentaries in 2020 with 'You Cannot Kill David Arquette,' an official SXSW selection and winner of the Adobe Editing Award. His next film is Isaiah Saxon's debut feature 'The Legend of Ochi.' Along with feature films, he has edited for the Eric Andre Show, Kendrick Lamar, Flying Lotus, Haim, and Thundercat among others. Paul has also collaborated extensively with director Kahlil Joseph on projects such as 'Lemonade' for Beyonce, 'Process' for Sampha, and Joseph's most recent work 'BLK NWS.' Paul is a partner in the editorial company PARALLAX located in Los Angeles.

In this episode Sarah Taylor sits down with Bettina Zachariah Treviranus. Bettina is obsessed with and has a deep love of stories that began when she learned how to read. By trade, she's a television editor and producer of such shows like Work In Progress, Dominion, and Grimm.  By night, she's a devoted daughter, wife, mother, and friend. Bettina believes that stories are what humanize us, teaches us, strengthens us, and connects us.

She's deeply honored to be here and share her experiences. Sarah and Bettina discuss her career journey and how she landed her current position as assistant editor on Class of '09.

Today's episode is part 4 of our 4 part series covering EditCon 2022 Brave New World.

Like it or not, the landscape of cinema is changing quickly. With more films at our fingertips than ever before, it's becoming harder and harder to draw audiences to the theatres. But people still flock to the tentpole films that we all know and love.

Join us behind the scenes as we chat with the editors of: SHANG-CHI AND THE LEGEND OF THE TEN RINGS, ETERNALS and GHOSTBUSTERS: AFTERLIFE as they take a deep dive into their workflows, share their tips on managing large teams and visual effects, and get into the nitty gritty of cutting for the big screen.

An international hit in the 80s and beloved for many viewers to this day, FRAGGLE ROCK comes back more colorful, high-energy and furrier than before. In this episode Paul Winestock, CCE, Duncan Christie, CCE and Marianna Khoury with Paul Ackerley discuss their experiences and work process in the edit suite on this reboot for both the young and young at heart.

Today's episode is part 3 of our 4 part series covering EditCon 2022 Brave New World.

Today's panel is Learning from the Best - Documentary editing is a craft of perpetual learning. Not only do our tools change constantly, but so do approaches to storytelling. Mentorship has long been at the heart of developing the next generation of talent in all mediums, and documentary is no exception. It can be difficult for new and aspiring editors to gain access to the suite to sit, watch, listen, and learn the intangible skill of editing. Pull up a seat as two apprentices interview their mentors on their approach to storytelling, and the importance of passing the torch to the next generation.

Today's episode is part 2 of our 4 part series covering EditCon 2022 Brave New World. 

Today's panel is Flipping the Script - The age of streaming has fully arrived. We've experienced a boom of topnotch shows, but how do you set yourself apart in such a crowd? Whether it's bucking the trend of antagonistic conflict to create the arc of TED LASSO; using comedy to punctuate the lives of non-binary characters in SORT OF, exploring familiar characters in new ways with WANDAVISION or reinvigorating period drama with the diverse world of BRIDGERTON, these shows prove that discarding past norms leads to success. Sit with the editors behind these phenomenal series as they discuss the ins and outs of their groundbreaking approaches to storytelling.

Today's episode is part 1 of our 4 part series covering EditCon 2022 Brave New World. 

Today's panel is This year in Canadian Film. 2021 saw the film industry bounce back with a fervor hardly seen before. With it has come a wealth of powerful and diverse home grown stories, such as the poignant sibling drama ALL MY PUNY SORROWS; the brilliant and raw SCARBOROUGH; 2022's Canadian Oscar entry DRUNKEN BIRDS; and the gripping sci-fi thriller NIGHT RAIDERS. Join the editors behind the best that Canada has to offer as they talk storytelling in an intimate conversation.

This episode is sponsored by Blackmagic Design

This episode is an interview with Annette Davey, ACE. We discuss her journey into the cutting room, from assisting and editing at the Australian Broadcasting Corporation to attending film school and how she managed to find a place in Hollywood all the way from Australia.

Annette Davey, ACE is an editor originally from Australia now based in LA and NY, she has worked in both TV and film.  Annette's wide selection of TV credits, including MAID, PAM & TOMMY, TRANSPARENT, BETTER THINGS, GLOW, and ZOEY'S EXTRAORDINARY PLAYLIST. Her film credits include WAITRESS, TOGETHER TOGETHER, LADY OF THE MANOR and THE ESTATE.

In today's episode we are sharing a panel that Creatives Empowered produced called Cultivating & Harvesting EDI. The panel includes Jordan Baylon, Soni Dasmohapatra, Dinu Philip Alex and Pam Tzeng and is moderated by Shivani Saini.

CREATIVES EMPOWERED (CE) is a non-profit collective of artists + creatives. We are Black, Indigenous and People of Colour, empowering each other as an allied community. We are film + tv, media and arts professionals – from emerging to established – based in western Canada. We are the first and only organization of its kind in Alberta. CE is inspired by and embodies what is truly possible when racialized talent are empowered to thrive. To learn more, please visit creativesempowered.ca

Today's episode is the panel that took place virtually on April 11th 2022 - In Conversation with Shaun Rykiss and Bretten Hannam on the film WILDHOOD.

Shaun Rykiss and director Bretten Hannam discuss their approach to bringing one of this year's most acclaimed films, WILDHOOD, to the big screen. This panel was moderated by Kimberlee McTaggart, CCE.

WILDHOOD is a film about two brothers who embark on a journey to find their birth mother after their abusive father had lied for years about her whereabouts; along the way, they reconnect with their indigenous heritage and make a new friend.

Today's episode is a conversation with Editors Across Canada that took place virtually November 2nd, 2021. Annie Ilkow, CCE (GHOSTS) from Quebec, Jeremy Harty, CCE (TRAILER PARK BOYS) from Nova Scotia, Lisa Binkley, CCE (ZOMBIES 3) from British Columbia, Roderick Deogrades, CCE (CHAPELWAITE) from Ontario and Sarah Taylor (THE LAST BARON) from Alberta talk about their process and how it can be different (or similar) based on where they live. 

Sponsored by IATSE 891

In today's episode Sarah Taylor chats with the wonderful team behind the podcast Post in Black. Daniel Hunter, David Hunter Jr. and Tatiana Johnson share the journey of how Post In Black started as a blog and is now in it's 3rd podcast season showcasing post-production professionals in the black community. We talk about their hopes for the future of Post in Black and the industry at large.

Today's episode is the master series that took place virtually on June 5th 2021. In conversation with Sophie Farkas Bolla editor of BEANS and ROADS IN FEBRUARY. Moderated by Jessie Anthony (writer/director of BROTHER, I CRY) They discuss the ins and outs of editing the breakout film BEANS. 

Today's episode is the master series that took place virtually on March 16th 2021. 

Veteran unscripted Vancouver editors Jenypher Fisher, CCE, (RUST VALLEY RESTORERS) Kelly Morris, CCE (HIGHWAY THRU HELL) and Tim Wanlin, CCE (HEAVY RESCUE: 401) discuss their vast knowledge on crafting factual storytelling; the importance of finding the story's truth, it's language, and the importance of a strong, pivotal opening that will begin the audience's emotional journey.

This panel was moderated by Showrunner, Producer, Director and Writer, Kelly McClughan.

Documentary has the power and versatility in exploring urgent social subject matters, yet it can also embrace an intimate first-person narrative, or even become an experimentation of cinematic craftsmanship.

In this episode we invited the editors from three critically acclaimed Canadian documentaries. Whether it's the sensory and cinematic collaboration between a filmmaker and a naturalist on Sable Island (GEOGRAPHIES OF SOLITUDE), the eye-opening testimony from the Coloured Hockey League about the untold history of racism in ice hockey (BLACK ICE) or the heart-wrenching revisit of her older brother's death in BACK HOME, each of these films was made with powerful bravery and is sublime in its own way.

In today's episode we talk with the Executive Director of Creatives Empowered, Shivani Saini. We talk about how Creatives Empowered came to be and share a panel that Creatives Empowered produced called Why Anti-Racism Still Matters. The panel includes Reneltta Arluk (Director of Indigenous Arts, BANFF Centre for Arts and Creativity), Patti Pon (President and CEO, Calgary Arts Development), and Kizzie Sutton (Executive Director, Calgary Society for Independent Filmmakers).

CREATIVES EMPOWERED is inspired by and embodies what is truly possible when racialized talent are empowered to thrive.

We're currently experiencing a watershed moment for increased representation in storytelling. This year we've seen a wealth of stories originating from the BIPOC, LGBTQ2S and female perspectives that not only tackle tough topics surrounding mental health, addiction, sexual assault and racial prejudice, but also present powerful aesthetic and editorial triumphs. The editors behind I May Destroy You, Euphoria, and #BlackAF join us to discuss their groundbreaking work.

*This episode conntains strong language

The past year has brought our lives no shortage of fear-inducing moments, and yet films that offer us frights continue to be one of our greatest escapes. Join editors Michele Conroy (In the Tall Grass, The Silence, Mama), Jeff Barnaby (Blood Quantum, Rhymes For Young Ghouls), Dev Singh (Incident in a Ghostland, Backcountry) and moderator Erin Deck (Rabid) as they share their insights into crafting successful films that both entertain us and play upon our fears and anxieties. 

*This episode contains strong language 

Action, comedy, drama, romance, horror and thriller – Jinmo Yang's outstanding body of work covers almost every genre in filmmaking. His mastery of pacing and tone is often on display as he rides the line between genres, from the action/comedy of LUCK-KEY to the thriller/comedy PARASITE. Whether working on or off set Mr. Yang is truly a master of his artform.

Multitalented moderator Sook-Yin Lee sits with Oscar-nominated editor Jinmo Yang for an in-depth conversation about the craft of Picture Editing.

Watch Jinmo's short film BANG.

As the world settled into lockdown, TV entertainment went from distraction to lifeline. With audiences trying to make sense of world events, stories and characters matter more than ever. As the entertainment landscape shifts to meet an unprecedented need for engaging content delivered on-demand to an audience stuck at home, how will this change the stories we tell, and the way we tell them? The editors of some of the most binge-worthy shows reflect on how their work landed in this time and place, what the stories meant to audiences, and how that affected their process during a pandemic. 

In today's episode we hear from Amy E Duddleston, ACE, Wandy Hallam Martin ACE, CCE, Laura Zempel and Stephen O'Connell.

This panel was moderated by the wonderful Christopher Donaldson, CCE.

Today's episode is part 2 of a 6 part series covering EditCon 2021 that took place virtually in February 2021.

Michelle Tesoro, ACE, is a master of drama, intrigue and suspense. From FRINGE to THE NEWSROOM, Michelle's work shows a range of storytelling techniques.

Paul Day, CCE, and Michelle Tesoro, ACE, discuss Michelle's work, including her most recent feat of editing an entire mini-series, THE QUEEN'S GAMBIT.

Today's episode is part 1 of a 6 part series covering EditCon 2021 that took place virtually in February 2021.

Working from home: has Covid-19 changed the collaboration dynamic forever, or are we just waiting to head back into the office? Stephen Philipson, CCE, and D. Gillian Truster, CCE, kick things off by sharing stories of rolling with the punches in 2020, and reflecting on how the job of editing may or may not change when the pandemic finally ends.

In today's episode Sarah Taylor chats with Brian James Taylor. Brian is a retired chartered accountant and also happens to be Sarah's Dad. Sarah and Brian talk about all things tax. He shares the same wisdom that helped Sarah succeed in her freelance career with all of you!

This episode is the master series that took place on October 18, 2020 with the editors from the Netflix mini-series UNORTHODOX - Gesa Jäger and Hansjörg Weißbrich.

Released in spring 2020, Unorthodox became one of the most popular titles on Netflix immediately after its premiere. With millions of views around the globe, this mini-series received rave reviews and eight Primetime Emmy Award nominations, culminating in a win for director Maria Schrader (Outstanding Directing for a Limited Series). This talk focused on the collaboration between the series' two editors, and their journey in making the project a success.

This master class was moderated by Sandy Pereira.

Join Sarah Taylor, CCE as she chats with Jeremy Cohen about his editing career!

Jeremy Cohen is an Emmy-nominated film and TV editor with over 20 years of industry experience. He is currently based in LA, where he has worked on shows such as FRESH OFF THE BOAT, CHILDRENS HOSPITAL, YOUNG ROCK, ALI WONG: DON WONG AND WHO IS AMERICA?, for which he was nominated for an Emmy. 

Most recently, he worked on Amazon Prime's TOTALLY KILLER, which is his debut feature. He has a diverse range, having worked on a wide variety of genres, and his motto about what he wants to work on in the future is "cool stuff with cool people."

Today's episode is the masterclass that took place at the Calgary International Film Festival on September 26th, 2021 with the editors from Ghostbusters: Afterlife - Dana Glauberman, ACE and Nathan Orloff.

Dana E. Glauberman, ACE is an award-winning Film Editor known for her work on critically-acclaimed projects including JUNO, UP IN THE AIR, and THE MANDALORIAN. She has garnered recognition for her craft, receiving five ACE Eddie Award nominations, a BAFTA Award nomination, a Primetime Emmy Award nomination, and three "Editor of the Year'' accolades. GHOSTBUSTERS: AFTERLIFE will be Glauberman's seventh feature film partnership with director Jason Reitman. She is currently working on Disney+'s THE BOOK OF BOBA FETT. 

Nathan Orloff is an editor who has worked in various positions in post production before cutting for Jason Reitman on TULLY. He's been to a galaxy far, far away… and where no one has gone before. With his latest feature, he's busted ghosts one frame at a time with GHOSTBUSTERS: AFTERLIFE. Nathan recently finished PLAN B, a critically-acclaimed comedy for Hulu that championed diverse stories and voices, both on and off the screen.

In today's episode Sarah Taylor chats with Gregory Pang. Gregory is a lawyer, registered trademark agent and notary public who has been practising since 2009 in the areas of business and intellectual property law. 

In 2013 he started his company RedFrame Law. Before his law career, Gregory worked in film and television for 5 years in various roles, and now counts film and television production companies among his clientele. He also co-hosts the podcast Legal Cut Pro.

Gregory and Sarah talk about all things contracts/deal memos, stock licensing protocol and what to do if we don't get paid!

Today's episode is the online master series that took place on October 13th, 2020. In conversation with Terilyn Shropshire, ACE. She provides an in-depth look at her stellar career and her collaborations, which include a 20-year working relationship with director Gina Prince-Bythewood, as well as with notable directors Kasi Lemmon, Catherine Hardwicke, Vondie Curtis-Hall, and Ava DuVernay.

From feature films (THE OLD GAURD, MISS BALA, THE SECRER LIFE OF BEES, LOVE & BASKETBALL, EVE'S BAYOU) to network television (WHEN THEY SEE US, Marvel's CLOAK & DAGGER, SHOTS FIRED, and QUANTICO) Terilyn has had a hand in crafting some of the most revered stories on screen. 

This talk was moderated by filmmaker V.T. Nayani.

In this episode Sarah Taylor sits down with Elisabet Ronaldsdóttir. Elisabet has a killer film resume and has cut many much loved action films - Atomic Blond, John Wick and Deadpool 2 to name a few.

This month she has two new films coming out - Marvel's latest Shang-Chi and the Legend of the Ten Rings and the Netflix film Kate. Elisabet shares her career journey and so much wisdom!

The Editor's Cut is taking a summer vacation but we'll be back in September with loads of new episodes! In the meantime have a listen to our back catalogue and check out L'art du montage.

In this episode Sarah Taylor sits down with Kim French the creator of Edit Girls. Edit Girls is a collection of career stories from women working in Post-Production. It began life as an Instagram page, which was founded by Kim French, and kept going with the support of Mathew White and now has a home on it's webpage www.editgirls.org

Edit Girls was born out of frustration at a lack of seeing these stories being told when Kim knew they were out there. She started her career as an editor back in 2006 and would have loved to have had this kind of insight into how other women started their journeys as editors, VFX artists, colourists and sound engineers.

Kim started by reaching out to editors that she knew to share their stories but it didn't take long for women to start approaching her wanting to share how they started their careers and give insight into their working life. It quickly became clear that this was a much-needed space and the response has been so heartwarming. 

Kim and Sarah discuss her career journey and how platforms like edit girls are much needed in our society and industry!

Today's episode is the online master series that took place on September 29th, 2020. Canadian Cinema Editors and American Cinema Editors presented a discussion with animation editor John Venzon, ACE.

John Venzon, ACE is a feature film editor who works primarily in Animated Feature films. He was the lead editor on "South Park: Bigger, Longer and Uncut", DreamWorks Animation/Aardman Pictures' "Flushed Away" Warner Animation Group's "Storks","The Lego Batman Movie" and is currently editing a new animated feature for DreamWorks Animation.

This event was moderated by Carolyn Jardina, Tech Editor at the Hollywood Reporter.

Today's episode is an interview with the recipient of the CCE Career Achievement Award for 2021 — Jane Tattersall. This award is presented to a non-editor who has shown great support for Canadian editors and the editorial profession over the course of their career. Jane has been a fixture in the Canadian post-production industry for over 30 years. Her enormous support for Canadian filmmakers, from our most recognized artists to first-time storytellers, has fostered incredible growth of talent across our industry.

Jane's sound work has taken her to studios beyond Canada, including stints in Berlin, Brussels, Budapest, London, LA, Skywalker, and New York. Numerous credits, nominations and awards followed and today Jane counts over 170 credits (film and television), and over 100 nominations and awards. Jane's recent sound supervising includes THE HANDMAID'S TALE, THE NORTH WATER and 13 MINUTES.

Today's episode is the online master series that took place on August 27th, 2020. In Conversation with Madison Thomas.

Named one of Playback's 2019 Five to Watch, Madison Thomas is a Writer, Director and Editor from Winnipeg, Manitoba. Her work reflects her mixed cultural roots, Ojibwe, Saulteax, Russian and Ukrainian. Thomas draws inspiration from experiences growing up in the inner city and has committed herself to diverse representation in her work.

This episode offers a look at a unique and impressive career in which Thomas has often taken on multiple roles and frequently edits her own work. This experience includes being a Senior Editor- as well as Researcher and Director - on four seasons of the CSA-nominated CBC / APTN series Taken, which shares the true stories of Canada's Missing and Murdered Indigenous women. Thomas also wrote, directed, and edited her feature film Ruthless Souls, which was selected as part of Telefilm's inaugural Talent to Watch program, as well as her web series The Colour of Scar Tissue. 

Also a rising star in scripted television, Thomas was a writer on season 3 of the CBC/CW series Burden of Truth.

This conversation was moderated by award winning filmmaker Cazhhmere.

Today's episode is the online master series that took place on August 25th, 2020. In Conversation with Nena Erb, ACE.

We discussed her television career which started as a PA in the art department of MADtv and has progressed to being an Emmy winning editor on HBO's documentary series Project Greenlight and Insecure. She has also worked on Crazy Ex Girlfriend and the Apple series Little America. We talked about her work on Insecure which landed her an Emmy win in 2020 and most recently an Eddie award nomination.

OUR VOICES, OUR STORIES

In a media landscape that favours rapid consumption and uniformity, Canadian cinema has become a vessel for diverse stories. RICEBOY SLEEPS portrays the struggles of immigration, while we embark on the search for the next stage of human evolution in CRIMES OF THE FUTURE. In VIKING, we find a reflection on the human condition in an attempt to explore Mars.  Video rental nostalgia and adolescent cinephilia come together in the film I LIKE MOVIES. In this episode the editors from these riveting Canadian films join us in a panel conversation.

The CCE is proud to launch the official channel of our French podcast: L'art du montage. 

Francophone and Francophile friends, you will finally be able to listen or re-listen to your favourite episodes of our podcast in one place. We hope you're as excited as we are. So, more than ever, don't hesitate to like, subscribe, share and even tell your friends about our new channel.  L'art du montage is available wherever you listen to your favourite podcasts.

Today's episode is the online master series that took place on August 18th, 2020: In Conversation with Sonia Godding-Togobo.

Sonia is a film and television editor to know. Her rise in the industry is nothing short of prolific. After 20 years, she has acquired an assortment of credits including editing television programs for the Oprah Winfrey Network, Channel 4, The Discovery Channel, HGTV and the BBC. In this episode we discuss the award-winning CBC POV documentary Mr. Jane and Finch, a portrait of long-standing community activist and amateur documentarian, Winston LaRose.

This talk was moderated by Sedina Fiati, a performer, producer, creator and activist for stage and screen. She holds a BFA in Music Theatre from the University of Windsor and is also a graduate of Etobicoke School of the Arts. Sedina is very active in the Toronto media arts scene advocating for increased representation of people of colour, LGBTQ+, D/deaf and disabled artists on camera and in all creative and crew roles.

It's been one year since our worlds have changed and we thought it was a good time to check in on our mental health.

Sarah Taylor sits down with psychotherapist Rebecca Day to talk about our mental health as creatives in the midst of a pandemic.

Rebecca Day is a qualified psychotherapist and freelance documentary producer. She founded her company, Film In Mind in 2018 to address mental health in the film industry and has spoken at festivals such as Berlinale, IDFA, Getting Real Documentary Conference, WIFT and Sheffield DocFest on the issue. She offers therapeutic support and supervision to filmmakers working in difficult situations and with vulnerable people, as well as consultancies and workshops on mental health in the film industry.

Her previous feature, Becoming Animal, directed by Emma Davie & Peter Mettler was a Scottish/Swiss co-production and premiered at CPH Dox in 2018. She is currently working with the impact team on Evelyn, an intimate and poignant film about death by suicide, made by academy award-winning director Orlando Von Eisendel at Grain Media and is producing a documentary with first-time feature director, Duncan Cowles titled, Silent Men.

Today's episode is the online master series that took place on August 4th, 2020. In Conversation with Tom Cross, ACE. Tom and Sarah Taylor discuss his career journey from video store clerk to assistant editor to Oscar awarding winning editor. As well as his collaboration with director Damien Chazelle on the films Whiplash, La La Land and First Man. They also talked about the anticipated release of No Time to Die and what it was like working on the James Bond series.