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TitreDateDurée
S1 Ep3: Asking My Agent: What They Look for and How It All Works21 Mar 202600:38:18

In this episode of The Drama Coach Podcast, I’m joined by a talent agent to answer some of the most common questions I’m asked on social media - from auditions and self-tapes to what agents are really looking for when taking on new clients.

We talk through what’s helpful to understand as a performer (or parent), and share honest insight into how the process works behind the scenes.

A practical, down-to-earth conversation to help you feel more informed and confident navigating the industry.


Find me on socials and YouTube @The Drama Coach


Courses, resources and more: https://linktr.ee/TheDramaCoach

S1 Ep2: What I See Going Wrong in Self-Tapes21 Mar 202600:23:10

In this episode of The Drama Coach Podcast, I explore the common things I see going wrong in self-tapes - from overacting and nerves to a lack of connection and understanding of the scene.

Drawing on what I see week to week, I share what really makes a performance feel natural and believable on camera, and the small shifts that can make a big difference.


Find me on socials and YouTube @The Drama Coach


Courses, resources and more: https://linktr.ee/TheDramaCoach


S1 Ep1: Would My Child Benefit From Acting Training? (What to Look For)19 Mar 202600:16:51

In this first episode of The Drama Coach Podcast, I explore what acting training really offers young performers - beyond just “being on stage”.

From building confidence and communication skills to understanding that everything from dance to sport can support performance, I share what to look for in a class, how to recognise progress, and why enjoyment should always come first. And why it’s OK to step away when something no longer feels right.


Find me on socials and YouTube @The Drama Coach


Courses, resources and more: https://linktr.ee/TheDramaCoach


S1 Ep4: Do You Actually Need An Agent Yet? (And How to Get One)28 Mar 202600:29:46

In this episode of The Drama Coach Podcast, I explore whether you or your child actually need an agent yet - and what to do if you’re thinking about taking that step.

From understanding when the timing is right to how to approach agents, I share what’s helpful to have in place, where to find agents, and how to reach out in a clear and professional way.

A practical and honest guide to getting an agent - without rushing the process.

S1 Ep8: What Is a Monologue - And How Do You Actually Prepare One?18 Apr 202600:21:42

In this episode, I break down what a monologue actually is - and how to approach one in a clear, practical way.

Whether you’re preparing for an audition, a self-tape, LAMDA, or performance work, monologues can feel overwhelming. In this episode, I take you step by step through how to choose, understand and perform a monologue with confidence.

This isn’t about overacting or trying to impress - it’s about making clear choices and bringing the piece to life in a truthful, grounded way.

We cover:

  • What a monologue is (and what it isn’t)
  • Choosing the right piece for you
  • Understanding the character and context
  • Breaking the text down into clear, playable moments
  • Learning your lines without sounding rehearsed
  • Performing for stage vs screen vs self-tape
  • Common mistakes and how to avoid them

If you’re working on a monologue right now, or know you need one soon, this will give you a clear starting point and a structure you can come back to.


If you’d like more support with this, I’ve created a full monologue course where I guide you step by step through the entire process - from choosing the right piece, to performing it with clarity and confidence:

https://courses.thedramacoach.co.uk


You can also find the monologue course along with more courses, resources and coaching, via the link in my bio.


Find me:
Instagram: @TheDramaCoach
TikTok: @TheDramaCoach
YouTube: The Drama Coach
More support, coaching and resources: https://linktr.ee/TheDramaCoach


Music: Soft Music 495878 by nastelbom (Pixabay)

S1 Ep7: Balancing School and Acting - with Lacey18 Apr 202600:43:17

Join me as I chat with 11-year-old actor Lacey about her real-life experiences in the industry so far - from her first time on set to managing auditions, handling rejection, and balancing acting with school life.

This is an honest, grounded conversation that offers valuable insight for both young performers and their parents - especially if you're just starting out.

Lacey shares what it actually feels like to be on set, how she approaches self-tapes, and the routines that help her stay organised and confident. We also talk about the challenges of NDAs, navigating disappointment, and finding joy in both screen and theatre work.

A calm, practical and reassuring listen - straight from a young actor living it.


✨ In This Episode We Cover:

  • First experiences on set - excitement, nerves, and learning fast
  • What NDAs really mean (and how to manage them as a young actor)
  • Handling rejection and staying positive
  • Balancing school, self-tapes and auditions
  • Self-tape routines and learning lines
  • The difference between in-person auditions and self-tapes
  • Finding inspiration through theatre and backstage experiences
  • Working with parents on set vs licensed chaperones
  • Building routines, organisation and confidence

⏱️ Timestamps
00:00 - Introduction to Lacey and her love for dance
01:01 - First on-set experience and initial feelings
01:43 - Meeting new people and overcoming nerves
02:13 - Taking direction and building confidence on set
03:20 - How sets support young actors
03:54 - Understanding NDAs and keeping things confidential
04:34 - Managing secrecy at school
05:04 - Advice for young actors with NDAs
07:57 - Handling rejection and staying positive
09:01 - Family casting and audition experiences
10:26 - Callbacks and dealing with disappointment
11:25 - In-person auditions vs self-tapes
12:32 - Managing emotions and setbacks
14:03 - Supporting young actors through rejection
15:06 - Balancing acting with school life
16:04 - Creating routines that work
17:22 - Learning lines and recording techniques
18:39 - Improving self-tapes and taking feedback
20:04 - Love of theatre and backstage inspiration
36:45 - Watching theatre: screen vs live
37:31 - What inspires her most about theatre
40:20 - Quick fire: lessons, proud moments and advice
42:12 - Connecting with other young actors


📱 Follow & Connect
Follow Lacey on Instagram: @lacey.southam (pending approval)
Follow me for more acting tips and podcast updates: @TheDramaCoach


Music by nastelbom - soft music 495878


S1 Ep6: They Didn’t Get the Role – And That’s Normal11 Apr 202600:43:39

When they don’t get the role, it can feel like everything’s fallen apart – for them and for you.

In this episode, we’re reframing “rejection” and looking at what’s really going on behind the scenes of casting. Because in this industry, hearing “no” (or nothing at all) isn’t the exception – it’s the norm.

I’ll share how to support your child through disappointment, how to talk about outcomes without knocking their confidence, and why not getting the role often has nothing to do with their talent.

This isn’t about brushing it off or pretending it doesn’t matter. It’s about building resilience, perspective and a healthier way of navigating auditions – so they can keep going, keep learning and still enjoy what they do.

If this episode helps, feel free to follow and share it with another parent or young performer who might need to hear it.

@TheDramaCoach

S1 Ep5: Inside a Talent Agency: Auditions, Self-Tapes and What Matters Most04 Apr 202601:04:00

In this episode of The Drama Coach Podcast, I’m joined by Julia from JKs Management to explore how to approach agents and what they’re really looking for.

We talk through auditions, self-tapes, and how to present yourself clearly and professionally when reaching out, as well as offering insight into how agencies work with young performers.

A practical, honest conversation for performers and parents looking to take that next step with clarity and confidence.


We also talk about how we connected on TikTok.
You can follow Julia @jks.management and Lisa @TheDramaCoach

S1 Ep10: The Acting Terms Everyone Uses (But No One Explains)26 Apr 202600:25:19

Have you ever heard terms like “self-tape”, “pencilled” or “on hold” and thought - wait, what does that actually mean?

Because in this industry, there’s a lot of language that gets thrown around - and if you’re new to it, it can feel confusing, overwhelming… and honestly, a bit intimidating.

In this episode, I break down the key acting terms you’re likely to hear - across auditions, training and on set - and explain them in a clear, simple way that actually helps you use them.

This is a really practical one - whether you’re a young actor just starting out, or a parent supporting your child through auditions and training.

We cover:

  • audition terms like self-tapes, slates, recalls, being pencilled and availability checks
  • training terms like showreels and workshops
  • on-set language you might hear when you step into professional work

If you’ve ever felt unsure of the “industry language” - this will help you feel more confident, more informed, and much more in control of the process.

And if there’s a term you’ve heard and still don’t understand, send it in - I’d love to include it in a future episode.


🔗 CONNECT WITH ME

Instagram, TikTok & YouTube: @TheDramaCoach
Courses & resources: https://courses.thedramacoach.co.uk
More links: https://linktr.ee/TheDramaCoach


Music: Soft Music 495878 by nastelbom (Pixabay)


S1 Ep9: Oracy, Acting and Confidence - What Young Performers Really Need25 Apr 202600:33:05

In this episode, I’m joined by Georgie Ross, Director of Teaching and Learning at The Oracy Group.

We explore the role of oracy - spoken communication - and why it’s so important for young people, both in education and beyond.

This is a really practical conversation around how communication skills are developed, how drama supports that process, and what parents and educators can do to help build confidence in a clear and grounded way.

We cover:

  • What oracy actually means in practice
  • Why listening is just as important as speaking
  • How oracy shows up in classrooms, auditions and everyday life
  • The link between drama, communication and confidence
  • Supporting young people with conversations, debate and expression
  • Social media and how it’s shaping communication
  • Simple ways parents can support communication at home

Whether you’re a young performer, a parent, or working in education, this episode offers clear and practical insight you can use straight away.


Find Georgie:
LinkedIn: https://www.linkedin.com/in/georgie-ross


Find me:
Instagram: @TheDramaCoach
TikTok: @TheDramaCoach
YouTube: The Drama Coach
More support, coaching and resources: https://linktr.ee/TheDramaCoach


Resources mentioned:
English Speaking Union - Talk for Life Campaign
Education Endowment Foundation - Oracy Research
University of Cambridge - Oracy Programme
Book: Drama and Oracy - Unlocking Potential (link coming soon)

Music: Soft Music 495878 by nastelbom (Pixabay)


S1 Ep11: Wellbeing, Training and Social Media - What Young Performers Really Need02 May 202600:53:55

In this episode, I’m joined by Audrey Elizabeth from Elites Creative - a talent agent and public presence strategist with over 20 years’ experience working with young performers.

We explore what wellbeing really means in practice, and how it connects to training, auditions, social media and building a strong sense of identity in the industry.

This is an honest, grounded conversation about what actually supports young performers - and what can sometimes get in the way.

We cover:

  • What wellbeing looks like for young performers today
  • The role of training environments and theatre schools
  • What agents are really noticing
  • Social media, personal brand and parent-managed accounts
  • Building confidence and a grounded sense of self
  • Supporting young performers without adding pressure

Whether you’re a young performer or a parent navigating this world, this episode offers practical insight and reassurance.


Find Audrey / Elites Creative:
TikTok: @audrey_elitecreative

Instagram: @audreyelizabethofficial

Instagram: @elitecreativecasting


Find me:
Instagram: @TheDramaCoach
TikTok: @TheDramaCoach
YouTube: The Drama Coach
More support, coaching and resources: https://linktr.ee/TheDramaCoach


Music: Soft Music 495878 by nastelbom (Pixabay)

Transcripts created automatially by Spotify

S1 Ep0: New Here? Start With This Episode03 May 202600:05:15

If you’re new to The Drama Coach Podcast - this is the perfect place to start.

In this episode, I’m bringing everything together and giving you a clear overview of what this podcast is, who it’s for, and how it can support you - whether you’re a parent of a young performer, or a young actor navigating the industry yourself.

I share a little about my background as an actor, drama coach, licensed chaperone and mum to two working young performers - and how that shapes the conversations we have here.

Across the podcast, you’ll find a mix of practical solo episodes and honest conversations with actors, agents and industry professionals. We cover everything from auditions and self-tapes to training, confidence, rejection and what it’s really like working in the industry at a young age.

But more than anything, this podcast is about doing things properly.
Building real skills.
Understanding the industry.
And protecting confidence along the way.

If you’re not sure where to begin, I also point you towards a few key episodes to get you started.

If you’re looking for calm, clear and honest guidance in an industry that can often feel overwhelming - you’re in the right place.

If you want a small extra edge: pin this episode and rename it later if needed. “Start Here” episodes often become your most important long-term entry point.


Start here: Recommended episodes


Do You Actually Need An Agent Yet?
https://spotifycreators-web.app.link/e/LNbKD3ljB2b


Asking My Agent: What They Look For and How It All Works
https://open.spotify.com/episode/6sLbJ4rbtuW3kIZUuiiQTb


Inside a Talent Agency: Auditions, Self-Tapes and What Matters Most
https://spotifycreators-web.app.link/e/VB5GI2ljB2b


The Acting Terms Everyone Uses (But No One Explains)
https://open.spotify.com/episode/0Q5wZPKgDTR5rfQhevFTDr


You can find more support, tips and resources here:

Website: https://www.thedramacoach.co.uk
Instagram: https://www.instagram.com/thedramacoach
TikTok: https://www.tiktok.com/@thedramacoach
YouTube: https://www.youtube.com/@thedramacoach


If you’d like to get in touch or have a question for the podcast, you can email me at:

If you’re ready to go deeper, you can explore my courses here:
https://courses.thedramacoach.co.uk


Intro and outro music: Soft Music by Nastelbom

S1 Ep15: Could Your Child Do Voice Acting?17 May 202600:20:29

In this episode, I’m exploring the world of voice acting - what it actually is, how people get started, and whether it’s something worth exploring for young performers.

When people think of voice acting, they often picture cartoons and character voices - but the reality is much broader than that. From audiobooks and narration to online content and commercials, voice work is an area of the industry that many actors begin to explore as they get older.


I talk about:

  • What voice acting really involves
  • The difference between character work and more natural voiceover styles
  • Why voice work is often more realistic for older teens than younger children
  • Platforms like ACX and Mandy
  • Simple home recording setups and what actually matters
  • Skills that support strong voice work, including clarity, pacing and truthful communication
  • How acting techniques - including movement work like Rudolf Laban’s movement efforts - can help actors explore different vocal qualities and character choice

I also share a little about my own setup using a USB condenser microphone and Audacity, and why you really don’t need a perfect studio setup to begin learning.

This episode is designed as a grounded introduction to voice work for parents and younger performers - and we’ll be exploring the professional side of voice acting in much more depth later on in Series 2.


Where to find me:
https://www.thedramacoach.co.uk
https://www.instagram.com/thedramacoach
https://www.tiktok.com/@thedramacoach
https://www.youtube.com/@thedramacoach

More support, coaching and resources: ⁠https://linktr.ee/TheDramaCoach⁠

For questions or podcast topic requests email: lisa@thedramacoach.co.uk


Music: Soft Music by Nastelbom (Pixabay)


S1 Ep14: Training, Craft and Career - What It Really Takes to Be an Actor16 May 202601:10:59

In this episode, I’m joined by Robyn Holdaway - an actor with screen experience across Netflix, BBC and AMC, including Sex Education.

Robyn brings a really thoughtful and articulate perspective on acting, training and the craft, and this conversation goes deeper than just “tips” - it’s about what it actually takes to build a career in the industry.

We talk about training, working professionally on screen, and how acting is both learned and taught - making this a valuable conversation not just for performers, but for those supporting and guiding them.

We cover:

  • The role of training and how it shapes an actor
  • Moving from training into professional screen work
  • The importance of clarity, thought and intention in acting
  • How acting is taught, and what makes training effective
  • Building a sustainable career, not just booking a job
  • The reality of the industry vs expectations

This is a really insightful conversation for young performers, parents, and drama teachers or coaches supporting actors in their development.

And the name of the actor we were trying to think of near the beginning of the episode was Thomas Brodie-Sangster.


Find Robyn
Insta: @robynholdaway

TikTok: @robyn_holdaway

A free YouTube resource from Robyn for creating Self Tapes - Self Taping for Caregivers 101: https://youtu.be/NNH30SpXf20


Find me
Instagram: @TheDramaCoach
TikTok: @TheDramaCoach
YouTube: The Drama Coach
More support, coaching and resources: https://linktr.ee/TheDramaCoach


Music: Soft Music 495878 by nastelbom (Pixabay)


S1 Ep13: Your Child Isn’t Booking Roles? Here’s What’s Really Happening10 May 202600:07:31

In this episode, I’m unpacking one of the most common questions parents ask:
“Why isn’t my child booking roles?”

If your child is auditioning but not getting cast, it can feel confusing and, at times, disheartening.
You might be thinking:
“They’re talented… so why isn’t it happening?”

In this episode, I gently reframe that question.

Because in most cases, it’s not about talent - and it’s not about something being “wrong”.


I break down what’s actually going on behind the scenes in casting, including:

  • Why booking a role isn’t just about ability
  • The reality of “no’s” and why silence is completely normal
  • The difference between a good audition and a booked job
  • What parents should focus on instead to support their child properly

This episode is for parents who want a clearer, calmer understanding of the industry, and how to support their child without adding pressure.

Because when you understand the process, everything starts to feel more manageable.


Listen if:

  • Your child is getting auditions but not booking
  • You’re unsure how casting decisions are actually made
  • You want to support your child in a more grounded, helpful way
  • You’re finding the ups and downs of the industry difficult to navigate

Where to find me:
https://www.thedramacoach.co.uk
https://www.instagram.com/thedramacoach
https://www.tiktok.com/@thedramacoach
https://www.youtube.com/@thedramacoach


For questions or podcast topic requests:

Music: Soft Music by Nastelbom

S1 Ep12: From Auditions to Confidence - Starting Out as a Young Actor09 May 202601:09:47

In this episode, I’m joined by Tommy - an actor who began acting in 2014 and is now working professionally across commercial and modelling projects.

We talk about what it’s really like starting out in the industry today - from stepping into professional work, to navigating auditions, building confidence and handling the realities of social media.

Tommy also shares openly about dealing with negative comments online, and how he’s learned to stay grounded and not take things personally - something that will be incredibly valuable for young performers putting themselves out there.

We cover:

  • Making the transition into professional acting
  • Getting signed and stepping onto set
  • What auditions are really like when you’re starting out
  • Social media - the positives, the pressures and how to handle it
  • Building confidence and staying grounded
  • What young performers should focus on early on

The reality of the industry vs expectations

This is an honest, practical conversation about starting out as a young actor today - and what actually helps along the way.

Find Tommy:
TikTok: @tommyferguson1806

Instagram: @tommyferguson1806


Find me:
Instagram: @TheDramaCoach
TikTok: @TheDramaCoach
YouTube: The Drama Coach
More support, coaching and resources: https://linktr.ee/TheDramaCoach

Music: Soft Music 495878 by nastelbom (Pixabay)


S1 Ep19: What Makes a Good Drama Class for Children?29 May 202600:30:03

In this solo episode of The Drama Coach Podcast, I’m talking about something many parents and carers wonder about when their child shows an interest in drama, acting, theatre, screen work or musical theatre:

What actually makes a good drama class?

When your child says they want to do drama, it can be hard to know where to start. Should they join a local drama group, a stage school, LAMDA lessons, youth theatre, musical theatre, screen acting classes or one-to-one coaching?

And once you’ve found something, how do you know if it’s the right fit?

In this episode, I talk about what parents can look for in a good drama class - not just in terms of performance opportunities, but in how the class supports confidence, communication, creativity, focus, resilience and real acting skills.

I explore why a good drama class should feel emotionally safe, why confidence doesn’t always look loud, and why listening, ensemble work, age-appropriate training and useful feedback matter just as much as getting the lead role.

This episode also looks at how to tell whether a class is stretching your child without crushing them, why the teacher’s approach really matters, and why the best class is not always the biggest, flashiest or most “industry” sounding one.

A practical, reassuring episode for parents and carers who want to support their child’s interest in drama in a healthy, grounded way.

You can find me across social media at @TheDramaCoach.

For coaching, courses, resources and useful links, visit:
linktr.ee/TheDramaCoach

You can also visit:
www.thedramacoach.co.uk

Music: Soft Music 495878 by nastelbom from Pixabay

S1 Ep18: Beyond the Exam: How LAMDA Supports Young Performers27 May 202600:48:42

In this episode of The Drama Coach Podcast, I’m joined by Jules Martin, a LAMDA teacher who works with young performers and adults, supporting them through acting training, exams and communication skills.

We talk about what LAMDA actually is, but more importantly, what it can build beyond the exam itself.

This conversation explores how LAMDA can help young performers develop confidence, communication, clarity, text work and real acting skills - the kind of skills that support them not only in exams, but in auditions, self-tapes, classes and the wider industry too.

We also talk about what good acting looks like for young performers, how to avoid overthinking or over-performing, and why the right training environment matters so much.

For parents, this episode offers a useful insight into what to look for in a teacher or class, how to support your child through training, and how to keep exams and results in perspective.

A really practical and encouraging conversation for young performers, parents and anyone curious about how LAMDA can support confidence, communication and acting development.


You can find Jules here:
Website: lamdateacher.co.uk
TikTok: @lamdateacher.co.uk
Facebook: Jules Martin Actor/LAMDA Teacher


You can find me across social media at @TheDramaCoach.

For coaching, courses and resources, visit:
www.thedramacoach.co.uk


Monologue Video Course can be found here:

www.thedramacoach.co.uk/courses


Music: Soft Music 495878 by nastelbom from Pixabay

S1 Ep17: The Car Journey Home - Supporting Your Child After an Audition or Show24 May 202600:26:14

In this solo episode of The Drama Coach Podcast, I’m talking about something that can feel small, but really matters for young performers: The car journey home.

After an audition, a show, a self-tape, a festival or a drama class, children are often full of adrenaline, nerves, excitement or disappointment. As parents and carers, it’s natural to want to ask questions, offer feedback, or work out how it went - but sometimes what they really need first is a soft landing.

This episode explores how we can support young performers after auditions and performances without adding unnecessary pressure.

I talk about:

How to avoid turning the car journey home into an instant debrief
Why effort matters more than outcome
What to say when your child is disappointed
Why instant corrections aren’t always helpful
How to praise specifically without comparing
Why your calm can become their calm
Simple phrases to keep in your back pocket after auditions and shows

This isn’t about telling anyone how to parent. Every child and family is different. It’s simply advice to take, leave or adapt, based on my experience as a drama coach, actor, chaperone and mum.

A gentle, practical episode for parents and carers supporting young performers through auditions, shows and training.

You can find me across social media at @TheDramaCoach.

For coaching, courses, resources and useful links, visit:
linktr.ee/TheDramaCoach

You can also visit:
www.thedramacoach.co.uk


Music: Soft Music 495878 by nastelbom from Pixabay

We’re Sponsored by SceneTribe23 May 202600:08:54

In this short bonus episode, I’m sharing a proud announcement: The Drama Coach Podcast is now sponsored by SceneTribe.

Before the Season 2 sponsored episodes begin, I wanted to take a moment to explain why SceneTribe feels like such a natural fit for the podcast and everything I’m trying to build here: More clarity, more confidence, more honesty and more useful conversations for young performers, parents and creatives.

SceneTribe is a new professional platform for the creative industries, built around the idea that creative careers are shaped by the work we do, the people we work with and the collaborations that help us grow.

In this episode, I talk about why that matters, especially in an industry that can often feel confusing, closed-off or difficult to navigate.

In this episode:

  • Why The Drama Coach Podcast is now sponsored by SceneTribe

  • Why SceneTribe feels so aligned with the values of the podcast

  • The importance of craft, collaboration and trust in creative careers

  • Why creative people often do not fit neatly into one box

  • How SceneTribe supports visibility across the wider creative industries

  • Why parents and young performers should understand the bigger picture of the industry

  • SceneTribe’s plans for managed under-18 profiles in the very near future

SceneTribe is currently for adults working in the creative industries, with plans for managed under-18 profiles coming very soon!

Find out more about SceneTribe:
https://scenetribe.com


Follow The Drama Coach:




https://linktr.ee/TheDramaCoach


Music:
Soft Music 495878 by nastelbom, Pixabay

S1 Ep16: Rejection in Acting - How to Handle It and Move Forward23 May 202600:48:05

In this episode, I’m joined by Rebecca Rendic - an actor and filmmaker who shares thoughtful, honest content about the realities of the industry.

We talk about rejection - something every actor faces, but rarely talks about in a real and practical way.

This is a grounded, open conversation about what rejection actually feels like, how it changes over time, and how to begin reframing it so it doesn’t knock your confidence or sense of self.

We also explore how social media adds another layer to it all, and what can genuinely help in those moments when you don’t get the role - or hear nothing at all.

We cover:

  • What rejection really feels like (and why it’s not always immediate)
  • How to start reframing rejection in a healthier way
  • The gap between effort and outcome in acting
  • Social media, comparison and feeling “behind”
  • Practical tools to handle rejection in the moment
  • Building an identity beyond acting
  • What young performers need to hear
  • How parents can support without adding pressure

This episode is for young performers, parents, and anyone navigating the emotional side of the industry.

Find Rebecca Rendic:
TikTok: @almostprobablyfilms
Instagram: @almostprobablyfilms

Find me:
Instagram: @TheDramaCoach
TikTok: @TheDramaCoach
YouTube: The Drama Coach
More support, coaching and resources: https://linktr.ee/TheDramaCoach

Music: Soft Music 495878 by nastelbom (Pixabay)


Staying Safe in Castings: What Performers and Parents Need to Know09 Jun 202600:39:28

In this solo episode of The Drama Coach Podcast, Lisa talks about an urgent and important topic: Staying safe in castings.

Prompted by a serious conversation about unsafe and questionable casting situations, this episode is aimed at young performers, parents, carers, teachers and anyone supporting actors as they begin to navigate the industry.

The performing arts industry can be exciting, creative and full of opportunity - but it is also important to understand boundaries, red flags and the right to question something that does not feel safe or professional.

Lisa talks through practical ways to approach castings, self-tapes, online messages and audition opportunities with more awareness and confidence. This is not about scaring young performers away from the industry. It is about helping them feel informed, supported and able to pause, ask questions and speak up when something does not feel right.

In this episode, Lisa talks about:
Why safety should always come before any opportunity
Red flags in casting notices, messages and audition requests
Why young performers should not handle industry communication alone
The importance of checking who is behind a casting
Why vague, rushed or secretive communication can be a warning sign
Self-tape safety and age-appropriate material
Online messages, social media approaches and direct contact
Why parents and young performers should ask questions without embarrassment
The difference between nerves and genuine discomfort
Why “being professional” does not mean saying yes to everything
Trusting your instincts and getting a second opinion
Using reputable sources, agents, unions and trusted adults for guidance
How parents can stay calm, curious and supportive
Why no role, credit or opportunity is worth compromising your safety

Key reminders:
If something feels rushed, secretive, inappropriate or unclear, pause.
If someone tells you not to tell your parent, agent, teacher or trusted adult, that is a serious red flag.
If a casting request involves young performers, communication should be professional, transparent and age-appropriate.
It is always OK to ask who is involved, where the casting is taking place, what the material is, how footage will be used and whether the opportunity is paid.
It is always OK to say no, ask for advice and protect yourself.

This episode is especially useful for:
Young performers
Parents of young actors
Teen actors
Drama students
Acting teachers and coaches
Parent-managed performer accounts
Anyone applying for castings online
Anyone navigating self-tapes, agents, social media or early industry opportunities

Please share this episode with anyone who supports young performers. The more we talk openly about safety, boundaries and professional standards, the better protected young performers can be.

Useful links:
Equity - Casting and Auditions:
https://www.equity.org.uk/advice-and-support/casting-and-auditions
Equity - Staying Safe at Castings and Auditions:
https://www.equity.org.uk/news/2020/staying-safe-at-castings-and-auditions
NSPCC - Safeguarding in the Performing Arts:
https://learning.nspcc.org.uk/safeguarding-child-protection/for-performing-arts
Spotlight - Young Performer Support Hub:
https://www.spotlight.com/news-and-advice/young-performers/young-performer-resources-industry-hub/
Spotlight - A Guide to Auditioning Safely:
https://www.spotlight.com/news-and-advice/the-essentials/a-guide-to-auditioning-safely/
SAG-AFTRA - Young Performers:
https://www.sagaftra.org/membership-benefits/young-performers
SAG-AFTRA - Safety Tips for Young Performers:
https://www.sagaftra.org/membership-benefits/young-performers/parents/safety-tips
SAG-AFTRA - Young Performers Handbook:
https://www.sagaftra.org/sites/default/files/sa_documents/young_performers_handbook.pdf


Find Lisa:
Instagram, TikTok, YouTube and Facebook: @TheDramaCoach

The Drama Coach Podcast supports young performers and parents with confidence, performance skills and practical industry guidance.

S1 Ep23: What Progress Really Looks Like for Young Performers07 Jun 202600:45:49

In this solo episode of The Drama Coach Podcast, I’m talking about what progress really looks like for young performers - especially those starting to take acting a little more seriously.

When a child begins moving from drama as a hobby into auditions, self-tapes, LAMDA, agents, screen work, theatre or early industry opportunities, it can be hard to know how to measure progress.

Of course, roles, recalls, distinctions, auditions, agents and credits can all be exciting. But they are not the only signs that a young performer is growing.

In this episode, I explore the quieter, often more important signs of progress: Listening, taking direction, becoming more independent, making clearer acting choices, improving self-tapes, recovering from mistakes, handling disappointment, communicating more clearly, being better in the room, and still finding joy in the work.

This is a practical and reassuring episode for parents and carers who want to support their child without measuring everything by parts, marks, agents or results.

Because progress isn’t always a role, agent or credit.

Sometimes it’s the young performer who tries again, listens more carefully, takes a note, supports someone else, asks better questions, or learns that their worth is not tied to one result.

You can find me across social media at @TheDramaCoach.

For coaching, courses, resources and useful links, visit:
linktr.ee/TheDramaCoach

You can also visit:
www.thedramacoach.co.uk


Music: Soft Music 495878 by nastelbom from Pixabay

S1 Ep22 The Reality of a Life in Acting - Training, Touring and Telling New Stories06 Jun 202601:41:55

In this episode, I’m joined by Emile Clarke - an actor, theatre-maker and headshot photographer - for a really thoughtful and honest conversation about what it actually takes to build a sustainable career in this industry.

We talk about Emile’s journey as a neurodivergent actor, and how understanding yourself - rather than trying to fit a mould - can become one of your greatest strengths.

We also explore the realities of touring life, what headshots are really for (and where actors often go wrong), and how authenticity, self-awareness and storytelling sit at the centre of everything.

As always, this episode is about giving young performers and their parents a clearer, more grounded understanding of the industry - and how to approach it in a way that supports both confidence and longevity.


We cover:

Neurodivergence in acting - and how it can be a strength, not a limitation
The realities of touring - lifestyle, logistics and what to expect
Headshots - what actually works, and common mistakes actors make
Authenticity and self-awareness - why they matter more than “performing”
Representation, diversity and telling your own story
Supporting young performers - from both an industry and parent perspective
Career longevity - what it really takes to sustain a life in acting


Find EmileInstagram: @locknlense @emilejclarke

https://www.theatreroyal.org.uk/events/adventures-in-hidden-histories/


Find me:Instagram: @thedramacoach
YouTube: The Drama Coach
Courses: courses.thedramacoach.co.uk



https://ragandbonearts.com/


Music: Soft Music 495878 by nastelbom (Pixabay)


S1 Ep21: It’s Not Just Talent: What Young Performers Really Need31 May 202600:28:22

In this solo episode of The Drama Coach Podcast, I’m talking about something every young performer and parent needs to understand:

Talent is wonderful - but it isn’t enough.

Natural ability can be exciting. Some children have a real spark, instinct, confidence, timing, emotional truth or love of performing. But the young performers who really grow - and the ones people enjoy working with - usually have much more than talent.

In this episode, I explore the other skills young performers need, including listening, focus, preparation, taking direction, resilience, kindness, reliability, curiosity, patience and being able to work as part of a team.

I also talk about why feedback is not failure, why being easy to work with matters, and why parents can support their child by praising more than just natural ability.

This is a practical, grounded episode for parents and carers supporting young performers through drama classes, auditions, rehearsals, exams, shows or screen work.

Because drama is not just about being talented.

It’s about learning how to work, listen, connect, try, fail safely and grow.

You can find me across social media at @TheDramaCoach.

For coaching, courses, resources and useful links, visit:
linktr.ee/TheDramaCoach

You can also visit:
www.thedramacoach.co.uk


Music: Soft Music 495878 by nastelbom from Pixabay

S1 Ep20: AI, Casting and Values - What Young Performers Really Need to Know30 May 202600:52:52

In this episode, I’m joined again by Julia from JK’s Management, and we’re diving into some really current and important conversations within the industry.

We dip into AI - what it means for actors and voiceover, and some of the concerns and possibilities around it, particularly when it comes to young performers. But this isn’t just about AI.

We also explore casting environments, parent behaviour, and the values that really matter when building a sustainable career in the industry.

This is an honest, balanced conversation that gives a clearer picture of what’s actually going on behind the scenes.

We cover:

  • AI in acting and voiceover - what’s changing and what to be aware of
  • Common concerns from actors and parents, and how to approach them
  • Casting environments and what really helps young performers
  • Parent behaviour - what supports, and what can sometimes get in the way
  • The values that underpin long-term success in the industry
  • What young performers and parents often misunderstand
  • What to focus on when starting out

We also go off on a few very real tangents along the way (including self-tapes), which reflect the reality of how these conversations actually unfold.

This episode is for young performers, parents, and anyone wanting a more grounded understanding of the industry today.

If you missed Julia’s first episode, you can check it out here:
https://open.spotify.com/show/2ki4LEKDnWmFTLzG7JXzGd

Find Julia / JK’s Management:
TikTok: @jksmanagement
Instagram: @jks.management

Find me:
Instagram: @TheDramaCoach
TikTok: @TheDramaCoach
YouTube: The Drama Coach
More support, coaching and resources: https://linktr.ee/TheDramaCoach

Music: Soft Music 495878 by nastelbom (Pixabay)



S2 Ep5: Could Voice Acting Be Part of Your Acting Journey?30 Jun 202600:11:34

In this solo episode of The Drama Coach Podcast, I’m following on from my conversation with Kate Harbour to explore whether voice acting could be part of a young performer’s acting journey.

Voice acting isn’t just about doing funny voices - it’s still acting. It asks for imagination, clarity, character, listening, truth and play. Whether your child loves animation, audiobooks, gaming, storytelling or character work, voice acting can be a brilliant way to build confidence and develop useful performance skills.

This episode is not about becoming a professional voice actor overnight. It’s about getting curious, trying things out, and discovering what voice work can teach you as an actor.

In this episode, I talk about:

  • Why voice acting is still acting
  • The difference between “doing a voice” and creating a character
  • How voice work can help performers feel freer and less self-conscious
  • Why clarity, pace, imagination and intention matter
  • Simple ways to explore voice acting at home
  • How recording yourself can become a useful acting tool
  • Why voice acting is playful - but still requires craft
  • A gentle reality check about professional voice work
  • How voice work can support confidence, storytelling and character skills

This episode is especially useful for young actors, parents of young performers, drama students, voice-curious performers, and anyone wondering how voice acting might fit into wider actor training.

This episode is sponsored by SceneTribe - the new network for the creative industries.

SceneTribe helps actors, voice artists, performers, crew, creatives, agents and producers build profiles around the work they’ve actually done, the credits they’ve built, and the people they’ve collaborated with.

Find out more at scenetribe.com

Follow The Drama Coach:

Instagram: @thedramacoach
TikTok: @thedramacoach
YouTube: The Drama Coach
Website: thedramacoach.co.uk

If this episode helps you think differently about voice acting, please follow, subscribe, leave a review or share it with another young performer or parent.

S2 Ep4: Behind the Mic: Voice Acting Insights27 Jun 202601:06:34

In this episode of The Drama Coach Podcast, Lisa is joined by actor and voice artist Kate Harbour, whose work includes much-loved animations such as Bob the Builder, Shaun the Sheep and Octonauts.

Together, Lisa and Kate explore what voice acting really involves - beyond simply “doing voices”. They talk about animation, audiobooks, commercials, ADR, character work, auditions, home recording, studio work, AI, confidence, resilience and why voice acting is such a skilled part of the acting industry.

Kate shares honest, practical advice for young actors who are curious about voice work, including how to start exploring your voice, why listening back matters, what equipment you actually need at the beginning, and why the work always has to come from truth, connection and the body.

This is a brilliant episode for young performers, parents and anyone interested in the craft behind voice acting.

In this episode, we talk about:

What voice acting actually includes
Why it is not an “easy” route into the industry
The difference between animation, audiobooks, commercials, ADR and corporate voice work
How to start exploring your voice as a young actor
Why confidence is audible
The importance of breath, hydration and physical connection
Basic home recording tips and why your space matters
How to approach voice auditions
Why actors need to read the brief carefully
Taking direction well
AI, human connection and the future of voice work
Why being yourself is your biggest strength


Guest Links & Resources
Website: kateharbour.comInstagram: @kateharbourofficialTikTok: @kateharbourvoiceactorLinkedIn: Kate HarbourBusiness Facebook: KATEHARBOURBIZ

Kate is represented for voice work by Vocal Point:
https://vocalpoint.net/fvo/harbour/

Kate is represented for acting by Arran Jones Associates:
https://www.arranjonesassociates.com/


Additional resources mentioned in this episode:
Rob & Helen Bee: b-double-e.co.uk
Tanya Rich / Richcraft: https://richcraft.biz/Tanya coaches adults aged 18 and over, with several options available including a reel review service.


Listen if you or your child is interested in:
Voice acting
Animation
Acting for audio
Self-tapes and auditions
Building confidence as a performer
Exploring different areas of the acting industry


Follow The Drama Coach:
For more acting tips, self-tape advice and honest conversations about the industry, follow @TheDramaCoach.

Courses, resources and more:
https://linktr.ee/TheDramaCoach


Music:Soft Music 495878 by nastelbom via Pixabay

S2 Ep3: Supporting Artist Agencies - Should Actors Join One?21 Jun 202600:30:36

Supporting artist work can be a brilliant way to gain experience on professional sets, understand how filming works and build confidence around the screen industry - but it is important to approach it with realistic expectations.

In this solo episode, I’m talking about supporting artist agencies: What they are, how they work, what parents should know before signing a young performer up, and why background work is different from acting roles through an agent.

This episode is especially useful if your child or teen is curious about screen work, wants to understand more about being on set, or is hoping to gain experience in film and TV.

In this episode, I cover:

  • What supporting artist agencies actually do
  • The difference between supporting artist work and acting roles
  • Why background work can be valuable experience
  • What parents need to check before signing up
  • Chaperones, licences and safeguarding
  • Why it is not usually a fast track to speaking roles
  • How to manage expectations around availability, fees and last-minute bookings
  • What young performers can learn from being on set
  • Why professionalism matters, even in the background
  • How supporting artist work can fit into a wider acting journey

This is not about putting pressure on young performers to “get discovered” in the background. It is about understanding the industry clearly, spotting useful opportunities and making informed choices as a family.

Listen to The Drama Coach Podcast:
https://open.spotify.com/show/2ki4LEKDnWmFTLzG7JXzGd

The Drama Coach:
https://www.thedramacoach.co.uk

Courses, Resources & More:
https://linktr.ee/TheDramaCoach


This season of The Drama Coach Podcast is sponsored by SceneTribe - a new platform for the creative industries, helping performers, creatives and industry professionals build profiles, connect through real work and discover opportunities.


Find out more at:
https://scenetribe.com


If this episode helps you understand supporting artist work a little more clearly, please follow the podcast, leave a review, or share it with a parent or young performer who might find it useful.

You can also follow me @TheDramaCoach for more acting tips, self-tape advice and honest conversations about the industry.

Music: Soft Music 495878 by nastelbom (Pixabay)

S2 Ep2: Drama Training & Finding Your Path20 Jun 202600:53:24

In this episode, I’m joined by Laura Graham-May, founder and Artistic Director of Rag and Bone Arts in Chippenham.

Laura has worked with young people for many years through drama, devising, ensemble work and creative projects. She has also taught post-16 performing arts students, giving her a brilliant perspective on what good drama training can offer at different stages.

This conversation is especially useful for teens, young adults and parents who are thinking about next steps in acting, training or the wider performing arts.

We talk about: What performing arts actually means - beyond just musicals Why process matters as much as performance How drama builds confidence, communication and self-awareness Supporting quieter students and those who love the spotlight Hobby vs career - and why both are valid Post-16 training and what changes at that stage Commitment, mindset and knowing yourself Other careers in theatre and the arts beyond performing Mental health, comparison and staying grounded in training


Find Laura and Rag and Bone Arts: Website: https://ragandbonearts.com Instagram: @ragandbonearts Adult provision: @ragandboneartscic Facebook: Rag and Bone Arts / Rag and Bone Arts CIC


Find me: Website: https://www.thedramacoach.co.uk Courses: https://courses.thedramacoach.co.uk Instagram/TikTok/YouTube: @TheDramaCoach Linktree: https://linktr.ee/TheDramaCoach


Music: Soft Music 495878 by nastelbom (Pixabay)


S2 Ep1: Welcome to Series 2 of The Drama Coach Podcast14 Jun 202600:07:33

In this short intro episode, I’m introducing Series 2 of The Drama Coach Podcast - and this time, we’re shifting the focus slightly.

Series 1 was mainly for parents of young performers: The ones navigating auditions, agents, self-tapes, confidence, rejection and all the early questions that come with supporting a child in the industry.

Series 2 is for those young performers who are starting to take acting a bit more seriously - particularly teens, young adults and anyone beginning to think about drama school, training, agents, auditions and what a creative career might actually look like.

It’s also still very much for parents, teachers and anyone supporting young actors along the way.

This series will include conversations with actors, agents, coaches, theatre-makers, voice artists and industry professionals - all with the aim of offering honest, useful and grounded insight.

No hype. No false promises. Just real conversations about training, confidence, creativity and the industry.

Thanks so much for being here - I’m really excited for this next chapter.

You can find me here:

Instagram, TikTok and YouTube: @TheDramaCoach
Website: www.thedramacoach.co.uk
Courses and resources: courses.thedramacoach.co.uk
Linktree: linktr.ee/TheDramaCoach

Music credit: Soft Music 495878 by nastelbom from Pixabay

S1 Ep24: Acting, Technology and Truth - What’s Changing for Actors13 Jun 202601:06:10

In this episode, I’m joined by Richard Cambridge - actor, producer, and co-founder of WeAudition and VertiCast.

This is a really insightful conversation that sits at the intersection of acting and technology - and what’s changing within the industry as a result.

Richard shares his journey as an actor and producer, and how his own experiences led him to create platforms that are now supporting actors all over the world - particularly when it comes to self-tapes, readers, and remote working.

We talk honestly about self-tapes - something I know so many parents and young performers are navigating - and why the reader plays such an important role in the quality of a tape.

We also explore what actually matters when it comes to auditions, how much to focus on setup, and what casting directors are really looking for beyond the technical side.

Alongside that, we open up the wider reality of the industry - from working at a high level, to travel, disruption, and the impact that can have on everyday life.

We also touch on mental health at the beginning and end of the episode, and the importance of staying grounded in an industry that can feel unpredictable.

We cover:

  • Acting and technology - what’s changing in the industry

  • The rise of self-tapes and remote readers

  • Why a good reader matters more than you think

  • Practical tips for parents supporting self-tapes at home

  • What casting directors are really looking for

  • Working on set and preparing for high-level projects

  • The reality of travel, disruption and last-minute changes

  • Long-running TV vs shorter projects

  • Wellbeing, balance and staying grounded as an actor

Richard also shares thoughtful advice for both young performers and parents navigating this space.

You can find Richard and his work here:

Instagram: @richcambridgeInstagram: @weaudition

https://www.weaudition.com/https://verticastapp.com/

If you found this episode helpful, feel free to share it with someone who might benefit, and don’t forget to follow or subscribe so you don’t miss future episodes.

You can find more support, resources and coaching via @TheDramaCoach across socials.

Music: Soft Music 495878 by nastelbom (Pixabay)


S2 Ep20: Agent Red Flags: What Actors and Parents Need to Know22 Aug 202601:14:28

In this episode of The Drama Coach Podcast, Lisa is joined by Alexa Morden - actor, writer, coach and host of The 98% podcast - for an honest and important conversation about agents, representation and red flags in the acting industry.

For many young performers, emerging actors and parents, getting an agent can feel like the ultimate goal. But representation should never be about fear, desperation or handing over control of your career.

Alexa has spent years speaking openly about the realities of being a working actor, from rejection and resilience to money, confidence, mental health and life between jobs. Through The 98% podcast, Acting With Alexa, her book Beyond the Spotlight and her advocacy work, she has also become a strong voice for actors and parents navigating unsafe or questionable industry practice.

In this episode, Lisa and Alexa discuss:

  • Why getting an agent can feel like such a huge milestone

  • Why having any agent is not always better than having no agent

  • What a healthy agent relationship should feel like

  • Communication, trust and professional boundaries

  • Agent red flags and warning signs

  • Upfront fees, admin fees, contracts, commission and payment concerns

  • Why actors and parents should keep a paper trail

  • What to do if pay is delayed or unclear

  • Why intimidation or being made to feel small is never okay

  • How social media can make some agencies look more impressive than they are

  • Why bigger is not always better

  • Questions to ask before signing with an agent

  • Being dropped, not getting signed and handling rejection

  • Why your gut instinct matters

A key message from this episode is that representation should be a professional partnership. Actors and parents are allowed to ask questions, read contracts carefully, take their time and walk away if something does not feel right.

This episode is not about scaring young performers or parents away from the industry. It is about helping them feel informed, prepared and empowered.

IMPORTANT CLARIFICATION:

Alexa speaks in this episode about agents requiring Spotlight membership to be considered for representation potentially being unlawful, based on guidance she had received from industry professionals about legislation relating to agencies requiring paid-for services.

Since recording, Alexa has carried out further research and been informed that requiring Spotlight membership is not considered unlawful because the agent does not benefit financially from that membership.

However, child performers cannot join Spotlight without representation. So if you are just getting started, a legitimate children's agency should not have an issue with you not already being on Spotlight, as this is something they can help you with.

For more information about agencies charging admin fees, visit:

www.the-98-percent.com

Where to find Alexa:

The 98% podcast - available wherever you get your podcasts

Website and industry resources:
www.the-98-percent.com

Instagram:
@the98percentpod

Acting With Alexa:
@acting.with.alexa

Alexa's book Beyond the Spotlight, co-written with her dad, explores how to survive and thrive in the real world of acting and performing arts.

Where to find Lisa and The Drama Coach:

TikTok, Instagram and YouTube:
@TheDramaCoach

SceneTribe:

This episode is supported by SceneTribe - the creative industry network built around your credits, collaborations and the work you have actually done.

www.scenetribe.com

Music from Pixabay: Soft Music 495878 by Nastelbom


S2 Ep19: Listeners Around the World: Acting, Auditions and Different Routes18 Aug 202600:21:45

Hello to our listeners around the world.

In this solo episode of The Drama Coach Podcast, Lisa takes a moment to say thank you to everyone listening and watching - not only in the UK, but also in the United States, Germany, Australia, Austria, New Zealand, Switzerland and beyond.

This episode is a little different. It is part thank you, part reflection, and part invitation.

As the podcast reaches listeners in different countries, Lisa explores how acting, training and auditions can look different depending on where you are - while also recognising that many of the questions underneath are the same.

How do I train?
How do I find experience?
How do I know if an opportunity is safe?
How do I cope with rejection?
How do I prepare for auditions?
How do I support my child without putting too much pressure on them?
How do I know if I am doing enough - or too much?

Whether you are a parent of a young performer, a teenage actor, an early career performer, a drama teacher, chaperone, agent, casting professional or someone simply curious about the industry, this episode is for you.

Lisa talks about:

  • Why podcast listeners in different countries feel so meaningful

  • How acting routes can vary between countries

  • UK systems such as Spotlight, agents, LAMDA exams, youth theatre and chaperones

  • How the American industry may involve managers, Actors Access, unions and different local markets

  • Why Australia, New Zealand, Germany, Austria and Switzerland may have different training and industry routes

  • Why there is not one correct path into acting

  • The emotional role of parents supporting young performers

  • Why young actors do not need to have everything figured out

  • The value of curiosity, kindness and resilience

  • How performers, parents and teachers can learn from each other internationally

The main message of this episode is simple: there is not one right route into acting.

Some performers start in youth theatre. Some begin through school shows, dance, commercials, voiceover, local drama groups or screen acting classes. Some train at drama school or university. Some start young, some start later, and some discover that they love writing, directing, teaching, producing, editing, movement or backstage work.

The industry is not one fixed ladder. It is a landscape.

Lisa also invites listeners outside the UK to get in touch and share what acting, training and auditions look like where they are.

What casting platforms do people use in your country?
Do young performers usually have agents?
Are self-tapes common?
Is theatre the main route?
Is screen work growing?
What do you wish more people understood about your industry?

You can message Lisa on Instagram, TikTok, Facebook or YouTube at The Drama Coach, or email lisa@thedramacoach.co.uk.

This could become a future listener question section or mini-series, with views from parents, young actors, teachers and creatives around the world.

This episode is supported by SceneTribe.

SceneTribe is the creative industries network built around the work you have done and the people you have done it with. Creatives can build multidisciplinary profiles, connect credits to productions and make real collaborations visible.

With under-18 parent-managed profiles now available, SceneTribe is becoming a really interesting space for young performers and their families to explore safely and thoughtfully.

Find out more at:
https://scenetribe.com

Connect with Lisa / The Drama Coach

Instagram:
https://www.instagram.com/thedramacoach

TikTok:
https://www.tiktok.com/@thedramacoach

Facebook:
https://www.facebook.com/thedramacoach

YouTube:
https://www.youtube.com/@thedramacoach

Email:
lisa@thedramacoach.co.uk

The Drama Coach Podcast is for young performers, parents, emerging actors and anyone supporting young people as they navigate acting, auditions, training, confidence and the industry.

Music

Music: Soft Music 495878 by nastelbom from Pixabay.

S2 Ep10: Post With Purpose - with Brian Maitland18 Jul 202601:06:54

Social media is now part of the acting landscape - but how do you use it well without losing confidence, oversharing, or putting your career at risk?

In this episode of The Drama Coach Podcast, I’m joined by Brian Maitland, an actor, professional content creator and social media coach. Brian is also part of Actors and Social Media, helping performers understand how to use social media in a more confident, professional and informed way.

This is such an important conversation for actors, young performers and parents, because online presence can feel exciting, confusing, overwhelming - and sometimes a little bit exposing. We talk about how performers can show up online in a way that feels useful and authentic, while still keeping clear boundaries around safety, privacy and professionalism.

Brian shares really practical advice on what actors should think about before posting, how social media can support a career, and where performers need to be careful. We also talk about career preservation, online behaviour, content creation and how actors can build confidence without feeling they have to become full-time influencers.

In this episode, we chat about:

Social media as part of the modern acting industry

How actors can use online platforms professionally

What young performers and parents need to consider before posting

Online safety, privacy and boundaries

Career preservation - and why your digital footprint matters

The difference between being visible and oversharing

How to create content without losing yourself

Confidence, comparison and protecting your mindset online

What performers should avoid posting

Practical tips for actors who want to use social media more intentionally


Guest links:

@brianmaitland 

Actors and Social Media: ⁠http://www.actsocmed.com⁠www.actsocmed.com

@mrmckillop

@abigailcoyy


Follow The Drama Coach:

Instagram: @thedramacoach
TikTok: @thedramacoach
YouTube: The Drama Coach
Website: www.thedramacoach.co.uk

The Drama Coach Podcast is for young performers, parents of young performers, and actors navigating training, auditions, confidence and the industry with a bit more clarity.

Sponsored by SceneTribe

This episode is sponsored by SceneTribe - a growing creative community helping performers, creatives and industry professionals connect, collaborate and be seen.

Find out more and create your profile at: www.scenetribe.com

S2 Ep9: Drama School Isn’t the Only Door14 Jul 202600:10:30

In this solo episode of The Drama Coach Podcast, I’m following on from my conversation with Ethan and Katie, who are studying Drama, Theatre and Performance at the University of Lincoln, to talk about something I think a lot of young performers need to hear: Drama school isn’t the only door.

This is not an anti-drama-school episode. Drama school can be brilliant for the right person, at the right time, on the right course. But it is not the only valid route into acting, theatre, performance or the creative industries.

For young performers, the pressure to find “the route” can feel huge. Drama school auditions, recalls, rejections, university choices, gap years, training options and comparison can all become overwhelming. This episode is here to offer a calmer, more honest perspective.

In this episode, I talk about:

  • Why there is no single perfect route into acting

  • The pressure young performers can feel around drama school

  • Why not getting into drama school does not mean you are not talented

  • How “not yet” is different from “never”

  • Why university drama can be a brilliant and valid option

  • The value of making work, devising, writing, directing and collaborating

  • Why actors need life experience, curiosity and resilience

  • How to make any route active, not passive

  • The comparison trap for young performers and parents

  • Why the route matters less than what you do with it

This episode is especially useful for older teens, parents of young performers, drama students, university applicants, drama school applicants, gap year students and anyone feeling unsure, disappointed or behind in their acting journey.

This episode is sponsored by SceneTribe - the new network for the creative industries.

SceneTribe is built around your credits, your collaborations and the work you’ve actually done, helping performers, crew, creatives, agents and producers build profiles and discover opportunities through real creative connections.

https://scenetribe.com/


Follow The Drama Coach:

Instagram: @thedramacoach TikTok: @thedramacoach YouTube: The Drama Coach Website: thedramacoach.co.uk

If this episode helped you breathe a little bit, please share it with a young performer or parent who needs to hear that there is more than one door.


S2 Ep8: Drama at University: Is It a Serious Route?11 Jul 202600:57:53

In this episode of The Drama Coach Podcast, I’m joined by Katie and Ethan, who are both studying Drama, Theatre and Performance at the University of Lincoln.

This is a really honest conversation about what drama at university is actually like - from choosing a course, moving away from home and making friends, to dealing with pressure, comparison, rejection and the big question of whether drama school is the only “serious” route into the industry.

Katie and Ethan speak brilliantly about finding a course that felt right for them, why university drama can offer a broader experience, and how studying drama can build confidence, communication skills, independence and resilience - whether you go on to act professionally or take those skills into another path.

We talk about:

  • Why Katie and Ethan chose university drama instead of drama school

  • Whether drama school is still seen as “the route”

  • The pressure young performers can feel when choosing their next step

  • What their course actually involves day to day

  • Screen acting, Shakespeare, devised work and performance modules

  • Moving away from home and growing in independence

  • Making friends and building a support system at university

  • Rejection, comparison and staying resilient

  • Why there is no single path into acting

  • Side jobs, finances and staying realistic

  • Advice for teens considering drama at university

  • Advice for parents supporting those big decisions

This episode is especially useful for teen performers, young actors, parents of young performers, and anyone wondering whether drama at university can be a valuable and meaningful route.

As always, this is about building confidence, understanding and realistic expectations - whether you’re a young performer or a parent supporting one.


Guest Links / Follow

University of Lincoln - Drama, Theatre and Performance: https://www.lincoln.ac.uk/course/drathfub/

Ethan TikTok: @et.armour


Follow The Drama Coach Podcast for honest conversations about acting, auditions, training, confidence and the industry - for young performers and the people supporting them.

The Drama Coach: https://www.thedramacoach.co.uk

Instagram / TikTok / YouTube: @TheDramaCoach

Music: Soft Music 495878 by nastelbom, Pixabay.


S2 Ep7: Your Voice Is Part of Your Acting Kit07 Jul 202600:10:30

In this solo episode of The Drama Coach Podcast, I’m following on from my conversation with Rosie Stancliffe, also known online as the Geordie Voice Coach, to talk about why your voice is such an important part of your acting kit.

For actors, your voice is not just about being loud. It’s about breath, body, clarity, thought, emotion and connection. Whether you’re preparing for a drama class, LAMDA exam, school production, self-tape, audition or performance, your voice needs care and attention.

So often, young performers only think about their voice when something goes wrong - they lose it, strain it, rush, go quiet, or shout instead of projecting. This episode is a practical reminder that looking after your voice is part of being a performer.

In this episode, I talk about:

  • Why voice work is about more than volume

  • The difference between projecting and shouting

  • How nerves can affect the voice

  • Why the voice lives in the body

  • Common mistakes young performers make with voice

  • Rushing, dropping line endings and disconnecting from meaning

  • Why warm-ups matter before auditions, rehearsals and performances

  • A simple pre-performance voice routine

  • How parents can support vocal care without becoming voice coaches

  • Why young performers need to treat their voice with respect

This episode is especially useful for young actors, parents, drama students, LAMDA learners, musical theatre performers and anyone preparing for auditions, exams, rehearsals or live performance.

This episode is sponsored by SceneTribe - the new network for the creative industries.

SceneTribe helps actors, performers, voice artists, crew and creatives build beautiful profiles around their credits, collaborations and creative journey.

Find out more: https://scenetribe.com/


Follow The Drama Coach:

Instagram: @thedramacoach

TikTok: @thedramacoach

YouTube: The Drama Coach

Website: thedramacoach.co.uk


If this episode is useful, please follow, subscribe, leave a review or share it with a young performer who needs a reminder to look after their voice.


S2 Ep6: Finding Your Voice as a Young Performer04 Jul 202601:23:19

In this episode of The Drama Coach Podcast, I’m joined by Rosie Stancliffe, an actor and voice coach from Tyne and Wear, also known online as Geordie Voice Coach.

This conversation is a brilliant deep dive into what voice training actually is, why it matters for young actors, and how performers can build vocal confidence without feeling they have to lose who they are. We talk about breath, resonance, articulation, tension, accent, identity, drama school preparation, vocal health, and how voice work connects so closely to truthful acting.

Rosie also shares practical exercises that young performers can try safely at home, including ways to explore resonance, support articulation, release jaw tension and begin looking after the voice more thoughtfully.

We also discuss accent bias, regional voices, authenticity, and why accents are not just something to “put on”, but are deeply connected to identity, culture and lived experience. Rosie speaks beautifully about helping performers lean into their own sounds rather than feeling they need to smooth themselves out or change who they are.

Voice practitioners discussed in this episode include:

Cicely Berry, David Carey and Rebecca Clark Carey, Barbara Houseman

Jessica Wolfe - https://www.jessicawolfartofbreathing.com/the-art-of-breathing

Rosie Stancliffe website: https://www.rosiestancliffe.com/

TikTok: @GeordieVoiceCoach

Instagram: @georgievoicecoach


Follow @TheDramaCoach for more acting tips and podcast clips.

Find links, resources and coaching here: https://linktr.ee/TheDramaCoach


Music: Soft Music 495878 by nastelbom (Pixabay)


S2 Ep18: Inside the Casting Process15 Aug 202601:05:56

What does a Casting Director really notice in a self-tape - and what happens after an actor presses send?

In this episode of The Drama Coach Podcast, Lisa is joined by professional Casting Director Liyanne Marie, who works across commercials, film, television, live projects, media content and vertical drama.

Liyanne takes us behind the scenes of the casting process, explaining how Casting Directors interpret a creative brief, search for talent and help bring a director’s vision to life. She also shares honest, practical advice about self-tapes, safe casting practices, professional behaviour and building a sustainable creative career.

As one of the first UK Casting Directors working extensively in vertical drama, Liyanne also explains what this rapidly growing mobile-first format involves, why its acting style can feel different and how it is creating new opportunities for performers.

In this episode, Lisa and Liyanne discuss:

  • ​What a Casting Director actually does behind the scenes
  • ​How performers are discovered and selected for auditions
  • ​Why receiving a self-tape request is already an achievement
  • ​What makes an actor stand out for the right reasons
  • ​The importance of presence, energy, confidence and a strong eyeline
  • ​Why actors should stop trying to guess what Casting Directors want
  • ​Creating the world of the scene rather than simply delivering the lines
  • ​Self-tape lighting, sound, backgrounds and framing
  • ​Why a small mistake does not necessarily ruin an audition
  • ​What vertical and micro dramas are
  • ​The heightened acting style often used in vertical drama
  • ​The speed, script demands and opportunities involved in these productions
  • ​Casting safety and researching opportunities before submitting
  • ​Why parents and performers should always ask questions
  • ​Agents, Spotlight profiles, headshots and social-media visibility
  • ​Staying safe when managing a young performer’s online profile
  • ​Professional behaviour on set - for performers and parents
  • ​Why kindness, preparation and reputation matter in a small industry
  • ​Remaining proactive when acting opportunities feel limited
  • ​Building a creative career without losing your confidence or passion

Liyanne also reminds performers that Casting Directors want actors to succeed. Being invited to audition means that somebody has already seen potential in you - even when that particular audition does not lead to the job.


Instagram: @liyannem

Casting Instagram: @liyannemariecasting

TikTok: @liyannemariecasting1

Website: https://liyannemariecasting.com/

LinkedIn: Liyanne Marie


@TheDramaCoach on Socials


Sponsored by SceneTribe

This episode is supported by SceneTribe - the creative-industry network built around your credits, collaborations and the work you have actually done:

https://scenetribe.com/


Soft Music 495878 by NastelbomMusic sourced from Pixabay.

S2 Ep17: Where Do Actors Find Auditions? Casting Platforms Explained11 Aug 202600:41:07

Spotlight, Mandy, Backstage, StarNow, Casting Callback, Actors Access, SceneTribe… where do actors actually find auditions, and which casting platforms are worth using?

In this solo episode of The Drama Coach Podcast, Lisa talks through the world of casting platforms and what they can - and can’t - do for actors, young performers and parents.

Casting platforms can be brilliant tools, but they are not magic doors, career guarantees or measures of talent. They are one part of a much bigger picture that includes training, confidence, self-tape skills, good materials, safe adults, professional communication and the ability to handle rejection without losing the joy.

This episode is especially for parents of young performers, teens, emerging actors and anyone feeling overwhelmed by the number of casting sites, subscriptions and opportunities out there.

Lisa talks about:

• What casting platforms are actually for
• Why you do not need to be on everything
• Spotlight and when it becomes useful in the UK
• Actors Access and the US market
• Mandy, Backstage, StarNow and Casting Callback
• SceneTribe and creative industry profiles
• How to think about paid platforms and subscriptions
• What makes a good actor profile
• Safety considerations for young performers
• Why casting platforms are not a substitute for training
• How to use audition sites without constantly checking, refreshing and worrying
• Keeping the young person at the centre of the process

The main message of this episode is simple: you do not need to be everywhere. You need to be in the right places for your stage, your goals and your safety.

For young performers especially, the priority should always be good training, safe support, clear communication, healthy expectations and a performer who still loves what they are doing.

Casting platforms can open doors, but they should never become the whole house.

Useful links

Spotlight:
https://www.spotlight.com

Mandy:
https://www.mandy.com

Backstage:
https://www.backstage.com

StarNow:
https://www.starnow.com

Casting Callback:
https://www.castingcallback.com

Actors Access:
https://actorsaccess.com

SceneTribe:
https://scenetribe.com

This episode is supported by SceneTribe.

SceneTribe is the creative industries network built around the work you have done and the people you have done it with. Creatives can build multidisciplinary profiles, connect credits to productions and make real collaborations visible.

With under-18 parent-managed profiles now available, SceneTribe is becoming a really interesting space for young performers and their families to explore safely and thoughtfully.

Find out more at:
https://scenetribe.com

Connect with Lisa / The Drama Coach

Instagram:
https://www.instagram.com/thedramacoach

TikTok:
https://www.tiktok.com/@thedramacoach

Facebook:
https://www.facebook.com/thedramacoach

YouTube:
https://www.youtube.com/@thedramacoach

The Drama Coach Podcast is for young performers, parents, emerging actors and anyone supporting young people as they navigate acting, auditions, training, confidence and the industry.


Music: Soft Music 495878 by nastelbom from Pixabay.

S2 Ep16: Building a Lasting Acting Career08 Aug 202601:10:56

In this episode of The Drama Coach Podcast, Lisa is joined by actor, voice artist, director, writer and composer Helen Goldwyn for an honest and thoughtful conversation about building a lasting career in the performing arts.

Helen began professional training at Arts Educational Schools at the age of 12 and has since developed a wide-ranging creative career across theatre, musical theatre, audio drama, voiceover, directing, writing and composing. She is currently part of the company of Allegra, the new play starring Dame Maureen Lipman, covering the roles of Allegra and Anna as the production tours before heading into the West End.

Together, Lisa and Helen explore what life as a working actor really looks like - including the joy of performing, the sacrifices involved, the importance of flexible work and what it takes to remain creative and resilient between acting jobs.

Helen also shares refreshingly honest advice about casting, rejection and self-belief. She explains why performers need to separate their personal identity from their casting identity, why persistence and genuine industry relationships matter, and how creating your own work can help you stay active without waiting for somebody else’s permission.

In this episode:

  • Helen’s journey from full-time ballet training to a varied performing career

  • The realities and sacrifices of life as a working actor

  • Touring, understudying and staying ready to perform

  • Why performers need flexible work alongside acting

  • Opportunities within voiceover, audio drama and creative work

  • Building genuine relationships without forced networking

  • Handling rejection without making it personal

  • Understanding your casting while valuing yourself beyond it

  • Staying creative during quieter periods

  • Social media as a professional tool - and maintaining safe boundaries

  • Why comedy must be grounded in truth

  • Finding the skills and qualities that make you distinctive

  • Positive affirmations, confidence and learning to recognise your achievements

  • How parents can offer constructive feedback without undermining confidence

  • Learning to be happy between acting jobs

Helen’s central message is an important one: You are not defined by whether you are currently acting or by how successful your career appears to be. There are other parts of life to enjoy, other ways to remain creative and many different versions of a successful performing career.

Tiktok & Instagram: @a_real_character 

Website and voice demos:https://helengoldwyn.com

YouTube - comedy songs, performances and creative work:https://www.youtube.com/channel/UC9B_3kt2DNvNuGlgSKJ41dA

Facebook: Search Helen Goldwyn - Composer/Performer

Website and coaching:https://www.lisasoutham.co.uk

TikTok, YouTube and Facebook:@TheDramaCoach

All podcast episodes, acting resources and useful links:https://linktr.ee/thedramacoach

SceneTribe is a creative networking platform helping performers and other creatives build profiles, make connections and become part of a supportive professional community.

Find out more:https://scenetribe.com

‘Soft Music 495878’ by NastelbomMusic sourced from Pixabay.

Follow or subscribe to The Drama Coach Podcast and share this episode with a young performer, parent or early-career actor who may find it useful.

S2 Ep 15: Confidence Within - On Stage, On Camera and in Life04 Aug 202600:25:32

Speaking with confidence isn't just about standing on a stage or delivering a presentation. For young performers, it's walking into an audition room, introducing yourself on a self-tape, answering interview questions, speaking up in rehearsals and learning to trust your own voice.

In this solo episode, Lisa explores why confidence isn't something you're born with - it's something you build. Drawing on her experience as an actor, communication coach and drama teacher, she shares practical tools to help performers, parents and anyone who wants to communicate more clearly and authentically.

Inspired by the themes in her book Confidence Within, this episode is packed with simple techniques you can start using today.

  • Why confidence is a skill, not a personality trait

  • How acting and public speaking complement each other

  • Why performers need communication skills beyond the performance itself

  • The connection between breath, body language and voice

  • How pauses can make you sound more confident

  • Self-tape slates and speaking as yourself

  • Eye contact, connection and authentic communication

  • Helping young performers build confidence one small step at a time

  • Why waiting until you "feel confident" rarely works

  • Practical confidence tools for auditions, presentations and everyday life

  • Supporting young performers without adding pressure

  • Why acting teaches life skills that go far beyond the stage

  • Building self-belief from the inside out

In this episode, Lisa discusses:Resources mentioned:Related episodes:
Connect with Lisa:

Lisa offers 1:1 coaching for:

  • Acting auditions

  • Self-tapes

  • Public speaking

  • Confidence and communication

  • Drama school preparation

  • Young performers and adults

Visit the website or get in touch via social media to find out more.

SceneTribe - The creative industries network built around your credits, collaborations and the people you've worked with.

Music: Soft Music 495878 by nastelbom from Pixabay

CoachingThis episode is supported by:

S2 Ep 14: Drama School Auditions: What They’re Really Looking For01 Aug 202601:07:29

In this episode of The Drama Coach Podcast, Lisa is joined by Adam Stadius from Get Into Drama School for a practical, honest and reassuring conversation about drama school auditions, actor training and preparing for the next stage.

This episode is especially useful for teens, young adults and parents who are starting to think seriously about drama school, conservatoire training, audition preparation and what it actually takes to apply.

Adam is an acting coach and actor training specialist whose work through Get Into Drama School helps applicants understand and prepare for drama school auditions. He is also a Meisner technique specialist, working through Northern Meisner Lab in Leeds, and is Deputy Head of the School of Drama at Leeds Conservatoire.

Together, Lisa and Adam talk about how to choose where to apply, what schools are really looking for, how to prepare monologues and songs, and why the audition process is not about being perfect. It is about preparation, openness, curiosity and showing who you are as a performer.

In this episode, we talk about:

  • What drama school and conservatoire training actually involves

  • Whether drama school is the only route into the industry

  • How to choose which schools or courses to apply for

  • Why open days and the “feel” of a school really matter

  • Foundation courses, degrees, diplomas and different training routes

  • What drama schools are looking for in applicants

  • Talent, potential, attitude and work ethic

  • How to choose strong audition material

  • Why your monologue does not need to be the “perfect” piece on the page

  • Contemporary and classical monologues

  • Shakespeare and why doing the work matters

  • Self-tape auditions and how not to overthink them

  • What happens at an in-person audition or recall day

  • How to approach redirection in the room

  • Interview questions and being honest about where you are

  • Meisner technique, listening and truthful acting

  • How parents can support without adding pressure

  • Why one audition season does not define your whole future

A key message from this episode is that drama school auditions are not about arriving as a finished product. They are about showing potential, curiosity, willingness and a readiness to learn.

For young performers, this is a brilliant reminder that you do not have to be perfect. You need to be prepared, open and brave enough to bring yourself to the work.

For parents, it is a helpful look behind the curtain at what drama school auditions can involve, and how you can support your young performer without taking over or adding extra pressure.

Where to find Adam:

Get in to Drama School on TikTok: @dramaschooltips 

You can also find his online school community through the link in his bio.

For Meisner technique and classes in Leeds, you can find Northern Meisner Lab on Instagram: @northernmeisnerlab

Where to find Lisa:

TikTok, Instagram and YouTube: @TheDramaCoach

This episode is supported by SceneTribe - the creative industry network built around your credits, collaborations and the work you have actually done.

Find out more at:

www.scenetribe.com

Music from Pixabay:Soft Music 495878 by Nastelbom


S2 Ep13: Why Young Performers Need More Than a CV28 Jul 202600:25:32

Why Young Performers Need More Than a CV

In this solo episode of The Drama Coach Podcast, Lisa explores why a young performer's journey is about far more than credits, castings and professional CVs. From school productions and youth theatre to workshops, self-tapes and creative collaborations, every experience contributes to a bigger picture of growth, confidence and professional awareness.

Lisa reflects on how parents can help young performers recognise their progress, build healthy creative networks, and develop a sense of identity that isn't dependent on booking the next role. She also discusses online visibility, safety, and the importance of adult support when young performers begin creating a professional presence. Inspired by the launch of parent-managed under-18 profiles on SceneTribe, this episode opens up a wider conversation about helping young creatives build a record of their work safely, sensibly and with perspective.

In this episode, Lisa discusses:

  • Why young performers need more than a list of credits
  • The difference between visibility and fame
  • How creative experiences contribute to long-term development
  • Why reflection is often more valuable than outcomes
  • Building professional awareness and understanding the wider industry
  • Networking without being pushy
  • The importance of kindness, communication and reputation
  • Parent-managed profiles and online safety
  • What to include on a young performer's profile
  • Supporting multidisciplinary creative interests
  • Why no platform, profile or agent is a shortcut to success
  • Practical steps parents can take this week to support their child
  • How to help young performers build confidence in a healthy way

Resources mentioned:

Connect with Lisa:

This episode is sponsored by:

  • SceneTribe - The creative industries network built around the work you've done and the people you've done it with.

Music:

Music by Soft_Music 495878Nastelbom from Pixabay.

S2 Ep 12: The Business of Being a Performer - with Jamie Body25 Jul 202601:03:58

In this episode of The Drama Coach Podcast, Lisa is joined by Jamie Body - performer, presenter, journalist, podcast host and industry educator.

Through his work on The Business of Show Business, Jamie helps performers understand not just the craft, but the career: Branding, self-promotion, networking, communication and the wider realities of building a creative life.

This conversation is all about what young performers need beyond talent. Because while training, technique and performance skills absolutely matter, they are not the whole picture. Jamie and Lisa talk about the transferable skills that come from performing arts training, how to think about yourself as a creative professional, why branding does not have to feel fake, and how young performers can begin building confidence, clarity and professionalism as they step into the industry.

Jamie also shares brilliant insight into networking, social media, audition rooms, presenting, journalism, rejection, red flags, parent support and the importance of knowing how to talk about who you are and what you bring.

This is a really useful episode for young performers, parents, drama students and anyone trying to understand the industry in a wider, more grounded way.

In this episode, we talk about:

  • Jamie’s route from dance training into presenting, journalism, podcasting and industry education

  • Why performing arts training gives you transferable skills for life

  • Confidence, communication and the value of asking questions

  • Why talent can get you one job, but professionalism helps build a career

  • What “personal branding” really means for performers

  • Why your in-person presence and online presence need to match

  • How young performers can be specific without limiting themselves

  • The importance of research before auditions and opportunities

  • Networking without being pushy or fake

  • Why social media can be useful, but should not be your only asset

  • Parent-managed accounts, online professionalism and digital footprints

  • Red flags around money, scams and unsafe opportunities

  • Age-appropriate material for young performers

  • Rejection, resilience and allowing yourself to feel disappointed

  • Presenting, interviewing and the importance of listening

  • Why performers need to value their time, skills, body, voice and wellbeing

A few key takeaways:

Talent matters, but it is not the only thing that builds a long, sustainable career.

Your training gives you more than performance skills - it teaches you confidence, discipline, listening, communication, quick thinking and the ability to work with other people.

Branding does not mean pretending to be something you are not. It is about understanding how people experience you, what you bring, and how clearly you communicate that.

Networking is not just handing out business cards. It can happen in audition rooms, classes, rehearsals, waiting rooms and everyday conversations.

Social media can be a helpful tool for performers, but it needs to be used thoughtfully, safely and professionally - especially when children and young performers are involved.

For parents, this episode is a reminder that your child’s creative journey is not just about bookings, auditions or “making it”. It is also about the skills, confidence, relationships and self-understanding they build along the way.

You can find Jamie on instagram & TikTok: @bodyjamie 

Podcast: The Business of Show BusinessYouTube: The Business of Show Business

TikTok: @businessofshowbusiness

Instagram: @the_business_of_show_business

You can find Lisa and The Drama Coach on socials @thedramacoach

https://linktr.ee/TheDramaCoach

If you enjoyed this episode, please share it with a young performer, parent or creative who might find it useful.


S2 Ep11: Post With Purpose: Social Media for Young Actors21 Jul 202600:11:52

In this solo episode of The Drama Coach Podcast, I’m following on from my conversation with Brian Maitland, actor, professional content creator and social media coach, to talk about social media for young actors.

Whether we like it or not, social media is now part of the acting landscape. It can be useful for visibility, connection, learning, sharing work and building a creative network. But it can also become overwhelming, distracting and unhealthy if young performers start measuring their talent or worth by likes, views and followers.

This episode is about using social media with more intention. Not posting because you are panicking. Not posting because everyone else is. Not posting because you feel you need to prove something. Posting with purpose.

In this episode, I talk about:

  • Why social media is a tool, not your whole acting career

  • How actors can use social media professionally and safely

  • What “post with purpose” really means

  • Why young performers should not chase validation online

  • Social media safety for children and teens

  • What parents need to consider before posting about their child’s acting journey

  • Why confidential audition material, scripts and set details should not be shared

  • Useful content ideas for actors and young performers

  • What not to post online

  • Why views, likes and followers are not a measure of talent

This episode is especially useful for young actors, parents of young performers, teen performers, drama students and anyone trying to navigate acting, social media, visibility and professionalism in a healthier way.

This episode is sponsored by SceneTribe - the new network for the creative industries.

SceneTribe is a new platform for actors, performers, crew, creatives, agents and producers, built around your actual work, your credits, your collaborations and the people you’ve worked with.

Find out more at https://scenetribe.com/

Follow The Drama Coach:

Instagram: @thedramacoach TikTok: @thedramacoach YouTube: The Drama Coach Website: thedramacoach.co.uk

If this episode helps, please follow, subscribe, leave a review or share it with a young performer, parent or actor who is trying to navigate social media in a grounded, purposeful way. Thank you :)


S2 Ep 21: Self-Tapes - Beyond the Basics25 Aug 202600:51:50

In this solo episode of The Drama Coach Podcast, Lisa talks about how young performers, older teens and early career actors can move beyond the basic self-tape setup and start making stronger, clearer acting choices.

Self-tapes are now a huge part of the acting world - but not every tape needs the same approach. A TV drama tape, drama school monologue, comedy scene, commercial casting, musical theatre submission or voiceover-style read may all need slightly different energy, style and focus.

In this episode, Lisa explores how to work out what kind of self-tape you are making, what the viewer needs to see, and how to make choices that feel truthful, specific and connected - without over-performing or trying too hard to “stand out”.

This episode covers:

  • Why the purpose of the self-tape matters

  • The difference between screen, stage, comedy, commercial and drama school tapes

  • Wardrobe choices - suggesting character without dressing up

  • When props help and when they distract

  • How to slate clearly and confidently

  • Why too many takes can kill spontaneity

  • How to watch yourself back without self-criticism

  • The changing role of parents as teen performers get older

  • Why older teens need to start taking ownership of their self-tapes

  • How specificity makes a tape more watchable

  • Common self-tape mistakes to avoid

  • Why not booking the role does not mean the tape was bad

  • A simple self-tape checklist before you send

A strong self-tape is not about perfection. It is about truth, clarity, connection and making choices that suit the role, the project and the purpose of the audition.

This episode is ideal for young actors, teen performers, early career actors, drama students and parents supporting young performers through auditions.

Useful links:

Find Lisa on Instagram, TikTok, Facebook and YouTube: @TheDramaCoach

Email Lisa: lisa@thedramacoach.co.uk

This episode is supported by SceneTribe - the creative industries network built around the work you’ve done and the people you’ve done it with. Find out more at: www.scenetribe.com

Music: Soft Music 495878 by nastelbom from Pixabay.


Trailer - The Drama Coach Podcast26 Aug 202600:01:14

Welcome to The Drama Coach Podcast - practical, honest conversations for performers and parents of young performers navigating acting, training and the industry.

Hosted by actor, drama coach and podcast host Lisa Southam, the podcast covers acting technique, self-tapes, auditions, agents and representation, confidence, casting, working on set and the things nobody really explains when you're starting out.

You’ll hear from actors, casting directors, agents, directors, coaches and other industry professionals - alongside practical solo episodes you can put into action.

Whether you're just starting out, supporting a young performer or already working and looking to keep developing, there’s something here for you.

Follow The Drama Coach Podcast and start exploring the episodes.

The Drama Coach Podcast
Hosted by Lisa Southam - actor, drama coach and podcast host.

Follow @thedramacoach on Instagram, TikTok and YouTube.

© My Podcast Data · Projet indépendant · Données issues d'Apple & Spotify