The upcoming 18th Annual Sydney Underground Film Festival kicks off in Newtown, NSW, on Thursday 12 September with a Smell-O-Rama screening of John Waters cult classic Female Trouble, celebrating its 50th anniversary. The festival runs until Sunday 15 September with a huge array of films and features ranging from the truly bonkers Vulcanizadora to the superbly surreal Can't Stop the Music extravaganza, alongside frightfully great features like the Aussie dark comedy The Organist to the latest work of the provocative filmmaker Bruce LaBruce, The Visitor.

There will also be a book launch from myself on Friday evening at Better Read Than Dead, where I'll be joined by Jack Sargeant and Platon Theodoris to kick off my new book, Lonely Spirits and the King.

Tickets for all of these films, and more, are available via SUFF.com.au.

Ahead of the festivals launch, I caught up with Festival Director Nathan Senn to chat about what makes an underground film festival an underground film festival, how important it is to showcase films from different genre backgrounds, and what it means to amplify Australian filmmakers like Saara Lamberg, whose film The Lies We Tell Ourselves screens at the festival on Sunday 15 September.

We dig into a bunch of recommendations, stories about the films screening at the fest, and a bunch more in this in depth discussion.

If you're in Sydney for the fest, come along and say hello. It's going to be one heck of a festival.

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Law Chen's familial documentary Starring Jerry as Himself follows retired Florida man Jerry C. Hsu as he's recruited by Chinese police to become an undercover agent. The documentary follows Jerry as he retells his story about how he was recruited, what actions he needed to take to help inform the agents, and, most importantly, the lengths he goes to to hide his recruitment from his family.

Starring Jerry as Himself features Jerry and his family re-enacting Jerry's story, which is frequently tense, but thanks to the optimism and positive outlook of the world that Jerry has, the film is also rather endearing.

In the following interview with Jerry and his son (and the films producer) Jonathan, we delve into the spoilers of the film, and as Jonathan mentions at the start, the two would hope that audiences go into the film knowing as little as possible.

Starring Jerry As Himself was the Grand Jury Prize Winner at the 2023 Slamdance Film Festival, where it also received the award for Best Actor for Jerry, and it was the Audience Award winner.

In the following interview, Jerry talks about his life on screen, what it was like reenacting these moments of his life, while Jonathan talks about what it is like to have Jerry as a father.

This interview was recorded ahead of the films launch at the Castlemaine Documentary Film Festival in June 2024. Keep an eye out for a future release in Australia.

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The boxing film subgenre gets an esteemed new entry in the form of Paul Goldman's Kid Snow. Set in the 1970s, Kid Snow follows Billy Howle as the titular character, a washed-up fighter who has one last shot at glory. Shot in the red dirt of WA, Kid Snow also features an impressive line-up of Aussie actors including Phoebe Tonkin, Hunter Page-Lochard, Mark Coles Smith, and Nathan Phillips.

Nadine Whitney spoke to Paul Goldman ahead of the World Premiere at the 2024 Sydney Film Festival, with the two talking about Paul's experience of shooting in Kalgoorlie, how he cast the roles, and the allure of the drama within a boxing story.

Kid Snow has two more screenings at the Sydney Film Festival on 14 and 15 June before it heads west where it screens as the opening night film for the Revelation International Film Festival in Perth on 3 July. Tickets for all screenings are available now. 

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We once again return to the world of Alfred Hitchcock's with the third of his Best Picture nominated films, Suspicion. Joan Fontaine won Best Actress for her performance as Lina, a young woman who falls for a suave and confident man named Johnnie, played with ultimate-comfort by Cary Grant. Dave defends his favourite Hitchcock, delving into the complexity of the narrative, the uncertainty of the ending, and the eroticism of wanting Cary Grant to 'step on your neck'. Dig on in to this episode of Awards Don't Matter and find out why this one matters.

Oh, and everything you need to know about the AFL.

Clips featured in this episode:

Dinner Scene // Milk Scene // Joan Fontaine Talking About  Her Oscar Win

Watch the original theatrical trailer below:

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The Melbourne Documentary Film Festival kicks off its in-person in-cinema screenings on July 21st through to July 31st at the Cinema Nova. Screening at this years fest is the film, Mental as Everything:

Damon Smith has estimated that he has spent around 50 thousand hours of his life, so far, participating in absurd ritualistic behaviors associated with his obsessive Compulsive Disorder. With the help of his anxious friend, Adam, these two, Australian musicians, share, with original music, preposterous humor, and outlandish animations, the intricate and debilitating nature of what it is like to live and talk about mental illness in a world where it's ok to talk about a broken arm but not ok to talk about a broken mind.

Andrew caught up with Damon to chat about how the film was made, what the creative process is like for a musician turned filmmaker, and the main theme of the film: mental health. It may sound like a dark subject on paper, but Mental as Everything embraces the subject with heart and compassion, and most importantly, a levity that is often missing with the subject of mental illness.

Pick up tickets to Mental as Everything here, and make sure to follow the Mental as Everything Facebook page too.

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We arrive at maybe the most notorious and contentious Best Picture winners... ever? John Ford's How Green Was My Valley which triumphed over the 'Best Film Ever', Orson Welles Citizen Kane. In a possibly strident, and yet no less passionate, defense of How Green Was My Valley, co-hosts Dave and Andrew discuss John Ford's enduring classic, encouraging modern viewers to embrace this film without the shackles of its Oscar glory. Somehow we even wrap in a comparison to Steven Spielberg's Ready Player One.

Listen to Dave's Top 25 Films of All Time list on Talk Film Society here.

Oh, and also make sure to watch The Little Foxes too.

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The Scandinavian Film Festival is fast approaching, and Andrew caught up with the Icelandic Film Centre's Festival Manager, Christof Wehimeier, to discuss all things Nordic with an interview that explores the importance of cultural representation on film, what exactly makes up a Scandinavian film, and the need for festivals like this.

Head over to the festival website for more details, and keep up to date with the festival via their Facebook page.

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Perth's Revelation Film Festival has been partially delayed due to lockdowns, but that doesn't stop the films being talked about. Andrew catches up with local filmmaker Sharnya Yates to discuss her short film, Choice, which screens alongside Rebel Dykes. This is a powerful short film that deserves to be seen by all. 

The plot is: 

Nina is a caring, loving, but exhausted mum & wife who has tried to be everything that everyone needs. Responding to the coming out of her transgender teenager, Nina battles with the choices that she and her family have to make and how these choices will affect her child! …. but timing is everything!

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Charlie Chaplin is best known for his silent films, but quick in the minds of film lovers would be his iconic speech that concludes his Best Picture nominated film, The Great Dictator. Co-hosts of Awards Don't Matter sift through this powerful satire and assess how difficult it is to craft biting comedy that shakes its fists at the powerful. Find out in this episode whether Chaplin's maniacal dictator film still matters or not in this episode.

Featured in this episode is a clip of Daniel Taradash presenting Charlie Chaplin his honorary Oscar at the 1972 44th Academy Awards:

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Perth's Revelation Film Festival kicks off on July 1st and runs through til July 11th. Andrew caught up with festival programmer Richard Sowada to discuss how the festival has changed due to the ongoing pandemic, the impact of streaming services on film festivals, and more.

Make sure to head along and check out some of the stellar films screening at this years festival, and if you can't head along, support the festival by donating here. And, if you're not in Perth or can't attend the festival, then curate your own festival by watching previous Rev films on RevStream.

For everything else Rev, keep an eye on their social media pages here:

Facebook // Instagram // Twitter

And check out the trailers for this years films on YouTube here.

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The great Alfred Hitchcock never won a Best Director Oscar, and only received the prestige of winning Best Picture once in his career. Join co-hosts Dave and Andrew as they return to Manderlay and revisit the gothic romance that is Rebecca. Featuring stellar performances from Joan Fontaine and Laurence Olivier, this is a mystery you'll want to dive into.

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We take momentary leave from the 1930's and 1940's to move to the modern day, and look at the most recent Best Picture winner, the 93rd in fact: Chloé Zhao's Nomadland.

Winning three awards, including Best Actress for Frances McDormand and Best Director for Chloé Zhao, Nomadland follows Fern (McDormand) as she navigates her nomad life in modern America, through the rising gig economy and the pressing reality of a world that pushes against an ageing workforce.

In this episode, co-hosts Andrew and Dave are joined by Off Screen Death co-host, Michael Denniston, to discuss whether Nomadland matters, addressing its complexities and thematic threads.

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The deserving Best Picture winner of 1939, Ernst Lubitsch's masterful Ninotchka, gets a deep dive discussion in this episode as co-hosts Dave and Andrew swoon over Greta Garbo, laugh over her immaculate comedic timing, and fawn over the hilarious script co-written by the one and only Billy Wilder. Dig into this Russian/France rom-com and discover your new relationship litmus film.

Please, go and watch this delightful film right now.

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One of the finest films having its Australian premiere at the festival is Jaydon Martin's stunning feature debut film Flathead. This fiction-documentary hybrid film follows Cass Cumerford, a bloke near the end of his days who returns to Bundaberg, the region he grew up. Swaying into the town, he finds consolation and support with various religious sects that have sprung up in the land before he flows into the life of Andrew, a Chinese-Australian fish and chip shop owner who is dealing with his own understanding of mortality.

Flathead follows these real figures as they're nudged along a partly-fictional narrative, and as the film plays with a sublime black and white presentation, it sways into a dreamlike state, providing a highly affecting story about modern Australia.

It's that notion of what a modern Australia is that drives the following conversation with Jaydon, who took four years to make the film and had to leave Australia to realise what it was that he needed to make. Flitting into some of the scenes, and delivering a closing duet with Cass, is fellow filmmaker Brodie Poole, a documentarian in his own right who has also essayed what modern Australia looks like on screen with his documentary General Hercules. Both Brodie and Jaydon are engaging in an essential conversation right now about Australian identity and culture, and in doing so, they're also reasserting the notion of who gets to tell stories on screen in this place we call Australia.

Flathead is an experience like no other, and my words here barely scrape the thematic text of the film, nor do they do justice to what Jaydon is putting forward as a filmmaker. As a nation, there is a shortage of filmmakers who operate in the realm of social realism, and I'm hoping beyond hope that Jaydon continues down this path. If so, then we will be richly rewarded as his body of work builds over the years.

For now, do what you can to see Flathead. It's one of the finest Australian films of the year.

It screens on 12 June and 15 June at the Sydney Film Festival. For tickets, visit sff.org.au.

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Aussie author, screenwriter, and critic, Anthony O'Connor, has landed on the bookshelves of the nation with his debut novel, STRAYA, a post-apocalyptic look at the Australia of the future. I won't drop a synopsis here - you'll have to dig into the interview above for that, and much more, including what goes in to writing a sci-fi novel, the need to be genre agnostic, and how long it takes to actually write one of these darn things.

Dig on in and make sure to pick up a copy of STRAYA at your local book store, or even on Audible...

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Writer/Director JJ Winlove helms June Again, a powerful drama/comedy about a mother living with dementia, June (Noni Hazelhurst), who has a day of clarity and sets about restoring the fractures in her family. Her kids, Ginny (Claudia Karvan) and Devon (Stephen Curry), have stopped talking to one another, and it's up to June to bring them together once again.

Andrew caught up with actor Stephen Curry to discuss what it was like working with an icon like Noni Hazelhurst, as well as creating a balance between drama and comedy.

Make sure to head along and see June Again, which is in cinemas right now.

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A long epic Best Picture winner deserves a long epic discussion. It's Gone With the Wind time as Dave and Andrew tackle Victor Fleming's (and George Cukor and Sam Wood) 1939 'classic', tackling the themes of racism, love, Vivien Leigh's performance, and Clark Gable's attractiveness. It's a long, complex discussion, embracing film history, and the value of reflection. Dig on in.

Read Angelica Jade Bastién's piece on Gone With the Wind on Vulture here.

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'This is why I'm obsessed with movies' - Dave

We reach a monumental moment in the history of the Academy Awards: the first film not in the English language to be nominated for Best Picture.

This is Jean Renoir's masterpiece, Grand Illusion (La Grande Illusion). Nominated solely for Best Picture, this masterful film encompasses the war movement in 1914, following captive French soldiers and their engagement with enemy forces. Find out why this one in particular matters more than most.

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Read Roger Ebert's piece in Grand Illusion (La Grande Illusion) here.

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We return to the world of Frank Capra with his second Best Picture winner, You Can't Take it With You. Co-hosts Dave and Andrew dig into this charming film, and as they do they uncover a Hollywood that wilfully steals from its own past to weave new stories. Full of delight and whimsy, this Best Picture winner features Jean Arthur, Lionel Barrymore, James Stewart and Edward Arnold.

At the end, Dave and Andrew are forced to ask... while You Can't Take it With You, does that matter?

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Listen to the Sex & Lucia theme here:

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The first version of A Star is Born features the first ever Best Actress winner, Janet Gaynor, and Frederic March, and is directed by William A. Wellman, who collectively tell the tale of an actress on the rise, and an actor on his way down. It is a celebration of the rise and fall of greatness.

Co-hosts Dave and Andrew leap into this slightly problematic tale, questioning its importance nowadays, and going further and asking whether this narrative still matters.

Please be warned that this particular episode features discusses about mental illness, alcoholism, and suicide.

Listen to Talk Film Society's Queer and Now podcast here and follow them on Twitter here.

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Truth becomes fiction in William Dieterle's biopic of the famed French author, Emile Zola, in the 10th Best Picture winner, the creatively titled The Life of Emile Zola. With a narrative that embraces the heights of the Dreyfus Affair, while also taking in the divide between the impoverished and the wealthy, at the same time it critiques the military.

In this episode of Awards Don't Matter, co-hosts Dave and Andrew discuss and divide the film, ultimately coming to the conclusion whether it's the narrative of The Life of Emile Zola that matters, or if the film itself does. Dig on in and find out.

Make sure to check out Dave's new podcast, Off Screen Death with co-host Michael Denniston.

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Welcome to the episode where Dave says the fateful line, 'I outright refuse to ever watch (this) again'.

Yep, it's Robert Z. Leonard's Best Picture winner, The Great Ziegfeld, where the charismatic William Powell misplaces his charm in a bloated epic as follies producer Florenz "Flo" Ziegfeld Jr., paired with the Best Actress winner Luise Rainer, and an extended cameo by Myrna Loy.

This is a rather swear-laden episode as co-hosts Dave and Andrew vent their frustrations about this long film.

Make sure to check out Dave's new podcast, Off Screen Death with co-host Michael Denniston.

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https://anchor.fm/awards-dont-matter/episodes/1932-1933-Best-Picture-Nominee---42nd-Street-Lloyd-Bacon---Awards-Dont-Matter-epqidh

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Gosh, after that rather well executed sojourn into darkness with Mutiny on the Bounty, it feels appropriate to give ourselves a break as we approach the classic romantic musical Top Hat. Nominated for Best Picture, and walking away with no Oscars at all, Mark Sandrich's enduring dance film has weathered time and stands up as one of the most joyous films ever.

For Andrew, this is a repeat viewing, but for co-host Dave, this is a first watch. As such, we're left wondering... does Top Hat still matter? The two discuss that question, and explore why the Academy is so afraid of rewarding comedy and joy at the ceremonies.

Make sure to check out Dave's new podcast, Off Screen Death with co-host Michael Denniston.

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Perth indie filmmaker Levon J. Polinelli made a film, and then, one night, it was stolen from him.

Fearing the worst, and having seen countless hours of work disappear immediately, Levon almost gave up hope, until the internet managed to save his film. Now, making its debut at Perth's WA Made Film Festival, a complete version of Everybody Gets Stabbed exists, and Levon sat down with me to talk about the process of making it, and the stress of it being lost, and the realm of microbudget filmmaking.

Head along to see Everybody Gets Stabbed at 10am March 13th at Palace Cinemas Raine Square, and check out the trailer and poster for Everybody Gets Stabbed below.

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In Vitro is the highly anticipated follow-up from Will Howarth (Bombay Beach) and Tom McKeith (Beast, SFF 2016) after their debut feature Beast was nominated for Best First Feature at Toronto International Film Festival 2015.

Starring the director Will Howarth, Ashley Zukerman (Fear Street) and Talia Zucker (Lake Mungo).

On an isolated cattle farm, Layla and Jack's life takes a dark turn when a storm exposes the unforeseen repercussions of Jack’s animal breeding technology.

Nadine Whitney chats to Will and Tom about creating a sense of extreme isolation in In Vitro, collaborative writing processes, making grounded science fiction, and Ash Zukerman doing the washing.

In Vitro screens at Sydney Film Festival on the 6th, 8th, and 9th of June. Tickets are available here: https://www.sff.org.au/program/browse/in-vitro

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We head to sea with the 8th Best Picture winner, Frank Lloyd's colonial drama, Mutiny on the Bounty. Featuring lead performances from Clark Gable and Charles Laughton, this adaptation of Charles Nordhoff and James Norman Hall's book tells the true story* of the HMS Bounty and its occupants as they travail across the oceans to Tahiti in search of some plants.

Co-hosts Dave and Andrew talk about the social relevance of this drama, while also reflecting on the timeless qualities of this tale, ultimately leading to the eternal question of the podcast: does Mutiny on the Bounty still matter?

*with some highly fictionalised aspects.

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In 2020, I reviewed the utterly hilarious, and downright essential, 600 Bottles of Wine (on Netflix!) and found great comfort and joy with the biting comedy in the show, so much so that I emailed Grace Rouvray and demanded more episodes. One of the cast members was the brilliant Nerida Bronwen who brought superb comedic timing and impressive screen presence to the show. Nerida reached out to have a chat about her life in LA now, and the audition processes she goes through.

Every so often, I get to chat to people who are on the rise in their career, who are working through the audition process, and making their way into their chosen career of acting. It's always wonderful to talk to them to see where they are in their life and find out where they hope to go in the future. As such, I've broken this interview into two parts, as a lot was discussed and a wealth of knowledge was shared. Dig on in, and enjoy my discussion with Nerida Bronwen.

And make sure to check out the links to Nerida's work here, and her website, Instagram, and Facebook.

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Every so often, a film comes across your way that manages to reinforce a life perspective that you've long felt alone with feeling. For me, the discussions about end of life care, and voluntary assisted dying, have been something that I've found that we all need to talk about more. As our community ages, we owe it to our loved ones to support their end of life journey in the manner that they feel is best for them.

Which is why I'm beyond grateful that I had the time to talk to filmmakers Sam Lara and Cathy Henkel about their powerful documentary, Laura's Choice. This film follows Laura Henkel, an eccentric, outspoken, feisty 90-year-old who has decided she wants to end her life on her own terms. This interview is about how Sam and Cathy both approached Laura's request for them both to make a film about her choice, and the path that it leads them down.

This synopsis may sound depressing, or difficult to bear, but that hides the joy and beauty within this film. It's a story full of love, compassion, empathy, and most importantly, the support for the choice of a loved one, a mother, a grandmother, to decide to embark upon voluntary assisted dying. Laura's Choice is a celebration of life, and for that, I'm beyond grateful that Sam, Cathy, and Laura, all trusted the audience with taking us down this journey.

Laura's Choice will be screening at the WA Made Film Festival on Saturday, March 13th at 1:30pm. If you cannot attend this screening, then please view Laura's Choice on ABC when it screens over two nights on March 17th and March 25th.

Please also follow Laura's Choice on Facebook and Instagram.

Finally, thank you again to Sam Lara and Cathy Henkel for trusting me with this interview. Your words mean more than you will ever know.

If this discussion brings up some feelings that are hard to handle, then please get in contact with Lifeline (13 11 14) or Beyond Blue (1300 22 4636).

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The utterly delightful and charming first entry in the six (6!) long film series, The Thin Man, was nominated for Best Picture in 1934, losing out to It Happened One Night. In this episode of Awards Don't Matter, hosts Dave and Andrew discuss the charm of this mystery film, the impact it had on films going forward, the difficulty in discussing light hearted fare, and the need for joy in moments of darkness. Dig on in.

Watch the trailer for The Thin Man here:

And check out this montage of the 'alcohol moments' from the film:

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https://anchor.fm/awards-dont-matter/episodes/1932-1933-Best-Picture-Nominee---42nd-Street-Lloyd-Bacon---Awards-Dont-Matter-epqidh

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We reach one of the greatest, grandest, and most celebrated Best Picture winners of all time: Frank Capra's It Happened One Night. This charming, delightful romantic comedy that helped spawn a genre, and cemented the romance of Clark Gable and Claudette Colbert as one of the most entertaining on screen romances ever. It won Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay, and yet... as we always have to do... we are left asking, does It Happened One Night matter?

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Oscar nominee Josh Lawson's new Australian drama/comedy, Long Story Short, features Rafe Spall, Zahra Newman, and Noni Hazelhurst, and follows Teddy, a man who suddenly starts jumping forward a year of his life every few minutes. It's an emotional film that feels appropriate for the time we find ourselves in.

Andrew caught up with actor Rafe Spall to talk about the making of the film, his creative choices in a pandemic world, and what he wants to do as an actor.

Long Story Short comes out on February 11th in Australia and deserves to be seen by all.

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The new Australian documentary, Birth Time, focuses on the birthing process in Australia, taking a look at post-natal care, birth care, and how to improve birthing care for mothers, babies, partners, health practitioners, and midwives. It is, quite simply, one of the most valuable and important films to be released in 2021.

Andrew caught up with actress/activist Zoe Naylor and midwife Jo Hunter to talk about the documentary, their own personal experiences giving birth and helping mothers give birth.

Birth Time: the documentary will premiere around the country from February 11 to March 9, 2021, with special screenings followed by panel discussions with the Birth Time team.

• 11 February, 7pm, Event Cinemas George St SYDNEY
• 12 February,8pm, Palace Cinemas CANBERRA
• 15 February, 7pm, Event Cinemas George St SYDNEY
• 16 February,8pm, Village Cinemas GEELONG
• 17 February, 7pm, Hoyts Cinemas MELBOURNE CENTRAL
• 18 February, 8pm, Capri Theatre ADELAIDE
• 22 February, 6.30pm, Luna Palace Windsor PERTH
• 28 February, 6.30pm, Majestic Cinemas Nambour SUNSHINE COAST
• 1 March,8pm, New Farm Cinemas BRISBANE
• 3 March, 8pm, Palace Cinemas BYRON BAY
• 4 March, 8pm, Event Cinemas Kotara NEWCASTLE
• 9 March, 7pm, Mount Vic Flicks BLUE MOUNTAINS
• + check online for updates 

From March 10, general admission screenings are scheduled around the country. The team then also invites people to host their own ‘on demand' screenings. 

More information, birthtime.world/.

#OneWomanOneMidwife
#ItsTime
#BirthTime
#BreakTheBirthSilence
#MeTooInBirth

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Ah! The Melbourne Documentary Film Festival always brings wonderful films to my inbox, with delights like Leaving Allen Street for me to watch and engage with. This lovely documentary is directed by Katrina Channells, of We Are Yarn, and it follows the residents of an institution for the intellectually disabled in Melbourne as they move from their old home to a new, custom built facility that will bring them new independence.

This is a genuine treat of a film and you should definitely check it out when the festival kicks off on June 30th, wrapping up online on the 15th of July.

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After the debacle that was Cavalcade, we take a dig into one of the films it triumphed over: Lloyd Bacon's enduring classic 42nd Street. Digging into the reason why films like this endure, hosts Andrew and Dave lament about the need for positive films in times of darkness.

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On this episode of Awards Don't Matter, intrepid hosts Andrew and Dave venture into the sixth Best Picture winner, Frank Lloyd's multi-award winning film, Cavalcade. Focusing on the history of England in the 1900's, this broadly spanning film follows two families through the era.

If you must watch Cavalcade, it's available to view here:

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David Giannini – @Darnthatdave

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The 2024 German Film Festival is currently underway across Australia with screenings taking place from 7 May to 5 June. The poster film for the festival is From Hilde, With Love, by director Andreas Dresen.

In the following interview, Nadine Whitney and Andreas talk about his interest in telling the story of Hilde Coppi on screen. Hilde was a young German women who was drawn into the anti-Nazi resistance movement during World War Two.

Andreas Dresen is in attendance at the festival as a festival guest, and will be participating in Q&A sessions at screenings of From Hilde, With Love, on Thursday 9 May at Sydney Palace Central, Saturday 11 May at Palace Cinema Como in Melbourne, and Saturday 18 May at Palace Barracks in Brisbane. For all screening times and to purchase tickets, visit GermanFilmFestival.com.au.

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As expected, going through the Best Picture winner history, we were bound to find a forgotten classic, neglected by time and popular culture, and worthwhile celebrating. Well, here we are with Edmund Goulding's Best Picture winner, Grand Hotel.

Featuring stellar performances from an all star cast, with Greta Garbo, John Barrymore, Joan Crawford, Wallace Beery, Lionel Barrymore, Lewis Stone, Jean Hersholt, and more, Grand Hotel was nominated for one single Oscar - Best Picture - and triumphed in its sole category.

Hosts Andrew and Dave discuss the tragedy of its sole nomination, and the value of a talkie like this. Dig on in.

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Andrew F Peirce – @TheCurbAU
David Giannini – @Darnthatdave

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Featured comfortably on my Best Australian Films of 2020 list is the joyous WA made short film, Sparkles. Written, co-produced, and starring Tina Fielding, this wonderful film follows Courtney, a thirty-something Downs Syndrome woman leaving her country home to find a new life in the city. On the way, she encounters Diamond, a drag queen, and the two spark a beautiful relationship.

Directed by Jacqueline Pelczar and produced by Cody Greenwood, Sparkles recently had its World Premiere at Flickerfest Film Festival. I got to catch up with Tina, Jacqueline, and Cody, to talk about the making of Sparkles and the process of making a short film.

Find out more at RUSH films website.

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Andrew caught up with director Sally Ingleton to talk about her latest documentary, Wild Things.

WILD THINGS is a feature length documentary that follows a new generation of environmental activists that are mobilising against forces more powerful than themselves and saying, enough. Armed only with mobile phones, this growing army of eco warriors will do whatever it takes to save their futures from the ravages of climate change. From chaining themselves to coal trains, sitting high in the canopy of threatened rainforest for days on end or locking onto bulldozers, their non-violent tactics are designed to generate mass action with one finger tap. Messages go viral within seconds. It's a far cry from the heady days of the Franklin River Blockade when street marches were the only way to be heard.

Against a backdrop of unprecedented drought, fire and floods; we witness how today's environmentalists are making a difference and explore connections with the past through the untold stories of previous campaigns. Surprisingly the methods of old still have currency when a groundswell of school students inspired by the actions of 16-year old Greta Thunberg say, ‘change is coming' and call a national strike demanding action against global warming.

Find out more about Wild Things by visiting the website.

If you're interested in some of the activism seen in the film, visit Frontline Action on Coal, School Strike 4 Climate, Rainforest Rescue, and Forests for Life.

Make sure to RSVP to the Facebook Events in your city below:

THEATRE ROYAL FB WILD THINGS Q&A
NEW FARM CINEMA FB WILD THINGS Q&A
LUNA PALACE FB WILD THINGS Q&A
DENDY NEWTOWN FB WILD THINGS Q&A
CLASSIC CINEMA FB WILD THINGS Q&A
CINEMA NOVA FB WILD THINGS Q&A

Potential Films' exciting early 2021 news is that Bob Brown will join Director Sally Ingleton and guests at four of our Australia wide Q&A's from January 29.

We are thrilled to be releasing WILD THINGS on February 4.

ADVANCE SPECIAL SCREENINGS & Q & A's

VIC
Thursday January 28, 730pm
The Theatre Royal, Castlemaine
Panel: Director Sally Ingleton, Harriet O'Shea Carre, Milou Albrecht, Callum Neilson Bridgefoot

Wednesday February 3, 630pm
Classic Elsternwick 
Panel: Director Sally Ingleton, Dr Paul Sinclair -ACF,  Dr. Bob Brown via zoom, Dr. Lisa Searle via zoom with Moderator/ Executive Producer Shaun Miller

Thursday February 4, 630pm
Cinema Nova
Panel: Director Sally Ingleton, Dr. Paul Sinclair -ACF, Dr. Bob Brown via zoom, Dr. Lisa Searle via zoom with Moderator/ Executive Producer Shaun Miller

QUEENSLAND
Friday Jan 29, 630pm
New Farm Cinema, Brisbane
Panel: Activist Andy Paine, Director Sally Ingleton via zoom, Dr. Bob Brown via zoom, Dr. Lisa Searle via zoom with Moderator Debra Beattie -Griffith University

WA
Saturday January 30, 4pm
Luna Cinema
Panel: Director Sally Ingleton via zoom, Dr. Bob Brown via zoom, Dr. Lisa Searle via zoom with Moderator Cathy Henkel.

NSW
Tuesday February 2, 645pm
Dendy Newtown
Panel: David Ritter CEO Greenpeace In Person, Director Sally Ingleton via zoom, Dr. Bob Brown via zoom, Dr. Lisa Searle via zoom,

IN CINEMAS FROM FEBRUARY 4, 2021

VICTORIA
Cinema Nova, Carlton
Lido Cinema, Hawthorn
Classic Cinema, Elsternwick
Cameo Cinema,  Belgrave
Theatre Royal, Castlemaine
Thornbury Picture House

NSW
Dendy Cinema, Newtown
Ritz Cinema, Randwick
Regent Cinema, Murwillumbah
Star Court Theatre, Lismore
Gala Cinema, Warrawong
Majestic Cinema, Nambucca
Majestic Cinema Sawtell
Majestic Cinema, Port Macquarie

WA
Luna, Leederville

ACT
Dendy Cinema, Canberra

QUEENSLAND
New Farm Cinema
Majestic, Nambour

SA
Mitcham
Mt Barker

NT
Deckchair Theatre

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Every so often I get the chance to chat with a genuine Aussie icon of film and TV, and in this interview, I get to chat with the King of Kings: Roger Ward. 

Star of Turkey Shoot, The Man From Hong Kong, Mad Max, and writer of The Set, Roger's new film, The Faceless Man, is landing around the world for horror fans to enjoy, and in this discussion we talk about his long history of working with great directors in great films. 

Dig on in. 

(Apologies for the background noise as well on this one, it was recorded during a rainy day in Perth.)

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Thanks to the Melbourne Documentary Film Festival, I get to interview wonderful people from all around the world who have fascinating stories to tell and beautiful films to share. In this interview, I chat with director Joshua Belinfante who is one such person, and whose film, The World's Best Film, is full of likeminded folks. It's a gentle, kind film that encourages you to look for the positive in the world.

It's currently screening online via the Melbourne Documentary Film Festival and Perth's Revelation Film Festival.

Check out Joshua's site for The World's Best Film here.

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Small Island Big Song - An Oceanic Songline is a collaborative film, made over 16 Island nations from the Pacific & Indian Oceans, following musicians from Madagascar, to Taiwan, to Zendath Kes, to the Torres Strait and Easter Island, all singing songs about cultural preservation and the need for environmental awareness. This is a joyous, glorious film full of life and hope, all the while informing the viewer about the legacy of these cultures, and their relationship to the oceans.

I caught up with director Tim Cole to have an in depth discussion about his work, exploring the role of the director, the music, and nature, in the filmmaking process. This is a deep discussion, one that I feel enriches the text of the film, and reminds the need for collaboration when it comes to filmmaking.

Watch Small Island Big Song via the Melbourne Documentary Film Festival here.

Music featured in this episode:

Nake Wara Wara To'o - Small Island Big Song ft' Charles Maimarosia

Check out the website for Small Island Big Song here.

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Oh this film, Keyboard Fantasies: The Beverly Glenn-Copeland Story is a delight. A wonderful gem of a film about musician Glenn Copeland and his album, Keyboard Fantasies, and the impact it had on those who discovered it. I caught up with director Posy Dixon to talk about how she made the film, the celebration of LGBTIQ+ elders, the importance of music in ones life, and the value of recognising our own histories.

Keyboard Fantasies is screening at the Melbourne Documentary Film Festival from June 30th til July 15th, and you'd be treating yourself to a glorious cinematic experience by watching this one.

Music used in this episode:

Ever New by Beverly Glenn-Copeland

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https://www.youtube.com/watch?v=Urke1Jcjclw

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Roger Ungers is a documentarian who continually presents a new perspective on the world around us. His 2020 documentary Finding Creativity saw him explore the complex nature of creativity, and in turn, he reflects on his own creativity. That personal touch is brought to his latest documentary, Shape.

This is a film about physicality and the at times exclusionary manner that the gay community can exhibit prejudice against different body types. Shape explores how a community that is often vocal about celebrating diversity can engage in body discrimination.

Shape screened at the Mardi Gras Queer Film Festival in 2024. To keep track of where Shape will screen in the future, visit Roger's website: RogerThatPictures.com.au for more information.

Shape will screen at Victorian Pride Centre as part of their pride month events on 19th June 2024 at 7pm. Tickets are available here. 

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The Rise of the Synths is a documentary about synthwave music and the people inspired by it. With his documentary narrated by John Carpenter (the John Carpenter) and it screening online for the Melbourne Documentary Film Festival and Revelation Film Festival, Andrew caught up with director Iván Castell to talk about music, making your first film, and nostalgia.

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Our Law is a short film that is currently screening at the Sydney Film Festival online, and will be screening on NITV on Monday 22nd June at 8:30pm on Karla Grant Presents.

Andrew caught up with one of the subjects of Our Law, Senior Sergeant Revis Ryder, to talk about what it means to be an Indigenous Police Officer, the challenges that he faces being part of a large regional area, and the role of football in his life and the community.

Give the interview with Producer Taryne Laffar a listen here.

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Song on this episode:

St Kilda Football Club Theme Song

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Our Law is a short film that is currently screening at the Sydney Film Festival online, and will be screening on NITV on Monday 22nd June at 8:30pm on Karla Grant Presents.

Andrew caught up with producer Taryne Laffar to talk about her role in producing Our Law, as well as what it means to be a producer in Australia working to elevate Indigenous voices. Taryne talks about working on the series KGB - a cheeky little comedy - and moving to a documentary about Indigenous police officers.

Check out her profile on her website and make sure to keep an eye out for her work in the future, she's definitely a vital producer on the rise in Australia.

Give the interview with Senior Sergeant Revis Ryder a listen here.

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Song on this episode:

Charcoal Lane - Archie Roach

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