This is for Terry Illikainen. No commentar.y As an experiment, I will do the commentary as a separate post. In a sombre Elizabethan pile above Lake Windermere, the air is thick with more than just decay. Miss Prunella Pendleham, the last of a long line, watches her companion, Amelia, wither into a gaunt and listless shadow. Amelia is the sixth companion; three before her never left these walls alive. Amidst the rattle of mountain rain, thin, high screams echo through the stone-vaulted halls. Is it the onset of madness, or is the house reclaiming a brutal, hidden history? As the light fades, the only certainty is the tightening grip of a terror that will have its say. The Triumph of Death first appeared in The Arkham Sampler, Autumn 1949. It was later collected in Strayers from Sheol (1961) and The Best Ghost Stories of H. Russell Wakefield (1978). H. Russell Wakefield (1888--1964) was an English writer best known for his unsettling ghost stories. Drawing on clerical, military, and publishing-world experience, he brought a sharp psychological edge to the classic British supernatural tale. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

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Tom Enderby is a widower who would like to remarry. There is nothing unusual in that. He has found a woman he is fond of, a gentle and pretty woman who is fond of him in return. There is nothing unusual in that either. What is unusual is what keeps happening to the white linen. His first wife Gloriana has been dead for four years. She asked only one thing of him before she died — a small, strange, domestic request — and he honoured it. He made no promises. He is bound by nothing. And yet. H. D. Everett's "The Death Mask" is a ghost story about what we owe the dead, and about the debts that accumulate, unnoticed, in the ordinary fabric of a marriage. The fabric, in this case, is quite literal. --- "The Death Mask" was first published in 1920 as the title story of *The Death-Mask and Other Ghosts* (London: Philip Allan, Quality Court, Chancery Lane), issued under the name Mrs. H. D. Everett. Henrietta Dorothy Everett (1851–1923) was an English writer of supernatural fiction and historical novels who published her first book at the age of forty-four under the male pseudonym Theo Douglas, and whose ghost stories drew admiring notice from both M. R. James and H. P. Lovecraft. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

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A young doctor, recovering from illness, is sent to the Derbyshire hills for his health. He takes lodgings at a remote farm, where he notices the family's reluctance to discuss the valley below. There's a Roman mine nearby that no one acknowledges, and a particular opening in the earth that unsettles him. His diary records what starts as mild interest in local folklore. But as he explores the mine workings beneath the Blue John caverns, his entries shift. The question becomes less about what might exist in the old tunnels, and more about what happens to a man who goes looking for it. First published in The Strand Magazine in August 1910, “The Terror of Blue John Gap” was later collected in The Last Galley: Impressions and Tales in 1911. It draws on the real Blue John Cavern near Castleton, with its distinctive banded fluorite. Sir Arthur Conan Doyle (1859–1930) was a Scottish physician and author, best known as the creator of Sherlock Holmes. Beyond detective fiction, he wrote historical novels, science‑fiction romances, and a rich vein of ghostly and weird tales. Get the last copies of the first edition of Once in a Haunted House, our print magazine. Not many left! Here: https://payhip.com/b/fE1Gz Learn more about your ad choices. Visit megaphone.fm/adchoices

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19 Great Hanover Street by Lillie Harris In the shadows of Victorian England, 19 Great Hanover Street stands as a silent witness to unspeakable horrors. Dr. Alan Forsyth, a man of science and reason, finds his convictions challenged as he confronts a terrifying presence that defies explanation. As the boundary between the living and the dead blurs, Forsyth must unravel the dark history of his new residence before it claims him as its next victim. Lillie Harris weaves a chilling tale that explores the limits of rationality and the power of the unknown, leaving readers questioning what truly lurks in the corners of their own homes Thanks to Ed Winter for sponsoring this episode. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

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In the quiet, rural expanse of Eastern England, a young man unexpectedly inherits an old, isolated estate filled with mysteries long buried by time. As Mr Humphreys explores his newfound inheritance, a labyrinthine maze within the garden begins to reveal profound, unsettling secrets. With every step deeper into the maze's heart, the line between past and present blurs, unveiling a haunting legacy that threatens to consume more than just his curiosity. Join Humphreys as he uncovers the chilling echo of his family's history and the malevolent forces lurking in the shadows of Wilsthorpe Hall. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Thanks to Ed W. for sponsoring this classic Victorian tale. In Victorian London, a once-grand mansion holds secrets that span generations. When Edgar Stainton inherits the property, he uncovers more than just dust and decay. Charlotte Riddell's "The Walnut-Tree House" weaves a tale of a child's ghost, a missing will, and long-buried family truths. Through her nuanced storytelling, Riddell examines the injustices of 19th-century society, using the supernatural to illuminate very real human struggles. This is a story where the past refuses to stay silent, and where redemption comes from unexpected places. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Deep within the Special Books Collection of a time-honored Scottish university, a darkly potent grimoire is secured under lock and iron in an ominously silent room. Previously owned by John, 3rd Earl of Gowrie, a notorious black magic practitioner, the book radiates a malignant presence, its malevolent forces palpably stretching beyond its confinement. Maitland Allan, the sole custodian with access to the key, feels an escalating dread over the powerful tome’s influence. Driven by a mounting sense of responsibility, he seeks out an unlikely ally—an underappreciated colleague from a distant department. In the shadowy enclave of special collections, Maitland reveals the daunting legacy of his burden, hoping to find solace and solution in shared counsel. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk Learn more about your ad choices. Visit megaphone.fm/adchoices

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Prepare to be captivated by M.E. Braddon's "The Shadow in the Corner," a masterpiece of Victorian Gothic fiction that will send shivers down your spine. This chilling tale follows the arrival of Maria, a young servant girl, at the foreboding Wildheath Grange. As she settles into her new role, Maria becomes increasingly aware of a mysterious presence that seems to haunt the very walls of the ancient house. Braddon's expert prose builds an atmosphere of creeping dread, blending psychological tension with hints of the supernatural. More than just a ghost story, this narrative offers a compelling glimpse into the social dynamics of 19th-century England, touching on themes of class, gender, and the unseen burdens carried by those on society's margins. Let our narration transport you to a world where the line between reality and the unknown grows ever thinner, and where the shadows in the corner may be more than mere tricks of the light. Learn more about your ad choices. Visit megaphone.fm/adchoices

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In "The Quest of Iranon," follow the mysterious traveler Iranon as he embarks on a relentless search for a mythical city shrouded in beauty and enigma. Prepare to be spellbound by the surreal landscapes he traverses, the enigmatic beings he encounters, and the eerie truths he unveils along the way. This tale promises to unravel the boundaries between reality and dreams in a way that will leave you questioning your own perceptions. "The Quest of Iranon" occupies a unique place in H.P. Lovecraft's fiction, showcasing his profound exploration of themes such as longing, existential introspection, and the illusory nature of dreams. While not as overtly cosmic or macabre as some of his other works, this story delves into the psychological and emotional complexities of its protagonist, Iranon, offering a glimpse into Lovecraft's fascination with the human psyche and the transient nature of earthly experiences. Within the tapestry of Lovecraft's mythos, "The Quest of Iranon" stands out as a poignant and introspective narrative that blends elements of fantasy and existential contemplation, inviting readers to ponder the fragile boundaries between reality and fantasy. Learn more about your ad choices. Visit megaphone.fm/adchoices

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In a moonlit Victorian mansion, a man delves into his family's mysterious past. As night falls, the line between reality and the supernatural begins to blur. When an unwilling friend is drawn into a late-night escapade, he finds himself caught between loyalty and an unsettling presence that seems to permeate the old house. In this chilling tale of family secrets and spectral mysteries, the true nature of inheritance is called into question. As the night deepens, so too does the sense that some legacies are not easily claimed, and some spirits are not ready to relinquish their hold on the living. Will the secrets of the old house be revealed, or will they remain hidden in the shadows of the past? Learn more about your ad choices. Visit megaphone.fm/adchoices

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Prepare to be transported to the desolate moorlands of Garside Fell, where the haunting whistle of a train echoes through the mist-shrouded night. In L.T.C. Rolt's chilling tale, "The Garside Fell Disaster," the line between past and present blurs as an unsuspecting railway enthusiast uncovers a tragic history that refuses to stay buried.  Learn more about your ad choices. Visit megaphone.fm/adchoices

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Prepare yourself for a chilling journey into the dark underbelly of 19th-century Edinburgh, where the pursuit of medical knowledge leads down a treacherous path of moral corruption and supernatural terror. In Robert Louis Stevenson's "The Body Snatcher," you'll follow the descent of a promising young medical student as he becomes entangled in a web of grave robbing, murder, and haunting guilt. As the line between science and sacrilege blurs, and the dead refuse to rest quietly, you'll find yourself questioning the limits of ambition and the price of progress. With each twist of this Gothic tale, the tension mounts, culminating in a heart-stopping climax that will leave you breathless. Are you brave enough to unearth the secrets that lie buried in the night? Listen now, if you dare, but be warned: some truths, once exhumed, can never be laid to rest again. Full notes here https://tonywalker.craft.me/bodysnatcher Learn more about your ad choices. Visit megaphone.fm/adchoices

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On a bitterly cold winter's night in New Hampshire, a delicate young man alights from a train to find his expected transport, a sleigh, is not there. It seems he has been forgotten. A chance encounter with a young man named Frank Rainer leads to an invitation to his uncle's grand, yet eerily quiet home. As George Faxon steps into the opulence of Overdale, he is drawn into an unsettling world where the warmth of hospitality hides chilling secrets. What begins as a simple gesture of kindness soon spirals into a supernatural encounter that will shake him to his core, unraveling hidden motives and exposing the darkness lurking beneath the surface. Prepare yourself for Edith Wharton's haunting tale, "The Triumph of Night," where reality and the supernatural blur, and betrayal is only a shadow away. Full notes here https://tonywalker.craft.me/24AQbkT9FOQj56 Learn more about your ad choices. Visit megaphone.fm/adchoices

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A man takes a sunlit shortcut through an English wood and finds that something is missing. There is no thrush, and no blackbird, and no rustle of wings – only a strange dimming of the light, and a silence that feels willed, and watchful, and almost hungry. At his friend's house the dogs will not cross the tree-line, and they bare their teeth at empty air. In the evenings, that grey band of trees seems to lie under a shadow that falls from nowhere anyone can see. There is something in the wood, something that makes the dogs keep away and the birds fall silent. His friend suspects it, and his friend's wife avoids talking about it, and neither will say what they believe it might be. First published in Woman magazine in December 1926, and later collected in Spook Stories (Hutchinson, 1928). Public domain text sourced from Project Gutenberg Canada. Edward Frederic Benson (1867–1940) was an English novelist, and biographer, and master of the uncanny short story. Best known for his Mapp and Lucia comedies and his eerie tales of the supernatural, he wrote across nearly every genre of early twentieth-century popular fiction. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

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Dive into the shadowy corners of Victorian London with Herbert Stephen’s “No. 11 Welham Square,” a chilling tale that intertwines family secrets with ghostly encounters. When Edward, newly appointed at the British Museum, revisits his ancestral home, he unravels a haunting mystery that has plagued his lineage for generations. Amidst creaking floorboards and whispered legends, each room of the stately mansion might hold the key to spectral apparitions and cursed legacies. Will Edward uncover the truth, or will the ghosts of Welham Square claim another victim? Tune in to the spine-tingling narration of this forgotten classic, where every whisper and shadow could be your last. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Prepare to be enthralled by Tony Walker's gripping narration of Edgar Wallace's "The Stranger of the Night," a well-crafted supernatural thriller first published on 15 October 1910. Follow the tale of George Thomas, a troubled man armed with a hidden knife, as he encounters a mysterious stranger who seems to understand his deepest fears and desires. This stranger, a seemingly benevolent spirit, guides George through a night of profound psychological and moral turmoil, leading to an unexpected and thought-provoking conclusion. Let Tony Walker's evocative storytelling immerse you in Wallace's world, where the boundaries between reality and the supernatural blur in this riveting tale. Learn more about your ad choices. Visit megaphone.fm/adchoices

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On a mist-shrouded night in March, two brave souls, Muriel Fisher and Scotty McCormack, dare to confront the malevolent secrets of a forsaken house with a history steeped in death. As they step into its decaying halls, the oppressive silence of the house breathes life into shadows, whispering of the dark fates that have befallen all who entered before them. As midnight looms, they will face an unspeakable terror that blurs the line between the living and the dead, in a chilling tale where the past refuses to rest. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Imagine settling into a new home, only to find yourself tormented by a ghostly presence that manifests as a single, sinister hand. In "The Ghost of a Hand," a tale from Joseph Sheridan Le Fanu's The House by the Churchyard, the Prosser family faces a haunting that defies explanation and grows ever more terrifying with each passing night. Join me as I narrate this chilling story of suspense and supernatural horror, where the unseen and the unknown create an atmosphere of palpable dread. Prepare to be captivated by a narrative that keeps you on the edge of your seat, yearning to uncover the mystery behind the spectral hand that haunts the Tiled House. 00:00:00 Begins 00:00:22 The Ghost of A Hand by J. S. Le Fanu 00:20:04 Commentary 00:39:50 End Please consider becoming a Patreon for ad-free stories Learn more about your ad choices. Visit megaphone.fm/adchoices

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Imagine receiving a phone call from someone you thought was gone forever. In Mary Treadgold's chilling tale "The Telephone," a young actress finds herself entangled in a haunting mystery when her husband begins receiving calls from his deceased first wife. Set against the eerie backdrop of the Scottish Highlands and the bustling streets of London, this ghostly romance will leave you questioning the boundaries between love and the supernatural. Tune in as we delve into a story where the past refuses to stay silent and every ring of the telephone brings a new twist. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Step into the quietly unsettling world of A.M. Burrage's "Playmates," where the veil between the seen and unseen is delicately lifted. In a remote English country house, the orphaned Monica, adopted by the reserved historian Stephen Everton, begins to find mysterious companions in the so-called "schoolroom." This ghost story, with its subtle yet pervasive sense of dread, invites you to explore the shadows that linger in lonely halls and the whispers of those long gone. Join me in this eerie tale that delicately intertwines the themes of isolation, companionship, and the enduring presence of the past. More notes here https://tonywalker.craft.me/XVEX3gBlJ45ZYU Learn more about your ad choices. Visit megaphone.fm/adchoices

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Delve into the enigmatic realm of E.F. Benson's "In the Tube," a haunting tale where the boundaries of time, reality, and the supernatural blur. Anthony Carling, a man gifted with clairvoyance, shares his unsettling experience on the London Underground, where a spectral presence emerges, growing more vivid with each encounter. Through Carling's narrative, Benson explores the depths of fate, existence, and the unseen forces that shape our lives. "In the Tube" is a thought-provoking journey that will leave readers questioning the nature of reality and the mysteries that lie just beyond our perception. Full notes here https://tonywalker.craft.me/SK5lYBu31ps6j7 Learn more about your ad choices. Visit megaphone.fm/adchoices

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In Sabine Baring-Gould's haunting tale, "A Dead Finger," an ordinary visit to the National Gallery in London spirals into a chilling encounter with the supernatural. Our unnamed narrator is tormented by the appearance of a disembodied finger, which leads to increasingly eerie and life-draining occurrences. As his health declines and the sinister presence intensifies, the narrator turns to his ingenious friend, Mr. Square, whose unconventional methods might be the only hope of ending this terrifying ordeal. But what is the true nature of this spectral menace, and what dark secrets does it reveal about the world around us? It was first published in The Cornhill Magazine, a popular literary periodical of the time, in its January 1902 issue. The story was later included in Baring-Gould’s collection A Book of Ghosts, published by Methuen & Co. in 1904. Learn more about your ad choices. Visit megaphone.fm/adchoices

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In the darkness of a Mediterranean night, the _Osiris_ slices through the waves, carrying with it a passenger burdened by a haunting tale. Alastair Colvin, a man with a shadowed past, reluctantly shares his story of Thurnley Abbey, a Gothic estate nestled in the heart of rural England. Whispered to be cursed and haunted, the abbey's notoriety has spread far and wide, striking fear into the hearts of locals and curiosity in the minds of the brave. As Colvin's narrative unfolds, his listener is drawn into a world where the line between the living and the dead blurs, and the abbey's dark secrets threaten to consume all who dare to uncover them. Discussion of the story (with spoilers) here https://tonywalker.craft.me/Sbfh2neVPiYdE7 Learn more about your ad choices. Visit megaphone.fm/adchoices

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Prepare to delve into the haunting world of Guy de Maupassant's "Who Knows?", a chilling tale that blurs the lines between reality and the supernatural. Join the narrator as he recounts his unsettling experiences with his beloved furniture, which seems to take on a life of its own. As the story unfolds, you'll find yourself questioning the narrator's sanity and the true nature of the events that unfold. Is it a case of mental instability, or are there truly otherworldly forces at play? Immerse yourself in this atmospheric masterpiece and unravel the mystery that lies at the heart of "Who Knows?". Guy de Maupassant (1850-1893) was a French writer who made significant contributions to the development of the short story genre during the latter half of the 19th century. Born on August 5, 1850, in Tourville-sur-Arques, France, Maupassant was influenced by the literary circle of Gustave Flaubert, who became his mentor. He began his literary career in 1880 with the publication of his famous short story, "Boule de Suif." Over the next decade, Maupassant produced a prolific body of work, including over 300 short stories, six novels, three travel books, and a volume of poetry. His stories, such as "The Horla" (1887) and "Qui Sait?" ("Who Knows?") (1890), often explored themes of madness, the supernatural, and the darker aspects of human nature. However, Maupassant's life was cut short by the effects of syphilis, which he had contracted in his youth. After a suicide attempt in 1892, he was committed to a mental asylum in Paris, where he died on July 6, 1893, at the age of 42. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Two noble houses. Centuries of hatred. A prophecy that may mean nothing—or everything. In medieval Hungary, the young Baron Metzengerstein encounters a horse—gigantic, fiery-colored, unlike any creature in his stables. He rides it obsessively. Dawn and midnight. Sickness and health. Riveted to the saddle as if becoming one with the creature. It performs impossible feats. The servants whisper of things they cannot explain. Some souls dwell only once in flesh. After that—only the scarcely tangible resemblance. Publication Details: "Metzengerstein" first appeared anonymously in the Philadelphia Saturday Courier on January 14, 1832, making it Edgar Allan Poe's first published tale. It was later revised and included in Tales of the Grotesque and Arabesque in 1840. Author Biography: Edgar Allan Poe (1809-1849) was an American writer, poet, and literary critic who pioneered the modern short story and detective fiction. His works of Gothic horror and psychological complexity remain among the most influential in world literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

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In this haunting and enigmatic short story by Shirley Jackson, an unnamed woman eagerly awaits her wedding day, only to find herself plunged into a nightmarish search for her missing fiancé, Jamie Harris. As she navigates the city streets and encounters a cast of indifferent, jaded characters, the protagonist's quest for love and connection takes on an increasingly surreal and desperate edge. Through masterful prose and subtle psychological insight, Jackson weaves a tale that blurs the lines between reality and illusion, exposing the fragility of human relationships and the ways in which societal expectations can shape and distort our perceptions. "The Daemon Lover" is a masterpiece of ambiguity and unease that will leave listeners pondering the nature of identity, desire, and the elusive search for meaning in a world that often feels isolating and uncertain. Join me as we delve into the unsettling depths of Shirley Jackson's unforgettable story. #ShirleyJackson #TheDaemonLover #PsychologicalHorror #LiteraryFiction #ShortStory #Storytelling #AudioNarration #UncannyTales #SurrealFiction #HumanCondition Learn more about your ad choices. Visit megaphone.fm/adchoices

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M.R. James's "A Warning to the Curious" (1925) is a seminal ghost story that explores the consequences of disturbing ancient artifacts and the enduring power of folklore. Set in the fictional coastal town of Seaburgh, based on Aldeburgh, Suffolk, where James had strong personal connections, the story follows Paxton, an amateur archaeologist who unearths one of three legendary crowns believed to protect England from invasion. The story draws upon a rich tradition of magical artifacts in British folklore, such as the Glastonbury Thorn and the buried head of Bran the Blessed, situating itself within a larger cultural narrative of Britain's magical defenses. James's deep knowledge of East Anglian history and folklore is evident in his vivid descriptions of Seaburgh's landmarks and his reference to the crown of Redwald, an ancient East Anglian king, foreshadowing the 1939 discovery of the Sutton Hoo treasure. As a work of folk horror, "A Warning to the Curious" explores the clash between modernity and the lingering presence of the past, with Paxton encountering the vengeful ghost of William Ager, the crown's guardian. The story resonates with other works in the genre, such as H.R. Wakefield's "The First Sheaf" (1922), highlighting the dark side of rural traditions and the supernatural. The story's post-World War I context adds depth to its themes, reflecting the profound impact of the war on British society. Paxton's tragic fate, with his broken jaw and mouth filled with sand, evokes the horrific injuries suffered by soldiers in the trenches, serving as a metaphor for the lost potential and unfulfilled promises of a generation scarred by war. Derrida's concept of hauntology and Mark Fisher's extension of these ideas provide a compelling lens for analyzing the story. The ancient crown and Ager's spectral presence embody the past's disruption of the present, while the story's pessimistic tone reflects the post-war zeitgeist and the haunting of society by the specters of war and lost futures. "A Warning to the Curious" showcases James's mastery of the ghost story genre, weaving together folklore, history, and the supernatural to create a haunting tale that continues to resonate with readers, reminding us of the enduring power of the past to shape our present. Learn more about your ad choices. Visit megaphone.fm/adchoices

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M.R. James (1862-1936) was an English author, medievalist scholar, and provost of King's College, Cambridge. Best known for his ghost stories, which are widely regarded as among the finest in the genre, James redefined the traditional ghost story by abandoning many of the formal Gothic clichés of his predecessors and using more realistic contemporary settings. His stories often reflect his academic background, with the protagonist being a scholar or antiquarian. "Casting the Runes" is a short story by M.R. James, first published in 1911 as part of his collection "More Ghost Stories." The story tells the tale of Edward Dunning, a researcher who crosses paths with a vindictive occultist named Karswell. Karswell seeks revenge by cursing Dunning with a slip of paper containing runic symbols, which will cause his death unless he can pass the curse back to Karswell. The story has been adapted several times for television and film, most notably as the 1957 movie "Night of the Demon" (released in the US as "Curse of the Demon"), directed by Jacques Tourneur and starring Dana Andrews and Niall MacGinnis. The structure of "Casting the Runes" is somewhat unconventional, with the narrative shifting focus between various characters and events. The story begins with a series of letters, followed by a conversation between the Secretary and his wife about Karswell. The lunch scene where Harrington's death is mentioned serves to introduce the main protagonist, Dunning. The spotlight then shifts to Henry Harrington, the brother of the deceased, as he aids Dunning in understanding the curse. The Secretary makes another appearance before the climactic scene on the train, where Dunning manages to pass the rune back to Karswell. This uneven structure contributes to the story's sense of unease and unpredictability. Many have noted the similarities between the fictional character Karswell and the real-life occultist Aleister Crowley (1875-1947). Both were deeply involved in the study and practice of the occult, had a reputation for eccentricity and mischief, and authored numerous works on alchemy and magic. While James never explicitly stated that Crowley was the inspiration for Karswell, the physical description of Karswell in the story bears a resemblance to photographs of Crowley from the early 20th century. It has been suggested that James, who was at Cambridge during Crowley's time there, might have met or been aware of the young occultist. Crowley enrolled at Trinity College, Cambridge in 1895, during James' tenure at King's College. Although there is no direct evidence of a meeting between the two, it is plausible that James, who was known to interact with students, might have encountered or heard about the flamboyant and controversial Crowley. At its core, "Casting the Runes" is a story about the consequences of offending a narcissist and the lengths to which such an individual might go to exact revenge. Karswell's fragile ego and vindictive nature are the driving forces behind the curse he places on Dunning, who unknowingly slighted him by criticizing his work. The story serves as a cautionary tale about the dangers of crossing those with inflated senses of self-importance and the potential for seemingly minor actions to have far-reaching and deadly consequences. James' masterful storytelling and his ability to create an atmosphere of mounting dread have solidified "Casting the Runes" as a classic of the horror genre, one that continues to resonate with readers over a century after its publication. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Fritz Leiber (1910-1992) was an influential American writer of fantasy, horror, and science fiction. He is best known for his sword-and-sorcery stories and his novel "Conjure Wife" (1943). Leiber's works often combined elements of fantasy, horror, and science fiction, and he coined the term "sword and sorcery." He is widely regarded as one of the most important figures in modern speculative fiction. "The Smoke Ghost" (1941) is a key example of urban weird fiction, blending horror, fantasy, and social commentary. The story explores themes of urban alienation and the horrors of modernity, as seen in other works like H.F. Arnold's "The Night Wire" (1926) and Leiber's "The Girl with the Hungry Eyes" (1949). These stories tap into the sense of disconnection and vulnerability that people experience in the face of rapid urbanization and technological change. Leiber's background in psychology and interest in Carl Jung's works are evident in "The Smoke Ghost." The titular entity can be interpreted as a manifestation of the Jungian Shadow archetype, representing the repressed aspects of the protagonist Catesby Wran's psyche and the collective unconscious of modern urban society. The climax of the story, in which Wran accepts the smoke ghost's dominion, can be seen as a twisted individuation process. "The Smoke Ghost" shares similarities with M.R. James's ghost stories, featuring a protagonist haunted by a supernatural entity embodying his deepest fears and anxieties. Both Leiber and James suggest that even rational individuals are not immune to the lure of the supernatural. However, Leiber's story is firmly rooted in the modern urban landscape, reflecting the anxieties of a rapidly changing world. Leiber's story also bears the influence of H.P. Lovecraft and cosmic horror. The smoke ghost can be seen as a manifestation of the cosmic horror lurking beneath the surface of modern urban life, defying easy categorization and understanding. The story's bleak ending echoes the cosmic pessimism in Lovecraft's work. However, Leiber brings the horror into the heart of the modern city, creating a kind of urban cosmic horror that transplants Lovecraftian themes into the gritty, mid-20th century metropolis. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Alan Noel Latimer Munby (25 December 1913 – 26 December 1974) was a distinguished English librarian, bibliographical scholar, and book collector, noted for his contributions to the study of rare books and manuscripts. Additionally, he gained recognition as an author of ghost stories, influenced by the style of M. R. James. Munby was born in Hampstead, the son of architect Alan E. Munby and Ethel Greenhill. He received his education at Clifton College and later attended King's College, Cambridge, where he acquired the nickname "Tim." Munby's career encompassed various roles in the antiquarian book trade, including positions at Bernard Quaritch Ltd. and Sotheby & Company. During World War II, he served in the British Army and was later held as a prisoner of war. Following the war, he assumed the role of Librarian at King's College, Cambridge, and was subsequently appointed as a fellow. He held esteemed positions such as the J.P.R. Lyell Reader in Bibliography at the University of Oxford and the Sandars Reader in Bibliography at the University of Cambridge. Munby was also a co-founder of the Cambridge Bibliographical Society and served as President of the Bibliographical Society until his passing in 1974. Munby's scholarly works include a comprehensive study of the eccentric nineteenth-century book collector Sir Thomas Phillipps, as well as a series of Sale Catalogues of Libraries of Eminent Persons. He collaborated posthumously on a union list of British Book Sale Catalogues, 1676–1800, with Lenore Coral. In addition to his scholarly pursuits, Munby authored a collection of ghost stories titled "The Alabaster Hand." Three of these tales were written during his internment in Oflag VII-B, a German prisoner-of-war camp, and were featured in the prison-camp magazine, Touchstone. The stories, namely "The Topley Place Sale," "The Four Poster," and "The White Sack," received acclaim for their subtle yet chilling narrative style, reminiscent of the tradition established by M. R. James. "The Alabaster Hand" was published in 1949 by Dennis Dobson Ltd. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Robert E. Howard (1906–1936) was an influential American author primarily known for his contributions to the genres of fantasy, horror, and adventure fiction. He is best remembered as the creator of Conan the Barbarian, a character who has become an iconic figure in popular culture. Born in Peaster, Texas, Howard demonstrated a keen interest in storytelling from a young age. He began writing fiction in his teens, and by his early twenties, he had already begun to make a name for himself in the pulp magazine market. Howard's stories were published in a variety of popular magazines of the time, including "Weird Tales," "Strange Tales," and "Fight Stories." Howard's most famous creation, Conan the Barbarian, first appeared in the story "The Phoenix on the Sword," published in "Weird Tales" in 1932. Conan, a fierce and cunning warrior from the fictional Hyborian Age, quickly captivated readers with his adventures in a world filled with sorcery, monsters, and intrigue. The character's popularity endured long after Howard's death and has inspired countless adaptations in various media, including books, comics, films, and video games. In addition to Conan, Howard created numerous other memorable characters and settings, such as Solomon Kane, Bran Mak Morn, and the mythical land of Hyperborea. His writing style was characterized by vivid descriptions, fast-paced action, and a knack for creating atmospheric settings. Tragically, Howard's life was cut short when he took his own life at the age of 30. The reasons behind his suicide remain the subject of speculation, but it is widely believed that personal struggles, including his mother's failing health and financial difficulties, contributed to his decision. Despite his untimely death, Robert E. Howard's legacy endures through his influential body of work. His stories continue to entertain and inspire readers, and his impact on the fantasy genre remains profound, cementing his place as one of the most significant writers of speculative fiction in the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Abraham "Bram" Stoker was born on November 8, 1847, in Clontarf, Dublin, Ireland. He was the third of seven children born to Abraham Stoker and Charlotte Mathilda Blake Thornley Stoker. Stoker spent much of his early childhood bedridden due to an unknown illness, during which he entertained himself with stories and books. Despite his illness, he eventually made a full recovery and went on to study at Trinity College Dublin, where he excelled in athletics and graduated with honours in Mathematics. After graduation, Stoker pursued a career in civil service while also working as a freelance journalist and theatre critic. His passion for writing led him to become the manager of the Lyceum Theatre in London, where he met and formed a close friendship with the renowned actor Sir Henry Irving. Stoker's association with Irving greatly influenced his literary career and provided inspiration for some of his most famous works. Although Stoker wrote numerous novels, short stories, and non-fiction works, he is best known for his Gothic horror masterpiece, "Dracula," published in 1897. The novel, which tells the story of Count Dracula's attempt to move from Transylvania to England in order to spread the undead curse, has become a timeless classic of English literature. "Dracula" introduced many of the vampire conventions still prevalent in contemporary culture, including the portrayal of vampires as charismatic and aristocratic beings with a thirst for blood. Despite the success of "Dracula," Stoker struggled financially throughout much of his life. He continued to write prolifically, producing several more novels and short stories, but none achieved the same level of success as his iconic vampire tale. Stoker passed away on April 20, 1912, in London, at the age of 64. While he did not live to see the full extent of "Dracula's" enduring legacy, his creation has since become one of the most iconic and influential figures in popular culture, inspiring countless adaptations, sequels, and reimaginings in literature, theatre, film, and television. Bram Stoker's contribution to the horror genre and his enduring legacy as the creator of one of literature's most iconic monsters continue to be celebrated by readers and scholars alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

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John William Polidori, an Italian-English physician and writer born in 1795, was a notable figure associated with the Romantic movement. As the eldest son of Gaetano Polidori, an Italian scholar, and Anna Maria Pierce, a governess, Polidori was exposed to intellectual pursuits from a young age. He received his medical degree from the University of Edinburgh in 1815 at the remarkably young age of 19. Polidori's literary talents and connections led him to serve as personal physician to the renowned poet Lord Byron, embarking on a European tour with him in 1816. During their travels, Polidori found himself in the company of other literary luminaries, including Mary Shelley and Percy Bysshe Shelley. It was during this time, at the Villa Diodati by Lake Geneva, that the idea for "The Vampyre" took shape. Inspired by a fragment of a story by Lord Byron, Polidori penned his own tale, which would go on to become the first vampire story in English literature. Originally published in April 1819 in the New Monthly Magazine, "The Vampyre" was falsely attributed to Lord Byron, likely to capitalize on his fame. This misattribution persisted for years, causing confusion over the true authorship of the story. Polidori's "The Vampyre" introduced several key features of the vampire archetype that would influence vampire literature for generations to come. Notably, his portrayal of Lord Ruthven, the titular vampyre, departed from the traditional folkloric depictions of vampires as grotesque creatures. Instead, Polidori's vampyre was an aristocratic figure, seductive and charming, preying on high society. Lord Ruthven's aristocratic allure, coupled with his predatory nature and mysterious aura, set the template for the modern vampire, ushering in a new era of vampire fiction characterized by sophistication and allure. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Henry James (1843–1916) was an American author renowned for his contributions to literature, particularly within the realm of psychological realism. Born in New York City, James spent much of his life traveling between Europe and the United States, which greatly influenced his cosmopolitan worldview and writing style. Known for his intricate character studies and keen exploration of human psychology, James's works often delved into themes of social conventions, personal freedom, and the complexities of interpersonal relationships. Throughout his prolific career, he authored numerous novels, short stories, and essays, earning him recognition as one of the foremost literary figures of the 19th and early 20th centuries. Henry James made a special contribution to the ghost story genre through his unique blend of realism and supernatural elements. His ghost stories are characterized by their vague, psychological qualities, featuring unreliable narrators and a chilling mixture of realism and romantic suggestiveness. James challenged conventional notions of what constitutes a ghost, exploring the haunting power of guilt and remorse alongside more traditional supernatural elements. His works, including "The Turn of the Screw" and "The Ghostly Rental," continue to captivate readers with their rich prose, intricate character portraits, and haunting themes. "The Ghostly Rental," first published in Scribner's Monthly in September 1876, exemplifies Henry James's exploration of themes within the ghost story genre. This tale revolves around a grad student's fascination with an old soldier who visits an abandoned mansion to collect rent from his supposed ghostly daughter. Themes of guilt, redemption, and the blurred lines between reality and imagination permeate the narrative, as James challenges readers to ponder the nature of truth and the power of perception. Through its atmospheric setting and complex characters, "The Ghostly Rental" remains a timeless exploration of the human psyche and the haunting effects of past misdeeds. Learn more about your ad choices. Visit megaphone.fm/adchoices

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John Stephen Glasby (23 September 1928 – 5 June 2011) was a British author born in East Retford, Nottinghamshire. Trained as a research chemist and mathematician, Glasby's early career saw him balancing his scientific pursuits with a burgeoning passion for writing. His literary journey began in the 1950s and 1960s, during which he emerged as a prolific figure in the pulp publishing industry. Despite his scientific background, Glasby's literary ambitions led him to explore a wide array of genres, from speculative fiction and romance to westerns and spy thrillers. His ability to seamlessly transition between genres showcased his versatility as a writer, earning him a dedicated readership across various literary circles. Throughout his career, Glasby's output was characterized by both quantity and quality. Under numerous pseudonyms and house names, including "A. J. Merak," "John E. Muller," and "Chuck Adams," Glasby penned over 300 novels and short stories. His imaginative storytelling and attention to detail captivated readers, while his scientific acumen lent authenticity to his speculative works. Notably, Glasby's foray into speculative fiction produced enduring classics such as "Project Jove," showcasing his ability to blend scientific concepts with compelling narrative arcs. Additionally, his contributions to genres like westerns, romance, and espionage underscored his versatility and adaptability as an author, cementing his reputation as a multifaceted literary talent. Despite the commercial constraints of the pulp publishing industry, Glasby's literary legacy endured beyond his prolific output. His works continue to be celebrated for their enduring appeal and cultural significance, reflecting the diverse interests and talents of a writer who defied categorization. Beyond his literary contributions, Glasby's dedication to both scientific inquiry and creative expression left an indelible mark on the literary landscape, inspiring generations of readers and writers alike. With a career spanning decades and genres, John Stephen Glasby remains a revered figure in British literature, remembered for his prolific output, imaginative storytelling, and enduring impact on the world of letters. Learn more about your ad choices. Visit megaphone.fm/adchoices

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A solitary man, lost in the Welsh hills, stumbles through thick mist—his only companion a mounting sense of unease. The landscape is indifferent; the path vanishes; every familiar landmark dissolves into obscurity. Rescue appears in the form of an enigmatic stranger, whose kindness feels both matter-of-fact and unsettling. A map changes hands, but the mist has a memory longer than any traveller’s, and the hills have their own way of keeping secrets. What follows is not a tale of terror, but a quiet reckoning with the uncanny—a story in which benevolence and danger are not so easily separated. “An Encounter in the Mist” by A. N. L. Munby, first published in The Alabaster Hand (1949). A. N. L. Munby (1913–1974) was a British librarian, bibliographer, and author, best known for his ghost stories and scholarly work on rare books. Join Our Podia Community for 100s of Ad Free Ghost Stories https://www.classicghost.com/ghost-stories-episodes/buy Learn more about your ad choices. Visit megaphone.fm/adchoices

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Nigel Kneale was a highly acclaimed British screenwriter and novelist, best known for his pioneering work in the science fiction genre, particularly the creation of the iconic character Professor Bernard Quatermass. Born on April 28, 1922, in the Isle of Man, Kneale began his career as a journalist before transitioning to writing for radio, television, and film. He was brought up in Barrow-in-Furness. His breakthrough came in the early 1950s with the BBC television series "The Quatermass Experiment," which introduced audiences to the brilliant and enigmatic scientist Professor Bernard Quatermass. This character, portrayed as a determined and sometimes morally conflicted scientist, became an enduring figure in British popular culture. Kneale continued to develop the Quatermass character in subsequent television series, including "Quatermass II" (1955) and "Quatermass and the Pit" (1958-1959), each exploring themes of science, technology, and the supernatural. These productions were praised for their intelligent storytelling and social commentary, earning Kneale a reputation as a master of speculative fiction. In addition to his work on Quatermass, Kneale penned numerous other scripts for television, including adaptations of classic novels and original dramas. He also wrote several acclaimed novels and contributed to feature films. Throughout his career, Kneale's writing was characterized by its thought-provoking themes, sharp dialogue, and innovative storytelling techniques. He was a key figure in establishing science fiction as a serious genre in British television and film. Nigel Kneale passed away on October 29, 2006, leaving behind a rich legacy of groundbreaking work that continues to influence writers and filmmakers to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Stuart Strauss remains an enigmatic figure in the world of weird fiction, with scant information available about his life. He is known for a limited body of work, including "The Shadow on The Moor" (1928), "The Soul Tube" (1928), and "The Clenched Hand" (1934). The use of a pseudonym and language suggesting potential unfamiliarity with British culture has led to the assumption that Strauss might be an American author. "The Shadow on The Moor" is a tale that first appeared in the February 1928 issue of "Weird Tales." Its republication in the 2023 British Library anthology "Circles of Stone: Weird Tales of Pagan Sites and Ancient Rites," edited by Katy Soar, attests to the lasting intrigue and relevance of Strauss's work. The story captures a sense of foreboding in the British countryside, with standing stones taking on a malevolent presence. Strauss's work, including "The Shadow on The Moor," reflects thematic elements akin to the cosmic horror pioneered by H.P. Lovecraft. Lovecraft's influence is discernible in the eerie atmospheres and otherworldly entities that often pervade Strauss's narratives. Additionally, Strauss, like Lovecraft, explores the theme of ancient cults in remote villages, inhabited by seemingly backward rural characters. The fusion of cosmic horror and folk-horror themes creates an unsettling and atmospheric reading experience. The thematic exploration of ancient cults in Strauss's work aligns with Margaret Murray's witch-cult hypothesis, a theory that suggests accusations against witches in Europe were rooted in a clandestine pagan religion. Published in Murray's "The Witch-Cult in Western Europe" (1921), the hypothesis posits the existence of a pre-Christian religion centered around a horned god, symbolizing the cycle of seasons and harvests. The horned god's representation on Earth through chosen individuals, ritual sacrifices, and the preservation of this religion through secret covens are central elements of Murray's theory. Strauss's incorporation of such themes in "The Shadow on The Moor" aligns with the broader cultural fascination with ancient rites and mysterious practices. The narrative, enveloped in cosmic horror and folk-horror, echoes the anxieties of a bygone era, reflecting the convergence of literary imagination and anthropological speculation. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Ernst Benjamin Salomo Raupach, born on May 21, 1784, in Straupitz, Silesia, was a prominent German dramatist of the 19th century. His literary career was marked by a diverse range of works, and his influence extended beyond his homeland. After studying theology in Halle, Raupach ventured to St Petersburg in 1804, where he immersed himself in various pursuits, including writing tragedies and delivering sermons. Later, he settled in Berlin in 1824, dedicating the remainder of his life to writing for the stage. Raupach's impact on Prussian theatre during the early-to-mid 19th century solidified his place in German literary history. He passed away in Berlin on March 18, 1852. "Wake Not The Dead" ("Laßt die Todten ruhen"), a short story by Ernst Raupach, published in Minerva magazine in 1823, stands as one of the earliest contributions to vampire literature. This tale, exploring the macabre theme of the undead, showcases Raupach's ability to evoke suspense and mystery. The story follows the Gothic tradition, intertwining elements of horror with a narrative that predates the popularization of vampire motifs in the English-speaking world. Despite its significance, "Wake Not The Dead" faced misattribution, being erroneously credited to Ludwig Tieck in English translations. Raupach's work emerged during a period of heightened interest in Gothic literature and vampire themes in Europe. In the early 19th century, vampire hysteria and fascination with the supernatural were prevalent. This context, coupled with Raupach's travels and exposure to different cultures, likely influenced the creation of "Wake Not The Dead." The 18th-century vampire hysteria, marked by incidents in the Habsburg Monarchy and Eastern Europe, played a role in shaping the Gothic atmosphere of the story. The publication of the story in 1823 places it within a historical continuum of the exploration and popularization of vampire narratives in European literature, contributing to the broader evolution of the Gothic genre. Learn more about your ad choices. Visit megaphone.fm/adchoices

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This is a reading of H. P. Lovecraft's The Beast In The Cave. "The Beast in the Cave" is a short story written by H. P. Lovecraft, a famous American horror fiction writer. He first came up with the initial version in the Spring of 1904, and by April 1905, at the age of fourteen, he completed the final draft. The story was initially published in June 1918 in The Vagrant, a publication similar to today's well-edited fanzines. It's essential to note that this tale is considered part of Lovecraft's early works, often referred to as juvenilia, which means it was written during his youth. In the 1930s, Lovecraft would sometimes share a copy of the story's typescript with his promising young correspondents. He did this to showcase what he had accomplished at their age and to provide them with an initial exercise in rewriting. This served as a way for him to assess their creativity and potential. I came to read this story because I was contacted by Todd Thyberg of angelbomb.com who is a fine press producer. He's a graphic designer and artist who produces high-quality editions of his own work, but also that of classics in the sci-fi and horror genres such as you might have found in the pulp magazines of the early to mid 20th Century. Todd produces such finely crafted work that when he sent me a copy of his chapbook of The Beast In The Cave, I was minded to read it and interview him too. The second part of this episode is my interview with Todd Thyberg. His work can be accessed at his website: Angel Bomb, a Book Arts Studio https://www.angelbomb.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

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Elizabeth Jane Howard, born on March 26, 1923, in London, England, was a distinguished English novelist known for her versatile literary contributions. Howard began her career as an actress and model before venturing into writing in 1947. Throughout her prolific career, she penned 12 novels, with her most acclaimed work being the five-volume family saga, 'The Cazalet Chronicles.' Her narrative prowess was not confined to family sagas, as exemplified by her collaboration with Robert Aickman on the collection 'We Are For The Dark: Six Ghost Stories,' published in 1951. Although she gained widespread recognition for her family sagas, Howard's foray into the supernatural, as evidenced by 'Three Miles Up' and other stories, showcased her ability to masterfully blend genres and explore the complexities of human relationships. Elizabeth Jane Howard was secretary of the Inland Waterways Association. Ghost stories and the Inland Waterways Association (IWA) share a curious connection, intertwining literature and the preservation of Britain's canal  heritage. This connection is particularly evident through notable figures such as Robert Aickman, L. T. C. Rolt, and Elizabeth Jane Howard, each leaving a unique mark on both realms. Elizabeth Jane Howard's creative collaboration with Robert Aickman resulted in the publication of 'We Are For The Dark,' a collection that marked a significant departure from both authors' conventional works. Released in 1951, the anthology features six ghost stories, three contributed by each author. Notably, the book was published during their romantic relationship. Robert Aickman describes her as “one of the most brilliant [of women]” and a bit of a looker “so beautiful that continuous problems arose, especially when, at a later date, she joined the Association’s Council. Little in the way of completely normal business was possible or sensible, when she was in the room. … By merely existing, she promoted loves and hates which, through no fault of hers, left some who felt them, fevered and wasted”. My reading of Three Miles Up is that it is a modern fairy story where Sharon represents one of the fae and leads them into The Perilous Realm. Fairyland is not always a beautiful alluring place, it can be a place of horror and strangeness. We cannot trust the Good People, no matter how fair they seem. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Basil Copper, born on February 5, 1924, in London, and passing away on April 3, 2013, was an English writer who initially pursued a career in journalism and newspaper editing before transitioning to full-time authorship in 1970. Beyond his literary pursuits, Copper cultivated diverse interests, including swimming, gardening, travel, sailing, and collecting historic films. Notably, he established the Tunbridge Wells Vintage Film Society and actively participated in esteemed film organizations in London. Basil Copper spent a significant portion of his life in Sevenoaks, Kent, and he was survived by his wife Annie, with whom he entered matrimony in 1960. Basil Copper's literary journey embarked with his inaugural short story, "The Curse," published at the age of 14. His professionally published debut, "The Spider," emerged in the Fifth Pan Book of Horror Stories in 1964. Venturing into novels, Copper made his mark with the Mike Faraday series, beginning with "The Dark Mirror" in 1966. Widely recognized for his series of Solar Pons stories, paying homage to Sherlock Holmes, Copper's association with editor August Derleth resulted in publications through Arkham House. Among his notable works are "Necropolis" (1980), a crossover between Victorian Gothic and detective fiction, and "The Great White Space" (1975), a novel influenced by Edgar Allan Poe and Lovecraft. Copper's macabre tales, including "The Academy of Pain" and "Beyond the Reef," underscored his mastery in horror fiction. His significant contributions earned him a Locus Award nomination in 1981, and in 2009, "Basil Copper: A Life in Books," a biographical work, received the British Fantasy Award for Best Non-Fiction. Basil Copper's literary impact endures, resonating through the realms of horror and detective fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Lewis Darley is a copywriter and illustrator living in Nottingham. He contacted me early in 2023 about an animated film he was making for his story The Premonition. This horror story is set in Bristol around 8 years ago. We agreed, I would record the audio and he would then do the long, hard work of animating the film. I said that I thought listeners would be interested in the story and then in him telling us about the project, so seven months after our first contact, we managed to record an interview. The delay was solely down to me, I should say. Anyway, I hope you enjoy the story and the interview afterwards: The Premonition by Lewis Darley Here are some links to Lewis's work Here's some links to my social pages and website: Website: https://www.lewisdarleyillustration.com/ Instagram: https://www.instagram.com/darleymakesart/ Twitter: https://twitter.com/Darleymakesart Facebook: https://www.facebook.com/darleymakesart Learn more about your ad choices. Visit megaphone.fm/adchoices

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Herbert Russell Wakefield (1888 – 2 August 1964) was a distinguished English writer known for his multifaceted contributions to literature. Born in Sandgate, Kent, he was the third child of Henry Russell Wakefield, a clergyman who later became the bishop of Birmingham. Educated at Marlborough College and University College, Oxford, Wakefield exhibited a broad range of talents, achieving second-class honours in Modern History while excelling in sports such as cricket, golf, hockey, and football. His World War I service with the Royal Scots Fusiliers, where he attained the rank of captain, and advocacy for the use of Chinese workers reflected his engagement with global issues. Wakefield's life encompassed roles as a secretary, publisher, and civil servant, and he navigated the complexities of relationships, experiencing divorce and entering into a second marriage with Jessica Sidney Davey. H. R. Wakefield's literary legacy is particularly distinguished by his mastery of ghost stories. As a short-story writer, novelist, and publisher, Wakefield crafted tales that often drew inspiration from his experiences, notably his tenure as chief editor for William Collins, Sons and Co. One of his notable works, "Messrs Turkes and Talbot," exemplifies his ability to infuse the mundane with eerie elements, drawing from the peculiarities of the publishing world. Wakefield's stories, characterized by their atmospheric prose and psychological depth, remain enduring contributions to the supernatural fiction genre. "The Red Lodge," a captivating story by H. R. Wakefield, was featured in his debut short story collection, "They Return at Evening" (1928). Set in a somewhat jaunty 1920s style, the narrative follows a protagonist who rents The Red Lodge, a seemingly charming country house, with his family. Wakefield expertly weaves an unconventional tale, blending social commentary with supernatural elements. The story takes unexpected turns as the protagonist, discontented with the landlord, resolves to expose the house's sinister nature through a consumer complaint. The inclusion of psychic perception, strange occurrences, and a dark history adds depth to the narrative. "The Red Lodge" stands as a testament to Wakefield's ability to transcend conventional ghost story tropes. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Elinor Glyn, born Elinor Sutherland on October 17, 1864, in Jersey, Channel Islands, was a prominent English novelist and scriptwriter during the late 19th and early 20th centuries. She belonged to a wealthy and well-connected family, and her early life was marked by privilege and education. Glyn began her literary career with the publication of her first novel, "The Visits of Elizabeth," in 1899. However, she gained widespread recognition and success with her scandalous and sensational novel, "Three Weeks," published in 1907. The book, which depicted a passionate love affair between a young English aristocrat and an exotic Balkan queen, caused a considerable stir and established Glyn as a controversial figure in literary circles. Throughout her career, Elinor Glyn continued to write novels that explored themes of love, romance, and societal expectations. Some of her other notable works include "Beyond the Rocks" (1906), "Man and Maid" (1922), and "It" (1927). Her writing often delved into the complexities of human relationships, and her characters were known for their sophistication and sensuality. In addition to her literary pursuits, Glyn ventured into Hollywood, where she found success as a screenwriter during the silent film era. She worked on several film adaptations of her own novels, collaborating with renowned actors of the time. Elinor Glyn's impact on popular culture extended beyond her literary achievements. She was recognized as a style icon and a socialite, known for her wit and charm. Despite facing criticism for the perceived risqué content in her novels, Glyn remained a popular and influential figure, contributing to the changing landscape of literature and entertainment during the early 20th century. Elinor Glyn passed away on September 23, 1943, leaving behind a legacy as a trailblazing novelist who challenged societal norms and captured the imaginations of readers with her provocative and romantic storytelling. Her works continue to be studied and appreciated for their contribution to the literary and cultural landscape of her time. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Certainly! "The Story of the Goblins Who Stole a Sexton" is a short story written by Charles Dickens as part of his collection titled "The Pickwick Papers." The narrative follows Gabriel Grub, a grumpy and ill-tempered sexton (grave digger) in a small village. Gabriel despises Christmas and all its festivities, choosing instead to revel in his solitude. One Christmas Eve, while digging a grave in the churchyard, Gabriel encounters a group of goblins who emerge from the ground. The goblins, led by their king, force Gabriel to join them in their underworld festivities. In this fantastical realm, Gabriel witnesses scenes from his past and present, highlighting his callous behavior and the impact it has had on those around him. Learn more about your ad choices. Visit megaphone.fm/adchoices

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A mediaeval abbot leaves behind a cipher—not in his will, but scratched into the glass of his own church. The treasure it guards has lain undisturbed for centuries. Mr. Somerton, a scholar with a taste for puzzles, believes he can solve what others have missed. The Latin is difficult, the clues are scattered, but gold is gold, and curiosity has its own momentum. What waits beneath the stone was put there deliberately. It has been patient. Some things, once disturbed, do not easily return to silence. "The Treasure of Abbot Thomas" was first published in 1904 in M.R. James's second collection, More Ghost Stories of an Antiquary. The story has been widely anthologized and was adapted for television by the BBC in 1974. Montague Rhodes James was a distinguished mediaeval scholar and Provost of King's College, Cambridge, later of Eton College. He is regarded as one of the finest writers of supernatural fiction in the English language, and his ghost stories continue to define the antiquarian tradition of literary horror. 📚 Buy my paperbacks here: https://books.by/tony-walker-books 🎙️ Buy my ebooks and audiobooks here: payhip.com/TheClassicGhostStoriesPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

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Charlotte Riddell, born Charlotte Cowan in 1832, was a prolific and accomplished British writer during the Victorian era. She was recognized for her contributions to the literary landscape, particularly in the genres of Gothic fiction and supernatural tales. Riddell began her writing career in the mid-19th century, initially publishing under the pseudonym F. G. Trafford. Her early works demonstrated a keen interest in the mysterious and the macabre, drawing inspiration from the popular Gothic tradition of the time. One of her notable early works is "The Moors and the Fens," a collection of supernatural tales published in 1879. However, it was under her own name that Riddell gained widespread recognition. Her most well-known works include novels such as "George Geith of Fen Court" (1864) and "The Race for Wealth" (1865). These novels explored themes of finance, social class, and the changing landscape of Victorian society. Riddell's literary career was not limited to novels; she was also a prolific short story writer. Her short stories often delved into the eerie and uncanny, earning her a reputation as a skilled writer of ghost stories. Notable collections of her short stories include "Weird Stories" (1882) and "The Uninhabited House" (1875). Beyond her success as a writer, Charlotte Riddell faced the challenges of being a woman in a male-dominated literary world. Despite these obstacles, she managed to establish herself as a respected author and editor. Riddell's contributions to the literary landscape of her time were acknowledged, and she became a notable figure in the Victorian literary scene. In addition to her writing, Riddell was involved in editorial work. She co-edited the St. James's Magazine, demonstrating her commitment to fostering literary talent and contributing to the cultural discourse of the era. Charlotte Riddell's literary career spanned several decades, and her works continue to be studied and appreciated by scholars of Victorian literature. Her exploration of the supernatural, combined with astute observations of society, has left a lasting legacy in the realm of 19th-century British literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Edmund Gill Swain, born on the 19th of February 1861 in Stockport, Cheshire, was a respected English cleric and author known for his contributions to the ghost story genre. Educated at Manchester Grammar School and Emmanuel College, Cambridge, Swain pursued Natural Sciences. Ordained as a deacon in 1885 and a priest in 1886 at Rochester, he served as a curate in Camberwell before assuming the role of chaplain at King's College, Cambridge, alongside the notable scholar and author M. R. James. The two shared living quarters within the college, fostering a collegial relationship that extended beyond their professional roles. Swain's duties included teaching at the college's choir school, showcasing his multifaceted engagement in academic life. His literary legacy reached a notable point with the 1912 publication of "The Stoneground Ghost Tales," a collection that demonstrated his skill in the supernatural and positioned him as an early imitator of James, leaving a lasting imprint on the genre. Within the collection, "Bone to His Bone" stands out as a quietly intriguing narrative. Set on a Christmas Eve, the story follows Reverend Bachtel, seeking matches in the dark, only to encounter a mysterious book on gardening. This spectral tome, once owned by a long-departed rector, subtly guides him to a specific spot in the garden. The unfolding events, marked by an understated approach to bibliomancy, reflect Swain's ability to handle hauntings without sensationalism. "Bone to His Bone" quietly underscores Swain's finesse, blending a touch of gentle humor with the supernatural, presenting a nuanced exploration of the ghostly that avoids overstatement. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Dorothy Kathleen Broster, known by her pen name D.K. Broster, stands as a notable but often overlooked figure in literature, recognized for her exceptional talent in crafting short horror stories. Despite her relative obscurity in contemporary discussions, her contributions to the genre, particularly with works like "Couching at the Door," showcase her prowess in weaving tales of the supernatural. "Couching at the Door," although reprinted numerous times, may not be considered her magnum opus by some. Instead, stories like "Clairvoyance," "The Window," and "From the Abyss" are hailed as hidden gems, overlooked yet deserving of greater recognition. These tales, according to enthusiasts, have stood the test of time, maintaining their eerie allure even in the present day. Born in England in 1877, D.K. Broster led a multifaceted life. Her experiences as a Red Cross nurse during World War I added depth to her writing, and she gained acclaim for her historical novels. However, it is her foray into the supernatural short story genre that captivates readers seeking tales of the macabre. "Couching at the Door" (1933) unfolds the unsettling narrative of a poet haunted by a mysterious fur boa, a spectre from his past misdeeds. The story delves into the psychological realm, employing dream imagery to enhance the eerie atmosphere. The protagonist's desperate attempts to transfer this spectral presence to another add a layer of suspense and intrigue. Learn more about your ad choices. Visit megaphone.fm/adchoices

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