The Bright Wall/Dark Room Podcast – Détails, épisodes et analyse

Your mission, if you choose to accept it: Bilge Ebiri—the man, the myth, the legend—joins us to bookend our discussion of all things Mission: Impossible from a couple of summers ago, on the occasion of the final (?) film of a nearly 30 year franchise.

We get into: the perils of Cruise-dom, building an extension on a plane you've already built, Luther!, missing Rebecca Ferguson, decompression chambers & gel manicures, Benji Impossible, no closure, loving these movies, and more.

Relevant reading:

Mission: Impossible — The Final Reckoning Is a Huge Mess. But It’s a Fun Mess. - Bilge Ebiri, New York Magazine

How YouTube and Internet Journalism Destroyed Tom Cruise, Our Last Real Movie Star - Amy Nicholson, LA Weekly

Where Does Tom Cruise Go From Here? - Bilge Ebiri, Vulture

The Entity: On the Technologies of Late Cruisedom - Jadie Stillwell, Bright Wall/Dark Room

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The Bright Wall/Dark Room Podcast is co-hosted by⁠⁠ Veronica Fitzpatrick⁠⁠ and⁠⁠ Chad Perman⁠⁠, and produced by⁠⁠ Eli Sands⁠⁠. Our theme music is composed by Chad (and remixed for this episode by Eli).

You can find every single issue of Bright Wall/Dark Room at⁠⁠⁠ brightwalldarkroom.com⁠⁠⁠. We welcome comments and inquiries at ⁠⁠⁠podcast@brightwalldarkroom.com⁠⁠⁠.

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This episode is sponsored by ⁠Galerie⁠, a new kind of film club. Listeners can sign up for one month of free access to curated film lists, essays, live discussions, and more at ⁠galerie.com⁠, code: BWDR

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On this month’s bite-sized episode we're zooming in on a snappy/passionate moment from Ernst Lubitsch’s effervescent 1932 screwball comedy, Trouble in Paradise.

We get into: sex & pre-code cinema, eye-widening lines, wikipedia marriage math, Betty and Veronica vibes, the Lubitsch Touch, what does classy even mean?, how a perfect escapist film from 1932 works just as well in 2025, and more.

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Hosts: ⁠Veronica Fitzpatrick⁠⁠⁠ &⁠⁠ Chad Perman⁠⁠⁠

Producer: ⁠Eli Sands⁠⁠⁠

Music: Chad Perman

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Read the current issue of Bright Wall/Dark Room:

Community (Issue #140)

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This episode is sponsored by ⁠⁠Galerie⁠⁠, a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema.

To enjoy one month of Galerie for free, and then receive 50% off the next three months, visit ⁠⁠Galerie.com⁠⁠ and enter the code “BWDR” when you sign up.

This month’s mini-episode takes us into the rich opening sequence of a pick curated by director Andrew Haigh: Nicolas Roeg’s Venetian nightmare, Don’t Look Now .

We get into Graeme Clifford’s expressionist editing, celebrating movies for grownups, the color red, non-chronology, grief, and what lies “beyond the fragile geometry of space.”

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The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad.

This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can sign up for 3 months of free access to Galerie's curated film lists, essays, live screenings & more at join.galerie.com.

This holiday season, we're revisiting last year's holiday special: an audio essay of one of the most popular articles we've every published on the site: Ethan Warren's ⁠A Grand Yuletide Theory: The Muppet Christmas Carol is the Best Adaptation of A Christmas Carol⁠.

Written and read by ⁠Ethan⁠ himself, with holiday music from ⁠Ryan Pollie⁠.

(Originally aired December 17, 2023)

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We'll be back later this month with two brand new pods, but in the meantime:

Happy Holidays from ⁠Bright Wall/Dark Room⁠!

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This episode is sponsored by ⁠Galerie⁠, a new kind of film club. BW/DR listeners can sign up for three months of free access to Galerie by using this special link.

On this special mega episode, co-host Veronica sits down with critic ⁠Fran Hoepfner⁠ and our producer Eli Sands to postmortem the 62nd New York Film Festival. This is a mainly spoiler-free conversation!

We get into: Hard Truths, Caught by the Tides, Nickel Boys, April, Harvest, The Brutalist, The Seed of the Sacred Fig, The Shrouds, Queer, Maria, Stranger Eyes, Eephus, I’m Still Here, Anora, The Room Next Door, one stray line about Misericordia, plus: wife guy directors, the surveillance motif, doing Mike Leigh homework, critic versus public screenings, do we need subtitles to understand Scottish accents, stop describing Brutalist as monumental, are movies too long, Almodóvar’s secret to killing it at Q&A, what lipstick is Mikey wearing in Anora, and more.

Further reading and listening: Fran’s ⁠NYFF report⁠ for Bright Wall/Dark Room and her incredible ⁠piece on Dick Pope⁠, and more of Eli on the festival at ⁠Deep Cut⁠. Find Fran online at ⁠Fran Mag⁠, ⁠Twitter⁠, and ⁠Letterboxd⁠.

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The Bright Wall/Dark Room Podcast is co-hosted by⁠ Veronica Fitzpatrick⁠ and⁠ Chad Perman⁠, produced by⁠ Eli Sands⁠, and edited by ⁠Buczar⁠. Our theme music is composed by Chad.

Please: follow, rate, review!

Find all 135 issues of Bright Wall/Dark Room at ⁠brightwalldarkroom.com⁠ (and be sure to check out our upcoming November issue, Neo-Noir 2024). We’re on Twitter (@BWDR and @TheBWDRPodcast), ⁠Bluesky⁠, and ⁠Letterboxd⁠, and welcome feedback and ad/sponsorship inquiries at ⁠podcast@brightwalldarkroom.com⁠.

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This episode is sponsored by ⁠⁠Galerie⁠⁠: a new kind of film club. Listeners can currently sign up for three months of full access to essays, curated film lists, live screenings and much more at ⁠⁠join.galerie.com⁠⁠.

This month’s mini-episode takes us into one of costume designer Sophie de Rakoff’s curated picks: Irvin Kershner’s The Eyes of Laura Mars (1978), an American giallo with style to spare. We get into Faye Dunaway’s scream, POV in horror, how this is Helmut Newton x John Carpenter, the ethics of glamorizing suffering, and, yes, the clothes.

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The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad.

This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can sign up for three full months of free access to curated film lists, essays, live screenings and more here.

This whole episode is a trap. In it, we join Josh Hartnett scholar and The Film Stage gentleman Dan Mecca to dissect the ins and outs of M. Night Shyamalan’s Trap.

We talk about: baby bangs, Hartnett always being a little bit weird, the tooth gap, Sleeping with the Enemy’s hand towels, auteur theory, one good part in The Village, Hayley Mills on the walkie-talkie, and more.

Further reading: Dan’s interview with Hartnett for Film Stage, Nicholas Russell’s M. Night Shyamalan essay for BWDR, and you can even run it back to Dan’s first-ever The B-Side episode on Hartnett himself.

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The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman, produced by Eli Sands, and edited by Buczar. Our theme music is composed by Chad.

You can find all 134 issues of Bright Wall/Dark Room, including our most recent issue on Spike Lee, at brightwalldarkroom.com. Please help us find more ears: follow, rate, comment, leave us a review!

This episode is sponsored by ⁠Galerie⁠: a new kind of film club. Listeners can sign up for 3 full months of free access to curated film lists & streaming films, essays, live screenings and much more at ⁠join.galerie.com⁠.

Inspired by the curation of costume designer ⁠Sophie de Rakoff⁠, this month we're taking a loving look at the gear-shifting, hybrid charms of Jonathan Demme's screwball noir, Something Wild—and the Ray Liotta entrance that changes everything.

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This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can now sign up for 3 months of free access here.

Joining us this month: Blank Check co-host & staff writer at The Atlantic, David Sims!

In summer’s last gasp, we go back to a flashpoint of summer blockbuster season: Jan de Bont’s 1996 Twister, plus its legacy in Twisters (Lee Isaac Chung, 2024), epic ensemble casting, craving movies about grown-ups, Hollywood’s dangerous brunettes, why not kissing at the airport matters, whether anyone votes in the world of Twisters, cinema sequences and storm spectatorship, Daisy Edgar Jones’s accent work, and the Spielberg touch.

Stuff we reference: Jan de Bont in conversation with Tim Grierson, and Lee Isaac Chung on the Twisters ending.

The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands. Our theme music is composed by Chad.

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This episode is sponsored by ⁠Galerie⁠, a new kind of film club featuring curated films, original articles and interviews, and interactive live events. BW/DR listeners can now sign up for three full months of free access to Galerie through ⁠this special link⁠.

Chad goes full dad in this mini-episode on Richard Linklater’s 2014 coming-of-age epic Boyhood. Specifically, the plural meanings of Patricia Arquette’s anguished move-out speech, and why raising children to lead their own lives is a bittersweet success.

The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands. Our theme music is composed by Chad.

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This episode is sponsored by Galerie, where you can join Veronica & Chad for a watch party this Sunday, August 18 at 3pm ET/12pm PT. We'll be hosting a viewing of Olivier Assayas' ⁠Clouds of Sils Maria⁠, with live commentary and conversation, and would love to have you stop by and say hello!

(BW/DR listeners can currently sign up for three months of free access to Galerie ⁠here⁠.)