The Baton: A John Williams Musical Journey – Détails, épisodes et analyse

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The Baton: A John Williams Musical Journey

Jeff Commings

Cinéma & Séries

Musique

Fréquence : 1 épisode/24j. Total Éps: 116

Take a chronological journey through the 60-year career of film composer John Williams!

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Données mises à jour le 21/08/2026

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🇨🇦 Canada - Film History
22/09/2026
#61
🇩🇪 Allemagne - Film History
22/09/2026
#37
🇩🇪 Allemagne - Film History
21/09/2026
#45
🇺🇸 États-Unis - Film History
21/09/2026
#78
🇩🇪 Allemagne - Film History
20/09/2026
#31
🇩🇪 Allemagne - Film History
19/09/2026
#23
🇩🇪 Allemagne - Film History
18/09/2026
#15
🇩🇪 Allemagne - Film History
17/09/2026
#82
🇩🇪 Allemagne - Film History
12/09/2026
#91
🇩🇪 Allemagne - Film History
11/09/2026
#68

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Score global : 37%

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Episode 115 - The Hoth Battle (The Empire Strikes Back)

Épisode 115

jeudi 20 août 2026 • Durée 35:31

This very special episode of The Baton attempts to right a very major wrong from episode 54 of the podcast, which featured a robust discussion of the score for The Empire Strikes Back. In that episode, co-hosts Jeff Commings and Jim Nova neglected to mention the 15-minute Hoth battle sequence. On this episode, the two spend almost the entire time breaking down that sequence's music, from its similarities to Richard Strauss' tone poems to the use of 26 percussion instruments as John Williams flexed his musical muscles once again. Enjoy this detailed analysis of the music for one of the best action sequences put on film.

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Episode 114 - Disclosure Day

Épisode 114

vendredi 26 juin 2026 • Durée 01:21:54

Steven Spielberg convinced semi-retired John Williams to write the film score for his new science-fiction epic about alien visitations called Disclosure Day. The result is a "restrained" score that lacks the thematic richness we have come to expect from Williams. But the score, as host Jeff Commings details, is one of the best Williams has written in the 21st century.

Join this episode to hear music from the score, including a brooding first cue, an intensely scored cue for a car chase that doesn't focus on the car chase, and a lovely end credits cue that takes variations of a melody that is sparsely used throughout the film.

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Episode 113 - Indiana Jones and the Dial of Destiny

Épisode 114

mercredi 12 juillet 2023 • Durée 47:02

The fifth Indiana Jones movie brought 79-year-old Harrison Ford back into the old fedora for another adventure involving a precious artifact that could spell doom if put into the wrong hands. Along for the ride was 91-year-old John Williams, who completed his 43-year association with Indy with a score that features callbacks to moments from previous Indiana Jones films and a lack of a major theme that had the potential to make the score a major standout. Host Jeff Commings details some of the highlights of the score on this latest episode of The Baton: A John Williams Musical Journey.

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Episode 112.5: While You Wait For Episode 113...

Épisode 113

mardi 14 février 2023 • Durée 08:46

Looking for something to pass the time as you wait for episode 113 of The Baton? Since the next John Williams film score won't be released until summer 2023, there won't be a new episode of The Baton until then. But host Jeff Commings has another podcast that can help you fill the time with more Hollywood history.

This show, called The Best Song Podcast, is perfect for fans of Hollywood history, of music history, of movie songs, and movies in general. You'll go on a 92-episode journey through 90 years of the Academy Award for Best Original Song, featuring all the songs nominated for the big award from 1934 to 2023.

Chances are you'll find a new favorite movie song, or learn a bit more about one that is already near to your heart! The show is available on all podcast platforms, and new episodes are released every Monday. Enjoy the show!

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Episode 112 - The Fabelmans

Épisode 112

jeudi 22 décembre 2022 • Durée 55:40

Host Jeff Commings is back on The Baton to discuss what might be the final film collaboration between director Steven Spielberg and composer John Williams. The Fabelmans is Spielberg's semiautobiographical film about his family and the beginnings of his career as a filmmaker. Though the film is 200 minutes long, there is only about 30 minutes of original music from John Williams in it. Commings details a couple of the highlight musical cues, including a now-iconic dance scene with Michelle Williams, and what Williams had been doing in the two years since finishing work on The Rise of Skywalker..

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Episode 111 - Epilogue

Épisode 111

mercredi 30 décembre 2020 • Durée 01:21:24

This is the final episode of "The Baton: A John Williams Musical Journey," and host Jeff Commings has invited one of the premier analysts of John Williams' music to talk about his extensive catalog for the "Star Wars" and Indiana Jones films. Frank Lehman discusses the genesis of the idea to examine all of the thematic material in both film series, and breaks down two of his favorite themes from the "Star Wars" franchise. It's a fantastic discussion that closes out this extensive podcast series with an over-reaching look at the Maestro's career.

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Episode 110 - The Rise of Skywalker

Épisode 110

mercredi 23 décembre 2020 • Durée 54:31

After a mind-boggling span of 42 years, John Williams closed out his involvement with the "Star Wars" film series with the score for "The Rise of Skywalker." Host Jeff Commings and cohost Paulius Eidukas talk about the missteps in director J.J. Abrams' choices visually and musically. The two talk about the four new themes that flow through the score, all four notable because they connect more to a group of people and an idea instead of one person. With the help of Eidukas on the piano, we understand how the new themes connect to previous melodies, and how the finale gave them a "shivers-up-the-spine" feeling with the music. As of this posting, "The Rise of Skywalker" is the final film in the John Williams canon after 60 years of writing the score for 109 films. It is fitting that "The Rise of Skywalker" is the final film in John Williams' career, if the Maestro has indeed retired from film scores.

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Episode 109 - The Post

Épisode 109

mercredi 16 décembre 2020 • Durée 01:02:37

In what might be their final film collaboration, Steven Spielberg and John Williams worked together to give us a score for "The Post" that doesn't go full bore with the orchestra, using instead the emotion of electronic pulses and Americana touches to convey the tension of publishing the Pentagon Papers in The Washington Post. Host Jeff Commings and co-host Paul Wright discuss the way Williams perfectly matches "the intended emotional contexts of a scene with music," resulting in an emotion from the viewer that is almost purposeful. Though we could presume that "The Post" is the final John Williams score for a Steven Spielberg film, the Maestro started a new collaboration in 2017 with violinist Anne-Sophie Mutter, writing a concerto for her that was a long time coming.

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Episode 108 - The Last Jedi

Épisode 108

mercredi 9 décembre 2020 • Durée 52:27

Rian Johnson took over for J.J. Abrams as director of the second film in the "Star Wars" sequel trilogy, titled "The Last Jedi." Johnson changed the tone and direction of the sequel dramatically, and composer John Williams went along for the ride with a couple of new themes for two new characters whose music only appears in this film, for different reasons. Host Jeff Commings is joined again by Paulius Eidukas for an examination of the use of pre-existing music -- including Leia's theme in the controversial "Leia in Space" scene -- and how certain compositional techniques made Williams' Oscar-nominated score feel bold and a little daring.

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Episode 107 - The BFG

Épisode 107

mercredi 2 décembre 2020 • Durée 59:49

Trombone player and music teacher Paul Wright makes his debut appearance on "The Baton" to defend the Steven Spielberg film "The BFG" and discusses with host Jeff Commings the intricate compositional technique John Williams used for this score. From creating virtuosic flute writing to reaching back to past themes to give us a buffoonish motif for the villains, the co-hosts have a blast dissecting this "blip" on John Williams' filmography, a underrated score that has many gems that you will discover in this episode.

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