afikra and The Arts Center at NYU Abu Dhabi join forces to bring you captivating interviews with an array of talented performers and artists. From the mesmerizing melodies of Meklit Hadero to the electrifying movements of Herve Koubi, this podcast series showcases the rich tapestry of music, theater, drama and poetry. Step into the minds of these visionary creators as they delve into their craft, revealing the inspirations and stories behind their extraordinary performances.
The Arts Center at NYU Abu Dhabi offers NYUAD compelling programming that connects to the curriculum and illuminates the scholarly pursuits of students and faculty. Its range of public programs aim to animate and enrich the cultural life of both the city of Abu Dhabi and the university through interaction. As a vibrant laboratory for performance that both presents and develops work, The Arts Center fosters a dynamic relationship between the arts, scholarship and community.
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Gnawa, Hip Hop & Nass El Ghiwane | Choreographer Fouad Boussouf
Saison 5 · Épisode 2
mercredi 14 octobre 2026 • Durée 47:36
Choreographer and artistic director Fouad Boussouf traces his path from listening to hip-hop and regional Arab music in the French suburbs to directing a national choreographic center. Influenced by North African heritage, contemporary dance, and circus arts, he explores how non-verbal expression allows him to address social commentary, immigration, and spiritual identity through movement. Boussouf offers insights into his creative process and key productions, including his tribute to Oum Kalthoum and his acclaimed high-energy show Näss. The discussion examines how instinctive rhythm, Gnawa culture, and raw physical fatigue drive authentic performance on stage.
00:00 Introduction 00:32 Dual Musical Roots 01:40 Hip-Hop Influences and Pop Icons 03:55 Childhood Cassettes and French Suburbs 08:12 Early Training from Circus to Dance 10:19 Nostalgic Breakthroughs 14:41 Overcoming Expectations 18:44 Touring and First Projects 27:34 Paying Tribute to Oum Kalthoum 35:56 Popularizing Gnawa Culture 41:48 The Origins and Themes of Näss
Fouad Boussouf is a Moroccan-French choreographer, artistic director of Compagnie Massala, and since January 2022, director of Le Phare — Centre chorégraphique national du Havre Normandie. Born in a village near Moulay Idriss, Morocco, he moved to France at age seven and began hip hop as a teenager. He studied social sciences at the University of Paris XII, earned a DESS degree on hip hop, and founded Compagnie Massala at 27. His work is hybrid, without labels, and grounded in the hip hop movement vocabulary while drawing on Mediterranean, North African, and Arab musical and spiritual traditions. His works include Näss (People) (2018), Oüm (2020, an homage to Oum Kalthoum), After Fêu (2023), and Vïa (2023, created for the Ballet du Grand Théâtre de Genève). He was honored with the Chevalier des Arts et des Lettres by the French government in 2022. Näss (People) receives its UAE Premiere at the NYUAD Arts Center on October 30, 2026.
Connect with Fouad Boussouf 👉 https://www.lephare-ccn.fr
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When Dance Becomes a Solution to Language | Youness Atbane
Saison 5 · Épisode 1
mercredi 23 septembre 2026 • Durée 50:49
Navigating the intersection of institutional power, identity, and postcolonial discourse, artist and choreographer Youness Atbane examines how contemporary art spaces shape cultural narrative. Through performance works like Untitled 14 km and Waterproofed Artists, Atbane interrogates the elitism of the global art world while drawing on his roots in Moroccan pottery traditions and choreography to move beyond the limitations of spoken language. Blending speculative fiction with subtle humor, the discussion explores the Andalusian legacy, the politics of curation, and the true cost of artistic freedom.
00:00 Introduction 02:30 Body Form and Translating Clay 08:33 Movement as a Universal Language 10:47 Urban Emergencies 15:50 Giving Form to the Unknown 17:33 Waterproofed Artists and Speculative Futures 20:41 Postcolonial Limits and Elitism 25:25 Navigating the Global Art Market 28:53 Audience Expectations in Berlin and Casablanca 31:45 Text Language and Humor in Performance 36:00 Untitled 14 km and Andalusian Legacy 37:44 The Imaginary Museum 44:00 Deconstructing the Star Curator 47:03 Rereading Golden Age Poetry
Youness Atbane is born in 1982 and currently lives and works between Casablanca and Berlin. His artistic practice is based on a critical relationship to the fields of art, its actors and its geopolitics. He began to follow different programs and gained artistic experiences in the fields of performance and visual art in France, Morocco, Belgium, and Spain. In 2008, he took part in the Master performing art program EX E.R.CE08 at the CCN of Montpelier. In 2010, he graduated with a master in Art, Literature and Museology from the University of Nice. His practice consists of three areas: live performance as a space of reflection, installation making as an outcome of the performance act and photography and drawing as an archive. All three areas are interconnected and interdependent. He has exhibited his installations and performances at the Museum of Contemporary Art in Rome, the parallel project in the Venice Biennale in 2011, Institut du Monde Arabe in Paris, the Museum of Modern & Contemporary Art Mohammed VI in Rabat, the Ostrale Biennale in Dresden, Headlands Center for the Arts in San Francisco, MassMOCA in Massachusetts, the British Museum, and MUCEM in Marseille. He received the ZKB Acknowledgement Prize in 2018.
The Djembe, Diaspora & the Sound of West Africa | Djembe Virtuoso & Bandleader Yahael Camara Onono
Saison 4 · Épisode 6
jeudi 23 juillet 2026 • Durée 57:19
Master djembe player and composer, Yahael Camara Onono, discusses his musical journey and his mission to elevate West African percussion. Growing up in London, the djembe served as an umbilical cord to his Manding heritage, allowing him to blend traditional sounds with contemporary influences like grime and hip-hop. He founded the Balimaya Project in 2019 to challenge the pigeonholing of African music and to demonstrate that percussion can serve as a complex, leading melodic force rather than just an add-on. His work delves into personal and vulnerable themes, such as grieving for his late son through music, while also celebrating innovative collaborations with virtuosos like Egyptian oud player Abakary Kadry. For Onono, the djembe is a glue that brings people together, serving as a powerful symbol of identity and black pride.
00:00 Introduction
02:18 The Physical and Symbolic Essence of the Djembe
04:36 An Umbilical Cord to Heritage
07:22 Growing Up in the London Soundscape
10:52 Bridging Traditional Roots and Global Fusion
14:00 Reclaiming the Big Band Spirit
17:32 The Intricate Language of Percussion
20:00 Challenging the Pigeonholing of Art
23:55 Cultivating a New Mentality
28:13 Bridging Community and Education through Residence
33:28 Processing Grief and Vulnerability in the Studio
38:25 Full Circle: Intentional Creation in the UAE
47:20 The First Meeting: Unrehearsed Dialogue
52:31 Tracing Ancient Links Across Borders
Yahael Camara Onono is a percussionist, composer, musical director, educator, and cultural producer whose work bridges traditional West African music, diasporic legacies, and contemporary global expression. As the founder and bandleader of the award-winning Balimaya Project, Yahael has been celebrated internationally for redefining diasporic African music in the UK and beyond. The ensemble fuses Mandé musical heritage with London's vibrant contemporary jazz, hip-hop, and orchestral scenes, creating a sound that is both deeply rooted and boldly innovative. He has collaborated with leading cultural institutions, including The Barbican Centre — where he made history as its first ever contemporary artist-in-residence — The White Cube Gallery, and the V&A Museum. His performances and curatorial projects have featured at WOMAD, SXSW, Jazz à Vienne, and the Montreux Jazz Festival. His film and soundtrack credits include compositions for Disney's Mufasa (2024) and Disney's Iwaju (2024). He has delivered guest professorships at NYU Abu Dhabi, where he has been Artist-in-Residence since January 2026.
Music as Resistance, Healing & Prayer | Flautist, Vocalist & Composer Naïssam Jalal
Saison 4 · Épisode 5
jeudi 18 juin 2026 • Durée 53:07
Music serves as a vital sanctuary and a form of spiritual recovery in a world frequently defined by violence, injustice, and fatigue. Flautist, vocalist & composer Naïssam Jalal shares her profound reflections on a career shaped by the search for belonging and the transformative power of sound. Growing up in Paris as the daughter of immigrants, she recounts facing persistent racism and discrimination, which eventually spurred a deep need to reconnect with her roots and understand her identity. She offers a nuanced look at her artistic evolution, from early Western classical training to her discovery of improvisation as a way to express the inexpressible. She reflects on her formative years in Cairo, describing the challenges of navigating society as a solo female musician and the immense generosity of mentors like violin legend Abdo Dagher.
0:00 Introduction
1:46 Growing up between Cultures
3:54 The Discovery of Improvisation
6:41 A Search for Roots in Damascus and Cairo
9:00 Learnings from the Legends of Egypt
11:44 Early Collaborations at the Cairo Opera House
17:42 Returning to Paris and Processing Hardship
21:04 Navigating Art through Conflict and War
23:32 The Birth of Rhythms of Resistance
29:23 Music as a Political Witness
31:01 Capturing the Scream of the Earth
36:54 Exploring Hindustani Classical Traditions
44:00 Seeking Shelter and Recovery through Sound
51:44 Reflections on a Burning World
Naïssam Jalal is an acclaimed French-Syrian flautist, vocalist, and composer. Born in Paris to Syrian parents, she is celebrated for her genre-defying music that blends jazz, Western chamber music, and classical Arabic sounds. Her highly spiritual, cosmopolitan work has earned her prestigious awards like the Victoires du Jazz.
Why Live Theater Still Matters | Ahmed El Attar
Saison 4 · Épisode 4
jeudi 28 mai 2026 • Durée 53:36
Playwright and director Ahmed El Attar explores the evolution of the Egyptian independent theater movement, tracing its roots from the 1990s counterculture to its role as a precursor for social change. He discusses the crisis of state-run institutions in the Arab world, marked by bureaucracy, censorship, and a disconnect from contemporary audiences. Through his own work, such as "The Discrete Charm of the Pillars of Society", El Attar examines the universal power structures of the family and challenges notions of Western superiority by revealing shared human greed and prejudice.
0:00 Introduction
1:56 Theater Education and Training in Egypt
4:01 Egypt's Unique Theater Scene and Audience
5:17 The Regional Crisis in Theater and Formal Training
7:16 Diagnosing the Crisis: Red Tape and Lack of Funding
9:53 The Vital Importance of Live Performance
11:52 Theater vs. Film & TV
12:51 History of Egypt’s 1990s Independent Theater Scene
14:52 The State Sector: Programming, Payroll, and Bureaucracy
17:40 Decline of State Theater and the Rise of Visionary Adaptations
20:18 Counterculture Pushback Against Archaic Institutions
22:20 Genesis of the Temple Independent Theater Company
24:11 University Facilities and Real-World Technical Experience
27:40 The Life Cycle of Independent Movements and Social Change
30:46 Focusing on the Family Power Structure
32:51 The Artistic Evolution of Subtext and Early Plays
36:21 Identifying and Reaching the Egyptian Audience
38:55 Must-Watch Arab Theater Makers and Playwrights
Arabian Fuzz & Revolutionary Poetry | Thomas Attar from Al-Qasar Band
Saison 4 · Épisode 3
mercredi 28 janvier 2026 • Durée 45:03
Thomas Attar of Al-Qasar Band joins The Arts Center at NYU Abu Dhabi Podcast ahead of their performance at the Tamaas Festival on January 29th. Attar strives to make music that reflects the complexity of modern, multicultural, and transnational identities. Growing up in Paris before moving to the US, he shares the origins of Al-Qasar, a collaborative project that was an intentional response to a "white rock scene" that felt disconnected from everyday life, aspiring to make music with a deeper connection to the human experience. He discusses the term "Arabian fuzz," which he uses to describe the band's sound. He credits his early musical influences, such as The Beach Boys and 70s Arab rock bands like those on the album Hard Rock from the Middle East, for training his ear to accept later Arab sounds. The conversation touches on the issue of the term "World Music" as a marketing term.
0:00 Introduction: The Genesis of Al-Qasar: Revolutionary Poetry and Psych Rock
1:59 Early Musical Influences
4:24 Growing Up in Multicultural Paris
7:20 The Disconnect of the "White Rock Scene"
12:34 Making Revolutionary Music in a World of Social Ruptures
12:41 Al-Qasar's Collaborative and Global Sound
15:33 Defining "Arabian Fuzz"
17:21 The 70s Arab Psychedelic Rock Scene
21:09 Rejecting "World Music" and "Fusion" As Terms
24:06 Al-Qasar's Diverse Audience and Outreach
26:24 The Analog Production Approach
Yasmine Hamdan on the Spotifyification of Music, the Diaspora Experience & Finding Her Center
Saison 4 · Épisode 2
lundi 26 janvier 2026 • Durée 50:34
In the lead up to her performance at Tamaas Festival on January 29, musician Yasmine Hamdan joins Mikey Muhanna on The Arts Center at NYU Abu Dhabi Podcast to discuss her return to music after a significant hiatus. Yasmine, who's considered an icon of music for a generation of Arab listeners, explains that her time away was essential for reconnecting with her purpose, moving beyond career strategy, and focusing on the core of her art. She tells us about the emotional and political factors that contributed to her needing a break, including the theft of Lebanese people's money and the Beirut Port explosion. She addresses the current challenges in the music world, citing the "Spotifyification of music" and the burden of uncompensated, invisible work (like being your own an agent and promoter) that artists are now required to take on. She also shares her creative process for the new album "I remember I forget", which she feels speaks to the diaspora experience, and the vital role of trusted collaborators, whose feedback gave her the energy to finish the record. The discussion also touches on the importance of maintaining a comfortable relationship with oneself while creating, her "rock and roll" experience performing at Tiny Desk, and her excitement about performing for the diaspora in Abu Dhabi with scenography collaborators Elias and Yousef Anastas from Radio Alhara and Wonder Cabinet.
2:05 Yasmine Hamdan's Comeback: Purpose Over Strategy
3:07 The Challenges of Today's Music World
4:44 The Invisible Work of Being an Artist Today
7:45 Emotional Reasons for Stepping Back
11:35 The Creative Process: Insecurities and Solitude
15:03 The Burden of Representation and Obsession
Dear Children, Sincerely: A Sri Lanka-Rwanda Performance | Ruwanthie de Chickera
Saison 4 · Épisode 1
vendredi 14 novembre 2025 • Durée 47:04
The artistic director of "Dear Children, Sincerely," which was performed at The Arts Center at NYU Abu Dhabi joins us to talk about this powerful theater collaboration between Rwanda and Sri Lanka. Ruwanthie de Chickera shares the inspiration behind the project, its unique approach to intergenerational dialogue, and the profound impact of connecting with elders who witnessed pivotal historical shifts. Ruwanthie also shares personal anecdotes about growing up in civil war-torn Sri Lanka, the unexpected insights gained from interviewing the generation born in the 1930s, and the moving experience of bringing these stories to a diverse audience at NYU Abu Dhabi. Discover how personal histories intertwine with national narratives, revealing the complexities of post-colonial identity, the nuances of human relationships in shaping history, and the enduring power of hope and collective action.
3:20 Sri Lanka's Tumultuous Yet Joyful Upbringing During the Civil War
10:12 The Vision: Interviewing Elders Born in the 1930s
11:10 The Significance of the "Independence Generation"
13:10 The Hopes and Realities of Post-Colonial Nation Building
14:51 Pushing Past Nostalgia: Self-Critical Reflections from Elders
18:27 The Structure of the "Dear Children, Sincerely" Project and Productions
20:11 The Emotional Impact of the Transcripts and Near Misses
22:34 History Made by Human Relations, Not Grand Scales
Widad Mjama on Moroccan Rap & Aïta Mon Amour's Performance at the Tamaas Festival in Abu Dhabi
Saison 3 · Épisode 5
mercredi 12 février 2025 • Durée 44:34
In this episode of the NYUAD Arts Center podcast, we're joined by Widad Mjama, one-half of the musical group Aïta Mon Amour, in the lead-up to their performance at the Tamaas Festival in Abu Dhabi. The pioneering rapper from Morocco explores her musical experiences, her early exposure to various music genres in Morocco, and her eventual gravitation towards rap. Widad discusses the Moroccan rap scene and the significant impact of artists like Tupac on her life. The discussion delves into the origins and significance of Aïta, a traditional Moroccan music genre, and how Aïta Mon Amour celebrates and modernizes it. Widad sheds light on her collaboration with Khalil, their creative process, and the challenges of preserving tradition while introducing modern elements.
00:00 Introduction 00:55 Widad's Musical Journey 01:53 Discovering Rap and Other Music Influences 05:08 The Moroccan Rap Scene 08:09 Exploring Aïta Mon Amour 09:33 The Essence of Aïta Music 21:54 Creating Modern Aïta 40:04 Performing and Connecting With Audiences 43:32 Upcoming Tamaas Festival
Widad Mjama is the first female rapper to appear on the Moroccan scene. In 1999, she and her group Thug Gang won the rap-hiphop category at the Tremplin des Jeunes Musiciens competition in Casablanca. In 2014, she co-created the group N3rdistan in France with Walid Ben Selim, drawing inspiration from classical Arabic poetry. For her project Aïta Mon Amour, developed with musician Khalid Epi, she conducted years of research with chikhates (or cheikhat)—women who preserve the Aïta tradition, a centuries-old poetic and musical art from the El Jadida-Safi region. The project blends traditional instruments like the mandole and loutar with electronic sounds, supported by the Shouka label. The project pays homage to the freedom and energy of the chikhates while anchoring itself in a multi-secular heritage.
Beytna Dance Performance Over a Banquet at the NYUAD Arts Center | Omar Rajeh
Saison 3 · Épisode 4
vendredi 24 janvier 2025 • Durée 52:57
In this episode of the NYU Abu Dhabi Arts Center Podcast, we delve into the intrinsic philosophy of dance with dancer and choreographer Omar Rajeh. The conversation spans his journey from founding dance company Maqamat in Beirut in 2002, to developing contemporary dance awareness in Lebanon and organizing the influential BIPOD festival. Omar discusses the transformative power of dance, its societal impact, and the innovative production "Beytna" set to be showcased at The Arts Center's Red Theater on January 30th. He gives his testament to the inclusivity and philosophical depth dance can achieve in our world today.
00:00 Introduction 00:49 Omar's Journey & Philosophy of Dance 02:01 Challenges & Growth of Contemporary Dance in Lebanon 12:23 The Impact of BIPOD Festival 21:16 Regional Dance Scenes & Collaborations 32:41 Exploring the Beytna Performance 44:30 Future Projects & Digital Platforms 52:24 Conclusion & Upcoming Performance
Omar Rajeh is a choreographer, dancer, and founder and artistic director of Maqamat. Initially based in Lebanon since 2002, he moved and set up his company in Lyon in 2020 to continue to create and develop his projects in France and internationally. He has developed more than 20 choreographic creations and is widely recognized in Lebanon and around the world. His work – inspired by the socio-political concerns that surround it – is always carried with strong compositions and an invested and vigorous physical presence. He also also the founder of BIPOD (Beirut International Platform of Dance), Takween (an intensive training program), Moultaqa Leymoun (a platform that showcases and develops the work of artists and choreographers from the Arab countries), and the co-founder of Masahat network. In 2017, he designed and established Citerne Beirut, a choreographic and cultural center in Lebanon which – following its forced dismantling in 2019 – gave birth in France to Citerne.live in 2020.
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42:07 The Rise of Contemporary Dance in the Arab World
43:01 Theater's Ephemeral Nature vs. Digital Recording
44:47 Genesis of "The Discreet Charm of the Pillars of Society"
45:42 Challenging Notions of Western Civilizational Superiority
47:16 Shared Human Weakness: Greed, Prejudice, and Racism
50:12 Actor Training: Expanding Horizons and Embracing Humility
An award-winning Egyptian independent theatre director, translator, playwright and cultural manager. He is founder and General Manager of Studio Emad Eddin Foundation, an organization that offers rehearsals and training spaces to independent artists in the field of performing arts in Egypt. El Attar is also the founder and the artistic director of Orient Productions, the Temple Independent Theatre Company and D-CAF (Downtown Contemporary Arts Festival). He is also the artistic director of the Falaki theatre in Cairo. El Attar has a BA in Theatre from the American University in Cairo (1992) and an MA in Arts and Cultural Management from Paris III Sorbonne Nouvelle (2001).
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32:52 The Art of the Cover Song
36:09 Dream Collaborators
38:31 The Challenge of Making Revolutionary Music
41:26 Navigating Censorship and Self-Censorship for MENA Artists
44:14 Abu Dhabi Show Details
A French-American producer, Thomas has been involved in about 40 releases, performed on five continents, and composed for TV & film. His recent collaborations with Sudanese-American innovator Alsarah and Malian legends Cheick Tidiane Seck and Mamani Keita push the limits of the culture while being deeply embedded in groove and tradition. On BBC6, Iggy Pop called his song with Lee Ranaldo (Sonic Youth) “Pretty bitching”. His involvement with North African artists Dina El Wedidi and Emel Mathlouthi is a testament to this very personal approach. In 2025/2026, Attar is adding his touch to the albums of two significant Mozambican artists, Stewart Sukuma and Selma Uamusse, both of whom he is recording and producing between Maputo and Lisbon. Among other projects, Thomas leads Arabian Fuzz psych rock outfit Al-Qasar (Glitterbeat/Wewantsounds), an explosive mix of North African trance music, heavy Middle Eastern grooves and Western psychedelia (the collective notably featured members of Tinariwen). Receiving high praise from the music press (BBC6, Uncut Magazine, Wire), Al-Qasar has toured North America, Europe, North Africa, and the Middle East, with notable appearances at Sziget, Pukkelpop, Lowlands, WOMADs, Mawazine, Paléo, and TransMusicales. On the second of two Egypt tours, Thomas collaborated with musicians of the zar tradition, an ancient healing ritual achieved through hypnotic drumming and mystical trance.
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17:58 The Crucial Role of a Trusted Partner
20:37 Sharing Work: Fragility and Trust
23:23 Consistency and Finding Intention in Singing
26:54 Connecting With Audiences Beyond Language
29:20 The Universal Language of Music
31:09 The Tiny Desk Concert Experience
33:03 Performing for the Diaspora at Tamaas Festival
35:05 The Shift Away From Representation
39:32 Re-evaluating Needs and Finding Center
42:12 On Solitude, Scenes, and Being in the Margins
45:48 Future Collaborations and Artistic Languages
48:51 Excitement for Performing Live
Yasmine Hamdan first made waves in the music scene with the pioneering Beirut indie electronic duo Soapkills, which she co-founded with Zeid Hamdan in the late 1990s. Having moved to Paris in 2005, Yasmine collaborated with Madonna producer Mirwais for the Y.A.S. project, releasing the sleeky clubby Arabology album on Universal in 2009. Since then, she has earned international acclaim as a solo singer-songwriter and producer, elegantly entwining far-ranging elements, from pan-Arabic roots and pop and poetic lyrics, to electronica, soul and guitar melodies. Yasmine has collaborated with filmmakers such as Elia Suleiman, Jim Jarmusch, and has toured globally in support of her albums Ya Nass (2013) and Al Jamilat (2017). Her third album was released worldwide on Crammed Discs/ [PIAS].
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23:51 Nagalingam Edirisinghe's Story: Gold Medal Amidst Riots
29:20 The Hope of Youth in Rebuilding Nations
29:38 Sri Lanka's Lack of National Identity at Independence
30:57 Performing "Dear Children, Sincerely" at NYU Abu Dhabi
34:25 The Legacy of Harshana Rambukwella: A Dedication to Connection
40:03 Transitioning to an Elder: Advice for Younger Generations
41:37 Finding Hope in Global Challenges: The Sri Lankan Uprising
Ruwanthie de Chickera is an award-winning playwright, screenwriter, theater director, actor trainer, and cultural activist. She is the founder and artistic director of Stages Theatre Group. She has written and directed over 30 original plays and two screen plays. The first play she wrote, at the age of 19, won her international recognition and pivoted her into Sri Lankan theater. Her first film, Machan, is recognized as a watershed moment in Sri Lankan cinema, having won several international and local awards and was screened in over 50 countries.
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