John is joined by Jack Patterson and Grace Chatto of Clean Bandit to talk about how they wrote, recorded, and produced some of their early hits. Clean Bandit are an English electronic group formed in 2008, known for blending classical music with electronics and pop. While they gained early attention with the track ‘Mozart’s House,’ their 2014 hit ‘Rather Be,’ featuring Jess Glynne, won a Grammy and earned the band global recognition. Now pop mainstays, they have released numerous chart-topping collaborations, including ‘Rockabye’ and ‘Symphony.’ With two studio albums to their name and new music on the horizon, their most recent work sees them teaming up with Anne-Marie and David Guetta. In this, part one of our conversation, Jack and Grace look back at their process of creating ‘Rather Be’ and ‘I Miss You.’ In addition to discussing how they programmed the synth at the very centre of their early music, the pair recount stories of writing on the Tube and possibly one of the most intense vocal sessions of their career. Tracks discussed: Rather Be, I Miss You TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off. ROLAND Get 10% off Roland Cloud Ultimate Membership with the code TAPENOTES RC-1024 at rolandcloud.com MUSIVERSAL Skip the waitlist and get your 25% discount HERE LISTEN to ‘Rather Be’ here.  LISTEN to ‘I Miss You’ here. Atlantic Records UK LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Antares Harmony Engine Soundtoys Little Alterboy XLN AUDIO RC-20 reFX Nexus Synth That Sound Drumline Ilya Efimov Plugins Spectrasonics Keyscape Mellotron AKAI EWI Midi Controller Native Instruments Kontakt Conny Plank's SSL Desk Ableton Operator Synth Ableton Avid ProTools OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Katie-Louise Buxton  Seb Brunner-Stolovitzky  Jonathon Coughlin

John is joined by Alex Cook, better known as A. G. Cook, to talk about how he wrote, recorded and produced the album ‘Britpop’. A. G. Cook, is a London-based artist and producer. After studying at Goldsmiths University, he founded PC Music, a label shaping hyper pop with artists including Hannah Diamond and Danny L Harle. His debut solo albums, ‘7G’ and ‘Apple’, arrived in 2020. In addition to his own music, Alex has shared his production talents with numerous pop icons, including Jonsi, Madonna, and Caroline Polachek, and Charli XCX. In May 2024, he released his third studio album, ‘Britpop’, a 24-song exploration blending pop, experimental electronics, and acoustic sounds. Catching up at Strongroom Studios, Alex guides us through the three distinct chapters of the album, digging into the production and song writing approaches he took to make them stand out. As well as sharing some intricate plugin demos, we hear stories of developing a harmonic style, meticulous automation and what it means to be an aggressive listener.   Tracks discussed: Heartache, Serenade, Lucifer TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off. MUSIVERSAL Skip the waitlist and get your 25% discount HERE LISTEN to ‘Britpop’ here. New Alias LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Soundtoys Filter Freak Waves MetaFlanger Deamtonics Synthesizer V  Reveal Sound Spire Xfer Serum Xfer OTT Sonic Charge Synplant 2 Logic Compressor Native Instruments Reaktor Native instrument Razor IK Multimedia Mixbox Udo Super 6 Synth Sonic Academy Kick 2 Arturia Vocoder V Melda Productions M Bit Fun Electro Harmonix Pitch Fork Roland TR-606 Roland Juno Synth Rode Microphones Sony C800G Shure SM58 Arturia DX-7 Soma Synths Lyra 8 Logic Pro OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Katie-Louise Buxton  Seb Brunner-Stolovitzky  Jonathon Coughlin

John catches up with English rock band The Libertines to discuss how they wrote and recorded their latest album ‘All Quiet on the Eastern Esplanade’. The Libertines formed in 1997 and shot to fame with their debut album, 'Up the Bracket,' becoming pillars of the British indie/alternative resurgence of the early 2000s. Thirty years after their careers started, they have unveiled their fourth studio album, 'All Quiet on the Eastern Esplanade,' primarily recorded at their studio, The Albion Rooms, in Margate, with producer Dimitri Tikovoï. Sitting down with frontmen Carl Barat and Peter Doherty, the pair discuss their song writing process from idea to finished album. As well as sharing exclusive insights into the evolution of the Libertines’ recording process, we hear demos and ideas from their early days writing together up to recent studio time in Jamaica.  Tracks discussed: Run Run Run, Merry Old England, & Shiver TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off. LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘All Quiet on the Eastern Esplanade’ here   Libertines Recording Limited, Universal Music Operations, EMI Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS 1957 NY Epiphone Casino Guitar Gibson J45 Guitar Marshall Amps Whurli The Albion Rooms Gear OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer, Videographer Will Lyons - Editor Nico Varanese - Videographer, Editor Guy Nicholls - Production Assistant Jessica Clucas - Production Assistant Katie-Louise Buxton - Production Assistant Seb Brunner-Stolovitzky - Production Assistant Jonathon Coughlin - Production Assistant

In this episode, John heads over to Sports Team HQ to catch up with Oli, Rob and producer Burke Reid, to talk about how they wrote, recorded and produced their Mercury nominated debut album ‘Deep Down Happy’. With DIY demos and a bag of stems, Oli, Rob and Burke break apart what goes into creating the band’s signature raucous sound. We’re treated to tales of sleeping in rehearsal rooms, sneaking into studios and mixing at the kitchen table. Burke talks us through some of his tricks of the trade, from managing the chaos of recording the band while they all still had day jobs, to making simple repeated things sound new and exciting. Listen to hear why they like to annoy Alex during his vocal takes, which stock Logic drummer has become an integral part of the band’s writing process and how they tailor their live sets so no one goes to the bar.   Tracks discussed: Kutcher, Here It Comes Again, Fishing    Listen to 'Deep Down Happy' here. 'Deep Down Happy' - Big Desert Records, Universal Music Operations Limited   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Audacity Audio Kitchen Big Trees Pedal Epiphone Casino Fender Amps Mu-Tron Pedals Neumann U67 Rickenbacker Bass Roland RE-20 Space Echo Boss SD-1 Pedal WEM Amps Logic Pro   SUBMIT A JINGLE For all of the details on sending in a jingle email jingles@tapenotes.co.uk   Submit your Tape Notes jingle and we'll play our favourites each week on the podcast. Jingles can be in any style, can feature the Tape Notes theme, lyrics, or none of those things - be as creative as you'd like (as long as they're between 5-15 seconds).   SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk       

Back at the start of lockdown, John caught up with Georgia and producer Mark Ralph to bring together a special episode for Aim House on how they wrote, recorded and produced Georgia’s Mercury nominated album ‘Seeking Thrills’.  Delving right into the first demos inspired by a night out, Georgia and Mark talk us through their fluid process of bringing the songs to life, from drawing intricate details from their dynamic list of influences, to studio days together programming rooms full of synths.   We’re given an insight into Georgia’s move to becoming a singer, stepping out from behind the drum kit, and Mark shares some of his producer wizardry, enlightening us on song structure, the small things can completely change the feel of a track and much much more. Listen to hear how a grammatically incorrect sentence became the focus of a song, clips of hook lines written on a glockenspiel and discussions on how to make a computer groove.  Tracks discussed: Started Out, About Work The Dancefloor  LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Seeking Thrills' here. 'Seeking Thrills' - Domino Recording Co Ltd Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Moog Nord Wave Roland SH-101 Roland Jupiter 6 Roland TR-808 Roland TR-909 Sequential OB6   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

In this episode, John heads up to Assault & Battery Studios to chat with EOB – the solo project from Radiohead guitarist Ed O'Brien - and legendary producer Flood, to talk through how they wrote, recorded and produced the album ‘Earth’.  Armed with demos and tracks written during Ed’s time in Brazil, the pair take a deep dive into the sonic trenches, sharing their musings on the creative process, and reflect on their time working together in the studio. From fortuitous iTunes plays to jamming with world-renowned musicians, we hear Ed’s thoughts on transitioning from the realm of backing vocalist to lead vocalist, as well as the intricacies of blending carnival and dance music.   Listen to find why sometimes it’s a challenge finding beat 1, which track initially began with a swarm of Vihuelas, and why you should never use the word ‘demo’ in the studio.    Tracks discussed: Brasil, Olympik, Long Time Coming  LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Earth' here. 'Earth' - Capitol Records, Over Normal Limited, under exclusive license for UMG Recordings, Inc. Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Akai MPC Looper ARP Electro-Harmonix Memory Man Elektron Machine Eventide H3000 Gibson Les Paul Soft Tube OTO Biscuit Roland System 700 Roland Juno 60 Boss RC-1 Looping Pedal Shure SM58 OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk   

In this episode, John catches up with Enter Shikari frontman and producer, Rou Reynolds to breakdown how the band wrote, recorded and produced their new album ‘Nothing Is True & Everything Is Possible’.   As the band’s most genre-bending album to date, Rou talks us through the challenges of combining techy metal, rave, reggae and ska influences with an oom-pah band and full symphony orchestra. Digging through his fifteen hard drives of demos and jams, we’re shown how every aspect of a track has a purpose and meaning – with detailed rhythms and distinctive sounds reflecting the state of the world in their own way.    Listen to hear the original gibberish lyrics that ended up making the final version of a song, how the band ended up forming and recording their toy drum kit and what plugins Rou uses to create his own audio cuddle.   Tracks discussed: THE GREAT UNKNOWN, Waltzing Off the Face of the Earth (1. Crescendo), satellites* *   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Nothing is True & Everything is Possible' here. 'Nothing is True & Everything is Possible' - SO Recordings/Silva Screen Records Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Ableton Akai MPC Sampler Arp 2600 Arturia Synth Emulators Chandler REDD Microphone Farfisa Kemper Profiler Rack LOMO Channel Strip Native Instruments Massive Roland Jupiter 6 Sound Guru Mangle Plugin   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

In this episode, John catches up with Grouplove’s Hannah Hooper and Christian Zucconi along with legendary producer Dave Sitek to breakdown how they wrote, recorded and produced the band’s latest album Healer.  As their first record with an outside producer, the band reflect on their creative flow, pulling apart tracks bit by bit and showing us how Dave was the perfect weirdo to bring the album together. From jamming out five-hour demos at Hannah’s parent’s house to spending over a month recording from 9pm through to 11am, fuelled by cookies with cream cheese, breakfast burritos and copious amounts of weed.  We hear theories on how people’s souls enter your body to give you songs, why Dave has been the cause of multiple people’s synth addictions, and we are treated to unheard midnight vocal takes recorded just before Hannah’s vocal surgery.    Tracks discussed: Deleter, Expectations, Places    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Healer' here. 'Healer' - Atlantic Recording Corporation, WEA International Inc., Warner Music Group Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Dunlop Echoplex Pedal Mellotron Sequential Prophet 6   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate    

In this episode, John catches up with Badly Drawn Boy A.K.A Damon Gough and producer Gethin Pearson to talk through how they wrote, recorded and produced ‘Banana Skin Shoes’.  After numerous false starts producing the album – his first after an 8 year hiatus – Damon paired up with Gethin, bringing a new enthusiasm to Damon’s musical endeavours and with him a pool of new talent to draw inspiration from. We get to hear a plethora of demos and track breakdowns as the pair chart the development of the album and gain a fascinating insight into the philosophy behind their creative decisions. From a post Valentine’s breakfast date and a shared love of the Beastie Boys, Gethin and Damon reflect on their time working together and the importance of the relationship between producer and artist.  Listen to hear how Damon’s chat after a toilet break was sampled into something much more meaningful, how he managed to include Brexit, his unborn child and Bono in the same song, and why the best piece of equipment you can have is a good artist.    Tracks discussed: Colours, Banana Skin Shoes, Is This A Dream?    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Banana Skin Shoes' here. 'Banana Skin Shoes' - Damon Gough, AWAL Recordings Ltd Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS ProTools ProTools EQ Adam Audio Monitors Akai S950 Sampler Roland RE-20 Space Echo Roland TR-808 Tascam 4Trk Recorder Teenage Engineering OP1 Yamaha Clavinova   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk   

In this episode, John catches up with Rina Sawayama and producer Clarence Clarity to talk about how they wrote, recorded and produced Rina’s debut album ‘Sawayama’.     Diving deep into the almost 100 track sessions, Rina and Clarence reflect on how the album took shape, from writing demos in Rina’s bedroom to spending months in an LA studio. We hear the pair’s philosophies on creativity and the hustle of making it in the world of music, along with the secrets in crafting their fusion of R&B, noughties pop and nu-metal.     Listen to find out why Rina tries includes at least 10 hooks in each song, how Clarence tried to match a trap beat to Rina’s mum’s Beethoven performance and which member of The 1975 made a secret appearance on the record.    Tracks discussed: Dynasty, Love Me 4 Me, Snakeskin   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Sawayama' here. 'Sawayama' - Dirty Hit Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Ableton Sontronics Saturn Soundelux U99   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter Discord: Tape Notes   Visit our website to join our mailing list: www.tapenotes.co.uk     

In this episode, John catches up with Obaro Ejimiwe, A.K.A Ghostpoet, along with engineer and mixer Shuta Shinoda to talk through how they wrote, recorded and produced his latest album, ‘I Grow Tired But Dare Not Fall Asleep’.    Recorded at the start of lockdown before the album was actually released, Obaro and Shuta shed light on their creative relationship breaking down early demos and treating us to a selection of clips from the monumental amount of session files they racked up. We hear how Obar crafts his music despite a lack of traditional music theory, revealing the methods and approaches he uses to tap directly into the feeling of a song.    Listen to find out how birdsong was meticulously edited to perfectly fit the music, why Obaro has only just managed to use his Mellotron, and how he charmed Sarasara into singing on the record.    Tracks discussed: Breaking Cover, When Mouths Collide, Social Lacerations    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'I Grow Tired But Dare Not Fall Asleep' here. 'I Grow Tired But Dare Not Fall Asleep' - Ghostpoet, Play It Again Sam Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Logic Pro Critter and Guitari Organelle M Eventide Harmonizer Fender Bassman Amp Flea C12 Microphone Mellotron Melos Delay Unit Sequential Prophet 6  Studer A80 Analogue Tape Machine   OUR GEAR https://linktr.ee/tapenotes_ourgear   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter Discord: Tape Notes Visit our website to join our mailing list: www.tapenotes.co.uk 

In this episode, John catches up with Tom Misch and engineer Adam Jaffrey to talk about how they wrote, recorded and produced Tom’s collaboration album with drummer Yussef Dayes - ‘What Kinda Music’.  Tom and Adam dig deep into the session material, revealing the techniques and processes they used in recording the album. We hear Tom’s thoughts on stepping outside of his bedroom studio to record, as well as revealing the treasure trove of gear and plugins they used to hone his iconic guitar sound.  Listen to find out why a fan made an almost 10-hour round trip to deliver the coveted OP1, what words Tom sings on his songs without lyrics, and why sometimes having a hangover in the studio can benefit the writing process.    Tracks discussed: Last 100. The Reel, Nightrider.     LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to ‘What Kinda Music’ here. ‘What Kinda Music’ - Beyond The Groove. Blue Note Records/Caroline Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Dynacord Tape Echo Electro-Voice RE20 Eventide Moogerfooger MF-101 Pedal Teenage Engineering OP1 Universal Audio Universal Audio Neve 1073 UAD Thermionic Culture Vulture UAD Korg SD300 Plugin UAD Oxide (Tape Emulation Plugin) Zvex Lofi Junky Logic Pro ProTools   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

In this episode, John catches up with Jack Garratt to talk about how he wrote, recorded and produced his latest album Love, Death & Dancing.  Jack digs up the original demo sessions recorded in his garden shed, unravelling the multitude of ideas he packed in to each track. Illustrated through a bounty of unheard demos and track breakdowns, Jack charts the emotional journey he undertook writing the album, revealing how he subtly controls rhythm and harmony to tell a story.  Listen to find out how a core guitar riff was saved by a lucky phone recording, how his childhood trombone skills are now coming in handy, and how a few pearls of wisdom from producer Jacknife Lee have impacted his song writing.    Tracks discussed: Time, Anyone, Only The Bravest    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Love, Death & Dancing' here. 'Love, Death & Dancing' - Island Records Release, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Arturia Buchla Easel Plugin Arturia Prophet V3 Plugin Behringer D Model Critter & Guitari Pocket Piano Fender Stratocaster  Goodhertz Wow Control Minimoog Roland TR-808 Roland TR-909 Roland Boutique Synths Sequential Prophet Shure SM57 Sonic Charge Permut8 Ableton Logic Pro Logic Pro - Space Designer   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk   

John catches up with producer, songwriter, and multi-instrumentalist Jack Antonoff of Bleachers to discuss how he wrote, recorded, and produced the band’s latest album ‘Bleachers’. Having grown up performing, song writing, and producing bands throughout his teenage years, Jack first saw mainstream success as part of the band Fun, and their global hit track ‘We Are Young’. Since then, he has gone on to co-write and produce records for some of the biggest artists of the past decade, including Lorde, Lana Del Rey, The 1975, and Taylor Swift. Among his numerous awards and accolades, he was named Producer of the Year at the Grammys for three consecutive years. Throughout the conversation Jack discusses his song writing process, from stories of the studio magic that occurs when picking up random instruments, to the unusual mixing and panning techniques he uses to help make parts feel big (rather than actually being big). Tracks discussed: Call Me After Midnight, Jesus Is Dead, We’re Going To Know Each Other Forever TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off. LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘Bleachers’ here . Dirty Hit Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Waves Morphoder - https://geni.us/XTO8Bx Soundtoys Tremolator - https://geni.us/bAB3sa Soundtoys FilterFreak - https://geni.us/X6uk Soundtoys Little AlterBoy - https://geni.us/o8nbO Izotope VocalSynth - https://geni.us/ZIbW Roland Juno - https://geni.us/tEKxqpC Moog Synths - https://geni.us/EzWqBu Korg M1 - https://geni.us/GnnNmU8 Ebow - https://geni.us/FnQRXYG Teenage Engineering OP1 - https://geni.us/dg6C9 Chandler TH2 Preamp/DI - https://geni.us/kwoYxl OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer, Videographer Will Lyons - Editor Nico Varanese - Videographer, Editor Guy Nicholls - Production Assistant Jessica Clucas - Production Assistant Katie-Louise Buxton - Production Assistant Seb Brunner-Stolovitzky - Production Assistant

In this episode John links up with Caribou a.k.a. Dan Snaith, to breakdown how Suddenly -  his first release in five years - was written, recorded and produced.  Diving deep into his hard drive Dan treats us to a plethora of demo versions, track breakdowns and even plays us a few nuggets live. We get to hear the philosophy and stories behind creating his most personal album yet and discover how he reduced a monumental 900 ideas down to a single record.  Listen to hear the results of when Dan was let loose in Floating Points' Studio, how leaving his internet browser open while recording provided a moment of compositional serendipity, and why the title of this podcast could well have been 'Things I learned from Timberland'.    Songs Discussed: Magpie, Like I Love You, Sister    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes      Listen to 'Suddenly' here. 'Suddenly' - City Slang Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS API Lunchbox Arp 2600 ARP Rhodes Chroma Rhodes Flea 47 Native Instruments Reaktor Spectrasonics Omnisphere Spectrasonics Trilian Synthesis Technology - E370 Quad Morphing VCO ToneBoosters Reelbus Universal Audio 1176 Compressor Waves MondoMod Yamaha CS-70   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

Kicking off a brand new season, John is joined by Foals frontman Yannis Philippakis to talk about how the band’s mammoth two-part project Everything Not Saved Will Be Lost was written, recorded and produced.  As their first self-produced albums, Yannis gives us a fascinating insight into their biggest project yet, breaking down his writing process from the loops and drones he crafted at home to the final versions of lyrics written almost entirely at the pub.   Listen to find out how some NS10 cones were hacked to create a makeshift microphone, what Yannis projects on to the wall when recording vocals, and how the band managed to tie songs together with trips to Paris and cycling adventures in Annecy.    Tracks Discussed: Syrups, Exits & Neptune     LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Everything Not Saved Will Be Lost - Part One' here. Listen to 'Everything Not Saved Will Be Lost - Part Two' here. 'Everything Not Saved Will Be Lost - Parts 1 & 2' - Foals, Warner Music UK Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Binson Echorec Chandler Preamp Rhodes Chroma Polaris MXR Phaser Pedal Eurorack Korg Minilogue Line 6 Pedals Memory Moog Boss RC-1 Looping Pedal Shure SM7B Teenage Engineering OP1 Yamaha NS10 Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

In this episode we take a look back at some of the best bits from season 4. If you haven't heard every episode from the last season, this is a good way to introduce yourself to some of the artists and producers we've had on, hearing their stories, tips and general philosophy on writing and recording. Have a listen, you never know what you might learn!   You'll hear highlights from: Mura Masa Friendly Fires & Mark Ralph These New Puritans Elbow Ezra Collective Mystery Jets DJ Shadow   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes  OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate    Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk   

Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more. In this episode, John ventures over to Wendy House Studios to catch up with hip-hip royalty Josh Davis AKA DJ Shadow, to talk through how he recorded and produced his latest album ‘Our Pathetic Age’ and his chart-topping album ‘The Mountain Will Fall’.   Josh gives us a full insight in to his largest most diverse project yet, breaking down his writing process from the moment he randomly dips in to his vast record collection for inspiration, to discovering unlikely source material such as an abandoned record collection rescued from a friend of his father's. We get to hear the original samples that form the basis of some of his biggest hits as well as the raw vocal stems of Nas and Pharoahe Monch rapping at each other from different studios.   Listen to find out about Josh’s meticulous sample editing process, what mixing mistake meant he had to sneakily rerelease a track, and why he had to gatecrash a Run the Jewels gig.  Tracks discussed: Nobody Speak, Rocket Fuel, Drone Warfare   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Our Pathetic Age' here. Listen to 'The Mountain Will Fall' here. 'Our Pathetic Age' and 'The Mountain Will Fall' - Mass Appeal/Reconstruction Productions, Inc.   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Akai MPC Sampler Pioneer PLX 1000 Sonos Speaker Technics SL-1200 Technics SL-1210 ProTools Ableton   OUR GEAR https://linktr.ee/tapenotes_ourgear   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate   Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

In this episode John makes multiple trips to Brain Yard Studios to catch up with Mystery Jets frontman Blaine Harrison and producer Matt Twaites to talk about how they recorded and produced the album A Billion Heartbeats.  Recorded in the room where the album was conceived, Blaine and Matt give us full access to the Mystery Jets creative process, from tales of protests, marches and relief work, to their quest not sound too much like the Backstreet Boys. We get to hear an array of demos and phone recordings including the sound of Matt’s unborn son’s heartbeat which was crafted into a drum loop.  Listen to find out what how Blaine ended up in an Icelandic Spa with Bjork, what images he looks at to get the best vocal take and who he turns to when struggling with lyrics.   Songs discussed: Screwdriver, Wrong Side of the Tracks, A Billion Heartbeats   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'A Billion Heartbeats' here. 'A Billion Heartbeats' - Mystery Jets, Caroline International   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS AKG C414 Digitech Space Station Fender Amps Gamechanger Audio Plasma Distortion Pedal Marshall Amps Mellotron Moog Roland Juno 106 Boss RC-300 Loop Station Selmer Amps Sequential Pro One  Sequential OB6 Shure SM57 Zoom Recorders Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate   Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk   

This week John is joined by Ezra Collective’s Femi, TJ and James to talk about how they wrote and recorded their debut album You Can’t Steal My Joy.  Hot off the heels winning 'Jazz Album of the Year' at the World Wide Awards, the boys reflect upon how the album took shape, from the early rehearsals in a dodgy studio in Croatia to spending two days on a boat recording the whole thing. The boys play us previously unheard demos capturing the moments lightning struck, from a very rough voice memo to a more elaborate Garage Band creation knocked together on the top deck of a bus.  Listen to find out how the band learns songs from street beat boxing, the challenge of writing an album for the ‘shuffle generation’, and which seat on the bus James sits in when writing on Garage Band.  Tracks discussed: You Can't Steal My Joy, Quest For Coin, Why You Mad?   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'You Can't Steal My Joy' here. 'You Can't Steal My Joy' - Enter The Jungle Records   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Garageband Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate   Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk   

In this episode, John is joined by Guy Garvey and Craig Potter from Elbow, to talk about how ‘Giants of All Sizes’ was written and recorded.  Craig and Guy look back at some of the sessions tracked over a two year period, reflecting on what was an emotionally challenging time for Guy and how this influenced the writing and mood of the record - something grittier and more contemplative than previous Elbow albums. We get to hear early demos and track break breakdowns, plus bags of wisdom from the big man.  Listen to find out how the band channelled their feminine energy, how a monorail journey ended up as a drumbeat, and what happens if you drunkenly text Elvis Costello in the middle of the night.  Songs: Seven Veils, Dexter and Sinister, On Deronda Road    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Giants of All Sizes' here. 'Giants of All Sizes' - Polydor Records Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Pig Nose Guitar Audio Ease Altiverb Coles 4038 Ribbon Mic Ebow Moog Theremin Neumann U87 RME Babyface Pro Yamaha 4TRK Recorder   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate   Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk   

In this episode John is joined by twin brothers Jack and George Barnett, AKA experimental art-rock music duo These New Puritans, to talk about how they wrote, recorded and produced the album ‘Inside The Rose’.  The boys look back on making music together in their attic as children and uncover some of the many sketches and demos versions created whilst recording the album. We get to hear the moment Jack woke from a dream with a fresh melody composed within his slumber in addition to their general philosophy on writing and recording as TNP.  Listen to find out why jack had to avoid barking attack dogs whilst recording in Berlin, what Harmonic Re-synthesis is, and why some sessions were hospital inducing experiences.  Tracks discussed: Infinity Vibraphones, Where the Trees are on Fire, A-R-P   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Inside The Rose' here. 'Inside The Rose' - These New Puritans, Infectious Music Ltd., BMG  Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Sibelius Logic Pro Rhodes Shure Mics   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In a city spanning episode, John catches up with Friendly Fires along with super star producer Mark Ralph (Tom Walker, Clean Bandit, Years & Years) at Iguana Studios and Mark’s Studio, Club Ralph, to talk about how they recorded and produced the album 'Inflorescent'.  The boys explore everything from what survived in the demos recorded in Ed’s mum’s house, to how blending recording techniques with synths and drum machines helped them create their joyful blend of house and funk.  Hear how tracking each individual drum and ‘talent boosting’ your own performances is never a bad thing, and how Rick Astley and Barry White left their mark the record.  Tracks discussed: Love Like Waves, Can’t Wait Forever, Almost Midnight    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes   Listen to 'Inflorescent' here. 'Inflorescent' - Friendly Fires, Polydor Records, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS ARP Odyssey ARP 2600 CodeKnobs Prophet Editor Software Coles 4038 Ribbon Mic Electro-Voice RE20 Kemper Profiler Rack Korg MS-20 Moog Model D Oberheim DMX Drum Machine Peavey T-40 Bass Rob Papen Sub Boom Bass Plugin Roland JD-800 Roland TR-808 Roland TR-09  Roland TR-909 Roland SH-101 Roland Juno 60 Scaler Plugin Sequential Prophet 6 Sequential Prophet 5 Sennheiser MD-421 Sherman Rodec Restyler Filter Simmons Drum Machine Spectrasonics Omnisphere SSL Xfer Cthulhu Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate   Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

Returning for another season, John is joined by electronic music producer, songwriter and multi-instrumentalist, Alex Crossan A.K.A Mura Masa. Catching up at Iguana Studios, Alex invites us behind the curtain and reveals how his latest album R.Y.C was recorded and produced. We get to hear intimate track breakdowns - including a brilliant dive into the early takes of the Slowthai collaboration ‘Deal Wiv It’ - plus copious amounts of philosophical musings on what it takes to write a Mura Masa track and music production in general. Listen to find out why a Patrick Fitzgerald sample worked it’s way into ‘Deal Wiv It’, when you really know a track is finished, and why Alex’s girlfriend is a wise lady.   Tracks discussed: Deal Wiv It, Live Like We’re Dancing, Teenage Headache Dreams.   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'R.Y.C.' here. 'R.Y.C.' - Anchor Point Records, Polydor Records, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Soundtoys Little Plate Goodhertz Wow Control Sequential Prophet Korg MS-20 Kemper Profiler Rack Line 6 Pedals Soyuz 017 Tube Microphone Rhodes Ableton   OUR GEAR https://linktr.ee/tapenotes_ourgear    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate   Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk 

We’ve been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation with Alt-J’s Joe and Gus, along with producer Charlie Andrew, recorded back in February 2019. EPISODE NOTES In this episode John is joined by Gus Unger-Hamilton and Joe Newman from Alt-J, and producer Charlie Andrew to talk about how they recorded and produced the album 'RELAXER'.  The trio give a fascinating account of the thought processes and production techniques used in the recording of RELAXER.  Hear how a friend's pavlovian response to the smell of burning wood, the Gus whistle test, and swearing at an old school master all left their mark on the band's third album.  Tracks discussed: 3WW, House of the Rising Sun, Pleader LINKS TO EVERYTHING TAPE NOTES   Listen to 'RELAXER' here. 'RELAXER' - alt-J, Infectious Music Ltd., a BMG Company Intro Music - Sunshine Buddy, Laurel Collective  GEAR MENTIONS Akai MPC Sampler Melodyne Moog Roland Juno 60 Soundtoys Echoboy Soundtoys Decapitator Teenage Engineering OP1 UAD Plugins Waves Plugins Ableton OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Nico Varanese - Videographer, Editor Guy Nicholls - Production Assistant Jessica Clucas - Production Assistant Katie-Louise Buxton - Production Assistant

In this episode we take a look back at some of the best bits from season 3. If you haven't heard every episode from the last season, this is a good way to introduce yourself to some of the artists and producers we've had on, hearing their stories, tips and general philosophy on writing and recording. Have a listen, you never know what you might learn!   You'll hear highlights from: Ibeyi & Richard Russel (Live from Miloco Studios) Kate Tempest & Dan Carey Nitin Sawhney Floating Points Tune-Yards Jamie Lidell Cold War Kids & Lars Stalfors The Lumineers & Simone Felice Easy Life & Rob Milton (Live at Latitude Festival)   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Intro Music - Sunshine Buddy, Laurel Collective    OUR GEAR https://linktr.ee/tapenotes_ourgear   HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions):  Donate   Follow us on Social Media to keep up to date with the latest episodes and submit questions: Instagram Facebook Twitter   Visit our website to join our mailing list: www.tapenotes.co.uk   

Back in July we were invited to Latitude Festival to take part in their podcast stage. In this live recording, we caught up with Murray from Easy Life and Rob Milton to talk about how they write and record music together. After a late entrance from Murray (waylaid somewhere on site!) the boys discuss their working relationship and what it takes to create an Easy Life tune. We learn how the boys ended up working together from unlikely beginnings, why it’s crucial to ‘get it down’ when melodies are flowing, and why Murray maybe isn’t as good at the trumpet as he once thought. Tracks Discussed: Pockets, Earth   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Pockets' here. Listen to 'Earth' here. 'Pockets' & 'Earth' - Easy Co Limited, Island Records, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective   GEAR MENTIONS Nord Keyboards Shure SM7B Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John ventures up to Spitfire Audio studios to catch up with Wes and Jeremiah from The Lumineers and producer Simone Felice to talk about how they recorded and produced the album III.  The guys offer up an epic dissection of their music covering every aspect of the creative process. We’re treated to intimate phone recordings that captured the lightning strike moments when songs were born, copious demo versions detailing their subsequent honing and development, and track breakdowns of the finished songs. It’s a veritable masterclass in songwriting and music production.  Listen to find out why the boys are ‘perfectionists for imperfection’, hear the moment Gloria was conceived when nature called during a bike ride in the mountains, and how sometimes the demo version is all you need.  Tracks discussed: Gloria, Leader Of The Landslide, Salt And The Sea    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'III' here. 'III' - The Lumineers, Decca Records, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Schoeps Shotgun Mic Soundtoys Little Plate ProTools   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John straddles the pond and catches up with Nathan from Cold War Kids and producer Lars Stalfors to talk about how the album New Age Norms 1 was recorded and produced.  Speaking from a studio in North Hollywood the pair discuss how the album was brought to life shining a light on their writing process and revealing the craft and philosophy behind a Cold War Kids track.  Listen to find out why Nathan can only play something once when recording, how an accident with Pro Tools inspired the intro to Dirt In My Eyes, and what helps Lars sleep at night.  Tracks Discussed: Complainer, Dirt In My Eyes, Beyond The Pale    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'New Age Norms 1' here. 'New Age Norms 1' - CWKTWO Corp. u AWAL Recordings Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS ProTools X-Form Plugin Ampeg Fliptop Ampeg B-15 Amp Earthquaker Dispatch Farfisa Fender Vintage Super Reverb  Line 6 Pedals Mellotron Moog Sub-37 Minimoog Voyager Native Instruments Guitar Rig Nord Keyboards Shure SM57 Silvertone Guitar Vox Amps Waves SSL Compressor Yamaha CP-80   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John links up with producer/musician & podcaster Jamie Lidell in his Nashville studio to talk about how he records and produces his music.  Dusting off his old G4 mac, Jamie delves into the archives and revisits some classics from the albums Multiply and Jim in addition to some of his more recent work. We get to hear fascinating track breakdowns revealing the techniques and methods he uses when writing and recording.  Listen to hear why Jamie’s music is influenced heavily by working with his friends, how the falling of the Berlin wall landed him a special microphone, and how Another Day transformed from a whiskey fuelled experiment to a sunny upbeat toe-tapper, all thanks to some late night carrot chopping.  Tracks discussed: Multiply, Another Day, When I come Back Around, A Rose.    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Multiply' here. Listen to 'Jim' here. Listen to 'Building a Beginning' here. 'Multiply' & 'Jim' - Warp Records 'Building A Beginning' - Jamie Lidderdale Records   Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Max MSP Cubase Logic Pro Akai MPC Sampler AKG D12 Audio Ease Altiverb Audio-Technica Mics Farfisa Marshall Time Modulator Neumann M269 Roland Jupiter 6 Boss Delay Pedal RME Telefunken V72 Preamp Telefunken M15 Tape Machine UAD Capitol Chambers Plugin   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John links up with Merrill and Nate from Tune-Yards to talk about how they recorded and produced the soundtrack to Sorry To Bother You and also dive into a classic from the TY back-catalogue.  Speaking from the other side of the pond Merrill and Nate dig into 3 tracks they scored for the Boots Riley directorial debut, exploring the methods and techniques they used whilst recording and discuss how this differs from their usual writing process. We also revisit the Tune-Yards favourite Gangsta, hearing of its humble beginnings in front of an audience in Germany to a full track breakdown.  Listen to find out how Merrill makes her yodel loops, how Walkman’s and Telephone’s left their mark on Gangsta, and whether or not we find out what the band's undercover pseudonym is when they want to play anonymously.  Tracks discussed: Gangsta, SIGNS (Detroit's Theme), Revealed, Steve Lift’s Party   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'WHOKILL' here. Listen to 'Sorry To Bother You' here. 'WHOKILL' & 'Sorry To Bother You' - 4AD Ltd Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS ProTools Cubase Blue Baby Bottle Mic Empirical Labs Distressor Fender P Bass Lexicon PCM 41 Delay Roland TR-808 Roland SPD Sample Pad Roland SP-404 Sampler Boss RC-1 Looping Pedal Sequential Prophet 6 Sony Walkman Soundtoys Decapitator Tech 21 SansAmp Valhalla VintageVerb   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John heads to EMS4 studios in Shoreditch to chat with Floating Points a.k.a Sam Shepherd, about how he recorded and produced his latest release, Crush.  Talking from deep within Sam’s musical laboratory, we peer behind the curtain and find out how Floating Points music is created and crafted, pulling apart some of the tracks from his second album along the way. We get to hear how live performance and classical music are a serious influence in his writing process in addition to experimenting with the impressive number of synths he’s collected over the years. Geekery is in abundance in this episode.  Listen to find out why space was scant in Sam’s student bedroom, who sick Anna actually is and why sometimes all you need is a Yamaha Reface CS in your backpack.  Tracks discussed: Last Bloom, Annasickmodualr, Bias.   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Crush' here. 'Crush' - Pluto Records, Ninja Tune. Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Logic Pro Ableton Sibelius Akai S950 Sampler API Desk  ARP 2600 ARP Rhodes Chroma Buchla Synth Korg Volca Beats Marshall Time Modulator MAM ADX1 Dunlop MXR Flanger Neve Preamps Publison Infernal Machine Multi-Effects Processor Roland EV-5 Expression Pedal Yamaha CS-70 Yamaha Reface CS   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John heads to the Dairy studios to talk with composer/musician/producer Nitin Sawhney about how he recorded and produced the album Beyond Skin.  In celebration of 20 years since its release, Nitin dusts off the original Logic 4 sessions and gives a fascinating account of how this classic album, most of which was recorded in his bedroom in Tooting, was brought to life.  We not only get to hear some of the tracks broken down in detail but are also treated to live demonstrations of some of the traditional Indian compositional techniques used throughout the album.  Listen to find out why an sm58 is pretty much all you need to record an album, how those mind boggling vocals in The Conference were created, and why Nitin’s guitar is his favourite piece of kit.  Tracks discussed: Homelands, Serpents, Immigrant, Letting Go, The Conference   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Beyond Skin' here. 'Beyond Skin' - Outcaste Records Ltd Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Logic Pro Staff Pad App Akai MPC Sampler Fostex DMT8 Recorder GEM S2 Keyboard Shure SM58 Yamaha Pro-Mix 01 Yamaha AN1X Synth   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John returns to Mr. Dan’s studio in Streatham to talk with Kate Tempest and Dan Carey.  Looking back over a track from each album they’ve recorded together, Kate & Dan detail the creative journey they’ve been on since first meeting, and shine a light on the methods and techniques they use collaborating in the studio.  We hear how the duo embraced teaming up with legendary producer Rick Rubin, why having a hangover isn’t necessarily a bad idea before a big day of recording, and why Dan is the ultimate sonic evil genius.  Tracks discussed: Marshall Law, We Die, I Trap You LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'The Book of Traps and Lessons' here. 'The Book of Traps and Lessons' - Republic Records, American Recordings, UMG Recordings, Inc. Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Brauner VM1 Buchla Music Easel Swarmatron Metasonix Drum Machine Neumann U47 Neumann U67 Neumann U87 Roland CR-8000 Sequential Prophet 6 Shure SM7B Telefunken Mic Logic Ableton   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this special live addition of Tape Notes, John is joined by Naomi & Lisa-Kaindé of Ibeyi and XL Recordings head honcho/producer Richard Russell, to talk about how they craft their music together in the studio.  In celebration of National Album Day and recorded in The Pool room at Miloco Studios, the trio wax lyrical about their experiences working together and take a deep dive into the methods and techniques used in recording & producing the albums Ibeyi & Ash.  Listen to find out why there's more to using a broken glass samples than meets the eye, that sampling Michelle Obama is a big deal, and why you should never leave the room when you're making a beat with Naomi & Richard.  Tracks discussed: Oya, Transmission/Michaelion, No Man is Big Enough for My Arms    Big thanks to AIM, National Album Day, and Miloco Studios for teaming up with us and making this happen.    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Ibeyi' here. Listen to 'Ash' here. 'Ibeyi' and 'Ash' - XL Recordings Ltd Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Melodyne Korg MS-20 Roland TR-808 Sequential Prophet   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode, John sits down with singer and multi-instrumentalist Jacob Collier, delving into the creative process behind his album ‘Djesse Vol. 4,’ the concluding instalment in his four-part ‘Djesse’ album series. Jacob first shot to fame in 2013 when videos of his complex vocal arrangements went viral on YouTube. Three years later, he released his debut album ‘In My Room’, written and recorded entirely from his family home. In 2018, Jacob set to work on Djesse, a four-volume, 50-song, album series featuring collaborations with artists around the world, which to date has earned him 6 Grammy nominations. Throughout the conversation, Jacob shares his original demos and discusses his approach to fusing such a plethora of musical genres, from rap and gospel, to dance and Kpop. He also discusses the collaborations that shaped the album, with artists including Chris Martin, Lindsay Loomis, and Willow Smith, as well as his audiences from live shows around the world. Tracks discussed: Over You, 100,000 Voices, Cinnamon Crush LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘Djesse Vol. 4’ here . Hajanga Records, Interscope Records/Decca, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Little Alterboy Oek Sound Soothe Xfer LFO Tool Gladiator Synth AKG C414 Neumann U87 Neumann U87 Customised by Klaus Heyne Sony MX4000 Headphones Native Instruments Taylor 5 String Guitar (custom) Strandberg Guitars Electric 5 String Mandocello OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer, Videographer Will Lyons - Editor Nico Varanese - Videographer, Editor Guy Nicholls - Production Assistant Jessica Clucas - Production Assistant Katie-Louise Buxton - Production Assistant Seb Brunner-Stolovitzky - Production Assistant

In this episode John catches up with Marika Hackman and producer David Wrench to chat about how they recorded and produced Marika's 3rd album 'Any Human Friend'.  Talking from David's new studio in London Fields, the pair look back over their experience working together for the first time and shine a light on the production techniques and methods they used in the making of the record.  Listen to find out how an old land lady of Marika's was the victim some unintentional verbal abuse, hear a phone demo of Send My Love that offers a true glimpse of the creative process in full swing, and find out what life changing piece of advice John Savage gave David.  Tracks discussed: The One, Send My Love, Hold On, Conventional Ride    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Any Human Friend' here. 'Any Human Friend' - AMF Records, Virgin EMI Records, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Apogee Duet Interface Rhodes Fender Mustang Fender Telecaster Fender Jaguar Gretsch Guitars Hammond Organ Mellotron Moog Theremin Mu-Tron Bi-Phase Neumann TLM 103 Roland Juno 60 Roland Space Echo Roland CR-78 Drum Machine Logic   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode we are joined by Justin and Elliot from Editors and producer Leo Abrahams to talk about how they recorded and produced the album 'Violence'.  The guys shine a light on some of the working methods they used in the making of the album, treating us to the early home demos that band writer Tom created ahead of tracking in the studio.  Listen to find out what an Ed 'weasel' is and why many were brutally culled by Leo, why Tom is the easiest vocalist in the world to record, and why Justin's guitar solos are more 'Top Gun' than they are 'Joey Santiago'.  Tracks discussed: Violence, Darkness at the Door, Nothingness   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Violence' here. 'Violence' - Play It Again Sam  Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Aelita Synth Arturia MiniBrute Eventide Izotope Stutter Edit Korg MS-20 Max for Live Granulator Moog Neumann U87 Pioneer CDJ-900NXS Roland RS-505 Paraphonic Roland Juno 106 Spitfire Enigma Library Universal Audio Interfaces 4MS Duo Distorter Pedal Ableton ProTools OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John is joined by Jack & Suren from Bombay Bicycle Club and producer legend Jim Abbiss to talk about how they recorded and produced 'I Had The Blues But Shook Them Loose'.  Celebrating 10 years since its release, Jim and the boys reminisce over their experiences working together on this iconic debut and how their relationship and approach to recording and music production evolved from the early days as wide-eyed teens to the later, more experienced sessions.  We get to hear the impressive bedroom demos Jack crafted as a music obsessed 15 year old plus fascinating breakdowns from some of the tracks from the album.  Listen to find out why 'Dust On The Ground' didn't end up as an 8 minute instrumental, how using a fan can create some pretty unique guitar sounds and hear a brilliant break down of 'Always Like This'.  Tracks discussed: Cancel On Me, Dust On The Ground, Always Like This    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'I Had The Blues But Shook Them Loose' here. 'I Had The Blues But Shook Them Loose' - Mmm...Records, Universal Island Records Ltd. A Universal Music Company. Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Magix Music Maker Ebow Electro-Harmonix Microsynth Electro-Harmonix HOG Mellotron Simmons Clap Trap Standard Audio Level-Or  Yamaha DX7   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John is joined by Maverick Sabre and producer Charlie Perry to talk about how they recorded and produced Maverick's 3rd album 'When I Wake Up'.  The boys break apart some of the tracks from the album recounting the journey these songs undertook from tracking in Maverick's living room to fleshing things out in the studio, divulging their approach to production and some writing along the way.  Listen to find out why having neighbours for fans is conducive to recording at home, how an Armagnag fuelled drum performance on 'Preach' was cleaned up, and why Maverick likes to write with movies playing in the background.  Tracks discussed: Preach, Slow Down, Her Grace    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'When I Wake Up' here. 'When I Wake Up' - FAMM Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS API Desk Aria Jazz Guitar Fairchild 660 Compressor Fab-Filter Multiband Compressor Fender Deluxe Gibson ES-335 M-Audio Mic Roland RD-64 Steinway Pianos Universal Audio EMT250 Reverb Waves C6 Multiband Compressor Waves Kramer PIE Compressor Waves J37 Tape Plugin FL Studio Magix Music Maker   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John journeys to Mr Dan's Studio in Streatham to talk with Nick Mulvey and producer Dan Carey about how they recorded and produced Nick's Mercury nominated debut album 'First Mind'.  The boys dive deep into the working processes and shared memories of the time they spent together in the musical playground that is Dan's home studio.  Listen to find out how a collection of dirty cups worked their way into the rhythm section of 'Venus', what advice a dream incarnation of David Bowie had for Nick before recording 'Dancing for the Answers', and whether daily micro-dosing of psychedelics was a studio success.  Tracks Discussed: Fever to the Form, Venus, Dancing For The Answers    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'First Mind' here. 'First Mind' - Fiction Records, Universal Music Operations Limited. Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Buchla Synth Swarmatron Gretsch Falcon Mellotron Moog Mu-Tron Pedals Roland Jupiter 6 Prophet ‘08   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate   Visit our website to join our mailing list: www.tapenotes.co.uk   

In this episode John is joined by Erik and Yukimi from Little Dragon to talk about how they recorded and produced the album 'Ritual Union'.  Chatting from the studio in Gothenburg where the album was recorded, the pair reflect on the techniques and approaches they used in the recording of their 3rd studio release.  We hear how Little Man was transformed by The Smurfs playing drums, how the accidental recording of electricity cables from the Gothenburg tramline bolstered Crystalfilm and what the first thing to do is when you buy an old 80's synth and how they all left their mark on this electronic classic.  Tracks discussed: Ritual Union, Little Man, Crystalfilm   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes   Listen to 'Ritual Union' here. 'Ritual Union' - Peacefrog Holdings Ltd Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Roland D50  Roland TR-808 Roland JX-8P  Cubase - Quadrafuzz Plugin   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate  

In this episode John is joined by Joel and Theo from Wolf Alice and legendary producer and bassist Justin Meldal-Johnsen (Beck, M83, Paramore) to dissect how their Mercury Prize winning album 'Visions of a Life' was recorded and produced.  We hear how they rose to the challenge of a 7 minute piece in 3 movements (and why it's no longer called Massive A*** Bleach Attack). With demos of all the tracks to be heard it's a fascinating insight into the intense amount of thought this band put in to realising the final masterpiece.  Tracks discussed: Visions of a life, Formidable Cool, St. Purple & Green    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes   Listen to 'Visions of a Life' here. 'Visions of a Life' - Dirty Hit Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS AMS Delay ARP 2600 Mellotron Moog Kontakt Publison Infernal Machine Soundtoys Plugins Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Visit our website to join our mailing list: www.tapenotes.co.uk 

John ventures up to Spitfire Audio to meet with Matty and George from The 1975 to talk about how the album 'A Brief Inquiry Into Online Relationships' was recorded and produced.  Somewhat bleary eyed after a massive night at the Brits (scooping two awards), the boys reveal the inner workings of The 1975's production methods and writing techniques. We're treated to demo versions and extensive track breakdowns from their award winning album, showing what it takes to create a 1975 hit.  We get to hear why Matty scats to write lyrics, how George uses a Barry White bass trick for creating lush vocals, and hear THE definitive explanation of side-chain compression.  Tracks discussed: I Like America & America Likes Me, How To Draw / Petrichor, It's Not Living (If It's Not With You)    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'A Brief Inquiry Into Online Relationships' here. 'A Brief Inquiry Into Online Relationships' - Dirty Hit, Polydor Records, Interscope Records. Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Arturia Synth Emulators Izotope Vocal Synth Korg Legacy Collection Moog Shure SM58 Teenage Engineering OP1 Waves CLA Vocal Plugin Yamaha DX7 Yamaha Reface DX Logic Pro Cubase    OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate  

John is joined by Laurie & Isaac form Slaves and producer Jolyon Thomas to talk about how they recorded and produced the band's sophomore album 'Acts Of Fear And Love'.  We get to hear some of the early demos where the original lyrics don't quite sound the way they should, how Laurie and Jolyon layered up the guitar instead of using distortion and why Isaac's simple drum setup is actually a lot harder to play than it looks. All the usual anecdotes and lots to be inspired by as Laurie and Isaac shed on light on the lessons they've learnt recording their third studio album.  Tracks discussed: Photo Opportunity, Chokehold, The Lives They Wish They Had.    LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Acts Of Fear And Love' here. 'Acts Of Fear And Love' - Virgin EMI Records, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Ampeg Pignose Amp Fender Telecaster Fender Champ Amp Fender Mustang Gibson Les Paul Gibson SG Neve 1073 Boss TU-3 Tuner Pedal Shure SM58 Tone King Amps ProTools - Recti-Fi Plugin   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode John is joined by Gus Unger-Hamilton and Joe Newman from Alt-J, and producer Charlie Andrew to talk about how they recorded and produced the album 'RELAXER'.  The boys give a fascinating account of the thought processes and production techniques used in the recording of RELAXER.  Hear how a friend's pavlovian response to the smell of burning wood, the Gus whistle test, and swearing at an old school master all left their mark on the band's third album.  Tracks discussed: 3WW, House of the Rising Sun, Pleader   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'RELAXER' here. 'RELAXER' - alt-J, Infectious Music Ltd., a BMG Company Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Akai MPC Sampler Melodyne Moog Roland Juno 60 Soundtoys Echoboy Soundtoys Decapitator Teenage Engineering OP1 UAD Plugins Waves Plugins Ableton   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

John catches up with Declan McKenna to talk about his latest album ‘What Happened To The Beach?’ Declan McKenna first saw mainstream success in 2015 following the release of his debut single ‘Brazil’ and winning Glastonbury Festival’s Emerging Talent prize. While blending topics of politics and social issues with his indie-pop sound through his first two albums, ‘What Happened To The Beach?’ introduces us to a new world, this time looking inward and drawing on Declan’s personal growth as a musician. As well as opening up his hugely varied bag of demos, musical sketches, and jam sessions, Declan shares stories of his time working in the studio with producer Luca Buccellati, talking through the unusual sounds and fantasy locations that inspired his writing. Tracks discussed: Mulholland’s Dinner & Wine, Breath of Light, Mezzanine LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Listen to ‘What Happened To The Beach?’ here. Sony Music Entertainment Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Soundtoys Little Alterboy MWFX The Judder Pedal Roland Juno 60 Shure SM7B Mellotron Electro Harmonix MEL9 Pedal Acoustasonic Guitars Logic auto-wah Logic Pro X Ableton OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer, Videographer Will Lyons - Editor Nico Varanese - Videographer, Editor Guy Nicholls - Production Assistant Jessica Clucas - Production Assistant Katie-Louise Buxton - Production Assistant

In this episode John is joined by Joseph Mount from Metronomy at Iguana Studios to talk about how the album 'Nights Out' was recorded and produced.  In celebration of 10 years since its release, Joe dusts off his old hard drive to reminisce over how he created the tracks on this underground classic.  Hear how buying instruments at a carboot sale in Chiswick, being an asthmatic whilst trying to clap, and watching TV on the kitchen table with an acoustic guitar all left their mark on the record.  Tracks discussed: On Dancefloors, Heartbreaker, A Thing For Me, Nights Outro   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Nights Out' here. 'Nights Out' - Because Music Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Audio-Technica Mics Casio Keyboard   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

John is back at Iguana Studios once again joined this time by artist Frank Turner, but there’s a twist! In an exciting first for Tape Notes this episode’s producer, Josh Block, is coming to us live from the other side of the Atlantic at his studio Niles City Sound in Fort Worth, Texas.  We hear how Frank’s approach to his latest album led him to push beyond the guitar based arrangements of previous work. The journey takes us through many demos, one of which Frank confesses they all grew to vehemently dislike, but of course it still left it’s mark on the record.   There are tips and tricks that are likened to ‘vocal and rhythm butter’ and Josh talks about how he made the move from artist, as a past member of the band White Denim, to producer and the foundation of Nile City Sound.  Tracks discussed: Be More Kind, Brave Face, 21st Century Survival Blues   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Be More Kind' here. 'Be More Kind' - Polydor Records, Xtra Mile Recordings Limited, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Eventide H910 Rhodes Hammond Organ  Mellotron Logic Pro   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate

In this episode of Tape Notes, John takes a trip to Deptfrod to visit Jessie Ware and Dave Okumu in Dave’s newly built studio to talk about how they recorded and produced the album 'Devotion'.  Jessie and Dave look back to the beginnings of their creative relationship and discuss the excitement and trepidation of working together for the first time. We hear demo versions made by Dave ahead their sessions and also dig deep into some of the arrangements and the production philosophy behind the making of Jessie’s debut album.  Tracks discussed: Devotion, Swan Song, No To Love   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Devotion' here. 'Devotion'- Universal Island Records, Universal Music Operations Limited Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Casio Keyboard Ebow Korg MS-20 Korg Electribe Roland Juno 60   OUR GEAR https://linktr.ee/tapenotes_ourgear    KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk    HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)  Donate