Art making, creativity, not giving up, and living well in the process. Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer ”who defies categorization on any level” (The Georgia Straight).
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Episode 54 Interview with Adam Grant Warren (Writer, Performer and Creator)
Épisode 55
samedi 31 août 2024 • Durée 54:27
Show notes below:
Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Now based in Vancouver, Adam was born and raised in Newfoundland, Canada. He started writing professionally in his early twenties, as a radio columnist for the CBC Morning Show. In that time, he also became Newfoundland’s youngest ever winner of both the Arts and Letters Award for Fiction, and the George Story Medal of Excellence in the Arts.
Adam then moved west to study – and eventually teach – at Vancouver Film School. His films have since screened as official selections at festivals including California’s Newport Beach Film Festival, the National Screen Institute’s Online All-Star Reel, and the Vancouver International Film Festival – where Float took home the honours for Best Canadian Short in 2012. In 2016, Conocerlos: Get to Know Them earned him his first BC Film Award nomination for Best Screenwriting.
In dance, Adam is an associate artist with All Bodies Dance Project. His choreography and collaborations have featured at festivals including Vancouver's 12 Minutes Max, Victoria's SKAMpede, and Calgary's Fluid Festival. His current residency at The Dance Centre finds him working alongside TJ Dawe, Su-Feh Lee, and longtime collaborator Naomi Brand on a new solo piece: Good Bully. Beyond his residency, Adam is also part of New Works’ CanDance Exchange and Propeller’s Digital Disability and Dance initiative in Ottawa.
In the theatre, Adam is a Jessie Award winning actor whose west coast performance highlights include productions of his own shows, Last Train In and Lights, as well as Touchstone Theatre's Kill Me Now, and Realwheels Theatre's CREEPS. Looking ahead, his latest play, Saturday Nights at Axles, is in development at Realwheels, where he is now Co-Artistic Director.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Episode 53 Interview with Nicole Rose Bond (Performer and Creator)
Épisode 54
lundi 22 juillet 2024 • Durée 56:06
Show notes below:
Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Nicole Rose Bond began her formal dance training at York University, graduating with a Bachelor of Fine Arts Dance cum laude in 2005 after being awarded the Grant Strate Award in Dance in 2003 and 2005 respectively and the Harry Rowe Bursary in 2004. Nicole was also featured in The Toronto Star, Arts & Entertainment, Dance’s Class Acts of ’05, as one of “Ten Promising Young Dancers to Watch” in January of 2005.
Nicole has felt privileged to perform works by esteemed choreographers including Peggy Baker, Patricia Beatty, Tom Brouillette, Susan Cash, Bill Coleman, David Earle, Danny Grossman, Ryan Graham Hinds, Christopher House, James Kudelka, Learie McNicholl, Andrea Nann, Yvonne Ng, John Oswald, Peter Quanz, Peter Randazzo and Andrea Spaziani.
Nicole has had three cross country Canadian tours with the Toronto Dance Theatre [TDT]: performing ‘Rivers’ in 2012; ‘Eleven Accords’ in 2014 culminating in a 2014 Dora Mavor Moore award nomination for Best Ensemble Cast – ‘Eleven Accords’; and in celebration of the TDT 50th anniversary following the company’s tour of Medellin and Bogotá, Colombia in 2017, the TDT toured Canada a third time in 2018.
Following the world debut of ‘Who We Are In The Dark’ in Toronto in 2019, Nicole toured with Peggy Baker Dance Projects along with Sara Neufeld and Jeremy Gara of Arcade Fire to other Canadian cities as well as Den Haag, Netherlands and Guanajuato, Mexico culminating in a 2019 Dora Mavor Moore award nomination for Best Ensemble Cast – ‘Who We Are In The Dark’.
Whilst residing in Toronto, Nicole has worked as a course director in Graham Technique and Contemporary Dance at York University, Canada’s National Ballet School and has taught dance classes and workshops within the Toronto School Board. Nicole has also served on the Toronto Arts Counsel Advisory Panel and as a member of the Dance Collection Danse ‘Encore: Hall of Fame’ Committee and the Heliconian Club.
Since moving to Vancouver three years ago, Nicole has been teaching at Arts Umbrella, Modus Operandi and Simon Fraser University and has served as resident choreographer for three independent plays. Nicole’s choreographic debut in 2022 is now a permanent fixture of Arts Umbrella’s annual ‘Mixed Nuts’ repertoire.
Nicole is passionate about the pedagogy of the Graham Technique whilst honouring those who have come before her. Nicole is beyond grateful that her vocation encompasses doing what she loves and is humbled by, and indebted to, the unique and beautiful arts community that she calls home.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
Episode 44 - Interview With Sara Vickruck (Actor-Singer-Songwriter-Musician-Sound Designer)
Épisode 45
dimanche 21 mai 2023 • Durée 50:22
Show notes below:
Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Sara Vickruck (They/Them) is an award winning queer, multi-disciplinary performer, host, musician, song writer, sound designer, and creator currently living on the unceded territories of the Halkomelem speaking peoples. They work both on screen, and on stage in many venues across the country. Sara is a Jessie Richardson award winner and an Equity and Stage West 2020 Emerging Artist award winner. You may know them from the critically acclaimed show Polly Queer Love Ballad, a slam poetry musical, as Mercutio from Bard on the Beaches’ Romeo and Juliet, or perhaps as part of the band The Quarantettes.
Some of their music is available on your streaming services, and The Quarantettes can be found on band camp.
Episode 43 - Interview With Mary-Louise Albert (Dance Artist, Artistic & Executive Director/Producer, Teacher)
Épisode 44
mercredi 19 avril 2023 • Durée 49:05
Show notes below:
Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Mary Louise Albert is based full time in Sointula, British Columbia and is actively growing the BC Movement Arts Society (that she co-founded in 2015 and is the Artistic & Executive Director/Producer of) producing and facilitating a professional contemporary dance series, artist creation residencies, community outreach and digital dance projects in rural and remote coastal communities of British Columbia.
Albert previously held a 15-year position as the Artistic Managing Director of the Norman Rothstein Theatre (NRT) and the multidisciplinary international Chutzpah! Festival.
Episode 42 - Interview With Lee Su-Feh (Performance Maker, Educator, Writer)
Épisode 43
mercredi 1 mars 2023 • Durée 43:06
Show notes below:
Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
About Lee Su-Feh (she/they)
Lee Su-Feh is a performance maker, educator and writer who has spent the last 40 years exploring the human body as a site of intersecting habits and histories. Born and raised in Malaysia, her early training began with a mix of traditional and contemporary South-East Asian dance and theatre, during which she was deeply influenced by teachers and mentors, Janet Pillai, Marion D’Cruz and Krishen Jit. The learning environments of Temple of Fine Arts and Kompleks Budaya Negara also left a deep impression.
Since then, her explorations in movement and performance have taken her to Europe and North America where she has been influenced by teachers such as Lari Leong, Peter Bingham, Linda Putnam, and Catherine Fitzmaurice; and by artistic encounters and collaborations with David McIntosh, Benoît Lachambre, Zab Maboungou, among others. Alongside this trajectory in performance-making, she has pursued a lifelong study and practice of Chinese martial arts, Qigong and Daoism. She has studied Yang Taiji, Wu Taiji, Chen Taiji, Baguazhang and Xingyiquan with Xu Gong Wei; and Baguazhang with Yang Guo Tai. Since 2010, she has been a student of Fitzmaurice Voicework® and is currently a certified Lead Trainer of the work. She is a member of the Advisory Group of the Fitzmaurice Institute and participates actively in the international community of Fitzmaurice Voicework teachers.
Based on Musqueam, Squamish, Tsleil-waututh Territories, colonially known as Vancouver, Canada, she is Artistic Director of battery opera performing arts society and teaches voice and movement.
Episode 41 - Interview With Amanda Testini (Performer, Choreographer, Director)
Épisode 42
lundi 23 janvier 2023 • Durée 34:27
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Amanda Testini (she/her) is an Italian-Canadian performer, choreographer and director based on the unceded and ancestral territories of the Musqueam, Squamish and Tsleil-Waututh First Nations. Amanda has worked with Arts Club Theatre Company, Bard on the Beach, the Cultch, Theatre Replacement, Firehall Arts Centre, Belfry Theatre, Opera Kelowna, Gateway Theatre, Savage Society, Theatre Under the Stars, Vancouver Asian Canadian Theatre, Carousel Theatre for Young People, shameless hussy productions, Neworld Theatre, Speakeasy Theatre, Electric Company, Vancouver Opera, Axis Theatre and Banff Centre of the Arts. She is a graduate of Randolph Academy for the Performing Arts Triple Threat Program, Studio 58’s Acting Program, a Jessie Award nominee, and was the Yulanda M Faris Young Artist Stage Director at Vancouver Opera for the 2019/2020 and 2021/2022 seasons. Recently she choreographed and was the standby for the East Van Panto: The Little Mermaid, and coming up she will be the Movement Director on Teenage Dick at the Arts Club. For more info check out or
Episode 40 - Interview with Emmalena Fredriksson (Contemporary Dance Artist / Choreographer / Teacher)
Épisode 41
mercredi 30 novembre 2022 • Durée 50:48
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Emmalena Fredriksson is a contemporary dance artist living and working in Vancouver, Canada, as a guest on the ancestral unceded lands of the Coast Salish peoples.
Her practice is defined by choreography as a relational practice in the expanded fields of dance, often collaborating with artists of other disciplines, creating choreographic experiences and dance for social events, film, galleries and performance.
Born in Sweden, she received her training at Balettakademien in Umeå and at SEAD in Austria. Emmalena has presented choreographic work, performed and taught internationally with Daghdha Dance Company (IE), Canaldanse (FR), Malta University (MT), Pact Zollverein (DE), and Falmouth University (UK) among others.
Episode 39 - Interview with Joanna Garfinkel (Dramaturg, Writer, Theatre-Maker)
Épisode 40
dimanche 20 novembre 2022 • Durée 42:16
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Joanna Garfinkel is the Dramaturg, Creative Engagement at Playwrights Theatre Centre and co-founder, with Yoshie Bancroft, of Universal Limited. Joanna's focus is in collaborative approaches to new play development, multidisciplinary, and site-specific work; upcoming projects include dramaturgy with ZeeZee Theatre/VACT on My Little Tomato, and the Queer & Trans playwriting unit; UL's development on To the Sea; PTC Associates Kamila Sediego's Engkanto and José Teodoro's Binary Star. She is also working on ongoing dance collaborations, including TCP's Pants. She is the co-creator, with Yoshie Bancroft, of JAPANESE PROBLEM, a site-responsive piece about the Japanese Canadian Incarceration, which has been performed site-specifically in Vancouver, at Soulpepper in Toronto, and in several locations in between. Joanna is struck by the systemic inequities that repeat in Canada, and to troubling those patterns through performance. Other notable credits include Berlin: The Last Cabaret at PuSh 2020, and the multi-award-winning Poly Queer Love Ballad, which toured to Theatre Passe Murailles in 2019. She has been nominated for three Jessie awards, winning one (Critics Choice for Innovation); was awarded the Pure Research grant from Nightswimming Theatre (Toronto), and has received the Sydney Risk award for directing. She moved to Vancouver to get her MFA in directing at UBC, and her focus since has been primarily in new play development, multidisciplinary, and site-specific work. She has trained with Anne Bogart and the SITI Company in New York.
Episode 38 - Interview with Myself - Origin Story
Épisode 39
samedi 1 octobre 2022 • Durée 26:51
Show notes below:
Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production
www.taracheyenne.com
Daisy Thompson is a European settler who lives on the unceded territories of the Skwxwú7mesh, Səl̓ílwətaɬ and xʷməθkwəy̓əm First Nations. Through dance practice, performance, and writing, she seeks to extend ideas of the dancing body as a key site for the questioning and interruption of logics of control in relation to culture and identity.
About Tara:
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Something they are loving right now is building a future with their partner. One thing they wish to have more of in their life is writing and performing music, cause it feels so good. The practice of acting, singing, and creating is important to them because it continues to remind them to return to themselves and confront the things that get in the way of loving themselves and others.
Sara studied Musical theatre at Grant MacEwan University in Edmonton. They have and still do train privately with many acting coaches in Vancouver, such as Scott Swan, and mentored under Mischelle Cuttler in sound design.
You can check them out on Instagram or Facebook @saravickruck or their website www.saravickruck.ca
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
A former professional dancer, choreographer and teacher, she worked for 20 years nationally and internationally as a solo dance artist and as a company member with the Judith Marcuse Dance Company, Anna Wyman Dance Theatre, Karen Jamieson Dance Company as well as apprenticing with Les Grands Ballet Canadiens. Albert has performed work by choreographers such as Mark Morris, Crystal Pite, Lar Lubabvitch, Robert North, Serge Bennathan, Allen Kaeja, Judith Marcuse, Grant Strate, Peter Bingham, Tedd Robbinson, Judith Garay and Christopher House, to name a few.
She has an extensive teaching background that includes ArtsUmbrella, Sessional Positions at Simon Fraser University School for the Contemporary Arts, Harbour Dance Centre, Goh Ballet and the Portside Academy in Port McNeill, as well as adjudicating for dance festivals throughout Western Canada.
Transitioning from professional dance at the age of 45, Albert won the nationally awarded Eric Bruhn Memorial Award from the Dancer Transition Resource Centre to attend Capilano University and the British Columbia Institute of Technology (BCIT), School of Business, graduating with a Post Diploma of Technology in Business Administration and an Advanced Arts and Entertainment Management Certificate, respectively.
Albert is the recipient of the 2011 Canada Council for the Arts’ John Hobday Award for Excellence in Arts Management, one of two awarded nationally annually. She was an appointed member of the City of Vancouver’s first Arts and Culture Policy Council, was an Executive Board member of Temple Sholom, and was a five-year member of a Program Advisory Committee for the BCIT School of Business. She is a member of the Board of the Gate House Theatre in Port McNeill and a member of the Board of the Sointula Museum Historical Society.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Based in Vancouver since 2013 her work has been presented in Dancing on the Edge,
The Dance Centre's Discover Dance Series, Dance in Vancouver's Choreography Walk (curated by Justine A. Chambers), Dance Days (Victoria) and at the Audain Gallery. Commissioned by the National Film Board, she co-created Tidal Traces - a VR 360 dance film together with Nancy Lee in 2017. The film has to date had over 35 international screenings.
Emmalena holds an MFA degree from Simon Fraser University and she regularly teaches at Modus Operandi, Training Society of Vancouver, Harbour Dance Centre and Simon Fraser University in Vancouver.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
About Tara:
Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).
With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can’t remember the word for I can’t remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can’t remember the word for I can’t remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level" (The Georgia Straight).
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world. Highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season), The River Project with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello and Bassano Italy, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation) / East Vancouver with her partner composer Marc Stewart.
