I'll admit it: I'm wiped out! But I wanted to leave you all with a final bit of encouragement before I break for the summer, so after some introductory remarks, here's the rough script to another trailer idea I worked on. Can you hear the difference in the sound? The "sonic ID" I recorded with the Shurt SM7b, and had Katie's help making me sound my best. The middle bit I recorded with the Shure MV88+ in my car, in my parking garage at work. It sounds OK. Then the actual "story inside you" script I think I recorded on my phone in the closet — just for workshopping purposes, didn't have time to re-record. 

Also, I did this episode in an hour and a half at the hotel in Mexico for our friends' wedding! Here's to hitting deadlines, letting good enough be good enough, and having time to really take a break. See you in September for season two. 

What is it that gives narrative podcasting its unique power for intimate connection with listeners? In previous episodes, we talked about two key elements: words (scriptwriting and editing), and the voice (recording and narration). In this episode, we talk about the third key element: music. 

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Show notes: 

• I ran out of time to list these in the episode, but had a whole thread on Voxer with two of my friends about musical memories. Two other standouts for me were my sister bringing pop music into the Davis household for the first time, the Beatles' '62-66 greatest hits on those red cassette tapes. Then hearing Paul Simon's Graceland on my friend's record player under a blanket fort. And third, banging on the dashboard of my friend's old VW GTI to the opening tom-tom hits of the Eagles' Hotel California. 
• using famous songs in your podcast: blog post ("no, but..."), fair use, creative commons, etc. 
• What makes us human?  

So you came here to make a great narrative podcast — but what about a more creative life? Checking that big thing off your creative bucket list? Should you try for a heroic effort, like NaNoWriMo, or just try to peck away, 15 minutes a day? In this episode, we get into that. (Spoiler alert? Yes.)

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Show notes: 

• First Person Story (with links to other live storytelling events)
• Elizabeth Gilbert's wonderful creativity memoir Big Magic (good as a book; even better as an audiobook). 
• Hunter S. Thompson's letter to his friend
• James Clear, Atomic Habits
• Brad Stulberg, consistency column in Outside Magazine

Have you ever struggled with putting more of yourself into your job than it's giving you back? Or do you have a somewhat-creative day job that leaves you with little creative energy left for your writing and podcasting? This episode's for you. In this personal essay inspired by the "iceberg technique" of Ernest Hemingway, I reflect on a lesson about "guarding my heart" that it took me way too long to learn — and experiment with a slower, more pared-back style of narration and sound design. 

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Show notes:

• A great feedback partner can help you uncover additional layers in your work that you hadn't managed to differentiate yourself, and that's what Jacob did with this draft. My thought was there is no such thing as a perfect job (i.e. role or workplace), so accepting that can help us maintain the emotional distance we need to preserve creative energy for our own projects. But what Jacob pointed out was the duality in that original statement: no such thing as a perfect job" could also mean accepting "good enough" in our own creative projects — because it's creative living, not the individual creative projects, that are the real point. We'll return to this latter idea in another episode, working title "The artifact is not the point."
• Hemingway's story "Big two-hearted writer" is what this episode title riffs on, but it's his novel The Sun Also Rises that I've read multiple times. 
• Another creative input that has prompted me to keep evaluating my delivery and narration is First Person Story. It's been a delight to collaborate with Harriett, and each other creative medium we interact with can help us enrich our perspective on podcasting, creative writing, or whatever our expresion of choice is. 

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Storyscaping exists to inspire the next great narrative podcast: yours! The goal is to cover a wide range of creativity-and-podcasting related topics, a sort of curriculum that doesn't feel like a curriculum:

• Finding, and keeping creative motivation
• Story elements and structures
• Sound quality and connecting with listeners
• Your unique narration and voice
• Defining boundaries in creative work
• Accepting messiness in the creative process
• Sustainability and how not to podfade

Are you in this just for a project — or are you in this for life? In this episode, I learn a gardening-inspired lesson for long-term creative growth and sustainability — a lesson that's countercultural in our always-on society. 

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Show notes: 

1. The Wheel of Life exercise (scroll down a bit)
2. Shelter in Place episode Productivity Unhacked
3. Thanks to freesound.org and soundbible.com contributors for the SFX. 
4. My neighbor Suzanna is also a talented jazz singer! Bay Area folks, look out for her next show. 

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Aspiring narrative podcasters are the primary audience for Storyscaping, but anyone who wants to develop their writing and storytelling skills will find these less-than-ten minute episodes inspiring. We can't wait to hear your stories!

What happens when you put your usual writing blueprints aside, and just let yourself play with language? I find out on my birthday morning, when I free-write my way to a David Foster Wallace-esque reflection on global manufacturing, thinking about aging, and how we want to spend our fleeting days. 

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Show notes:

• David Foster Wallace's essay collection Consider the Lobster
• Our scriptwriting workshop is coming up  April 7
• Thanks to all the contributors to Soundbible.com for the effects!

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Curious what you'll get from our scriptwriting workshop? The two-hour interactive session will include live exercises, feedback, and breakout rooms. We'll dig into key topics like moving from idea to script, different story structures, and navigating the messy middle of editing. Also:

• Tools for building a strong narrative arc
• How to pull great stories from interview tape
• Ways to map out your story in scenes
• Crafting dynamite openings (with examples)
• Techniques for writing for the ear
• Our proven hacks for overcoming writer's block

Many great writers and podcasters say how important it is to edit your work to make it better—but after you have a draft script, how do you know what to keep, and what to cut? Beginning with trip back in time, Nate shares a dead-simple script and audio editing practice he uses every single episode to help his creative babies grow up into healthy episodes. 

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Show notes:

• For more on editing, see chapter 5 of Jessica Abel's wonderful graphic novel about narrative podcasting, Out on the Wire.
• Can't wait to hear what other steps I go through to audio edit and sound design? Here's a whole blog post about it.
• The Voxer voice memo app is my favorite way to share rough scripts with feedback partners.

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Listening to someone tell a story is primal; it's how we understand our families, our cities, ourselves. Stories are how we create, share, and learn culture. Narrative podcasts are the timeless human tradition of storytelling, adapted for today's mobile, digital age, and this show is dedicated to helping you make your own. 

Why is it so important to make a trailer for your narrative podcast, and not just regular episodes? Nate explains in this episode, and then gives a checklist of the five things a great trailer will do. 

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Show notes:

• Hear some sample podcast trailers from graduates of our online course and workshops
• How do you triage audio? Or what's your editing ethos? Check out this post for my 15-step audio editing and sound design process, with DAW screenshot for reference.
• Need some expert feedback to refine your own trailer? We offer private podcast coaching.

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Whether you've got a brand new idea that needs developing, you're buried in interview tape, or you need help with tracking narration or sound design, our personal coaching sessions are tailored to your specific needs and project. You'll get feedback on your work, clear next steps to move forward in your project, and resources to deepen and expand your craft. 

A narrative podcast begins with a script, then ends with audio editing and sound design, but what's the all-important middle step? Recording and narration — but what's so special about narration? Why is embracing and discovering your "podcast voice" so important? Nate reflects on his own journey with narration and his own voice, and shares a handful of tips to help you find your own voice as a podcaster. 

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Show notes:

• Our DIY / home recording studio setups for Shelter in Place and Storyscaping, with pictures and descriptions
• List of vocal warmups
• Voxer voice memo app (I use it daily! The convenience of texting, the warmth of a phone call. Great for practicing and just, friendship)
• My first experience doing a lot of narration for an episode of Shelter in Place about aging. I'm discovering my voice. 
• Our blog post from 2012 with the video of our presentation on fair trade.

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Whether you call it a fiction podcast, narrative podcast, or story podcast, we say "voice your story, change your life" because we've lived it ourselves. Your voice, and your experience, are one in eight billion. We can't wait to hear your stories. 

What can we learn about narrative podcasting by dropping our kids off at school? An important lesson, as it turns out. Join Nate to hear about the one-in-eight-billion spark inside each of us, and how to bring that to our recording studio. 

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Show notes: 

• Scientific American article on how clothing influences our mindset
• I don't have a sequinned t-shirt, but I do have a sweatshirt with an "exclamation baby" print by Keith Haring: The Boy Who Just Kept Drawing
• Sparkly narration: 99% Invisible, "Whomst Among Us Let the Dogs Out"
• Sparkly narration: Decoder Ring, "Mystery of the Mullet"
• Sparkly narration: Snap Judgment, "Watching Over Mountain Village"
• Mystical Fire campfire crystals
• Oh, and curious about my audio editing for this episode? In this long blog post, I detail my 15-step process for audio triage and sound design, and include the screenshot of my DAW for the episode. 

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What's a narrative podcast? Our definition is 1) telling a story, 2) working from a script, and 3) creating an immersive soundscape. This episode on narration dovetails with the second workshop in our three-part Narrative Foundations series, where we distill the key skills for creating great scripted podcasts into three two-hour interactive sessions. Learn more and sign up at narrativepodcasts.com. 

Lots of us meet our partners online these days, and have a happy, fulfilling relationship. But what's not so fulfilling for listeners who are looking for a story when they ask how we met? That common three-word answer: "we met online." After hearing that several times, I realized there was something missing in terms of story elements — and there's a lesson here for all of us writing podcast scripts and telling stories. 

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Show notes:

* More on the four story elements

* Robert McKee's scriptwriting opus Story

* Our Narrative Foundations scriptwriting & editing workshop

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Do you have an idea for a narrative podcast, but aren't sure where to begin? You're in the right place. Storyscaping exists to equip and inspire anyone who wants to make a narrative podcast, and we'll do this with bite-size episodes that each excavate some part of the creative process. We cover specific parts of creating a narrative, story, or fiction podcast (like scriptwriting and editing, recording and narration, audio editing and sound design), as well as the creative practices and habits that are bigger than the medium of podcasting, and will set you up for long-term creative living. 

What makes us who we are as creators? Is it where we grew up, the books we read, movies we watch, friends we keep, musicians we admire? Yes, and it's also something else — as Nate realized during a painful trip to the dentist. In this episode, we share a redeeming perspective on the hard things we go through, and the value our scars can have for connecting with others. 

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Show notes:

* How do I get ideas for a podcast?

* A few things I've learned about marathon training

* Our Narrative Podcasts online course

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Do you have an idea for a narrative podcast, but aren't sure where to begin? You're in the right place. Storyscaping exists to equip and inspire anyone who wants to make a narrative podcast, and we'll do this with bite-size episodes that each excavate some part of the creative process. We cover specific parts of creating a narrative, story, or fiction podcast (like scriptwriting and editing, recording and narration, audio editing and sound design), as well as the creative practices and habits that are bigger than the medium of podcasting, and will set you up for long-term creative living. 

How do you explain your job to a kid? How do our career choices affect who we become as people? And how do our day jobs shape our approach to personal creative projects? If you've ever faced these questions yourself — or were just dying to hear about working in corporate marketing — this one's for you. 

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Show notes:

• Thanks to the generous contributors to Freesound.org for two key sounds for this episode: office ambience, and Lego bricks. 
• And thanks also to the musicians of Blue Dot Sessions for this quirky song. Other music from Storyblocks.  
• As I was audio editing this piece, I realized that one of the ingredients in the creative stewpot had been the lovelorn caveman persona from the short story "I love girl," by Simon Rich. Enjoy!

How does a narrative podcast begin? With a script. In this impassioned episode, I try to uncover what it is about creative writing that is so important — both for ourselves, and for our listeners.

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• Our Narrative Foundations scriptwriting & editing workshop
• Anne Lamott's wonderful creative writing memoir, Bird by Bird

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Who is Storyscaping for? It's for all of you who are dedicated to personal and creative growth, who feel like you have a story inside you waiting to get out, but have limited time or schedules. That's a big reason why episodes are always ten minutes or less! :-) Demanding job? Parent of small children? Caregiver for a relative? This podcast is for you, because your story deserves to be heard. Listen to Storyscaping for practice-proven tips and inside insights on ideas for a narrative podcast, how to write and edit a script, best practices for recording and narration, artful audio editing and sound design, and other podcasting and creative living skills. 

What can manual labor teach us about the creative process? Turns out — a lot, as I find out the hard way one week at the cabin in northern Minnesota. Ten quick tips about narrative podcasting (which also apply to other types of creative work, with an intro reflection on family and priorities). 

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Show notes:

* Scrubbing the boards: more on script writing and editing

* Punch up your podcast script with this one tip

* Repetitive physical actions and creativity: walking, showering & washing dishes 

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Do you have an idea for a narrative podcast, but aren't sure where to begin? You're in the right place. Storyscaping exists to equip and inspire anyone who wants to make a narrative podcast, and we'll do this with bite-size episodes that each excavate some part of the creative process. We cover specific parts of creating a narrative, story, or fiction podcast (like scriptwriting and editing, recording and narration, audio editing and sound design), as well as the creative practices and habits that are bigger than the medium of podcasting, and will set you up for long-term creative living. 

What is it that makes narrative podcasting special compared to other art forms like writing, singing, or photography? Intimacy. But how do we create that sense of intimacy as podcasters? In today's episode, we suggest an answer to that question, reflecting on a distracted, noisy world, and how we can create the emotional connections we're all seeking. 

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Show notes:

• Sherry Turkle's TED talk on technology and distraction
• 99% Invisible episode on background noise and environments
• The Podcast Host's post on home podcast studio options  
• Our home recording setups for Storyscaping and Shelter in Place

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What's a narrative podcast? Our definition is 1) telling a story, 2) working from a script, and 3) creating an immersive soundscape. This episode on recording, sound quality, and emotional connections dovetails with the second workshop in our three-part Narrative Foundations series, where we distill the key skills for creating great scripted podcasts into three two-hour interactive sessions. Learn more and sign up at narrativepodcasts.com. 

Storycaping started as mini teaser episodes to answer questions for prospective students — but as I kept working on it, I realized it had to answer questions for me. A reflection on creative motivation, long gestation processes, hopes and aspirations, and why I believe narrative podcasting is special. (Also: types of episodes we'll have here, and what you can expect from the show.)

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Show notes:

• Fast Company article on the power of creative constraints
• James Baldwin on redeeming hardship through creativity
• Our Narrative Podcasts online course

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Are you trying to find your voice — as a creator, and as a person? Then this show, and our training programs, are for you. Whether you are a radio or journalism veteran, a busy parent, or a creative explorer, our course, workshops, and private coaching are designed for you. You'll learn the essential skills of narrative podcasting, like scriptwriting, narration, and sound design, and build a complete audio storytelling and creative living toolkit as well. We can't wait to hear your stories!

Do you want to create an unforgettable narrative podcast — and a more creative life? Welcome to Storyscaping: with bite-size personal essays and proven creative practices, we'll uncover the contours of the story inside you.

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Show notes: 

• Katie Semro, composer and sound designer
• Shelter in Place, the 200-episode narrative podcast that got us here
• Post about the question, "Why should I start a narrative podcast?"

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What is a narrative podcast? Our definition has three parts: 1) an inviting story, 2) a well-written script, and 3) a crafted soundscape. Including all of these three core elements is why narrative podcasts are both more labor-intensive, and more compelling, than other types of podcasts.

Storyscaping exists to equip and inspire listeners on each of these three core elements. A bit more on this three-part definition:

1) An inviting story. While interview shows (like any conversation), often meander, narrative podcasts create a sense of direction by employing universal aspects of successful stories: characters, setting, conflict, and resolution. 

2) The first key element that gives narrative podcasts their artfulness, and sets them apart from interview and other unscripted shows, is that narration has been written (and edited!) in advance.

3) With careful audio editing (removing filler words, rearranging clips, cutting a lot), and enhancement with music and sound effects, narrative podcasts create an experience where every minute counts and contributes.

Are you working on your narrative podcast with the hope that winning an Ambie or hitting a million downloads will make you happy? Let's take a few minutes to think about it. I'm inspired by a very successful friend to mull over why we do creative work, how we deal with critics, and what creative living can look like. 

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Show notes: 

• Sometimes you have to let idea rest and then come back to it: I started this draft a year ago after "Sam" first told me about interviewing for this other position, but in that initial draft, I just introduced the general theme and summarized Sam's accomplishments. That draft was OK, but a bit weak on the characterization. But then opening it again last week, the college anecdotes came out, which makes it a more interesting and effective piece. Then, after recording version 7 of the script, I was still about 30 seconds over, so I went in and listened and reread and cut some more. 
• Hunter S. Thompson's letter to his friend about vocation
• Laura's interview with acclaimed author Anthony Doerr for Shelter in Place.
• How do you find ways of functioning that fulfill you regardless of outcome? Simply reflecting on the times you've been happiest at work (or pursuing hobbies or volunteering) can help. I'd also recommend a work-oriented personality test like Strengths Finder, or more broadly, general personality tests such as the Enneagram, Myers-Briggs, or Big Five. P.S. Truity, the leader in online personality testing, was one of my freelance clients a little while back — a very fulfilling client to work with!

What happens when you try to write an entire ten-minute podcast script without using is, am, are, and were? What happens when you follow a rule (and a profession) that encourages brevity above all else? What happens when you're afraid you don't have any big ideas? Listen and find out. 

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Show notes:

• This script started as an early-morning creative constraint free write (avoiding forms of the verb "to be," but took seven more drafts to discover a satisfying conclusion. (Does that make you feel better? Stick with it!)

• The Elements of Style, rule 17 (Note, I updated pronouns because it's 2025.)

• Longinus, On the Sublime (the power of great conceptions)

• Oops, I misquoted — Dr. Seuss only used 50 words to write Green Eggs and Ham!

• And thanks to a few musicians from Blue Dot Sessions (supplementing my usual music source of Storyblocks): "Picnic March," and "Temperance." 

What's your timeline for developing as a creator? How long does it take to become a "master" as painting, podcasting, or another art form? A humorous commute moment inspired this reflection on the creative journey, with some perspective on being patient with ourselves and motivation. 

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Show notes:

• Making-of note: most of my episodes begin as text documents, but for this one, I recorded a voice memo while driving right after seeing the sign that sparked the idea. I then uploaded that voice memo to Descript, exported the transcript, then edited three more drafts in TextEdit. Then to get under 10 minutes with intro and credits, I cut about 45 seconds' worth of spaces and mouth clicks from the first recording. 
• Successful novelists who debuted in their 40's or later.
• Two earlier episodes where I tried the "in the style of" master study are "Happy birthday to me," (David Foster Wallace), and "Big two-hearted writer" (Ernest Hemingway). 
• La Sagrada Familia, the contemporary cathedral in Barcelona that has been under construction for over a century. 
• Stephen King on waiting for inspiration vs. getting to work

Have you ever had an argument with your partner or roommate about loading the dishwasher, straightening up the living room, or how you handle some other household task? Does your spouse's habit of doing _______ drive you crazy? This episode's for you. For this one, we go into our basement, get a look at a little family history, and emerge with some helpful observations for tackling big creative projects — especially the importance of editing your work. 

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Show notes:

• Get a few quick script editing tips in step three of this post
• 17 successful authors on their editing process
• The value of precise cuts in audio editing
• How to fold a fitted sheet

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Are you willing to go through the equivalent of editing the stories waiting for you in your mental storage bins? Have the discipline to embark on a self-paced online course? Our narrative podcasting course is for you (covering everything from self-discovery exercises to scriptwriting, editing, sound design, interviews, and workflows). 

Years ago, I was trying to get into advertising, but failing, so I ended up doing manual labor for a while instead. It was a dirty, frustrating, paid-in-cash period — but resulted in some valuable life skills, and a perfect illustration for a universal story structure you can put to use in scriptwriting for your narrative podcast. 

In the first half of the episode, I tried to recreate a rich sense of scene with sound effects, and also use them in a rhythmic, almost musical manner. How did I do?

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Show notes:

• Kurt Vonnegut "the shapes of stories" video
• The ancient mythology equivalent of "person in hole," the Greek term "katabasis" for a journey to the underworld
• Studio Shed, our backyard office
• Outdoor-sports philosopher Brendan Leonard's post, "the benefits of discomfort is where I encountered the Kelly McGonigal quote." 
• Freesound contributors: hammer, nail gun, pounding nails, hand saw, hammer, power saw, city ambience.

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Do you have other questions about creating a narrative podcast, like how to write a script, where you get story ideas, or how to make a podcast trailer? See our tips here.

Are you grieving something? Do you doubt your parenting when your kids have a hard time? Are you seeing younger generations going through the same things you did (or did to others)? This one's for you. 

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• A better recording of Pacific Boychoir Academy singing the national anthem (and other videos)
• Graph of time with kids
• Another favorite  national anthem scene (beauty transcending a slightly more destructive administration)
• Thanks to everyone who's uploaded to freesound.org, and to musicians at Blu Dot Sessions: Taoudella, Angelino 

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Want to learn how to write your own personal essay podcasts about the hard, or heartwarming things in your life? We cover scriptwriting a lot in our online podcast course.

Do you ever struggle to avoid distraction when you're supposed to be writing? Or do you have a dog? This episode's for you. My daughter's recent dog-sitting gig gives me a great prompt for the challenges of "staying on the sidewalk" when scriptwriting, sharing some of my typical distractions, and then passing on my most valuable practice for staying on task. 

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Show notes:

• Muttville — adoption center for older dogs who need a new home
• Tony Schwartz, The Rhythm of Great Performance
• A "master study" can be done by typing or hand-writing out a passage from a great work, or more loosely, by reading a passage you admire, then starting your own piece in that writer's style. I did the latter with a few recent episodes, Big Two-Hearted Writer (Hemingway) and Happy Birthday to Me (David Foster Wallace).
• And yes, my Buck voice was inspired by Doug from UP

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If you want to learn our other key scriptwriting practices, as well as recording and narration, audio editing, sound design, interviewing, and the other skills you need to make a great narrative podcast, check out our self-paced online course.