Steve Sas Schwartz / sAsArT / Contemporary Painting & Sculpture – Détails, épisodes et analyse

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Steve Sas Schwartz / sAsArT / Contemporary Painting & Sculpture

Arts

Fréquence : 1 épisode/10j. Total Éps: 12

Here we discuss all things contemporary art, and see where the conversations lead us. Some will be in lecture format, others will be with a wide range of artists exploring different practices, curators, critics, and more!

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Données mises à jour le 04/07/2026

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🇨🇦 Canada - Visual Arts
09/12/2024
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🇨🇦 Canada - Visual Arts
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Steve Sas Schwartz Podcast — Episode 11, The Sentinels Series

Saison 1 · Épisode 11

samedi 7 octobre 2023 • Durée 36:37

Excited to drop the 11th Episode of the Steve Sas Schwartz Podcast. In this installment I discuss my Sentinels series from 2015 - 2019.

The Sentinels are about alchemical magic, using prosaic materials and converting them to something utterly different, hopefully riveting. The concept, in essence, is product lust. What makes something so desirable we crave it? What is the value of art? Why does anything beyond its utility have value? Beauty. Fun. The promise of something challenging to have. These are some answers. I wanted to create something mystical, futuristic - sort of - something banal yet unexpectedly oblique. A charged presence from the future though built with components from the past.

In this lecture I dig into this to a degree. Hopefully it’s interesting and worth your time.

Thank you for watching and/or listening.

And, please subscribe, it’s 100% free!

Steve

#SteveSasSchwartzOfficial #sentinels #fineart #sasart

Steve Sas Schwartz Official (sAsArT) Website & Social

Website: https://sasart.com/sentinels

Instagram: https://www.instagram.com/stevesasschwartz

Facebook: https://www.facebook.com/steve.sas.schwartz1

Twitter: https://twitter.com/stevesasart

🟥🟦🟨⬜️ #sAsArT 🟥🟦🟨⬜️

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Steve Sas Schwartz Podcast — Episode 10, The Timemarker Series

Saison 1 · Épisode 10

mercredi 13 septembre 2023 • Durée 22:33

The Timemarkers are shaped canvas paintings, as they say, although canvas is a stretch applied to these, I did from 1987-1993. They are actually more like relief paintings, or dioramas, but we can get into that later. These pieces were based upon my sense of inherited history, how we stand on the shoulders or are crushed by the feet of what came before us, individually and as a culture. They are industrial landscape-based, and somewhat reflect my view of Manhattan from my DUMBO, BKLYN loft circa 1985, although I would have denied that at the time. They are built out of roofing material I found on my roof and later tracked down the vendor somewhere in Queens, a kind of corrugated aluminum that was really malleable, and a papier-mâché and plaster combo and inks I came up w for the frames which I wanted to resemble old stone, as well as acrylic and patched cotton duck canvas. So they are really tactile, dimensional pieces, as people seemed more fascinated by dioramas than paintings I reasoned. The frames are based upon Puritan tombstones I was fascinated by at the time, they seemed so relevant to the early - mid 80’s East Village, NYC w the flying skulls and coffins and African-like masks and all kinds of icons of dread, and many I lifted directly and carved into my frames, others I made up, extending the inherited vocabulary. These pieces conflate time. Within these so-called 400 yr old frames were versions of our world today, kind of a dark post-apocalyptic version, sort of a warning of kinds, or sort of intimating America atone for its sins. Thus the interiors are all built landscapes, high-rises, bridges, hi-tension wires, roller coasters, boxcars ... I selected to define these things in the silver aluminum because it’s glossy and shiny and bounced from the matte skyline backdrops. Thus they’re reflective in low light at night; it extends the life of the paintings. I love the contrasts like this throughout these pieces, formally with the materials, and conceptually with the conflation of time. The flavor of my world then was Delta Blues like Robert Johnson played obsessively, Blind Lemon Jefferson, etc., blended w punk, Husker Du, X, The Minutemen, crossed w Hank Williams, Sr., skateboarding, and fine art. I was possessed and would crank out a painting or two a day at times. Embracing folk art traditions like tombstone carving, and contemporary techniques like collage, seeking a blend of so called high art and low art, fine art and street art/pop art, folk art and what’s considered sophisticated art. And reading a ton of Philip K. Dick (literally everything), and J.G. Ballard (as much as pos.). I think these pieces hit their mark and still look fresh today. I certainly hope they have that evergreen quality and yet carve out a space for themselves in the period they came from. My aim was to make them unique — indeed there’s nothing else like them — and meditative, something you could live with and sit with and reflect about our world, kinda like a church bell struck.

Steve Sas Schwartz Podcast — Episode 9, Wagon Wheel Mandala

Épisode 9

mardi 5 septembre 2023 • Durée 16:24

Welcome to the 9th episode of the Steve Sas Schwartz Podcast (more notes from the underground). Tonight I talk about - or rather complain, ha - about the LA art scene, but then take a deep dive into my Wagon Wheel Mandala, an upgraded, intensely painted vintage wagon wheel.

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Steve Sas Schwartz Podcast -- Episode 8, The NItrocels Series

dimanche 20 août 2023 • Durée

Welcome to the Steve Sas Schwartz Podcast, where we discuss all things related to contemporary art. In Episode 8, I talk about what I call my Nitrocels, a cool word that describes this series of paintings and references the materials used.

This may be a two-parter, but loosely, these paintings reflect my interest in natural history or what you might call the natural world, Japanese woodblocks by artists such as Hokusai, Hiroshige, etc., and my obsession w exploring different materials.

Enjoy & Please subscribe!

Steve

#SteveSasSchwartzOfficial #nitrocels #sasart

Steve Sas Schwartz Official (sAsArT) Website & Social

Website: https://sasart.com

Instagram: https://www.instagram.com/stevesasschwartz

Facebook: https://www.facebook.com/steve.sas.schwartz1

Twitter: https://twitter.com/stevesasart

Linkedin: https://www.linkedin.com/in/steve-sas-schwartz/

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Micro-blog - Portraits of Swaziland AIDS & Civil War Orphans, 2016

lundi 14 août 2023 • Durée

a bit before covid i was fortunate enough to go to Africa and do philanthropic work w hope chest international. my role was the social media guy, but i ended up drawing portraits of swaziland aids and civil war orphans, and rwandan genocide survivors. i would draw them and give them the drawings, and in some cases it was collaborative and the kids colored them in. it was incredibly satisfying. these are from the first leg, and later went to sierra leone to draw ebola virus orphans.

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Steve Sas Schwartz Podcast -- Episode 7, The Black Holes Series

Épisode 7

vendredi 4 août 2023 • Durée

In this installment I discuss my series of figure-based paintings, the Black Holes series. These are large-scaled, textured paintings of silhouetted figures immersed in abstracted environments. Here I share my thought and development process, and the why. Please enjoy, subscribe and share! Thank you so much, Steve

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Steve Sas Schwartz Podcast -- Episode 6, in discussion with Holden Fuller, Contemporary Painter

mardi 25 juillet 2023 • Durée

Steve Sas Schwartz Podcast -- Episode 6, in discussion with Holden Fuller, Contemporary Painter

In this installment, Holden Fuller, contemporary painter, joins us for an in depth chat about his work.

Holden's work inhabits a space that combines abstract shapes and process with figurative components parsed from today's world.

Enjoy!

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Steve Sas Schwartz Podcast - Episode 5, The Soul Kitchen series.

Épisode 5

jeudi 20 juillet 2023 • Durée

In Episode 5 of The Steve Sas Schwartz Podcast I discuss my Soul Kitchen series. This is a conceptual / sculptural series loosely based upon the Japanese tradition of Kintsugi, where broken crockery is repaired with gold leaf, tracing the history of the break and fix. For those that don't know, I work in different genres at the same time, abstract, figurative, and conceptual. This is the conceptual leg. Hope it's interesting and provocative. Steve

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Steve Sas Schwartz Podcast -- Episode 4, Notes From The Underground: The Blister Pack Paintings

mercredi 12 juillet 2023 • Durée

Today i'm going to talk about my blister pack paintings, what they're about, why I do them, compulsion and components.

Steve Sas Schwartz Podcast -- Episode 3, In discussion with Cybele Rowe, "Sculpture's about trapping space."

jeudi 6 juillet 2023 • Durée

In this episode we discuss many facets of Cybele Rowe’s work.

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Steve Sas Schwartz / sAsArT / Contemporary Painting & Sculpture – Détails, épisodes et analyse

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