American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances. Sharpen your powers of deduction and join us on Sidedoor for an epic frozen whodunit, featuring shipwreck, romance, and a social media darling with a dark secret. We’re resharing this longtime favorite from 2021 to bring you some wintry vibes. 

Guests:
Stephen Loring, anthropologist and archeologist at the Arctic Studies Center of the Smithsonian’s National Museum of Natural History
Heidi Moses, volunteer with the Smithsonian Transcription Center
Emily Niekrasz, social media manager, Smithsonian Institution 

It started with a messy lab and a mysterious mold. But turning “mold juice” into the world’s first antibiotic would take a sick policeman, a market cantaloupe, and an extraordinary wartime collaboration between scientists, governments, and industry. This is the story of how penicillin changed the world.

Guests:

Kevin Brown, Trust Archivist to Imperial College Healthcare NHS Trust and curator of the Alexander Fleming Laboratory Museum at St. Mary’s Hospital; author of Penicillin Man: Alexander Fleming and the Antibiotic Revolution

Diane Wendt, curator in the Division of Medicine and Science at the Smithsonian's National Museum of American History

Turtles are built like tiny tanks—ancient, armored, and famously tough. But in the modern world, that toughness may be their greatest vulnerability. In part two of our turtle two-parter, we dive into the shadowy world of turtle trafficking, where backyard collectors, international smugglers, and unsuspecting pet owners all play a role. From sting operations to turtle triage, we meet the unlikely defenders working to stop the trade—and care for the reptiles caught in the middle. Because once a turtle is taken from the wild, getting it home again is a lot harder than you’d think.

Guests

Thomas Akre, head of the Turtle Conservation Ecology Lab at the Smithsonian’s National Zoo and Conservation Biology Institute 

John (JD) Kleopfer, State Herpetologist for the Virginia Department of Wildlife Resources

First Sergeant Tim Dooley, Assistant Special Agent in Charge of Special Operations for the Virginia Conservation Police, Department of Wildlife Resources 

Connor Gillespie, Director of Outreach at the Wildlife Center of Virginia  

Dr. Karra Pierce, Director of Veterinary Services at the Wildlife Center of Virginia

An accident that nearly killed Beatrice Kenner when she was five years old scarred her face for life, but it also gave her a determination to create solutions wherever she saw obstacles. This drive and ingenuity made her one of the most prolific African American inventors of the mid 20th century. This time on Sidedoor, we explore what might be Beatrice Kenner's greatest invention of all: an innovation for periods in a period of innovation.

Betsy Ross sewed the first American flag. At least, that's what we were taught in school. But when historians go searching… there’s no proof to be found. In this episode of Sidedoor, we unravel this vexillological tale tall to find out how this myth got started, and who Betsy Ross really was.

Guests:

Jennifer Locke Jones, political and military history curator at the Smithsonian's National Museum of American History

Twitter: @jonesjl_si

Marc Leepson, journalist, historian and author of the book Flag: An American Biography

@MarcLeepson

https://www.marcleepson.com/

Book link: https://www.amazon.com/Flag-American-Biography-Marc-Leepson/dp/0312323093

Marla R. Miller, historian and author of Betsy Ross and the Making of America

Twitter: @MarlaAtLarge

Book link: https://www.amazon.com/Betsy-Making-America-Marla-Miller/dp/0805082972

Baseball fan or not, you know this song…or at least, you think you do. “Take Me Out to the Ball Game” is one of the top three most recognizable songs in the country, next to “The Star Spangled Banner” and “Happy Birthday.” But long-forgotten lyrics reveal a feminist message buried amid the peanuts and cracker jack.

Speakers:

• Dan Piazza, curator at the Smithsonian’s National Postal Museum 

• Andy Strasberg, co-author of “Take Me Out to the Ball Game: Baseball’s Greatest Hit” 

• George Boziwick, retired Chief of the Music Division of The New York Public Library for the Performing Arts, and co-founder of the Red Skies Music Ensemble

• Nancy Faust, retired organist for the Chicago White Sox

Before here was here Raven was a white bird, and the world was in darkness. So begins the story passed down among the Tlingit people of the Pacific Northwest since time immemorial. This origin story has survived by passing from the lips of one person to the ear of another – from generation to generation. In this episode of Sidedoor, Tlingit glass artist Preston Singletary shares it in a new way: leading us on a journey from darkness to light through dozens of luminous glass sculptures.

Speakers

Miranda Belarde-Lewis, independent curator and assistant professor of Information Science at the University of Washington

IG: miranda505

Preston Singletary, internationally acclaimed Tlingit glass artist

IG: @prestonsingletaryglass

YouTube Channel: https://www.youtube.com/c/PrestonSingletaryGlass

Emil Her Many Horses, curator at the Smithsonian’s National Museum of the American Indian

IG: @SmithsonianNMAI | Twitter: @SmithsonianNMAI

Dr. Martin Luther King Jr.'s I Have a Dream Speech is one of the most famous speeches in the world. But it almost didn’t happen. If you look at King's typed manuscript of his speech —which is currently on display at the Smithsonian National Museum of African American History and Culture— you won't find the phrase "I Have a Dream." But even though Dr. King's speech was improvised, that doesn't mean it wasn't years in the making. In this episode of Sidedoor, we trace the evolution of King's dream, from a secret friendship, to an experimental poem, to the speech we all know today.

Guests: 

Kevin Young, Director of Smithsonian's National Museum of African American History and Culture  

W. Jason Miller, Author of Origins of the Dream: Hughes's Poetry and King's Rhetoric

It’s easy to think artificial intelligence is objective. It doesn’t have emotions. It operates based on cold hard calculations. But artificial intelligence is built on human intelligence, and it may be carrying our old prejudices into the future with us. In this episode of Sidedoor, we step into the Smithsonian’s FUTURES exhibition to meet a very special robot who asks us to consider: whose image will be reflected in our AI future?

Speakers:

Stephanie Dinkins, transdisciplinary artist and professor at Stony Brook University

Twitter: @dinkinsstudio @stephdink

Instagram: Dinkins.studio, stephanie.dinkins

Email: hello@dinkins.studio

Website: www.stephaniedinkins.com

Ashley Molese, a curator of the Smithsonian’s FUTURES exhibition

Social media: @smithsonianAIB, #TheFUTURES

A skill for brewing beer and $100 reward for her capture. Those were the clues in an old newspaper ad that got Smithsonian brewing historian Theresa McCulla hooked on the story of Patsy Young, an enslaved African American woman who fled to freedom in 1808 and made a life for herself brewing beer. In this episode of Sidedoor, we follow McCulla as she scours historical documents to retrace Young's life and find out who she was...and what happened after her escape.

Guests:

Theresa McCulla, Curator with the Smithsonian’s American Brewing History Initiative at the National Museum of American History

Mary Elliott, Curator of American Slavery at the Smithsonian National Museum of African American History and Culture

Frank Clark, Master of Historic Foodways at Colonial Williamsburg

In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight soon turned to horror. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of Edison’s talking dolls as a holiday gift. And we’ll speak with an expert from the National Museum of American history to learn what went wrong with Edison’s invention.

When Chiura Obata painted “Moonlight Over Topaz, Utah,” he was a prisoner at the camp: one of 120,000 Japanese Americans to be incarcerated during World War II. The painting shows a dreamy moonlit desert, with just a few dark lines to hint at the barbed wire fences and guard towers that held him and his family captive. As a painter, Obata turned again and again to nature as his greatest teacher, and his greatest subject. Today, his work can be found in art collections and museums around the world, including the Smithsonian's American Art Museum. This time on Sidedoor, we learn from Chiura Obata about the power of art in tumultuous times.

Speakers:

Rihoko Ueno: Processing archivist at the Smithsonian’s Archives of American Art

Noriko Sanefuji: Museum specialist in the Division of Cultural and Community Life at the Smithsonian’s National Museum of American History @apacurator @amhistorymuseum

ShiPu Wang: Coats Endowed Chair in the Arts and Professor of Art History at The University of California Merced. Curator of the traveling exhibition, “Chiura Obata: An American Modern.” @curatingobata

Kimi Hill: Chiura Obata’s granddaughter and author of the book, “Topaz Moon.”

When LOL just isn't enough to respond to a friend's killer joke, emoji are there for you. But for many people, there isn't an emoji to represent them or the things they want to say. This has pushed activists, designers, and straight up regular folks to create their own emoji. It's not as easy an undertaking as you might think, but every now and then one of these new emoji is so innovative it breaks the digital mold and finds itself in the Cooper Hewitt, Smithsonian Design Museum. In this episode of Sidedoor, we explore how one groundbreaking emoji is changing digital representation and the future of museum collections. 

Turtles have been around for 200 million years—outliving dinosaurs, surviving ice ages, and basically minding their own business the whole time. Tough on the outside, chill on the inside, they seem built to last. So why are they suddenly disappearing? In part one of this two-part series, we hit the trail in search of one surprisingly elusive reptile: the eastern box turtle. These ancient creatures may seem slow, but their decline is happening fast. And the scariest part? We barely understand what it could mean.

Guests:

Thomas Akre, head of the Turtle Conservation Ecology Lab at the Smithsonian’s National Zoo and Conservation Biology Institute 

Maxwell Earle, outreach and engagement coordinator for the Turtle Conservation Ecology Lab at the Smithsonian's National Zoo and Conservation Biology Institute 

Chris Polinski, lab manager for the Turtle Conservation Ecology Lab at the Smithsonian's National Zoo and Conservation Biology Institute

There’s a new sculpture at the Smithsonian’s Hirshhorn Museum and Sculpture Garden: a giant torch that’s strikingly familiar – and entirely unique. Artist Abigail DeVille has reimagined the Statue of Liberty’s torch to shine a light on historical contradictions of American freedom. Through her work, DeVille asks us to re-examine the stories we’ve inherited as a nation, including the story of Lady Liberty herself. As it turns out, the statue holding her torch alight in New York Harbor today has come to stand for something very different from its original intention. Born out of the Black Lives Matter protests of 2020, Light of Freedom reflects the historical origins of the Statue of Liberty and challenges us to confront the idea that liberty itself is a work in progress.  

It’s a wild herb that countless cultures have used for centuries as a wonder drug to cure any ailment. It's so rare and valuable that it’s been dug to extinction nearly everywhere, except a small area of the United States. This time on Sidedoor, we go searching for the elusive wild American ginseng — and find that scientists, conservationists, and criminals are also on the hunt.

Leeches don’t get a lot of love. They’re slimy, wriggly, and, well, they suck — blood that is. But there’s a lot to learn about the lowly leech. Led by a troupe of Smithsonian experts, we’ll discover how these toothy hangers-on wormed their way into medical practices, performance art, and EVERY human cavity. Yes, even that one. It's a journey of discovery from the swamp to the stage and deep into the vaults of the Smithsonian. And it just may leave you with a little more appreciation (dare we say, love?) for the bloodsuckers. 

The endangered Asian Elephant may be a conservation success story as its rapid decline appears to be stabilizing. But this has created a new set of problems. With little remaining habitat, these elephants have nowhere left to go but into roads, farms, and cities. This time on Sidedoor, we look at what happens when wild elephants go urban. 

A new season of Sidedoor is just two weeks away! In the meantime, we’re sharing a special guest episode from Wonder Media Network’s podcast, “Encyclopedia Womannica.” In this episode, you’ll hear about the life of Patsy Mink, the first Asian-American woman to serve in Congress and run for U.S. President. She was also the first woman of color elected to the U.S. House of Representatives. She made a brief appearance in the Sidedoor episode, “Votes for Hawaiians,” and here you’ll hear more about how she paved the way for Asian-Americans across the nation.

Encyclopedia Womannica is a daily podcast that explores the trials, tragedies and triumphs of groundbreaking women from antiquity through modernity, in just five minutes a day. You can find more episodes HERE. (https://wondermedianetwork.com/encyclopedia-womannica)

The “Men of Progress” painting, from 1862, shows the first Secretary of the Smithsonian surrounded by a group of scientists and inventors credited with “altering the course of contemporary civilization.” But what may be most remarkable about this tableau is who’s not there. To mark the 175th anniversary of the Smithsonian’s founding, the National Portrait Gallery’s Portraits podcast takes us back in time – to trace how the concept of progress has evolved, and who current Smithsonian Secretary Lonnie G. Bunch III would put in his “portrait of progress.”

This summer – for the first time ever - skateboarding will be an Olympic sport. In honor of its Olympic debut, we’re revisiting one of our favorite episodes: the story of how the best women skateboarders stood toe-to-toe with the most powerful people in the industry to demand equal pay. One of those women is none other than Mimi Knoop, who is coaching the USA women’s skateboarding team. In this bonus episode, we also talk about how skateboarding's entry onto the Olympic stage is a major achievement for the sport, but one not everybody is happy about.  

100 years ago, in the hills of West Virginia, Black, white and European immigrant coal miners banded together to demand better pay and safer working conditions and were met with machine guns. While the story made headlines in 1921, it didn't make it into the history books. In our final episode of the season, we unearth this buried history to help mark the centennial of the largest labor uprising in American history.

Every 17 years, the notorious Brood X cicadas crawl out of the earth by the billions to deafen Washington D.C. After nearly two decades underground, they spend their few short weeks in the sun singing, mating, and dying so the next generation can start anew. The cicadas' distinctive sound and strange life cycle have captivated our human ancestors for millennia, inspiring songs, art, royal attire and even some unique burial rituals. 

Leeches don’t get a lot of love. They’re slimy, wriggly, and, well, they suck—blood that is. But there’s a lot to learn about the lowly leech. Led by a troupe of Smithsonian experts, we’ll discover how these toothy hangers-on wormed their way into medical practices, performance art, and EVERY human cavity. Yes, even that one. It's a journey of discovery from the swamp to the stage and deep into the vaults of the Smithsonian. And it just may leave you with a little more appreciation (dare we say, love?) for the bloodsuckers.

Guests: 

Anna J. Phillips, research zoologist and curator of Clitellata and parasitic worms at the Smithsonian’s National Museum of Natural History

Rachel Anderson, project specialist at the Smithsonian’s National Museum of American History

Josh T. Franco, national collector at the Smithsonian Archives of American Art, former Smithsonian Artist Research Fellowship selection committee member

Roberto Sifuentes, performance artist and arts instructor at the School of the Art Institute of Chicago, former fellow with the Smithsonian Artist Research Fellowship

Aram Han Sifuentes, leech wrangler, social practice fiber artist, writer, curator, and adjunct professor at the School of the Art Institute of Chicago  

When Diosa Costello took the stage in the 1939 production of “Too Many Girls,” she became the first Puerto Rican performer to tread the boards on Broadway. She was fearless, funny, and brimming with talent. She never considered herself a trailblazer, but her legacy – and the gowns she left at the Smithsonian – tell a different story

LeRoy Neiman was a colorful man, both figuratively and literally. His handlebar mustache, long cigar, and sketchpad were fixtures at the sidelines of American pop culture: from boxing matches to jazz clubs and political conventions. His paintings, sketches, and prints papered the second half of the 20th century, highlighting American icons in his colorful expressionist style. He was rich, famous, and adored by many Americans… but not the art critics.

One hundred years ago this week, from May 31 and June 1, 1921, a mob targeted and destroyed nearly 40 blocks of a wealthy black neighborhood in North Tulsa, Oklahoma. No one knows how many people died, no one was ever convicted, and no one really talked about it nearly a century later. This is the story of the Tulsa Race Massacre and why it's important that you know it.

At least 1,256 homes, along with churches, schools, businesses and even a hospital were deliberately burned or destroyed. Recently found documents are helping historians and researchers better understand the events that took place. And lots of this work is happening by staff at the National Museum of African American History and Culture. In fact, part of the Power of Place exhibition at the museum is dedicated to the events of the massacre.

Groucho and Freddy. Oryx and ostriches. Cats and dinosaurs. These things go together like… well, they really don’t go together at all. These are fun-sized stories in one goodie bag of an episode. It’s Sidedoor’s third “Best of the Rest!”

We carry portraits around all the time: pocket-sized history lessons in the form of dollars and cents. The recent decision to put Harriet Tubman on the $20 bill has us thinking about who’s on our money, and how they got there. This episode of the “Portraits” podcast, from the Smithsonian’s National Portrait Gallery, takes a whirlwind tour of money of yore, featuring everything from piles of bunnies to George Washington’s nipples. This episode will have you taking a closer look at the portraits you might be sitting on right now.

In 1918, a flu pandemic killed more than 50 million people worldwide. Forty years later, it nearly happened again. This week on Sidedoor we go back to a time when the viruses were winning, and we remember one man, Dr. Maurice Hilleman, whose vaccine virtuosity helped turn the tide in the war against infectious diseases.

We’ve updated this episode with a bonus interview to reflect on what we’ve learned from our current pandemic. If you want to learn more, please see vaccinesandus.org.

Henrietta the river herring is not a particularly glamorous fish. But she’s got grit. Every summer, she swims out to the Atlantic ocean, and every spring, she makes the 500 mile journey back to Maryland’s Patapsco River, where she was born—a habitat that’s been only partially accessible to herring like her for more than a century. But this year will be different. Join the Smithsonian Environmental Research Center’s herring tagging team as they study what happens to herring like Henrietta when someone gives a dam.

Every spring, for as long as records have been kept, a crowd of hundreds of black crowned night herons descend on the Smithsonian’s National Zoo, mating, eating and generally causing a ruckus. Many of the keepers at the zoo enjoy them, but they can be a tough bird to love.

Every fall, peace is restored when the herons decamp and fly off to… where? For more than a century, nobody knew. Until now. 

When Lena Richard cooked her first chicken on television, she beat Julia Child to the screen by over a decade. At a time when most African American women cooks worked behind swinging kitchen doors, Richard claimed her place as a culinary authority, broadcasting in the living rooms of New Orleans’s elite white families. She was an entrepreneur, educator, author, and an icon—and her legacy lives on in her recipes.

American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances. Sharpen your powers of deduction and join us on Sidedoor for an epic frozen whodunit, featuring shipwreck, romance, and a social media darling with a dark secret.

The Gilded Age was a time of unparalleled wealth and prosperity in America — but it was also a time of staggering inequality, corruption, and unchecked power. Among its richest figures was Andrew Carnegie, the steel magnate who built his fortune on the backs of low-paid workers, only to give it away — earning him the nickname the Godfather of American Philanthropy. He didn’t just fund libraries and universities — he championed a philosophy: that it was the duty of the ultra-wealthy to serve the public good.

But, as it turns out, even philanthropy is a form of power. So, what exactly have wealthy philanthropists done with their power? We explore that question at the Cooper Hewitt, Smithsonian Design Museum, inside Carnegie’s former mansion. There, a board game called Philanthropy invites players to reimagine the connection between money and power — not by amassing wealth, but by giving it away.

Guests: 

Christina de León, Associate Curator of Latino Design at the Cooper Hewitt, Smithsonian Design Museum 

Tommy Mishima, artist and co-creator (with Liam Lee) of the installation “Game Room” in Cooper Hewitt's triennial Making Home 

David Nasaw, author of the biography Andrew Carnegie 

As Americans approach a full year of pandemic life, there’s an overwhelming sense of anticipation: when can we get vaccinated? What will life look like in six months? When will life return to normal? Maybe because looking outward feels so daunting, a lot of people are looking inward, through mindfulness and meditation. In this episode of Sidedoor, we learn about mindfulness and meditation through the lens of religion – a Buddhist priest shares the story of her religious journey; and we hear about the secular spirituality that young Americans are increasingly following away from religion.

If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the photography of Tailyr Irvine, displayed at the National Museum of the American Indian, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today.

Tailyr Irvine’s Reservation Mathematics: Navigating Love in Native America exhibition link: https://americanindian.si.edu/developingstories/irvine.html

As an up-and-coming young blues singer in the 1950s, Barbara Dane faced a choice: fame and fortune, or her principles. She left the mainstream music industry and became a revolutionary music producer – literally. Spurred by Fidel Castro’s international gathering of protest singers, Dane created a record label that published the sounds of social change around the world, and inspired generations of protest music to come.

 For more information, check out: https://folkways.si.edu/paredon

Wonder Woman is the best known female superhero of all time, but she’s been through a lot. The brainchild of a psychologist, Wonder Woman hit the comic pages in the 1940s as an antidote to the “bloodcurdling masculinity” of male superheroes. But by the early ‘70s, Wonder Woman was having a midlife crisis. She’d given up her bullet-blocking bracelets and lasso of truth…and opened a clothing boutique. It took a feminist magazine cover to make-over Wonder Woman from comic book character to the icon she remains today. 

In 1890, Americans were delighted when they heard the news that Thomas Edison was using his phonograph technology to give voice to porcelain dolls. But their delight turned to horror when they got their hands on his dolls. In this episode of Sidedoor, we’ll hear a short story that imagines what happens when two little girls receive one of Edison’s talking dolls as a holiday gift, as well as meet one of these dolls with an expert from the National Museum of American history.

To see one of these dolls, check it out on our website.

This week, we have an episode from the NHPR podcast “Outside/In” about passenger pigeons. The passenger pigeon is one of the world’s most symbolic extinction stories. It’s a cautionary tale of how in just a few short generations, one of the wonders of the world could be completely eradicated. But when that narrative was questioned in a popular book, 1491 by Charles Mann, what does the response tell us about the conservation movement as a whole?

This week, we’re sharing an episode of ‘Detours,’ a new podcast from our friends at GBH and PRX. The podcast shares surprising stories that unfold behind the scenes at the PBS classic TV show “Antiques Roadshow.” In this episode: a rare daguerreotype, Edgar Alan Poe, and…the FBI.  

You can find ‘Detours’ wherever you listen to podcasts.

When a highly-contagious mystery illness spread through the world’s mountain gorilla population, biologists feared the entire species could be lost. Gorillas don’t wear masks or social distance, so there wasn’t much time for the scientists to identify the illness and find a cure for humanity’s hirsute cousins. What they found in 1988 reminds us in 2020 that humans and wildlife share more than a planet: we share disease.

Dress codes have been around a long time—from the old days of long skirts and bloomers to today’s regulation-length shorts. But while the specifics of what girls can wear to school have changed, the purpose of the codes has not.

When Abigail Washburn and Wu Fei first jammed together, “it was magic.” Fei was shocked to meet an American banjo player so curious about China’s culture; and Abigail Washburn met a classically trained composer whose talents on the guzheng, a 2500 year old 21-string Chinese harp, perfectly complimented her banjo pickin’. Today, they collaborate to make a new brand of folk music: one that combines the tones of Appalachia with the melodies of China.

If you were curating a mixtape that might be heard by aliens billions of years from now - but definitely would be seen by your fellow Earthlings - what would you put on it? In 1977, two Voyager spacecraft launched from Cape Canaveral on a journey that would take them beyond our solar system. Affixed to the side of these two planetary explorers was the Voyager Golden Record — the ultimate mixtape of humanity — containing 27 pieces of music as well as pictures and sounds of Earth. But how did these selections get made? Nearly 50 years later, we're teaming up with our friends at the Smithsonian National Air and Space Museum’s podcast, AirSpace, to explore what's on the record, how it got made, and its legacy.

Learn more about AirSpace! 

Airspace Hosts: 

Matthew Shindell, curator of space history at the Smithsonian’s National Air and Space Museum

Emily Martin, planetary geologist at the Smithsonian’s National Air and Space Museum

Guests:

Ann Druyan, Voyager Golden Record Creative Director

Lawrence Azerrad, Co-founder of Macroscopic

To look at them, you might think, “Monarch butterflies aren’t going anywhere fast.” But each year, these beauties complete one of the most remarkable migrations in the animal kingdom, soaring more than a mile high to gather on a few mountaintops in Mexico they’ve never seen before, yet somehow they all know where to find. We unlock the secret lives of monarchs, and learn how to support them on their journey.

Bonus Episode | This week, we wanted to share “And Nothing Less,” the new short series from our colleagues at the National Park Service and PRX. It gives a much-needed closer look at the twisty history of the 19th Amendment - and its lesser-known heroes. It’s hosted by two fabulous women: Rosario Dawson and Retta. We’ll play the first episode right here, and you can find the rest of the series by searching (enunciate) “And Nothing Less” wherever you get your podcasts! 

Fred Tutman is the voice of the river. Specifically, Maryland’s Patuxent River.  As the Riverkeeper, his job is to protect and preserve all 110 miles of that waterway – a role that takes him both to the courtroom and to the riverbank. But Fred is also the only African American Riverkeeper in the United States, a fact he sees as an indicator of an environmental movement that is incomplete. And it’s the planet that will pay the price.