Explorez tous les épisodes du podcast Scene on Radio

When it comes to using AI in the creation of "journalism," just how far could things go? 

We're sharing a fresh episode from the excellent podcast, Question Everything. In Scene on Radio's latest season, we looked at the news media in crisis and some of the ways the work of journalists can get corrupted. In this episode of Question Everything, reporter Zach St, Louis got a tip about a strange local news site in Florida whose reporters didn't seem to exist. He started digging and discovered a nationwide network of fake, AI-generated local news sites. The episode is called, The Curious Case of the Fake Florida News Site. 

You can listen to Question Everything wherever you get your podcasts, and subscribe to their Substack at questioneverything.substack.com. 

Co-hosts John Biewen and Chenjerai Kumanyika respond to questions sent in by listeners in response to Scene on Radio Season 8: The News. Questions about AI and propaganda, journalistic bias, America's plummeting press freedom ranking, about whether we got it wrong about the media's coverage of Trump -- and about pathways to a better news and information system.  

Music by Brian Blade and the Fellowship Band and Lili Haydn. Music consulting by Joe Augustine of Narrative Music. 

We're sharing an episode from a new series: Occupy! An Unfinished Uprising, from Future Hindsight.

In 2011, in the wake of the financial crisis and Great Recession stemming from Wall Street wheeling and dealing gone bad, protesters gathered in lower Manhattan to take a stand. The movement quickly spread across the U.S. and beyond, inspiring hundreds of occupations and a new generation of activists. Occupy went quiet after a couple of months, but the movement changed the national conversation about capitalism and awakened a generation of activists. 

Occupy! An Unfinished Uprising, is told through the voices of people who took part, with host Mila Atmos.  

Find the rest of the series wherever you get your shows, or at Future Hindsight. 

We're sharing an episode from another series we think will be of interest to our listeners -- one that's closely related to our Season 8 series, The News: The Battle for Free Speech. 

As the United States marks its 250th anniversary this year, our most basic freedom — the freedom of speech — is under attack. This immersive series takes you on a journey to look at the threats to free speech, from Trump to Silicon Valley. Series co-hosts Michael Fox and Marc Steiner explore the history of the fight for free speech and the battle being waged over it today, within the United States and abroad.

In this episode, Michael Fox is joined by Real News investigative journalist and Capitol Hill correspondent Taya Graham to map the assault on the American press.

The Battle for Free Speech is produced by The Real News Network. To hear the rest of the 8-part series, go here. 

The American Revolution wasn’t just a fight for liberty. It was also a sprawling conflict with Indigenous nations over who would control North America. To stake its claim, the United States was willing to commit genocide. 

This is episode 3 of First America, a new show about how America’s current moment is 250 years in the making. Indigenous author and host Rebecca Nagle talks to Maggie Blackhawk (Ojibwe) about how our country’s early treatment of Native Americans set a template for authoritarianism in the United States. 

There are more episodes in the First America season which we are not sharing with you here. Find the rest of the series wherever you get podcasts. 

We’re back with Episode 2 of First America, a new show by Indigenous author Rebecca Nagle about how the United States really came to be and how we got to today’s present moment. Rebecca and historian Phil Deloria (Dakota descent) head to Boston to try to understand Americans’ obsession with playing Indian. In the early republic, pretending to be Indian symbolized freedom and helped the colonists form a new, national identity. From Boy Scouts to new agers and sports fans, the American tradition of White people dressing up like Natives never went away. 

Find First America wherever you get podcasts. 

We're sharing the first of three episodes from a new series we think our listeners will want to hear. 

Americans have been told our Revolution was fought over taxation and representation. But the last entry of the Declaration focuses on the founders' contempt for the “merciless Indian savages.” 

How does a whole country miss a key point of its own founding document? That's the question at the heart of First America. Hosted and reported by Rebecca Nagle, an Indigenous author and former host of the This Land podcast, and featuring leading Native historians, First America unveils how the founders’ treatment of Indigenous nations—and their resistance—shaped US democracy. 

First America reveals the real story of why the colonists rebelled, what kind of government they created, and, crucially, how our current political moment was 250 years in the making. 

This season we've explored how the news media are failing the American people and our democracy. In this concluding episode, we look at solutions -- how to help good journalism survive, and how we might imagine a better, more democratic media system. 

By John Biewen, with co-host Chenjerai Kumanyika. Interviews with Les High and Victor Pickard. 

Story editor: Diane Hodson. Assistant Producer, Arlene Arevalo. Fact-checking by Anna Pujol Mazzini. Music by Brian Blade and the Fellowship Band, Michelle Osis, Lili Haydn, Alex Weston, James Nathan Jones, goodnight Lucas, and Jason Hill. Music consulting by Joe Augustine of Narrative Music.  

Many people in the United States and around the world view the rise of Donald Trump and his MAGA movement as a grave crisis. At the same time, most Americans are angry with the news media. What role did the media play in making a President Trump possible? 

By John Biewen, with co-host Chenjerai Kumanyika. Interviews with Nicole Hemmer, Dan Froomkin, Michael Tomasky, and others.

Story editor: Diane Hodson. Assistant Producer, Arlene Arevalo. Fact-checking by Anna Pujol Mazzini. Music by Brian Blade and the Fellowship Band, Michelle Osis, Lili Haydn, Alex Weston, James Nathan Jones, goodnight Lucas, and Jason Hill. Music consulting by Joe Augustine of Narrative Music.  

Ever thought about whether America's overwhelmingly corporate, for-profit news system is working as it should? It didn't have to be this way. In the 20th century, reformers fought for a more democratic and more accountable news media in the United States. They won victories, including the creation of the nation's public broadcasting system. What happened next? 

By John Biewen, with co-host Chenjerai Kumanyika. Interviews with John Lowery, Dan Schiller, Victor Pickard, and Mark Lloyd. 

Story editor: Diane Hodson. Assistant Producer, Arlene Arevalo. Fact-checking by Anna Pujol Mazzini. Music by Brian Blade and the Fellowship Band, Michelle Osis, Lili Haydn, Alex Weston, James Nathan Jones, and Jason Hill. Music consulting by Joe Augustine of Narrative Music.  

The early history of the news in Europe and the U.S. offers surprising lessons about the best traditions of journalism, and about the news we need in our own time of crisis. 

By John Biewen, with co-host Chenjerai Kumanyika. Interviews with Pascal Verhoest, Rachael King, Joseph Adelman, and Victor Pickard. 

Story editor: Diane Hodson. Assistant Producer, Arlene Arevalo. Fact-checking by Anna Pujol Mazzini. Music by Brian Blade and the Fellowship Band, Michelle Osis, Lili Haydn, Alex Weston, James Nathan Jones, and Jason Hill. Music consulting by Joe Augustine of Narrative Music.  

For more on the relationship between democracy and journalism in the U.S., see Victor Pickard's book, Democracy Without Journalism?: Confronting the Misinformation Society.

Scene on Radio requests and receives an independent analysis of its own journalistic biases. We then return the favor, examining the examiner. The exercise leads to fresh insights into the muddled ways people often think about bias.

By John Biewen, with co-host Chenjerai Kumanyika. Interview with Vanessa Otero.

Story editor: Diane Hodson. Assistant Producer, Arlene Arevalo. Fact-checking by Anna Pujol Mazzini. Music by Brian Blade and the Fellowship Band, Michelle Osis, Lili Haydn, Alex Weston, James Nathan Jones, and Jason Hill. Music consulting by Joe Augustine of Narrative Music.  

Link to the Ad Fontes Media Bias Chart

For generations, many on the political right have claimed that major news media in the U.S. have a pronounced liberal bias. Is it true? And why does it matter? We take a fresh look. 

By John Biewen with co-host Chenjerai Kumanyika. Interviews with Michael Massing, Peter Beinart, and William Youmans. 

Story editor: Diane Hodson. Assistant Producer, Arlene Arevalo. Fact-checking by Anna Pujol Mazzini. Music by Brian Blade and the Fellowship Band, Michelle Osis, Lili Haydn, Alex Weston, James Nathan Jones, and Jason Hill. Music consulting by Joe Augustine of Narrative Music.  

Many people know that the journalism industry is struggling financially, especially at the local level. But the disastrous depths of that crisis, and its impact on communities and American democracy, are not as well understood. We visit a news desert in southeastern North Carolina. 

By John Biewen with co-host Chenjerai Kumanyika. Interviews: Penny Muse Abernathy, Mark DeLap, Angelica Das, and others. 

Story editor: Diane Hodson. Assistant Producer, Arlene Arevalo. Fact-checking by Anna Pujol Mazzini. Music by Brian Blade and the Fellowship Band, Michelle Osis, Lili Haydn, Alex Weston, James Nathan Jones, Goodnight Lucas, and Jason Hill. Music consulting by Joe Augustine of Narrative Music.  

The Local Journalism Index map discussed in the episode, from Muck Rack and Rebuild Local News. 

Americans have access to a flood of news, and yet we're in a deep information crisis. What's really wrong with the news media? Is it what we think it is? And what about news consumers? Most of us don't trust the media, but can we trust ourselves? 

By John Biewen with co-host Chenjerai Kumanyika. Interviews: Ethan Jordan, Dannagal Young, and others. 

Story editor: Diane Hodson. Assistant Producer, Arlene Arevalo. Fact-checking by Anna Pujol Mazzini. Music by Brian Blade and the Fellowship Band, Michelle Osis, Lili Haydn, Alex Weston, James Nathan Jones, Goodnight Lucas, and Jason Hill. Music consulting by Joe Augustine of Narrative Music. 

For more info, and transcripts, go to sceneonradio.org.

Everybody's mad at the media. And Americans seem helpless to solve our problems, in large part because we have no shared narrative and few shared facts. A well informed citizenry we are not.

In Scene on Radio's 8th season, producer and host John Biewen and returning co-host Chenjerai Kumanyika will examine the deep crises facing American journalism, how things got this way, and what it might mean to build a better and more democratic news and information system. 

From the Kenan Institute for Ethics at Duke University and PRX. Find more, including episode transcripts, at SceneonRadio.org.

We're happy to share this episode from award-winning climate journalist Amy Westervelt, co-host of Scene on Radio's 5th season: The Repair. Amy returns with a new season of Drilled, her podcast about the deception, disinformation, and power structures keeping real climate solutions out of reach. Drilled: Carbon Cowboys exposes how Midwest Republican corn ethanol mogul Bruce Rastetter sold "sustainable aviation fuel" to world leaders, from North Dakota to Brazil. Find Drilled wherever you get podcasts and hear episodes early and ad-free with a Pushkin+ subscription. Sign up on the Drilled show page on Apple Podcasts or at pushkin.fm/plus.  

Host John Biewen reads an essay from his newsletter, Keeping ScOR. After a visit to his hometown, Mankato, Minnesota -- the subject of the Scene on Radio episode, "Little War on the Prairie" -- John reflects on the changes there and America's latest assault on history. 

Music by goodnight, Lucas. 

To read see the Keeping ScOR newsletter archive or subscribe to receive it, go here: https://buttondown.com/KeepingScOR#subscribe-form

A rebroadcast of a Scene on Radio episode, eighty years after the United States dropped an atomic bomb on the Japanese city of Hiroshima.  

The word “Hiroshima” may bring to mind a black-and-white image of a mushroom cloud. It’s easy to forget that it’s an actual city with a million people and a popular baseball team. What did the cataclysm of 1945 mean in the place where it happened, to the people who lived through it? John Biewen went to Hiroshima and interviewed A-bomb survivors in 1995. 

“Voices of Hiroshima” is a production of Minnesota Public Radio, from American Public Media.

Host John Biewen reads an essay from his newsletter, Keeping ScOR. Reflections on the Trump Administration's attempt to wrangle control of the national story and how it's told. Will this attack on factual history succeed?  

Music by goodnight, Lucas. 

To read see the Keeping ScOR newsletter archive or subscribe to receive it, go here: https://buttondown.com/KeepingScOR#subscribe-form

The video of David Joy referred to in the episode is here: https://www.youtube.com/watch?v=K0g_6uidwcE

Host John Biewen teases Season 8 and reads an installment from his new newsletter, Keeping ScOR. Eight years after our "Seeing White" series, whiteness is still a helluva drug -- and a powerful tool for Trump 2.0. 

Music by goodnight, Lucas

Michael Kliën wants to help bring about profound change in the world, but not through the usual means. An Austrian-born Dance professor at Duke University, Kliën is a leading social choreographer. He sets up experiments involving people moving amongst each other -- wordlessly -- in pursuit of new ways of being and the "soul democratic." 

By Scene on Radio host and producer John Biewen. Music by goodnight, Lucas and Blue Dot Sessions. 

Scene on Radio is a production of the Kenan Institute for Ethics at Duke University. 

Links:

Michael Klien’s website

Video of Kliën works: 

Parliament

Constitution

The Utopians

With our Capitalism season and the election behind us, now what? Can we find hope and a way forward? In a live show taped December 5, 2024, at Motorco Music Hall in Durham, North Carolina, Season 7 co-hosts John Biewen and Ellen McGirt are joined by journalism professor, podcast maker, and two-time Scene on Radio co-host Chenjerai Kumanyika. They discuss how to move toward a more democratic economy and society – with the live audience, and with Camryn Smith and Courtney Smith of Durham’s Communities in Partnership. 

Episode art: Photo by Summer Steenberg. Music by Michelle Osis and Lilli Haydn. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

Host John Biewen is joined by Celeste Headlee, Chenjerai Kumanyika, Ellen McGirt, and Amy Westervelt, co-hosts of Scene on Radio's full-length seasons -- Seeing White, MEN, The Land That Never Has Been Yet, The Repair, and Capitalism -- for a free-wheeling conversation about the 2024 U.S. election of Donald J. Trump and what it all means. 

Scene on Radio comes from the Kenan Institute for Ethics at Duke University. 

In our season finale, we visit with people on two continents who are turning core structures of capitalism on their heads – or, at least, sideways.  

By John Biewen with co-host Ellen McGirt. Interviews with John Fullerton, Ander Etxeberria, Deseree Fontenot, Corrina Gould, Regan Pritzker, Dana Kawaoka-Chen, Mateo Nube, and Marjorie Kelly. Story editor: Loretta Williams. Music by Michelle Osis; Lilli Haydn; Chris Westlake; Alex Symcox; and goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. Episode art by Harper Biewen. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

In the first of two episodes looking at responses to capitalism’s failings, we explore reforms aimed at making the current economic system more humane, fair, effective, and sustainable. 

By John Biewen with co-host Ellen McGirt. Interviews with Lutz Schwenke, Jordi Llatje i Espinal, Marjorie Kelly, Oren Cass, Jayati Ghosh, John Fullerton, and Rick Alexander. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. 

"Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

A visit to West Africa and Western Europe to look at the cocoa trade. Did the colonial side of early capitalism – Western countries getting rich at the expense of poorer nations – ever change, or does it continue today? 

Reported by Ugochi Anyaka-Oluigbo and written by Ugochi and Loretta Williams, with co-hosts John Biewen and Ellen McGirt. Story editor: Loretta Williams. Mixed by John Biewen. Interviews with Achike Chude, Chernoh Bah, Bart Van Besien, and others. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

In 1972, a team of young scientists at MIT published a study exploring what would happen to human civilization if people kept pursuing endless economic growth on a finite planet. They weren’t just disbelieved, they were ridiculed. The story of Donella Meadows and The Limits to Growth.

Reported and produced by Katy Shields and Vegard Beyer, with co-hosts John Biewen and Ellen McGirt. Story editor: Loretta Williams. Archival audio of Donella Meadows, Dennis Meadows, Aurelio Peccei, Jay Forrester, and others. Interviewee: John Fullerton.Original music by Nora Beyer. Additional music by Michelle Osis and Lili Haydn. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

S7 E8: The People’s Pushback 

Over several decades, a growing number of people in the United States and elsewhere – especially younger people – have turned against capitalism. The reasons are not mysterious. 

Reported by Lewis Raven Wallace and produced by John Biewen, with co-host Ellen McGirt. Interviews with Esteban Kelly, Josh Bivens, Malaika Jibali, and Evan Caldwell. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. 

"Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

S7 E7: Gilded Age 2.0

After 40 years of neoliberalism, most Americans of every political stripe agree that the economy is “rigged” in favor of corporations and the wealthy. But we may not know the half of it. 

By John Biewen, with co-host Ellen McGirt. Interviews with Nancy MacLean, Edward Balleisen, Brad DeLong, Marjorie Kelly, and Oren Cass. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. 

"Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

How the balance of power shifted, for a time, in the decades after World War II, and led to a better kind of capitalism – if you think prosperity being broadly shared is a good thing. 

By John Biewen, with co-host Ellen McGirt. Interviews with Eric Rauchway and Brad DeLong. Thanks to the Studs Terkel Archive at WFMT. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

An age of invention and mass production, propelled by a new mechanism – the corporate research lab – leads to a surge in material wealth like the world has never seen. How does a new nation, the United States, overtake its parent as the leader of the surging capitalist order? And what does it all mean in the lives of ordinary people? 

By John Biewen, with co-host Ellen McGirt. Interviews with Woody Holton, Robin Alario, Edward Baptist, and Brad DeLong. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

Economic change happens in a cultural context. We trace the tectonic shifts in the Western mind that made capitalism thinkable – in part through a look at two Enlightenment thinkers: Baruch Spinoza and Adam Smith. (The real Smith, not the one held up as the patron saint of unfettered capitalism.)

By John Biewen, with co-host Ellen McGirt. Interviews with Kate Rigby, Glory Liu, Steven Nadler, and Wendy Carlin. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

From the voyages of Columbus and Vasco da Gama to colonial conquest and the Atlantic Slave Trade, to the privatization of land in western Europe: humanity’s turn toward the capitalist world we live in now.

By John Biewen, with co-host Ellen McGirt. Interviews with Jayati Ghosh, Jason Hickel, Jessica Moody, Charisse Burden-Stelly, Silvia Federici, and Eleanor Janega. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

To fully grasp capitalism, it helps to understand the system it replaced – and the most meaningful differences between feudalism and capitalism. We visit the British Isles of the Middle Ages.  

By John Biewen, with co-host Ellen McGirt. Interviews with Karen Dempsey, Ben Jervis, and Eleanor Janega. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. “Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

Introduction to our 7th season: Capitalism. The world’s dominant economic system is on trial as it hasn’t been for at least half a century. Millions, young people especially, now see capitalism as the problem, not the solution. Others fear throwing out the baby with the bathwater. 

By John Biewen, with co-host Ellen McGirt. Interviews with John Fullerton, Cassandra Brooks and Charlene Brooks. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music.“Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

Welcome to Season 7: Capitalism. The world's dominant economic system is on trial as it hasn't been for at least half a century. This season tells the story of capitalism -- how people with power built and shaped it over time. We'll also explore what to do now that many people see capitalism as the problem, not the solution. Produced by host/producer John Biewen with co-host Ellen McGirt and story editor Loretta Williams. From the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

As we get ready to launch our Season 7, a bonus episode from another podcast we think our listeners will want to hear: Long Shadow. Episode 1 of its newest season, In Guns We Trust, with host Garrett Graff.

Mass shootings have plagued the U.S. for generations. But in 1999, when shots rang out in a suburban Denver school, it was different. What changed? Everything.

What would it take, and what would it even mean, to heal from a wound like the Wilmington massacre and coup of 1898 — or from centuries of white supremacist violence, disenfranchisement, and theft? An exploration of that question with community members in Wilmington, and experts on restorative justice and reparations.

By Michael A. Betts, II and John Biewen. Interviews with Bertha Boykin Todd, Cedric Harrison, Christopher Everett, Kim Cook, William Sturkey, Inez Campbell-Eason, Sonya Bennetonne-Patrick, Candice Robinson, Paul Jervay,Kieran Haile, Larry Reni Thomas, William “Sandy” Darity, and Michelle Lanier. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

After the massacre and coup of November 10, 1898, white supremacists in North Carolina soon finished the job of disenfranchising Black citizens and instituting Jim Crow segregation. They also took control of the narrative. A new propaganda campaign, the one after the fact, succeeded for a century – even as several Black writers tried to tell the truth about 1898 and left breadcrumbs for future historians to find.

By Michael A. Betts, II and John Biewen. Interviews with LeRae Umfleet, Gareth Evans, David Cecelski, William Sturkey, Chenjerai Kumanyika, Doug Jones, and Adriane Lentz-Smith. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

On November 1898, North Carolina Democrats won a sweeping victory at the polls – confirming the success of their campaign based on white supremacy, intimidation, and fraud. But in Wilmington, the state’s largest city, white supremacist leaders were not satisfied. This episode tells what happened on November 10, 1898, in Wilmington: a massacre of Black men, and the only successful coup d'etat in U.S. history.

By John Biewen and Michael A. Betts, II. Interviews with LeRae Umfleet, Bertha Todd, William Sturkey, Cedric Harrison, and Milo Manly. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, Kevin McLeod, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

By 1898, two decades after the end of Reconstruction, white elites, backed by violent terror groups, have installed Jim Crow across most of the South. North Carolina, led by its largest city, Wilmington, is different. A Fusion coalition, made up of mostly-Black Republicans and mostly-White members of the Populist Party, controls the city and state governments. White supremacist Democrats are frustrated and plot to gain power by any means necessary. ​​

By Michael A. Betts, II, and John Biewen. Interviews with LeRae Umfleet, David Cecelski, and Cedric Harrison. The series story editor is Loretta Williams. Music in this episode by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

This series tells the story of the only successful coup d’etat in U.S. history, and the white supremacist massacre that went with it. It happened in Wilmington, North Carolina in November 1898. But before we get to that story, we explore the surprising world of Wilmington in the 19th century – the world that the massacre and coup violently destroyed.

By Michael A. Betts, II, and John Biewen. Interviews with LeRae Umfleet, Cedric Harrison, David Cecelski, and William Sturkey. The series story editor is Loretta Williams. Music in this episode by Kieran Haile, Blue Dot Sessions, Lucas Biewen, Kevin MacLeod, Jameson Nathan Jones, Alon Peretz, and Florian. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

Introduction to Season 6, a series co-produced by Michael A. Betts II and Scene on Radio producer and host John Biewen, with story editor Loretta Williams. Music by Kevin MacLeod, Okaya, and Lucas Biewen. Echoes of a Coup is a project of America’s Hallowed Ground and Scene on Radio, from the Kenan Institute for Ethics at Duke University.

In the summer of 1787, fifty-five men got together in Philadelphia to write a new Constitution for the United States, replacing the new nation’s original blueprint, the Articles of Confederation. But why, exactly? What problems were the framers trying to solve? Was the Constitution designed to advance democracy, or to rein it in? And how can the answers to those questions inform our crises of democracy today?

By producer/host John Biewen with series collaborator Chenjerai Kumanyika. Interviews with Woody Holton, Dan Bullen, and Price Thomas. The series editor is Loretta Williams.

When it comes to U.S. government programs and support designed to benefit particular racial groups, history is clear. White folks have received most of the handouts. Part of our summer mini-season of rebroadcasts.

By John Biewen, with Deena Hayes-Greene of the Racial Equity Institute and Season 2 series collaborator Chenjerai Kumanyika.

The next in our summer mini-season of rebroadcasts: For Eddie Wise, owning a hog farm was a lifelong dream. In middle age, he and his wife, Dorothy, finally got a farm of their own. But they say that over the next twenty-five years, the U.S. government discriminated against them because they were Black, and finally drove them off the land. Their story, by John Biewen, was produced in collaboration with Reveal, the podcast and radio show from the Center for Investigative Reporting.

In this bonus episode we share a recent installment from Hot Take, the climate podcast co-hosted by Amy Westervelt (co-host/reporter for our Season 5 series on climate, The Repair) and writer Mary Annaïse Heglar. They talk with their guest, author and New York Times writer David Wallace-Wells, about the lessons we can learn from Covid-19, the parallels between pandemic response and climate response, and how Russia’s war in Ukraine sits at the intersection of the two.

Several years after Janey was sexually assaulted by her former boyfriend, Mathew, she told some of her closest friends, and her mother, what Mathew had done. Janey was so troubled by her loved ones’ responses that she went back to them years later to record conversations about it all. In this episode: Janey’s story, and philosopher Kate Manne, who coined the term “himpathy” in her 2017 book, “Down Girl: The Logic of Misogyny.” With co-hosts John Biewen and Celeste Headlee. Part of our summer mini-season of rebroadcasts.

To hear more of Janey Williams’ story and the conversations she had with friends, check out her podcast, "This Happened", available on most podcast apps and at thishappenedpodcast.com.

A refugee from war in Eastern Europe. An NYC-born survivor who grew up poor, Black, Muslim, and gay. And how one, and her music, saved the other. By Aleks Basic, featuring Laila Nur. Part of our summer mini-season of rebroadcasts. Editing by Shea Shackelford and host John Biewen.