A visit to West Africa and Western Europe to look at the cocoa trade. Did the colonial side of early capitalism – Western countries getting rich at the expense of poorer nations – ever change, or does it continue today? 

Reported by Ugochi Anyaka-Oluigbo and written by Ugochi and Loretta Williams, with co-hosts John Biewen and Ellen McGirt. Story editor: Loretta Williams. Mixed by John Biewen. Interviews with Achike Chude, Chernoh Bah, Bart Van Besien, and others. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

In 1972, a team of young scientists at MIT published a study exploring what would happen to human civilization if people kept pursuing endless economic growth on a finite planet. They weren’t just disbelieved, they were ridiculed. The story of Donella Meadows and The Limits to Growth.

Reported and produced by Katy Shields and Vegard Beyer, with co-hosts John Biewen and Ellen McGirt. Story editor: Loretta Williams. Archival audio of Donella Meadows, Dennis Meadows, Aurelio Peccei, Jay Forrester, and others. Interviewee: John Fullerton.Original music by Nora Beyer. Additional music by Michelle Osis and Lili Haydn. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

Welcome to Season 7: Capitalism. The world's dominant economic system is on trial as it hasn't been for at least half a century. This season tells the story of capitalism -- how people with power built and shaped it over time. We'll also explore what to do now that many people see capitalism as the problem, not the solution. Produced by host/producer John Biewen with co-host Ellen McGirt and story editor Loretta Williams. From the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

A punk farmer. A tale of rogue chickens on the loose in the city. A pair of refreshing takes on the whole Food thing, in and around Durham, NC. Pieces by Emily Hilliard and Joseph Decosimo.

A refugee from Bosnia. An NYC-born survivor who grew up poor, black, Muslim, and gay. And how one, and her music, saved the other.

People in two communities – one in Alaska, one in New York State – wrestle with questions about energy and the environment. We listen in on democracy close to home. Stories by John Biewen and Jon Miller, edited by Deb George.

A South Sudanese refugee and the music that cuts his heart to pieces. Thelonious Monk’s North Carolina roots. Music and home. Pieces by Nusaibah Kofar-Naisa and John Biewen.

It happens. A happy, healthy young person suddenly gets a grave diagnosis. What does not usually happen: The patient rolls tape. By Ibby Caputo.

It waits for us all. A lot of people want to think about death as little as possible. Others want to dive right in and explore the mystery. Two short docs on the Big D.

Music can be a powerful gift – if you get the song right, or the right song. Two stories from North Carolina.  

There’s a long and painful history in the U.S. of white men killing black men and boys without punishment. In this episode, we listen in on “Dar He,” the one-man play by Mike Wiley that brings to life the story of Emmett Till.

A father turns on a recorder while tucking in his 7-year-old, having no idea he’s about to capture a poignant growing-up moment in his son’s life. (Advisory: This episode is not suitable for some young children.)

The surest way for a woman to declare herself a Muslim is to wear the head scarf — the hijab. In these two short pieces, young Muslim women explore the often unwelcome questions and perceptions that come with the scarf, and the deeply personal decision to wear it. Short documentaries by Reem Alfahad and Sofiya Volubuyeva.     

As we get ready to launch our Season 7, a bonus episode from another podcast we think our listeners will want to hear: Long Shadow. Episode 1 of its newest season, In Guns We Trust, with host Garrett Graff.

Mass shootings have plagued the U.S. for generations. But in 1999, when shots rang out in a suburban Denver school, it was different. What changed? Everything.

Tens of millions of Americans, most of them men, tune in to sports talk radio. Is sports talk a haven for old-school guy talk, including misogyny and gay-bashing? For the final episode in our series on sports and society, “Contested,” host John Biewen listened in.

Two families, both making big investments of time and money to involve their kids in sports. But the investments they’re able to make are very different. In Part 5 of “Contested,” our series on sports, society and culture: Sports and the American Dream.

Tal Ben-Artzi didn’t worry about being an out bisexual athlete at Penn State. Maybe she would have if she’d known the school’s history. How much have times changed? In Part 4 of “Contested,” our series on sports, society and culture: stories of LGBTQ women athletes, past and present.

Two small towns, one in Idaho, the other in Upstate New York, try to decide whether to change the nickname of their high school sports teams: The Redskins. (Produced in 2015. Listen for the update at the end.)

More from suburban St. Louis, post-Ferguson, on the popular notion that sports unites communities. Can the camaraderie of a team sport make race and class status “disappear” for the kids involved or their parents? Scene on Radio host and producer John Biewen hangs with a girls’ high school basketball team to test the idea. Scene on Radio comes from the Center for Documentary Studies at Duke University.

Can a winning baseball team bring St. Louis together post-Ferguson? John Biewen explores the question in the inaugural episode of Scene On Radio, a new podcast of audio stories from the Center for Documentary Studies at Duke University. 

What would it take, and what would it even mean, to heal from a wound like the Wilmington massacre and coup of 1898 — or from centuries of white supremacist violence, disenfranchisement, and theft? An exploration of that question with community members in Wilmington, and experts on restorative justice and reparations.

By Michael A. Betts, II and John Biewen. Interviews with Bertha Boykin Todd, Cedric Harrison, Christopher Everett, Kim Cook, William Sturkey, Inez Campbell-Eason, Sonya Bennetonne-Patrick, Candice Robinson, Paul Jervay,Kieran Haile, Larry Reni Thomas, William “Sandy” Darity, and Michelle Lanier. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

After the massacre and coup of November 10, 1898, white supremacists in North Carolina soon finished the job of disenfranchising Black citizens and instituting Jim Crow segregation. They also took control of the narrative. A new propaganda campaign, the one after the fact, succeeded for a century – even as several Black writers tried to tell the truth about 1898 and left breadcrumbs for future historians to find.

By Michael A. Betts, II and John Biewen. Interviews with LeRae Umfleet, Gareth Evans, David Cecelski, William Sturkey, Chenjerai Kumanyika, Doug Jones, and Adriane Lentz-Smith. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

On November 1898, North Carolina Democrats won a sweeping victory at the polls – confirming the success of their campaign based on white supremacy, intimidation, and fraud. But in Wilmington, the state’s largest city, white supremacist leaders were not satisfied. This episode tells what happened on November 10, 1898, in Wilmington: a massacre of Black men, and the only successful coup d'etat in U.S. history.

By John Biewen and Michael A. Betts, II. Interviews with LeRae Umfleet, Bertha Todd, William Sturkey, Cedric Harrison, and Milo Manly. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, Kevin McLeod, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

By 1898, two decades after the end of Reconstruction, white elites, backed by violent terror groups, have installed Jim Crow across most of the South. North Carolina, led by its largest city, Wilmington, is different. A Fusion coalition, made up of mostly-Black Republicans and mostly-White members of the Populist Party, controls the city and state governments. White supremacist Democrats are frustrated and plot to gain power by any means necessary. ​​

By Michael A. Betts, II, and John Biewen. Interviews with LeRae Umfleet, David Cecelski, and Cedric Harrison. The series story editor is Loretta Williams. Music in this episode by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

This series tells the story of the only successful coup d’etat in U.S. history, and the white supremacist massacre that went with it. It happened in Wilmington, North Carolina in November 1898. But before we get to that story, we explore the surprising world of Wilmington in the 19th century – the world that the massacre and coup violently destroyed.

By Michael A. Betts, II, and John Biewen. Interviews with LeRae Umfleet, Cedric Harrison, David Cecelski, and William Sturkey. The series story editor is Loretta Williams. Music in this episode by Kieran Haile, Blue Dot Sessions, Lucas Biewen, Kevin MacLeod, Jameson Nathan Jones, Alon Peretz, and Florian. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

Introduction to Season 6, a series co-produced by Michael A. Betts II and Scene on Radio producer and host John Biewen, with story editor Loretta Williams. Music by Kevin MacLeod, Okaya, and Lucas Biewen. Echoes of a Coup is a project of America’s Hallowed Ground and Scene on Radio, from the Kenan Institute for Ethics at Duke University.

In the summer of 1787, fifty-five men got together in Philadelphia to write a new Constitution for the United States, replacing the new nation’s original blueprint, the Articles of Confederation. But why, exactly? What problems were the framers trying to solve? Was the Constitution designed to advance democracy, or to rein it in? And how can the answers to those questions inform our crises of democracy today?

By producer/host John Biewen with series collaborator Chenjerai Kumanyika. Interviews with Woody Holton, Dan Bullen, and Price Thomas. The series editor is Loretta Williams.

S7 E8: The People’s Pushback 

Over several decades, a growing number of people in the United States and elsewhere – especially younger people – have turned against capitalism. The reasons are not mysterious. 

Reported by Lewis Raven Wallace and produced by John Biewen, with co-host Ellen McGirt. Interviews with Esteban Kelly, Josh Bivens, Malaika Jibali, and Evan Caldwell. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. 

"Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

When it comes to U.S. government programs and support designed to benefit particular racial groups, history is clear. White folks have received most of the handouts. Part of our summer mini-season of rebroadcasts.

By John Biewen, with Deena Hayes-Greene of the Racial Equity Institute and Season 2 series collaborator Chenjerai Kumanyika.

The next in our summer mini-season of rebroadcasts: For Eddie Wise, owning a hog farm was a lifelong dream. In middle age, he and his wife, Dorothy, finally got a farm of their own. But they say that over the next twenty-five years, the U.S. government discriminated against them because they were Black, and finally drove them off the land. Their story, by John Biewen, was produced in collaboration with Reveal, the podcast and radio show from the Center for Investigative Reporting.

In this bonus episode we share a recent installment from Hot Take, the climate podcast co-hosted by Amy Westervelt (co-host/reporter for our Season 5 series on climate, The Repair) and writer Mary Annaïse Heglar. They talk with their guest, author and New York Times writer David Wallace-Wells, about the lessons we can learn from Covid-19, the parallels between pandemic response and climate response, and how Russia’s war in Ukraine sits at the intersection of the two.

Several years after Janey was sexually assaulted by her former boyfriend, Mathew, she told some of her closest friends, and her mother, what Mathew had done. Janey was so troubled by her loved ones’ responses that she went back to them years later to record conversations about it all. In this episode: Janey’s story, and philosopher Kate Manne, who coined the term “himpathy” in her 2017 book, “Down Girl: The Logic of Misogyny.” With co-hosts John Biewen and Celeste Headlee. Part of our summer mini-season of rebroadcasts.

To hear more of Janey Williams’ story and the conversations she had with friends, check out her podcast, "This Happened", available on most podcast apps and at thishappenedpodcast.com.

A refugee from war in Eastern Europe. An NYC-born survivor who grew up poor, Black, Muslim, and gay. And how one, and her music, saved the other. By Aleks Basic, featuring Laila Nur. Part of our summer mini-season of rebroadcasts. Editing by Shea Shackelford and host John Biewen.

How to grieve when the deaths come so quickly? How, as a Black mother in America, to protect your child’s innocence and hope? An audio essay by Stacia Brown. The first in a summer mini-season of rebroadcasts. Editing by Shea Shackelford and host John Biewen. Music by Prince, Eme Dm, One World One Nation, Blu & Exile, Otwin, and goodnight Lucas.

In our Season 5 finale: What’s the cultural transformation we need to make — in the West, and the U.S. in particular — to live in good health with the rest of the natural world and with each other? Episode 11 of The Repair, our series on the climate emergency.

Researched and produced by John Biewen, with co-host Amy Westervelt. Script editor, Cheryl Devall. Interviews with Dirk Philipsen, Christian Felber, Olúfẹ́mi Táíwò, and Jessica Hernandez. Music by Lili Haydn, Kim Carroll, Chris Westlake, Lesley Barber, Cora Miron, Fabian Almazan, and Alex Weston. Music consulting by Joe Augustine of Narrative Music.

The first of two concluding episodes in Season 5, in which we focus on solutions. In Part 10 of The Repair, we look at the actions and policies that people need to push for —now — to avoid the most catastrophic effects of climate change.

Reported by Amy Westervelt. Script editor, Cheryl Devall. Production and mix by John Biewen. Interviews with Kate Marvel, Ken Caldeira, Julian Brave Noisecat, Kate Aronoff, Naomi Klein, Julia Steinberger, Leah Stokes, Heidi Marmon, Tamara Toles O’Laughlin, Rhiana Gunn-Wright, Tara Houska, and Max Berger. Music in this episode by Lili Haydn, Kim Caroll, Chris Westlake, Lesley Barber, Cora Miron, goodnight Lucas, and Maetar. Music consulting by Joe Augustine of Narrative Music.

In several countries around the world, including Ecuador, New Zealand, and the U.S., some people are trying to protect the planet using a legal concept called “rights of nature” – infusing the law with Indigenous understandings of Mother Earth. Part 9 of The Repair, our series on the climate emergency.

Reported by Amy Westervelt and Polyglot Barbershop. Script editor, Cheryl Devall. Production and mix by John Biewen. Music in this episode by Lili Haydn, Kim Carroll, Chris Westlake, Lesley Barber, Cora Miron, and Fabian Almazan. Music consulting by Joe Augustine of Narrative Music.

Among the wealthy, industrialized Western countries that created the climate crisis, Scotland is one of the leaders in pivoting away from fossil fuels – or promising to. Just how quickly will Scots be willing to cut off the flow – of oil, and money? Part 8 of The Repair, our series on the climate emergency.

Reported and written by Victoria McArthur, with additional writing and script editing by Cheryl Devall. Production and mix by John Biewen. Music in this episode by Lili Haydn, Kim Carroll, Chris Westlake, Lesley Barber, Cora Miron, and Maetar. Music consulting by Joe Augustine of Narrative Music.

S7 E7: Gilded Age 2.0

After 40 years of neoliberalism, most Americans of every political stripe agree that the economy is “rigged” in favor of corporations and the wealthy. But we may not know the half of it. 

By John Biewen, with co-host Ellen McGirt. Interviews with Nancy MacLean, Edward Balleisen, Brad DeLong, Marjorie Kelly, and Oren Cass. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. 

"Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21. 

The climate crisis is not new to Bangladesh. For decades, global warming has exacerbated storms and flooding and turned many thousands of people into refugees in their own country. Yet, even though Bangladeshis did almost nothing to create the crisis, some are trying to be part of the solution.

Reported by Tareq Ahmed, with recording and production help from Tareek Muhammad and Muhammad Rabbi. The series editor is Cheryl Devall. Music in this episode by Lili Haydn, Kim Carroll, Lesley Barber, and Fabian Almazan. Music consulting by Joe Augustine of Narrative Music.

Earth’s changing climate is already displacing millions of people, worsening tension and conflict, and sometimes violence – for example, between farmers and traditional nomadic herders in Nigeria. Part 6 of The Repair, our series on the climate emergency.

Reported by Ugochi Anyaka-Oluigbo, with reporting and production assistance from Nchetachi Chukwuaja and Tim Cuttings Agber. The series story editor is Cheryl Devall. Mix by John Biewen.

Music in this episode by Lili Haydn, Kim Carroll, Chris Westlake, Lesley Barber, Cora Miron, Alex Weston, Fabian Almazan, and Maetar. Music consulting by Joe Augustine of Narrative Music.

Co-hosts John Biewen and Amy Westervelt discuss the U.S. Congress’s effort to pass its first major climate bill ever, and Senator Joe Manchin’s move to block a key measure seemingly on behalf of the fossil fuel industry. And an episode of Drilled, Amy Westervelt’s true crime podcast about the climate crisis.

Southeast Asia is especially vulnerable to storms, rising oceans, and other climate effects—though countries in the region did very little to create the crisis. In Indonesia, among other climate-related challenges, the capital city is sinking into the sea. Part 5 of our series, The Repair, on the climate emergency.

Reported by Nita Roshita, with recording and production help from Hilman Handoni. Mixed by host John Biewen. Interviews with Bondan Kanumoyoso, Yayat Supriatna, Selamet Daroyni, Amalia Syafruddin, and others.

The series editor is Cheryl Devall. Music in this episode by Lil Haydn, Kim Carroll, Chris Westlake, Lesley Barber, and Fabian Almazan. Music consulting by Joe Augustine of Narrative Music.

Why has the United States played such an outsized role in the creation of the climate crisis? As a settler nation, the U.S. emerged from the colonizing, capitalist West, but what did America and its cultural peculiarities bring to the party? Part 4 of our series, The Repair, on the climate emergency.

Researched and written by this season’s co-host, Amy Westervelt, produced and mixed by host John Biewen. Interviews with Colin Jerolmack, Darren Dochuk, Melissa Aronczyk, Bob Brulle, and the Rev. Lennox Yearwood. 

The series editor is Cheryl Devall. Music in this episode by Lili Haydn, Kim Carroll, Chris Westlake, Lesley Barber, Cora Miron, and goodnight Lucas. Music consulting by Joe Augustine of Narrative Music.

The Repair is supported by Scene on Radio listener-donors, and by the International Women’s Media Foundation.

If the Enlightenment was so great, why was it not a course correction? In fact, did cultural values that took hold in the West in this period speed up our race toward ecological suicide? Part 3 of our series, The Repair, on the climate crisis.

By season co-host Amy Westervelt, with host and producer John Biewen. Interviews with Devin Vartija, Darren Dochuk, Melissa Aronczyk, and Amber Kanazbah Crotty.

The series editor is Cheryl Devall. Music in this episode by Lili Haydn, Kim Carroll, Chris Westlake, Lesley Barber, and Cora Miron. Music consulting by Joe Augustine of Narrative Music.

How western Europe really broke bad in its understanding of humanity’s place in the natural world, from the Crusades to capitalism. Part 2 of our series, The Repair, on the climate crisis.

By host and producer John Biewen, with co-host Amy Westervelt. Interviews with Charisse Burden-Stelly, Kate Rigby, Enrique Salmón, and David Pecusa.

The series editor is Cheryl Devall. Music by Lili Haydn, Chris Westlake, Kim Carroll,  Cora Miron, Alex Weston, Lesley Barber, and Fabian Almazan. Music consulting by Joe Augustine of Narrative Music. Season 5 is supported by Scene on Radio listener-donors, and by the International Women’s Media Foundation.

Part 1 of our series on the climate emergency. How did we drive ourselves into the ecological ditch? And, crucially, who is this ‘we’? Our story starts with … Genesis. 

By host and producer John Biewen, with co-host Amy Westervelt. Interviews with David Pecusa, Bina Nir, and Kate Rigby. 

The series editor is Cheryl Devall. Music by Lili Haydn, Kim Carroll, Chris Westlake, Alex Weston, and Cora Miron. Music consulting by Joe Augustine of Narrative Music. Season 5 is supported by Scene on Radio listener-donors, and by the International Women’s Media Foundation.  

This season will explore the cultural roots of our current ecological emergency, and the deep changes Western society will need to make to save the Earth and our species. Through interviews with historians and other experts, The Repair will trace the evolution of the West’s colonizing, extractive culture, and how we in the rich Global North drove humanity into the ecological ditch. We’ll hear from producers in countries that did not create the crisis, yet got hit early and hard. Finally, with help from leading thinkers and activists, Biewen and Westervelt will look at potential solutions—the repair.

This special re-broadcast of a Season 4 episode is in response to the attack on the U.S. Capitol by Trump supporters. A look at the right-wing counterrevolution in the face of expanding democracy in America: It started long before Donald Trump.

By host and producer John Biewen, with series collaborator Chenjerai Kumanyika. Interviews with Nancy MacLean, Wendy Brown, and Rhon Manigault-Bryant.  

The series editor is Loretta Williams. Music by Algiers, John Erik Kaada, Eric Neveux, and Lucas Biewen. Music consulting and production help from Joe Augustine of Narrative Music. 

How the balance of power shifted, for a time, in the decades after World War II, and led to a better kind of capitalism – if you think prosperity being broadly shared is a good thing. 

By John Biewen, with co-host Ellen McGirt. Interviews with Eric Rauchway and Brad DeLong. Thanks to the Studs Terkel Archive at WFMT. Story editor: Loretta Williams. Music by Michelle Osis, Lilli Haydn, Chris Westlake, Alex Symcox, and Goodnight, Lucas. Music consulting by Joe Augustine of Narrative Music. "Capitalism” is a production of the Kenan Institute for Ethics at Duke University, in partnership with Imperative 21.