Rippling Pages: Interviews with Writers – Détails, épisodes et analyse

"She finds herself in London working in a theatre having to touch people!"

Elaine Garvey, to discuss her novel, THE WARDROBE DEPARTMENT, published by Canongate Books. It’s 2002. Mairéad Sweeney has moved from rural Ireland to work in London’s West End. While the prestige of working in theatre doesn’t exactly wear off, the long hours and spoiled actors make Mairéad’s transition from Ireland more difficult than it should be. Things get even more difficult when Mairéad has to return home for her grandmother’s funeral. It’s here she begins to reconcile with the life, people and values she left behind. This is Elaine’s first book. She has been published in the Dublin Review and the Winter Papers, and has been awarded funding schemes by the Irish Department of Arts for her writing. ***** Tickets to Katharina Volckmer in conversation! https://www.seetickets.com/event/katharina-volckmer-in-conversation/hyde-park-book-club/3381984 ***** You can buy THE WARDROBE DEPARTMENT from the Rippling Pages bookshop: https://uk.bookshop.org/shop/ripplingpagespod Buying from this link supports the podcast (I receive a 10% commission) and indie bookshops! Interested in hosting your own podcast? Follow this link and find out how: https://www.podbean.com/ripplingpages Rippling Points 1.31 - Why the year 2002? 4.32 - books about women walking. 5.39 - who is Mairéad and why is she in London 7.39 - what is the wardrobe department 9.40 - shadowing the costume department! 12.10 - differences between London and Mairéad's home in Ireland. 13.34 - Mairéad's family. 14:40 - Mairéad's boss. 18.15 - Similarities to the Milkman 21. 16 - when is Mairéad's moment of realisation 23.48 - Choosing your words and religion. 27.29 - Is how Mairéad feels about Ireland different to Elaine? 29.15 - how the novel emerged from a short story. Reference Points Anna Burns - Milkman Charlotte Brontë - Jane Eyre Seamus Heaney - Sweeney Astray Hilary Mantel - The Mirror and The Light Herta Müller - The Land of Green Plums Rozsika Parker - The Subversive Stich Virginia Woolf - Mrs Dalloway

“It’s my mum’s favourite book that I wrote!” Benjamin Markovits is here to talk about his new and twelfth novel, THE REST OF OUR LIVES, published by Faber and Faber. Tom Layward has made a pact with himself. After his daughter moves out of college, he’s moving out too. His wife had an affair, and he feels like he owes himself a road trip across America. He takes  in the sights, sounds and basketball games of the American heartland and beyond. But he’s deferring some health issues and it seems like it’s only a matter of time before his body asks him to stop and slow down, some of which was inspired by Ben’s own experiences.   Ben’s novel, You Don’t Have to Live Like This, won the James Tait Black Prize for fiction. He was a Granta Best of Young British Novelists. His writing has featured prolifically in mainstream publications. 

We discuss:

• Are families about power dynamics? Hear about Ben and I reflecting on our family life
• Is Steph Curry Benjamin’s new obsession instead of Michael Jordan?
• Why is Syme, Ben’s first novel, his mum’s favourite novel?

***** Tickets to Katharina Volckmer in conversation!

https://www.seetickets.com/event/katharina-volckmer-in-conversation/hyde-park-book-club/3381984 ***** You can buy THE REST OF OUR LIVES from the Rippling Pages bookshop: https://uk.bookshop.org/shop/ripplingpagespod Buying from this link supports the podcast (I receive a 10% commission) and indie bookshops! Interested in hosting your own podcast? Follow this link and find out how: https://www.podbean.com/ripplingpages

“The book is me trying to have a conversation with my father and reach a middle ground.”

Friða Ísberg is here to talk about THE MARK (Faber and Faber) translated by Larissa Kyzer. The book centres on a referendum in Iceland about whether mandatory tests should be imposed on its citizens. Friða talks about writing over the divide, arguments with her father, and Icelandic literary culture and how they have all shaped the book. 

Rippling Points

02:05 - what is the mark?

04:12 - where are the divides?

06:30 - working in London while Brexit happened

08:07 - Frida's relationship with her dad and how it informed The Mark

11.15 - feeding emotion into a novel

13:46 - is it easier to write characters we agree with?

18:31 - Icelandic meaning of The Mark and how it relates to divides.

21:25 - why an empathy test?

25.51 - who is profiting from the mark?

28:30 - is one in ten a published writer in Iceland?

31:22 - do writers have a public duty?

Reference Points

Writers

Fernanda Melchor Jacqueline Rose George Saunders Ali Smith

Films

There's Something About Mary (1998, dir: Peter and Bobby Farrelly)

“Some people have been, oh these women are so grotesque. I don’t think they are! They’re quite relatable.”

Naomi Wood joins me to discuss THIS IS WHY WE CANT HAVE NICE THINGS (Published by Orion)

It’s a collection that features the BBC Short Story Prize winner, Comorbidities. We talk about different kinds of intimacy in the stories, and how or why Naomi often writes about mothers in the . Naomi also talks about the craft and how she clashed registers to dazzling effect.

Naomi Wood is the bestselling author of The Godless Boys, Mrs. Hemingway and The Hiding Game. As a novelist, her books have won a Jerwood Award, the British Library Hay Festival Prize, and been shortlisted for the Walter Scott Prize, the Dylan Thomas Prize, and the Historical Writers Golden Crown. Mrs. Hemingway was a Richard and Judy Bookclub pick in 2014 and a Chanel Bookclub pick in 2023.

for details about Naomi’s short fiction course, visit www.naomiwood.com

Rippling Points

1.45- comorbidities and winning the bbc short story prize award 

5.34 - pie charts’

8.17 - on writing about mothers

10.29 - transgressive actions in characters

12.07 - complicated or bad? 

15.48 - what’s a register clash?

18.54 - are they healing?

23,20 - influence of the pandemic and previous novels 

27.30 - what do we do with old me?

29.04 - what’s next for Naomi?

Reference Points

Rachel Cusk

Yan Ge

Ernest Hemingway 

Elizabeth Morris’ Crib Notes: https://cribnotesbookclub.substack.com

"I think their experience in the bookstore is trying to think literary inheritance and spiritual and intellectual experience." Sam sax is here to discuss YR DEAD, their debut novel about Ezra, a queer, non-binary 27-year-old of Jewish heritage, whose life we see in fragments and flashbacks when they self-immolate outside trump tower. We talk about qualities of wandering, the multiplicities of Jewish identities, and what second hand bookstores can tell us about legacies and life. Sam's PIG was named one of the best books of 2023 by New York Magazine and Electric Lit. They're also the author of Madness, winner of The National Poetry Series and ‘Bury It’ winner of the James Laughlin Award from the Academy of American Poets YR DEAD is published by McSweeney's in the US and Daunt Books in the UK

Reference Points  01.30 - who is Ezra

02.20 - is Ezra a flaneur? 04.53 - why the novel is set on this day 06.28 - the multiplicity of Jewish identity 09.40 - how death or organises or doesn’t organise the novel 15:00 different desires 19:20 - Ezra’s mother and her absence 24.25 - second hand bookshops and legacies 29.00 - the hopeful message of Sam’s novel Reference Points Hervé Guibert Andrea Lawlor Virginia Woolf

"I'd done a lot of clay-making...you can spend a lifetime and only get good at one technique!" Jennifer Lucy Allan joins me to talk about her second book, CLAY: A HUMAN HISTORY (White Rabbit Books). After Jennifer's exploration and writing about sound in The Foghorn's Lament (White Rabbit Books), Jennifer has, quite literally, turned her hand to a more physical and enduring substance in clay. From Japanese Tea Ceremonies, to humans making their own image, to life on Mars, clay is seemingly everywhere. Jennifer is also a presenter on BBC Radio 3's Late Junction.  Rippling Points

1.20 - How Jennifer’s early experience with clay led to her enchantment of it and then writing this boundless history 6.04 - How the book on clay differs to Jennifer’s previous book on foghorns 10.30 - Ephemerality of sound and permanence of clay - the writing challenges. 13.40 - Clay: its history compared with human history 15:15 - Who is Marija Gimbutas, and why is she important 21:15 - Language and touch 24.40 - Climate change and how it's revealing more about clay 28.00 - How clay becomes an object Reference Points

Marija Gimbutas. Ladi Kwali Maria Martinez

"This book is begging to be written...It has this a frontier-ness to it..." Bruce Omar Yates is here to discuss his upcoming novel published by Dead Ink Books, THE MUSLIM COWBOY . 

In a contemporary and entertaining novel set in aftermath of the Iraq war, a man who is obsessed with old Western movies dresses in double denim and roams a lawless landscape in search of his own Western story.  Rippling Points 1.32 - Bruce's family and how these fed into ideas about a 'muslim cowboy' 4.30 - Nameless and speechless: playing with the archetype of the cowboy 6.20 - Song writing in Nashville to writing this novel 8.40 - Iraq as the setting for the novel 12.00 - Removing binaries around what is good and not good 17.33 - A camel and child - the other characters 20.53 - The novel as a sandbox 25.30 - The act of making his characters watch westerns Reference Points Aladdin (1992. Dir: John Musker and Ron Clements) David Foster Wallace Don Quixote - Miguel de Cervantes  Lucky Luke - Goscinny Once Upon a Time in the West (1969. Dir: Sergio Leone) The Road - Cormac McCarthy (2006) Shane (1953. Dir: George Stevens) True Grit (1969. Dir: Henry Hathaway) Zadie Smith

"The smotheringly neutral voice" Claire Carroll is here to talk about her new and debut collection of short stories THE UNRELIABLE NATURE WRITER. A truly candid insight into the workings of craft and being a writer from one of the most exciting and upcoming fiction writers today. THE UNRELIABLE NATURE WRITER is published by Scratch Books - more here

Rippling Points 2.00 - Claire's dreams and reading. 4.55 - The different personal and impersonal voices in Claire's work 10:37 - Being a writer and knowing or not knowing answers 13:12 - Unreliable narrators and what they mean to Claire 18:00 - How and why Claire writes about animals. 24:30 - The challenge of having 'authority' on the climate crisis 28.40 - Giving the stories a sense of wonder 30:00 - Claire's book tour!

Reference Points

Franz Kafka Cormac McCarthy - The Road Ben Pester Saba Sams Samantha Walton - The Nature Cure

"The garden is a co-author" Marchelle Farrell is here to talk about her essay in a new anthology from Daunt Books, BY THE RIVER: ESSAYS FROM THE WATER'S EDGE. I've wanted to talk to Marchelle since the publication of UPROOTING: FROM THE CARIBBEAN TO THE COUNTRYSIDE - Canongate Books), so it was great to have her here when she's part of an anthology featuring the likes of Caleb Azumah Nelson and Tessa Hadley. Marchelle, a consultant psychiatrist as well as a writer, often blends personal history with reflections on how colonial history has shaped the world and behaviour Rippling Points 1.25 - The rivers that Marchelle writers about in her essay, 'Memory River 4.06 - the noise of the river and how it infiltrated Marchelle's dreams 7.08 - A sense of renewal and writing about childhood 9.00 - The pain and joy in revisiting childhood 12.34 - Marchelle's belief on balancing both pain and joy in life. 15.04 - The story of Marchelle's family and forgotten stories 18.23 - Can anything ever be permanently erased? 20.22 - Leaving space for the reader to make interpretations. 22.13 - The river and its links to colonial history. 25.22 - How the 'English' garden isn't so English. 28.20 - What is play and why is it important Reference Points Jo Hamya Amy Key Donald Winnicott

"I wanted to be talking choice in a way that was routed in a social context, and that was true to the particularity and intimacy that I shared with my mum at the end of her life." Marianne Brooker is here to talk about her Women's Prize for Non-Fiction shortlisted essay, INTERVALS, published by Fitzcarraldo Editions. Marianne talks about her life and living with her mother who was diagnosed with primary progressive multiple sclerosis. The book is a blend of memoir, philosophy, literary criticism, and politics.  It's a tough but incredibly beautiful read.  Rippling Points 2.05 - When Marianne decided this story about her mother was going to be a book 3.40 - 'Trying, circling, avoiding' - setting down to write a book like this 4.30 - How Marianne would categorises this book 7:00 -  On planning or not planning the book 8:44 - When Marianne's mother developed primary progressive multiple sclerosis 10:20 - Finding a voice and coming up with a 'vocabulary' 12:20 - The 'forces' in the book and Marianne's mother 16:10 - Marianne's relationship with her mother. 20:00 - What primary progressive multiple sclerosis is. 22:20 - Marianne on 'choice'  25:21 - When Marianne found a video of her mother.

Reference Points Writers

Roland Barthes Annie Ernaux Clarissa Pinkola Estés - Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype  Saidiya Hartman Alice Hattrick Sophie Lewis Sam Mills Margery Williams - The Velveteen Rabbit Filmmakers Chantal Akerman