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TitreDateDurée
Defining your Mission and Impact, with conductor Chelsea Gallo25 Feb 202400:07:56

Conductors Chelsea Gallo and Jeremy C. discuss how we can define our mission and the impact that we have on audiences.

Show notes at https://podiumtimepod.com/chelsea-gallo.

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Building Community, Connections, and Support, with Noreen Green and the Los Angeles Jewish Symphony28 Dec 202300:53:25

Today we talk with Dr. Noreen Green and uncover how to build community support for our orchestras. We discuss how she built the Los Angeles Jewish Symphony into a relevant and thriving orchestra that crosses cultural barriers to reach diverse audiences and how she used creative programming and collaborations to connect with her community of audiences.

Visit the Los Angeles Jewish Symphony at LAJS.org.

Hidden Gems: 

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Building Back Audiences - The Basics14 Nov 202200:27:07

My fancy podcasting program isn't working, so I took this chance to share an overview of the basics of building back audiences.

These are the critical mindset shifts that we NEED to embrace to reach new audiences and keep them coming back. 

Let us know what you think by sending us a message on our website, our social media, or via email at podiumtimepodcast@gmail.com


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PT 35: The "Educator" Stigma, with Michael Isadore15 Oct 201800:43:45

On reference from not one, but two of our listeners, we are speaking this week with Michael Isadore! Michael is a busy conductor, teacher, and performer who leads players of all ages and experiences. We discuss teaching strings when you’re not a string player, why you should always play your instrument, and dealing with the “educator” stigma in our conducting culture.

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PT34: Preparing for the Perfect Audition08 Oct 201800:13:31

In Part 3 of our series on researching and getting into your perfect school, we tackle the final step: auditioning! Jeremy and Luke share some tips and their experiences with auditions including preparing to conduct a piece you haven't conducted before.

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PT33: JoAnn Falletta Returns!01 Oct 201801:14:23
The title explains it all! Today we are incredibly excited to feature as our first return guest on the Podium Time Podcast: the incredible JoAnn Falletta! This week, JoAnn talks with us about how she schedules her study for concerts 1 year out and 1 week out, the many shades of leadership on the podium, and how you are always learning from the orchestra.

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PT32: Making the Perfect Audition Video24 Sep 201800:14:20
Now onto those pesky conducting videos! Part 2 of our 3-part series on getting into a Master's program deals with preparing your audition videos to get the best quality and most attention. How closely should you follow the video requirements? What about rehearsal footage? Does this count as "performance" footage? How should the video start? We discuss this and more in this episode of Podium Time.

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PT31: "Building Rep.," with William R. Langley17 Sep 201801:07:02
Once you've met Buddy Langley, you'll never forget him. Today Luke and I reconnect with a friend who has strong opinions about Cincinnati Chili and is quickly becoming a rising star conductor. Buddy walks us through starting his ensemble, the Memphis Repertory Orchestra, and how relationships are one of the most important aspects of our art.

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PT30: Finding the Perfect School10 Sep 201800:18:32
It's that time of year when seniors scramble to research programs, visit campuses, and submit materials. But how do you find a master's program that fits you? How do you find a teacher that's just right? Today Luke and Jeremy discuss how to find and decide on a Master's in conducting program that works for you. This is part one of a three-part series on applying and getting into a program. 

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PT29: Orchestrating a Season, with Tony Pierce03 Sep 201800:53:47
What does it take to design a full 53 concert season? Today we sit down with the Colorado Symphony’s Chief Artistic Officer Tony Pierce to discuss how the season is put together, how to secure soloists like Yo-Yo Ma and Itzhak Perlman, and how they decide on what guest conductors to invite back. Tony also shares some of the CSO’s most exciting concerts coming this season, including the premier of a new genre!

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PT28: Should I Pursue Band or Orchestral Conducting?27 Aug 201800:22:13
The Podium Time audience has spoken! Luke and I are incorporating shorter discussion episodes into this second season and the listeners (accidentally) decided on the first topic. The question that we've been sent the most by our listeners is...drum-roll... whether one should pursue a master's in band or orchestral conducting! Today, Luke and I sit down to chat through the different options in terms of style, range of groups, and repertoire, as well as how you can get a bit of experience in both.

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From the Archive: Peter Bay on Bernstein25 Aug 201800:19:08
It's Bernstein's 100th Birthday! Today we're digging into the archive with a re-edited version of our discussion with Peter Bay on Bernstein and his Mass.

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PT27: "The Musician's Burden," with Benjamin Rous20 Aug 201800:23:38
Today we continue our talk with Benjamin Rous and discuss his experiences conducting from the harpsichord (with some twists!).

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How to Build Audience Diversity, with Jeri Lynne Johnson31 Oct 202200:29:09

Building audience diversity is not about PR programs, Black History Month concerts, or playing diverse composers on a few programs.

It's about not reducing an entire population in our community to the color of their skin. 

Building audience diversity is about realizing that "diversity" is more nuanced. It's about realizing that we connect by building relationships. 

It's about not Expensive PR campaigns that attract diverse audiences to a single concert (if at all). These don't result in lasting change because diverse audiences don't feel welcome in our art form. They may know that we are having a concert, but they do not care. 

Even the fact that we refer to diverse audiences as "they" in these paragraphs makes it clear that this discussion is long overdue.

Today, we talk with Jeri Lynne Johnson about her consulting work with DEI Arts Consulting and how they take classical music organizations through the process of understanding diversity. She shares why standard "diversity" programs aren't effective, what actually motivates diverse audiences to attend events, and how telling diverse stories in the arts is the key to equity and inclusion for the rest of our culture.

Learn more about Jeri Lynne at JeriLynneJohnson.com, DEI Arts Consulting at DEIArtsConsulting.com, and the Black Pearl Chamber Orchestra at BlackPearlCO.org.

00:00 Intro

01:30 Jeri's DEI Arts Consulting practice and why diversity consulting is not about a one-time fix

03:14 Redefining "Diversity" and what organizations, especially classical music organizations, get wrong about diversity, equity, and inclusion.

10:22 Diversity beyond race and building relationships with your community

18:44 Black Pearl Chamber Orchestra: how it developed from a need to engage audiences of color and change what orchestras were offering.

23:56 The importance of diversity on the stage and the role it plays in the diversity of the audience

27:19 Closing and Plugs



 Connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. Continue the conversation in our Facebook Group, the Podium Time Inner Circle. Want to send us an email? Use the contact page on our website! If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod

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PT26: Anniversary Special, with Jeremy and Luke!!!13 Aug 201800:34:02
Podium Time turns 1 year old today!!! Celebrate with your hosts as we go over the past year, talk about their new positions and plans, and announce some changes coming in the next season. Please reach out by email or via our Facebook page to let us know what YOU want to hear about on Podium Time.

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PT25: A Mini Masterclass on Programming, with Brett Mitchell06 Aug 201800:22:05
We return from break with an extra treat from our recent discussion with Brett. He walks us through his programming philosophy with a few examples from the Colorado Symphony's upcoming season.

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PT24: "Film: The Least Forgiving Soloist," with Benjamin Rous09 Jul 201800:42:39

The Incredibles, Ratatouille, Home Alone, Fantasia, E. T., The Godfather. We see headlines like these on symphony seasons more and more often, but what is it actually like to conduct one? Today Luke and I sit down with Benjamin Rous to talk about the least forgiving soloist: film! We discuss the specifics of working with these pieces, some of the biggest challenges, and get philosophical on the intersection between artistry and recreation.

This week we discuss:

  • Vocabulary and setup of accompanying scores
  • Rehearsing with film
  • The best films to accompany
  • Conducting and playing with a click track
  • Changing tempo with the click
  • Creation vs. Recreation
  • Tempo challenges in Film vs Ballet

    Find out more about Benjamin Rous and contacting him on his website: BenjaminRous.com

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    PT23: "Please Don't Call Me Maestro," with Brett Mitchell25 Jun 201800:46:40
    Today we get into the weeds on assistant conductor auditions and more. Brett Mitchell is starting his second season as the Music Director of the Colorado Symphony, and he has had a whirlwind of activity since conducting CSO for the first time less than two years ago. We get into how he accidentally auditioned, the details of their recent assistant search, and the organic changes that come with a new leader.

    This week we discuss:

  • First encounters conducting the Colorado Symphony
  • Details of the assistant conductor search
  • The biggest mistake you can make when applying for anything
  • Changes with a new Music Director

    Connect with Brett Mitchell on Twitter and Facebook at @MaestroMitchell and Facebook.com/BrettMitchellConductor

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    PT22: "Progress over Perfection," with Carolyn Watson11 Jun 201800:55:44
    We met Carolyn Watson three years ago, and now we've finally gotten the chance to sit down and speak with her! We discuss her new position at KU and how she got there, why you need to find your "best fit", and some great hidden gems.

    This week we discuss:

  • Watson’s Path to the Podium
  • Opportunities and competition in the U.S. vs Australia
  • David Zinman’s 3 “takeaways”
  • Communicating standards to younger musicians
  • Teaching on the podium
  • Researching and winning a position
  • Finding your "best fit"
  • Hart Institute for Women Conductors
  • We are public figures
  • Hidden Gems
  • Tailoring the program to your students
  • Deciding in the moment
  • Just do it, and keep going!
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    PT21: Diane Wittry on Gesture and Programming28 May 201801:15:46
    This is an interview that we’ve been looking forward to since before the podcast launched, and we were honored last week for the chance to finally talk shop with Diane Wittry, the author of two essential books for both young conductors and Music Directors: Beyond the Baton and Baton basics. This week we talk about how to build a vocabulary of gestures, why you need to consider every opportunity, and the importance of creative programming for your audiences.

    We discuss:

  • A conductor’s two career paths
  • Baton Basics: Communicating Music through Gesture
  • Why you should consider every opportunity
  • Four points of advice for all students/young conductors
  • Programming a Purple Cow
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    PT20: "All About Workshops," with Thomas Taylor Dickey14 May 201800:45:40
    Just in time for Workshop season, today’s episode is a mini-masterclass on everything about workshops. Thomas Taylor Dickey has been to just about every one and shares how to pick the right ones, apply for them, prepare for them, and learn as much as possible while you’re there. We also discuss some of his favorite masterclasses and the important differences between workshops in Europe and America.

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    PT19: Bernstein's Mass and More, with Peter Bay30 Apr 201801:12:02
    Have you ever seen the Bernstein Mass? Well, this is the year to do it! Today we talk with Peter Bay, Music Director of the Austin Symphony Orchestra, about his upcoming performance of Bernstein’s Mass, fully staged for the first time in the entire state of Texas. Bay also shares some actionable advice for deepening your score study and preparing for the duties of an assistant conductor.

    This week we discuss

    • Experiences with Fred Prausnitz
    • How interpretations change over time
    • "Solo Symphony"
    • Bernstein's Mass in Austin
    • Music and Time in Wes Anderson's Music
    • Schumann Symphony no. 2
    • The "Brahms" exercise

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    PT18: “If You Miss a Cue,” with Gianmaria Griglio16 Apr 201801:04:07
    A violin is a violin, but no two singers are the same. Today we talk with Gianmaria Griglio about the importance of imagination, the most important aspect of score study, and how we expect people to listen to concerts.

    This week we discuss:

  • Music education in the U.S. and Europe
  • On conducting opera
  • Conductor mistakes
  • The people in the orchestra are not stupid
  • A violin is a violin everywhere, but a singer…
  • On opera rehearsals
  • Imagination
  • Balancing conducting and composition
  • A brief rant on contemporary music
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    PT17: "Don't Yell into the Well," with Emilio Guarino02 Apr 201801:02:25

    This week we discuss:

  • The Chromatic Endpin
  • The Entrepreneurial Musician (one of Jeremy's favorite podcasts)
  • Make It: A Guide for Recent Music Graduates
  • The “Real World” and Accountability
  • Building Habits and Breaking down Goals
  • The “Sticker Project”
  • Mistakes from Students Fresh out of School
  • Creating a Shared Experience
  • Advertising Done Right
  • Classical Concerts vs. Movies
  • The Conductor that Ticks Everybody Off…

    You can reach Emilio at his website, www.emilioguarino.com, or on instagram at @Emiliothinks

    Find this and all other episodes at PodiumTimePod.Wordpress.com. Subscribe and download Podium Time on your favorite podcast player, and connect with us on Facebook and Twitter with the buttons below.

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    Leadership in 3 steps, with Tiffany Chang17 Oct 202200:33:23

    Conductor Tiffany Chang has become a force to be reckoned with; a confident, vulnerable, and inspirational force to be reckoned with.

    In part 1 of our discussion with Tiffany, we talk about leadership as the idea of taking care of those within our care, and how we can support and empower the musicians that make the music on stage.

    Learn more about Tiffany at TiffanyChang.net and on her blog at ConductorAsCEO.com

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    PT16: "Learn by Teaching," with Lawrence Golan19 Mar 201800:59:53
    What can we learn from teaching? Lawrence Golan's Score Study Passes have been mentioned more than once in the short history of our podcast, and today you can learn how he dissects a score from the man himself. We discuss his method, Academic vs Professional conducting, and some of the biggest shortcomings in our education.

    This week we discuss:

  • Applying for jobs
  • Academic vs Professional Conducting
  • Golan's Score Study Passes and Method
  • Preparing lots of Music
  • Books and Resources
  • Shortcomings in Conducting Education
  • The All-knowing Billboard
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    PT15: "The Only Words you have to Utter," with Eduardo Navega05 Mar 201800:49:14
    Before the founding of Podium Time, Luke and I compiled a list of conductors that we just had to have on the podcast, and Eduardo Navega was right at the top! We worked with him at the Bard Conductors Institute (I've typed that sentence so many times on these pages!) and every student there could attest to his kindness and love of the craft. We were both surprised, looking back, that it took us this long to have him on the show (our fault, not his!), but here he is, and we're excited to share this conversation with such a great conductor and teacher.

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    PT14: "Start at the Downbeat," with Silas Nathaniel Huff21 Feb 201801:09:31
    Part 2 is here! Due to snow, our interview with Silas Huff was a bit extended, so this week we are including all the great information that we couldn’t fit into the first episode! We discuss all things about conducting workshops: running, applying for, and attending, as well as understanding your body, listening to recordings, and how to optimize your resume.

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    PT13: "Without Greed," with Silas Nathaniel Huff05 Feb 201800:59:59
    References leads to more references! Our guest from episode 6, Christopher Kelts, suggested that we reach out to Silas Huff, and what a great suggestion it was! After listening to every episode we’ve published, Huff popped onto Podium Time and enjoyed our longest interview yet! Are you making the music sound better? If not, you’re doing something wrong! Tune in next time for the second half of our discussion, and some advice on applying for workshops from somebody who runs them!

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    PT12: Breaking In, with Robert Debbaut22 Jan 201800:51:35
    How do we break into the scene and build relationships that lead to conducting work? Robert Debbaut talks with us about how he “hung out” with Gustav Meier for a year, the extra-musical benefits of observing the Chicago Symphony, and how he started an orchestra by emailing almost 600 strangers.

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    PT11: The Seven Trips through the Score, with Wes Kenney08 Jan 201800:57:12
    Today we talk again with my teacher Maestro Wes Kenney about his detailed Score Study method, identifying what conducting students need to learn, and the importance of Human Connections.

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    PT10: "When are You Ready to Conduct a Piece?" with Wes Kenney25 Dec 201700:47:42
    It’s Christmas at Podium Time and we have a very special episode for you. Wes Kenney is director of Orchestras at Colorado State University, where Jeremy studies, and is Music Director of the Fort Collins Symphony, Opera Fort Collins, and the Denver Young Artists Orchestra. Today he takes time out of his (much-needed) Christmas vacation to talk with us about why we need a mentor, his special pedagogical tools, and the personalities of composers. He also shares with us a great list of contemporary music and unique recordings, so start your new year right. And be sure to listen all the way to the end to hear what Wes Kenney would like on his tombstone!

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    PT9.5: The Business of our Art, part 2, with Viswa Subbaraman10 Dec 201700:52:48
    This is part 2 of our interview with Viswa Subbaraman. Today we continue our previous conversation about the business of orchestras, as well as get into the weeds about what you won't learn in your conducting degree.

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    PT9: The Business of our Art, Part 1, with Viswa Subbaraman27 Nov 201700:46:02
    In the first installment of this two-part episode, we talk with Viswa Subbaraman about starting a contemporary opera company, the role of the orchestra, and why we need to be able to communicate with administration and marketing.

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    PT8: Michael Patterson13 Nov 201701:17:26
    Luke and I have mentioned the Bard Conductors Institute and Harold Farberman many times already in the few months that the podcast has been out, but today we finally talk with a friend from the Institute who decided to study at Bard with Farberman after his experiences there. Michael Patterson just started his Master’s with Farberman this Fall, and he’s got plenty to say about it already. Today we discuss his experiences at the Missouri State Conductor Workshop, conducting without tension, and studying with Harold Farberman.Show notes at PodiumTimePod.Wordpress.com

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    6 Simple Tools to Engage and Build Classical Music Audiences - with David Taylor03 Oct 202200:31:04

    Today we talk with David Taylor all about how we can attract new audiences, engage with them, and get our old audiences coming back. That all has to do with the experiences that we provide all around our concerts: before, after, and during.

    Watch the full video of this interview on our Youtube channel.

    Learn more about David Taylor at David-Taylor.org

    Find this and all other episodes at PodiumTimePod.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. Want to send us an email? Use the contact page on our website! If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod

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    PT7: "On Only Two Rehearsals?" with Adam and Noelle30 Oct 201700:40:19
    How do you put an orchestra and a full concert together in only two rehearsals? We talk about that and more this week with Adam Torres and Noelle Bauman. When Adam approached me about a concert for the 500th anniversary of the Protestant Reformation, I knew I couldn’t say no. Just last week that concert happened with three conductors and a fantastic orchestra of local professionals and students. Today, we discuss recruiting an orchestra, preparing a full concert in two rehearsals, and counting bars of rest.

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    PT6: "Conducting Doesn't Get Easier," with Christopher Kelts15 Oct 201701:09:46

    I met Chris Kelts for the first time in 2011 at String Fling, a summer string program hosted by Missouri State. Even before he stepped on the podium, we all knew that we were going to love him. He returned in 2015 as the newly-appointed director of orchestras at Missouri State, and I still wish I could have gotten more than one year to study with him. From Missouri State University, Luke and I talk with our friend and former/current teacher, Dr. Cristopher Kelts, and learn about the best way to schedule concerts, why you need to conduct opera, and Dr. Kelts’ unique meditation technique. Find all show notes at PodiumTimePod.Wordpress.com

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    PT5: Study, Singing, and Sincerity, with Gerrit Scheepers01 Oct 201700:45:58
    What we intended to be light conversation about score study quickly turned into a full interview with one of our best conducting buddies that explores what we are doing with our lives and our music. Gerrit Scheepers is currently working towards his doctorate at Washington State, and we were so glad that he could take some time to talk with us about singing, study, sincerity, and what he has learned in his time as a conductor. In this episode, we discuss learning from within an ensemble, how to let the music create your gestures, and Luke’s adventures singing Schubert’s 8th Symphony!

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    PT4: Probing the Score, with Mark Mandarano16 Sep 201701:05:41
    Last year I stumbled upon the perfect opener to my chamber recital on a CD by the Sinfonietta of Riverdale, a premier chamber orchestra founded and led by Mark Mandarano. Initially I contacted Mandarano to get some advice for conducting the piece and for starting an ensemble, but what he shared was so insightful and helpful that I just had to have him on the podcast for a full interview. Little did I know that our discussion would go beyond starting an ensemble and conducting chamber music and so far into the realm of score study! So, put your headphones in and learn how to get Esa-Pekka Salonen in your audience, form a conducting class at Cornell taught by Karel Husa, and start truly getting the score in your head.

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    PT3: Advice for Students02 Sep 201700:32:05
    Luke and I are just starting the second year of our Master's degrees and neither of us can really believe how much we've learned and how much our conducting has changed in just one short year. We've gone through two semesters of grad school and so much has changed in how we see our schooling and our work and our lives, and today we are sharing a couple of those changes with you. Join us as we discuss building routines into your life, surrounding yourself with the right people, observing rehearsals, and working out to Mahler 5!Show notes are available at PodiumTimePod.Wordpress.com

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    PT2: Gary Lewis and Larry Livingston12 Aug 201700:31:28
    We have a special episode of Podium Time for you today. Luke and I had the great pleasure of attending the CU Boulder Orchestral Conducting Symposium in June this year, and our two fantastic teachers were kind enough to sit with us (for even longer) after the week was over!Show notes are available at PodiumTimePod.Wordpress.com

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    PT1: JoAnn Falletta10 Aug 201700:52:39
    For our first interview we had the immense pleasure of talking with the phenomenal JoAnn Falletta, music director of the Buffalo Philharmonic and Virginia Symphony, and the Principle Guest Conductor of the Brevard Music Center. Show notes and resources available at PodiumTimePod.Wordpress.com

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    PT0: Podium Time Intro09 Aug 201700:17:37
    Just a quick introduction to us and the podcast.Find all show notes at PodiumTimePod.Wordpress.com

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    Why 90% of audiences never come back - with Aubrey Bergauer03 Oct 202200:24:08

     We are joined by THE Aubrey Bergauer to talk about why classical musicians and organizations must make big changes to survive in our new world.

    We talk about the trends in the classical music industry, why we must redefine who we think of as our audiences, how to program for audience building and retention, and how to change the concert experience to get first-time audiences to come again. 

    Watch the full video of this interview on our Youtube channel.

    Learn more about Aubrey Bergauer at AubreyBergauer.com

    00:00 Intro
    00:22 Introducing Aubrey Bergauer
    01:47 Defining "Building Back Audiences
    05:00 Why 90% of Classical Music Audiences never come back
    10:16 Programming for audience retention and growth
    14:54 Upleveling concerts with visuals and stories
    23:18 Plugs
    23:42 Outro

    Find this and all other episodes at PodiumTimePod.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. Want to send us an email? Use the contact page on our website! If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod

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    Introducing Season 7: "Building Back Audiences"10 Aug 202200:03:44

    Hey there! We are building into our new season on "Building Back Audiences" and we want to know what questions you have that we can answer!

    Reach out to us on our website, Facebook, Instagram, or by email and let us know what you want to know about building back audiences, being relevant, and building your ensembles a solid base for the future.

    Aubrey Bergauer's Orchestra X research on the audience experience.

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    PT108: Programming Pops and Family with Enrico Lopez-Yañez20 Apr 202201:00:24

    Today we discuss: (note, timecodes may be up to two minutes off depending on pre-episode announcements)

    • How Enrico came to specialize in pops and family programming (3:23)
    • How Enrico structures a Pops season and how the Nashville Symphony competes with all the other music available in Nashville. (6:24)
    • Enrico shares his process for creating family concerts and the goals behind them (18:07)
    • How Symphonica productions is helping orchestras build audiences for the future (28:58)
    • Advice on how regional, community, and educational directors can improv their pops and family programming (36:30)
    • Enrico’s Final Advice: Don’t treat pops or family as lesser than classics (49:24)
    • Gem and Billboard (55:40): Lucía, by Vinicio Meza

    Visit Enrico on his website, or click below to learn more about The Upbeat Podcast, Everything Conducting, and Symphonica Productions.

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    Being a Conductor is Hard, but Becoming a Conductor is Harder.25 Feb 202200:10:17

    Don't listen to this if it's your first episode of Podium Time!

    Link to the blog post I wrote in 12 minutes about this: https://jdcuebas.com/being-a-conductor-is-hard-becoming-a-conductor-is-harder/

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    PT107: Teaching Your Audience to Listen, with George Marriner Maull16 Aug 202100:45:09

    Conductor George Marriner Maull and the Discovery Orchestra are teaching audiences to...Listen to Music!

    In a time when we tend to hear music in the background, we’ve lost (or never learned) the skill of listening to music. How many of your audience members are reading the program notes or lost in thoughts about green beans? Probably most of them. Today we are learning how to teach our audience to listen.

     The unabridged episode is no longer available, but you can still visit our Patreon community 

    Today we discuss:

    • The origin of the Discovery Orchestra, an orchestra that exclusively performs educational concerts
    • The format of the Discovery Concerts and how Maestro Maull teaches audiences how to listen to classical music
    • How learning to listen well through classical music enhances all the music that audiences listen to
    • The most effective pieces Maestro Maull has found for teaching audiences to listen
    • Maestro Maull’s closing advice, billboard, and hidden gems

    Visit the Discovery Orchestra at DiscoveryOrchestra.org, and watch their broadcasted Discovery Concerts on Amazon Video.

    Find this and all other episodes at PodiumTimePod.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. Want to send us an email? Use the contact page on our website! If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod

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    PT106: "Technique Precedes Music-Making," with David Itkin12 Jun 202101:04:49

    David Itkin joins us this week on Podium Time. Maestro Itkin is the Director of Orchestras at the University of North Texas, Music Director of the Abilene Philharmonic, and Conductor Laureate of the Arkansas Symphony Orchestra.

    Today we discuss the stories behind his first book, Conducting Concerti, and why it’s critical to learn how to accompany a soloist well. We also discuss the many drawbacks of focusing your study on just musicality or conducting technique. Finally, David gives us a sneak peek of his new book planned for 2022. The book features a curriculum for learning and practicing crucial conducting excerpts.


    Today we discuss:

    • Why David Itkin wrote a book about Conducting Concerti, and why what we’re really good at is often what we used to be really bad at. (05:09)
    • Navigating the psychology of preparing a concerto with the soloist and orchestra. (09:43)
    • The most common issues that David Itkin has to fix with workshop participants, and how to be prepared to get the most out of your session with a conducting teacher and ensemble. (19:44)
    • How the conducting program at UNT is designed to prepare a conductor to enter the professional world by including preparation for Pops and Education concerts for conducting students. (33:30)
    • A conducting workshop between two covers: A sneak peek of David Itkin’s new book of advanced musical and technical issues in the orchestral repertoire, including a reduction of each example for use in the classroom. (42:38)
    • Hidden Gems and Final Advice. (56:07)

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