Petruchio tells Hortensio he’s come to Padua to find a partner to give him renewed life after grieving the loss of his first wife. Hortensio tells him about Baptista’s daughter, Katherine, but warns him that she’s quite the shrew. Petruchio realizes he knows her father and is not put off. Hortensio agrees to provide an introduction if, in exchange, Petruchio presents him to Signior Baptista as a tutor for the object of his affection: Bianca. As they agree to the deal, Grumio announces the arrival of two other rivals vying for Bianca: Gremio and Lucentio, now disguised as Cambio. Hortensio introduces them to Petruchio and tells them of his intentions with Katherine, who once coupled will make Bianca available for marriage. Meanwhile, Katherine laments her isolation in her chamber at Baptista’s house. She impulsively frees her sister’s canaries from their cage to find the freedom she craves. When Bianca enters and sees what Katherine’s done, the two fight savagely until Signor Baptista arrives to break it up. He sends Bianca away and scolds Katherine, lamenting his struggles as a single father until he hears the arrival of Gremio, Grumio, Tranio (as Lucentio), Lucentio (as Cambio), Hortensio (as Licio) and Petruchio. Petruchio tells Baptista of his lineage and his desire to woo Katherine. Baptista says she’ll never agree but Petruchio persists, introducing Hortensio (as “Licio”), who he says will make inroads as her banjo tutor. The others go to great lengths to outdo each other as they compete for Bianca. Gremio presents a Latin tutor (Lucentio-as-Cambio) and Tranio-as-Lucentio claims to be the son of Vincentio, “the Tomato King”.  Baptista welcomes them all to his house and wishes them luck with his daughters. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINE MINOLA and THE WOMAN WRITER      ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA MINOLA           MARTIN KILDARE                        as        BAPTISTA MINOLA BRETT RYBACK                         as        LUCENTIO KYLE T. HESTER                           as        TRANIO                MIKE McSHANE                           as        GREMIO              J. PAUL BOEHMER                 as        HORTENSIO and THE MERCHANT    DANNY SCHEIE                            as        GRUMIO KASEY MAHAFFY                        as        BIONDELLO and DORCAS STEPHEN  CAFFREY                 as        VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS            as        THE WIDOW and MISTRESS SLAPBOTTOM   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life.  And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mistress Slapbottom clears the pub of all its rowdy revelers, leaving her alone with a woman who laments being tasked with ghost writing a sexist play about the taming of a shrew. She begins a page one rewrite, making the female protagonist, Katherine, a woman who loves learning and cannot stand being cooped up by the men who try to control her. We meet Lucentio and Tranio, who are visiting Padua. Strolling through the university, Lucentio is immediately smitten by Katherine’s sister, Bianca, an airhead who loves being in a man’s world. He conspires with Tranio to disguise himself as a tutor in order to gain access to Bianca by way of instruction. Meanwhile, Petruchio arrives in town with his trusty servant, Grumio, to visit his friends. They are greeted by Petruchio’s old pal, Hortensio. The PLAY ON PODCAST SERIES, “SHREW!”, was written by AMY FREED and directed by ART MANKE. Radio play by CATHERINE EATON.   The cast is as follows:   SUSANNAH ROGERS              as        KATHERINE MINOLA and THE WOMAN WRITER      ALLEN GILMORE                     as        PETRUCHIO     ANNIE ABRAMS                        as        BIANCA MINOLA           MARTIN KILDARE                        as        BAPTISTA MINOLA BRETT RYBACK                         as        LUCENTIO KYLE T. HESTER                           as        TRANIO                MIKE McSHANE                           as        GREMIO              J. PAUL BOEHMER                 as        HORTENSIO and THE MERCHANT    DANNY SCHEIE                            as        GRUMIO KASEY MAHAFFY                        as        BIONDELLO and DORCAS STEPHEN  CAFFREY                 as        VINCENTIO, THE PRIEST, AND A SERVANT TESSA AUBERJONOIS            as        THE WIDOW and MISTRESS SLAPBOTTOM   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   Original music composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “SHREW!” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTER PODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to Play On Podcasts dot com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life.  And remember: “Better now than never, and never too late!”. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Who am I called to be?” Visionary artist and producer Charlique C. Rolle expounds on her efforts to love recklessly, build faithfully, and create fearlessly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a rehearsal room at the Howard Conservatory of Music, Don Armado debates the nature of love with Moth before releasing Costard from bondage to deliver a love letter he wrote to Jacquenetta. Costard celebrates his payment and is about to set off on his errand when Berowne hires him to deliver a love letter he wrote to Rosaline. Off campus, the Princess and her entourage admire the king performing dressage on his horse as they prepare to hunt. Costard arrives to deliver Berowne’s letter to Rosaline but accidentally delivers Armado’s letter, which Boyet reads out loud to the delight of all the ladies as they set off on the deer hunt. Later, the scholars Nathaniel and Holofernes critique the deer hunt on a bus ride back to campus. Jaquenetta gets on board and asks Nathaniel to read the letter Costard delivered to her out loud because she cannot read it herself. Holofernes realizes that the letter has been delivered to the wrong person. She tells Jaquenetta to bring it to the King. Jaquenetta sets off, taking Costard with her. The Play On Podcast series, “LOVE’S LABOUR’S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE’S LABOUR’S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

Introducing...Everyday Shakespeare. Hosts Caroline Bicks and Michelle Ephraim are Shakespeare professors and close friends who love to bond over the ways Shakespeare’s plays help them through their everyday dramas. Episode 3: "Let's Talk About Sex" Sex can be fun and exciting, but it also raises all kinds of issues about power, control, and freedom. In this episode, we’ll be looking at how people in Shakespeare’s day were understanding sexual anatomy, pleasure, and reproduction, and discuss how the debates and anxieties that surfaced back then connect to some of our present-day divisions. We’ll be using doctor-approved language—from multiple centuries—but we’ll also be talking about sexual pleasure and consent, and referencing scenarios that some may find difficult to hear. Listener discretion advised. Twitter: @EverydayShakes Michelle Ephraim's Twitter: @ProfessorMKE Caroline Bicks' Twitter: @umainekingchair Instagram: everydayshakespeare Website: http://www.everydayshakespeare.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Costard is put under the guard of Don Armado, who continues to dote on Jaquenetta. Meanwhile, the Princess, chauffeured by her Counsellor (Boyet) arrives on campus at Howard University in her Model T along with her Ladies-In-Waiting (Rosaline, Maria and Katharine). She sends Boyet to announce their arrival to the King of Navarre, who sends back word that he cannot house the Ladies under his roof but will provide shelter in a tent on campus, instead. The Princess is offended and demands that the King answer her father’s suit: that he return the land of Aquitaine to France. The King counters that her father has not paid him back the money he lent for her father’s war. The Princess accuses Navarre of lying and asks Boyet to provide proof of payment. Boyet says it will take another day for that proof to arrive. As they banter, Berowne tries to flirt with Rosaline, who turns him away. Dumaine and Longaville are smitten with Katharine and Maria, and ask Boyet for their names. He teasingly obliges. After the men depart, Boyet tells the Princess he believes the King is in love with her. She laughs it off as she strolls to their newly erected tent. The Play On Podcast series, “LOVE’S LABOUR’S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “LOVE’S LABOUR’S LOST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. For more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Don’t wait to learn this!”: Acclaimed actor Jay O. Sanders tells us what he’s learned about Prospero, about Shakespeare, about Forgiveness, and about himself by going to the places that scare him the most. Learn more about your ad choices. Visit megaphone.fm/adchoices

The King of Navarre gathers together with his best friends (Longaville, Dumaine and Berowne) in the library at Howard University where he gets them to agree that they will devote themselves entirely to their studies without dating or indulging in food, drink or sleep for three full years. Berowne protests and reminds the King that the Princess of France is going to arrive soon to plead a case on behalf of her ailing father. The King promises to handle the situation and Berowne agrees to stick with his vow despite his reservations. They decide they’ll amuse themselves during their downtime by laughing at the antics of Don Adriano de Armado, a visiting scholar from Spain who is hilariously full of himself. Almost as soon as the King’s proclamation is issued, Sir Anthony Dull delivers a letter from Armado accusing Costard, a groundskeeper at Howard, of having an affair with Jaquenetta, a young lady who lives nearby. The King punishes Costard with a week of fasting on bread and water. Meanwhile, Armado confesses privately to his young friend and confidante, a Custodial Assistant named Moth, that he is painfully in love with Jaquenetta and vows to win her affections. The Play On Podcast series, “LOVE’S LABOUR’S LOST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by JOSH WILDER. Each episode was directed by NELSON T. EUSEBIO the THIRD. The cast is as follows: RUSSELL G. JONES as THE KING OF NAVARRE and THE FORESTER MATTHEW ELIJAH WEBB as BEROWNE ASHLEY BRYANT as THE PRINCESS and JAQUENETTA TIFFANY RACHELLE STEWART as ROSALINE TONYA PINKINS as MARIA, HOLOFERNES, and HIEMS SHAWN RANDALL as COSTARD and DUMAINE BRANDON JONES as DON ADRIANO DE ARMADO and LONGAVILLE WALTER COPPAGE as MOTH, BOYET, DULL and MARCADE SARITA COVINGTON as LADY NATHANIEL and KATHARINE Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music and Sound Design by LINDSAY JONES.  Sound engineering by SADAHARU YAGI.  Mix Engineer and Dialogue Editor: LARRY WALSH.  Podcast Mastering by GREG CORTEZ at New Monkey Studio.  Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices

“When someone says Shakespeare the next word should be yes.” Lawrence Shragge recalls his experiences on the way to becoming a successful composer of film scores—stealing from his mentors and blowing his trumpet into a laundry bag in the closet—before stirring up THE TEMPEST. Learn more about your ad choices. Visit megaphone.fm/adchoices

“When someone says Shakespeare the next word should be yes.” Lawrence Shragge recalls his experiences on the way to becoming a successful composer of film scores—stealing from his mentors and blowing his trumpet into a laundry bag in the closet—before stirring up THE TEMPEST. Learn more about your ad choices. Visit megaphone.fm/adchoices

Next Chapter Podcasts presents the complete Play On Podcast series, THE TEMPEST, in its entirety. The Play On Podcast series, “THE TEMPEST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. Each episode was directed by ANDY WOLK. PROSPERO: JAY O. SANDERS MIRANDA: KIM WUAN ARIEL and JUNO: KUHOO VERMA CALIBAN: GREGG MOZGALA FERDINAND: GREG CUELLAR ALONSO: KEVIN KILNER ANTONIA: JORDAN BAKER SEBASTIAN: ANTHONY COCHRANE GONZALA: MARYANN PLUNKETT STEPHANO: BRENT JENNINGS TRINCULO: BARZIN AKHAVAN BOATSWAIN, CERES and Others: PACO TOLSON IRIS: NANCY RODRIGUEZ Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music by LAWRENCE SHRAGGE. Music Editor: MILES BERGSMA. Sound Design and Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices

As an actor and disability rights advocate, Gregg Mozgala (Caliban) believes in the transformative power of theater and Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

Prospero releases Alonso, Sebastian, Antonia and Gonzala from their spell as he greets them, lovingly embracing Gonzala and chastising the others for their wicked deeds. Alonso begs forgiveness and is rewarded with the reunion of his son, who Prospero reveals with Miranda. As they all rejoice, the Boatswain returns and marvels at the restoration of Alonso’s ship and all their belongings. Prospero reassures them not to be alarmed and turns their attention to the approach of Trinculo, Stephano and Caliban who run into the company as they flee from Prospero’s dogs. The three apologize for their actions. Prospero forgives Caliban and promises the King’s company a safe return after a good night’s rest, during which he will tell them all his story. At last, he releases Ariel to the winds and surrenders his powers once and for all. The Play On Podcast series, “THE TEMPEST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. Each episode was directed by ANDY WOLK. PROSPERO: JAY O. SANDERS MIRANDA: KIM WUAN ARIEL and JUNO: KUHOO VERMA CALIBAN: GREGG MOZGALA FERDINAND: GREG CUELLAR ALONSO: KEVIN KILNER ANTONIA: JORDAN BAKER SEBASTIAN: ANTHONY COCHRANE GONZALA: MARYANN PLUNKETT STEPHANO: BRENT JENNINGS TRINCULO: BARZIN AKHAVAN BOATSWAIN, CERES and Others: PACO TOLSON IRIS: NANCY RODRIGUEZ Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music by LAWRENCE SHRAGGE. Music Editor: MILES BERGSMA. Sound Design and Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices

“We’re going to have to stay informed and fight back”: Playwright Jeffrey Solomon and actress Zuleyma Guevarra discuss the making of DeNovo, what leads to mass migration, why it’s our responsibility as U.S. Citizens to see people as human beings and what we can do to help refugees who are on the brink of being deported to death.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Play On Podcast series, “THE TEMPEST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. Each episode was directed by ANDY WOLK. Learn more about your ad choices. Visit megaphone.fm/adchoices

King Alonso grows increasingly despondent over the loss of his son, giving Antonia and Sebastian confidence that they will soon take power. They stumble upon a sumptuous feast presented by mysterious beings and waste no time gorging themselves before Ariel appears as a harpy and chastises Alonso, Sebastian and Antonia for their sinful acts, past and present. Elsewhere, Caliban encourages Stephano to carry out the murder of Prospero, which he vows to do until Trinculo stumbles upon the clothing and finery that Prospero and Ariel have laid as a trap to distract them. Caliban urges them to ignore the rich garments but Trinculo and Stephano get carried away with the luxury of the robes, gathering them greedily until Prospero unleashes his supernatural hounds to attack the conspirators and chase them into a frenzy. He revels in their misery and urges his dogs on in the attack but Ariel convinces him to ease his vengeance. At last, Prospero softens and vows to give up his magical powers once he performs his final act. The Play On Podcast series, “THE TEMPEST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. Each episode was directed by ANDY WOLK. PROSPERO: JAY O. SANDERS MIRANDA: KIM WUAN ARIEL and JUNO: KUHOO VERMA CALIBAN: GREGG MOZGALA FERDINAND: GREG CUELLAR ALONSO: KEVIN KILNER ANTONIA: JORDAN BAKER SEBASTIAN: ANTHONY COCHRANE GONZALA: MARYANN PLUNKETT STEPHANO: BRENT JENNINGS TRINCULO: BARZIN AKHAVAN BOATSWAIN, CERES and Others: PACO TOLSON IRIS: NANCY RODRIGUEZ Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music by LAWRENCE SHRAGGE. Music Editor: MILES BERGSMA. Sound Design and Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Antonia persuades Sebastian to kill Alonso and Gonzala in their sleep so that he may take the throne in Naples. Meanwhile, Caliban convinces Stephano to kill Prospero and rule the island with Miranda as his bride. Elsewhere, Ferdinand and Miranda celebrate their union in a celestial dance conjured by Prospero’s magical powers. It ends abruptly when Prospero realizes he must take swift action to thwart his enemies. The Play On Podcast series, “THE TEMPEST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. Each episode was directed by ANDY WOLK. PROSPERO: JAY O. SANDERS MIRANDA: KIM WUAN ARIEL and JUNO: KUHOO VERMA CALIBAN: GREGG MOZGALA FERDINAND: GREG CUELLAR ALONSO: KEVIN KILNER ANTONIA: JORDAN BAKER SEBASTIAN: ANTHONY COCHRANE GONZALA: MARYANN PLUNKETT STEPHANO: BRENT JENNINGS TRINCULO: BARZIN AKHAVAN BOATSWAIN, CERES and Others: PACO TOLSON IRIS: NANCY RODRIGUEZ Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music by LAWRENCE SHRAGGE. Music Editor: MILES BERGSMA. Sound Design and Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices

King Alonso trudges through the rain-soaked island searching for any sign of his lost son. Gonzala does her best to comfort him over the derision of Antonia and Sebastian, who blame the King for his misfortunes and ridicule Gonzala’s optimistic idealism. Ariel arrives to cast a spell over Gonzala and Alonso, putting them to sleep under the guard of Sebastian and Antonia. Meanwhile, Caliban bristles at having to haul wood for Prospero until he hears the approach of Trinculo, the King’s jester, who he mistakes for one of Prospero’s demons. He hides under a cloak, which Trinculo discovers and uses as shelter from the rain. There, he finds Caliban, who he presumes from his stench is a strange mis-shapen creature from the island. Stephano, the King’s butler, drunk from the liquor that he found after the shipwreck, happens upon the pair and is joyfully reunited with Trinculo. Together, they get Caliban to drink liquor for the first time. In return, Caliban offers to be their devoted servant and renounces his loyalty to Prospero. The Play On Podcast series, “THE TEMPEST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. Each episode was directed by ANDY WOLK. PROSPERO: JAY O. SANDERS MIRANDA: KIM WUAN ARIEL and JUNO: KUHOO VERMA CALIBAN: GREGG MOZGALA FERDINAND: GREG CUELLAR ALONSO: KEVIN KILNER ANTONIA: JORDAN BAKER SEBASTIAN: ANTHONY COCHRANE GONZALA: MARYANN PLUNKETT STEPHANO: BRENT JENNINGS TRINCULO: BARZIN AKHAVAN BOATSWAIN, CERES and Others: PACO TOLSON IRIS: NANCY RODRIGUEZ Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music by LAWRENCE SHRAGGE. Music Editor: MILES BERGSMA. Sound Design and Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Prospero orchestrates a meeting between his daughter, Miranda, and King Alonso’s son, Ferdinand, who is wandering the island in mourning for his father, who he presumes is dead. He is mesmerized by Ariel’s music and falls in love with Miranda the moment he sees her. Prospero confronts Ferdinand and saddles him with chores while he and Miranda visit Caliban, Sycorax’s son, who Prospero enslaved after he attempted to rape Miranda. Later, Ferdinand declares his love to Miranda and vows to marry her and bring her back to Naples as his Queen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Twelve years after having been deposed in a coup, Prospero, the rightful Duke of Milan, uses magical powers with the help of his spirit servant, Ariel, to shipwreck his enemies who are en route home from the wedding of the King of Naples’ (Alonso’s) daughter to the Prince of Tunis. Prospero’s daughter, Miranda, frets over the fate of the voyagers, but Prospero reassures her that they are unharmed before telling her the truth about their history: His sister, Antonia, conspired with Alonso to overthrow Prospero, putting him out to sea with Miranda in a rickety ship in the hope that they’d drown. Fortunately, a noble citizen named Gonzala secreted some clothing, food and water onto the ship, along with Prospero’s most prized books, by which he practiced magic. After Miranda falls asleep, Prospero beckons Ariel, who he commands to help him with more tasks now that the storm has ended. Ariel resists, but Prospero reminds the spirit that he freed it from slavery to the evil witch, Sycorax, who ruled the island until Prospero took over. After he threatens to re-enslave Ariel, the spirit relents and agrees to do Prospero’s bidding. Once Ariel is gone, Prospero wakes Miranda to show her a wondrous sight… The Play On Podcast series, “THE TEMPEST”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by KENNETH CAVANDER. Each episode was directed by ANDY WOLK. PROSPERO: JAY O. SANDERS MIRANDA: KIM WUAN ARIEL and JUNO: KUHOO VERMA CALIBAN: GREGG MOZGALA FERDINAND: GREG CUELLAR ALONSO: KEVIN KILNER ANTONIA: JORDAN BAKER SEBASTIAN: ANTHONY COCHRANE GONZALA: MARYANN PLUNKETT STEPHANO: BRENT JENNINGS TRINCULO: BARZIN AKHAVAN BOATSWAIN, CERES and Others: PACO TOLSON IRIS: NANCY RODRIGUEZ Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON Original Music by LAWRENCE SHRAGGE. Music Editor: MILES BERGSMA. Sound Design and Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE TEMPEST” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit ncpodcasts.com for more about the Play On Podcast Series. Visit playonshakespeare.org for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by subscribing to Play On Premium at ncpodcasts.com, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are such stuff as Dreams are made on”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Introducing...The Tempest Learn more about your ad choices. Visit megaphone.fm/adchoices

Cloe is an AI researcher who discovers that her AI assistant, Eloc, has the power to analyze love in different objects, she decides to use Eloc's new skill to help her find love. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Gloria took a waitressing job in a diner outside of Phoenix, she didn't realize she was now an employee of Midnight Burger, a time-traveling, dimension-spanning diner. Every day Midnight Burger appears somewhere new in the cosmos along with its staff: a galactic drifter, a rogue theoretical physicist, a sentient old-timey radio, and some guy named Caspar. No one knows who built Midnight Burger or how it works, but when it appears there's always someone around who could really use a cup of coffee. And this time…..the diner has found itself in a dystopian Earth where the ads are LITERALLY stuck in your head. That's right, it's the worst dystopia of all. No mohawks, no zombies, no improvised weaponry... just more ads!! Learn more about your ad choices. Visit megaphone.fm/adchoices

“Every breath opens your heart.” Visionary theater artist Lisa Wolpe has been leading the movement for gender parity and diversity in the arts since way before it was trendy. Hear her describe Shakespeare’s sacred geometry, why Antigonus has to be eaten by a bear, and how Charlotte Cushman shamed Edwin Booth!   Learn more about your ad choices. Visit megaphone.fm/adchoices

New York based not-for-profit theater company Houses on the Moon, and playwright Jeffrey Solomon creates acclaimed documentary plays. DE NOVO recounts the life and death of a Guatemalan teenager, Edgar Chocoy, who was deported after a failed asylum bid in the USA and murdered by the very group he testified would execute him were he to be returned to that country. With help of the NYC City Council, we were able to produce an audio adaptation of DE NOVO, which tells the story in three potent half hour episodes. They launched their podcast in 2021 and this new series, DE NOVO, tells Edgar’s heart-wrenching story through real-life court transcripts and interviews, shedding light on the plight of unaccompanied alien minors and the human rights issues they face. You can listen to all three episodes here! Learn more about your ad choices. Visit megaphone.fm/adchoices

“Every breath opens your heart.” Visionary theater artist Lisa Wolpe has been leading the movement for gender parity and diversity in the arts since way before it was trendy. Hear her describe Shakespeare’s sacred geometry, why Antigonus has to be eaten by a bear, and how Charlotte Cushman shamed Edwin Booth!   Learn more about your ad choices. Visit megaphone.fm/adchoices

BEEF is an original scripted non-fiction storytelling podcast where Business Wars meets pop culture history. Award-winning host Bridget Todd tells the stories of legends in their fields and how they tried to stomp out their competition only to find that their enemies become the driving force behind their success, ultimately changing the world as we know it. Subscribe, rate & review the podcast on Spotify, Apple Podcasts, Stitcher, Google Podcasts or your app of choice. EPISODE 1 Advice columns have been a part of our culture for almost as long as there have been newspapers to print them. People of all backgrounds have turned, anonymously to these sources of cultural wisdom for help with all manner of personal issues. There have been few advice dealers more prominent than Ann Landers and Abigail Van Buren a.k.a. Dear Abby, In the latter half of the 20th century, they were two of the most influential columnists in the word. But what you might not know about them is that in real life they were known as Esther and Pauline Friedman, twin sisters who counseled millions and hated each other's guts. Check out Dan Savage's award winning podcast Savage Love: Pick up David Gudelunas' book Confidential to America: Newspaper Advice Columns and Sexual Education. Follow Next Chapter Podcasts on Twitter @ncpodcasts (https://twitter.com/ncpodcasts) and on Instagram @ncpodcasts (https://instagram.com/ncpodcasts) Follow the host Bridget Todd on Twitter @BridgetMarie (https://twitter.com/BridgetMarie) and on Instagram @bridgetmarieindc (https://www.instagram.com/bridgetmarieindc) Bridget Todd BIO: Bridget Todd is a frequently cited expert, trainer, and speaker on combating disinformation and extremism online, advocating for social media platform accountability, creating safer digital experiences for women and other marginalized people, and celebrating and amplifying marginalized people’s contributions to tech and the internet.  Her critically acclaimed podcast, There Are No Girls on the Internet, explores how marginalized people show up online in response to the lack of inclusion in conversations around the internet. The hit podcast earned “Best Technology Podcast” at the iHeart Radio Podcast Awards and a Shorty Award for “Best Podcast Miniseries”. As Director of Communication for the national gender-justice advocacy organization Ultraviolet, Bridget regularly meets with leadership from platforms like Reddit, Twitter, Facebook, and TikTok to advocate for and develop policy recommendations to make digital experiences safer and more inclusive. Bridget’s writing has been featured in the Atlantic, Newsweek, the Nation, and the Daily Show. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Shakespeare wrote for the butts in the seats!” Tracy Young traces her path from The Actors Gang to Cornerstone to OSF with the reminder that you can never stop unearthing new meaning, and that Brian Eno can lead an artist to unexpected outcomes. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Amelia Project is a secret organization offering a very special service: Faking its clients' deaths! Its eccentric clientele includes cult leaders, criminals and politicians all desperate to disappear and start over... For how long can the secrecy last? With the help of his indispensable assistant Alvina, The Amelia Project's Interviewer needs only a 20 minute consultation to help any troubled client disappear into a new and exotic life. His solutions are delivered with a flourish of ingenuity, style, and a mug of finest cocoa. But you don't get to be this good without attracting some unwanted attention… “Congratulations. You’ve reached The Amelia Project. This phone call isn’t happening. If you’re not serious about this, hang up. Now.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The Translator & Director of The Winter's Tale sits down with Executive Producer Michael Goodfriend to discuss this adaption and her career.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Using archival material and interviews with surviving cast and crew members, Forward executive editor Adam Langer presents a story that's never been told: the backstory of "The Diary of Anne Frank," the Pulitzer Prize-winning play and Oscar-winning film, and how this iconic work shapes those involved in performing it — including high school students putting the show on today. The Diary of Anne Frank, which debuted on Broadway in 1955 and then later toured the country, was one of the most influential plays of the 20th century, and a life-changing experience for many of those who saw it. It introduced millions of Americans to the Holocaust and its victims. But what did reenacting Anne's story mean to the people who created and acted in the play or the 1959 film? How did dramatizing her life affect their lives and careers? Who were they? In seven episodes, "Playing Anne Frank" weaves together stories of art and culture and, ultimately, deep humanity.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Leontes welcomes Florizel and Perdita to Sicilia and promises to help when he learns that Polixenes is pursuing them. Autolycus, drinking in a pub, hears about the reunion of Leontes and Polixenes and the discovery that Perdita is Leontes’ daughter. The Old Shepherd and his son enter, reveling in their good fortune. Autolycus apologizes for his misdeeds. Back at the palace, Paulina leads Leontes, Perdita, Florizel, Camillo and Polixenes to view a life-like statue of Hermione, and together they witness a miracle.  CREDITS The Play On Podcast series, “THE WINTER’S TALE”, was translated into modern English verse and directed by TRACY YOUNG.  The Cast is as follows: ELIJAH ALEXANDER as LEONTES KAYLA CARTER as PERDITA and EMILIA GINA DANIELS as HERMIONE, MOPSA, SHEPERD’S SERVANT and PAULINA’S STEWARD RODNEY GARDINER as POLIXENES ELIJAH GOODFRIEND as MAMILLIUS IAN GOULD as CLOWN, LORD and GENTLEMAN CRISTOFER JEAN as ANTIGONUS, OLD SHEPHERD, SERVANT, LORD and ROGERO JIM LICHTSCHEIDL as AUTOLYCUS, JAILER, CLEOMENES, OFFICER and LORD CHRISTOPHER LIVINGSTON as FLORIZEL and SERVANT KT VOGT as PAULINA and DORCAS LISA WOLPE as CAMILLO, DION, OLDER LADY IN WAITING, and GENTLEMAN Featuring ESTELLE PARSONS as TIME Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON  Original Music Composition, Sound Design and Mix by LINDSAY JONES. Music Direction by ANDREW FOX. Sound engineering by SADAHARU YAGI and KABBY KABAKOFF. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE WINTER’S TALE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.  Hear more about the Play On Shakespeare Podcast series by subscribing to PLAY ON PREMIUM at NCPODCASTS.COM, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “It is required you do awake your faith.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Autolycus, now in Florizel’s garb, masquerades as a courtier and convinces the Old Shepherd and his son to pay him to be their advocate at Court. Meanwhile, in Sicilia, Cleomenes and another Lord urge Leontes to cease mourning for Hermione, but Paulina insists that he continue to live a life of piety and repentance for his past actions until the prophecy “that which is lost be found” is fulfilled.  CREDITS The Play On Podcast series, “THE WINTER’S TALE”, was translated into modern English verse and directed by TRACY YOUNG.  The Cast is as follows: ELIJAH ALEXANDER as LEONTES KAYLA CARTER as PERDITA and EMILIA GINA DANIELS as HERMIONE, MOPSA, SHEPERD’S SERVANT and PAULINA’S STEWARD RODNEY GARDINER as POLIXENES ELIJAH GOODFRIEND as MAMILLIUS IAN GOULD as CLOWN, LORD and GENTLEMAN CRISTOFER JEAN as ANTIGONUS, OLD SHEPHERD, SERVANT, LORD and ROGERO JIM LICHTSCHEIDL as AUTOLYCUS, JAILER, CLEOMENES, OFFICER and LORD CHRISTOPHER LIVINGSTON as FLORIZEL and SERVANT KT VOGT as PAULINA and DORCAS LISA WOLPE as CAMILLO, DION, OLDER LADY IN WAITING, and GENTLEMAN Featuring ESTELLE PARSONS as TIME Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON  Original Music Composition, Sound Design and Mix by LINDSAY JONES. Music Direction by ANDREW FOX. Sound engineering by SADAHARU YAGI and KABBY KABAKOFF. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE WINTER’S TALE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.  Hear more about the Play On Shakespeare Podcast series by subscribing to PLAY ON PREMIUM at NCPODCASTS.COM, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “It is required you do awake your faith.” Learn more about your ad choices. Visit megaphone.fm/adchoices

As Florizel proclaims his love for Perdita to all the guests at the Sheep Shearing festival (including his father and Camillo who are still in disguise), the Old Shepherd calls for their wedding to take place during the celebration. The unknown guest tries to persuade the young man to hold off until he’s told his father, or at least discussed it with him, but Florizel refuses, saying his father must not know anything about it. Enraged, Polixenes finally removes his disguise and condemns his son, Perdita and her father, threatening to disfigure Perdita and kill the Old Shepherd if either of them come near his son again, and to disown Florizel if he even mentions her name. After his father departs, Florizel insists that he will stay with Perdita. Camillo, however, sees an opportunity to bring Polixenes and Leontes back together and persuades Florizel and Perdita to flee with him back to Sicilia. As Camillo describes the plan, they come upon Autolycus celebrating his pickpocketing success and demand that he change clothes with Florizel so that he won’t be recognized on the road. Perdita agrees to go along with the plan. CREDITS The Play On Podcast series, “THE WINTER’S TALE”, was translated into modern English verse and directed by TRACY YOUNG.  The Cast is as follows: ELIJAH ALEXANDER as LEONTES KAYLA CARTER as PERDITA and EMILIA GINA DANIELS as HERMIONE, MOPSA, SHEPERD’S SERVANT and PAULINA’S STEWARD RODNEY GARDINER as POLIXENES ELIJAH GOODFRIEND as MAMILLIUS IAN GOULD as CLOWN, LORD and GENTLEMAN CRISTOFER JEAN as ANTIGONUS, OLD SHEPHERD, SERVANT, LORD and ROGERO JIM LICHTSCHEIDL as AUTOLYCUS, JAILER, CLEOMENES, OFFICER and LORD CHRISTOPHER LIVINGSTON as FLORIZEL and SERVANT KT VOGT as PAULINA and DORCAS LISA WOLPE as CAMILLO, DION, OLDER LADY IN WAITING, and GENTLEMAN Featuring ESTELLE PARSONS as TIME Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON  Original Music Composition, Sound Design and Mix by LINDSAY JONES. Music Direction by ANDREW FOX. Sound engineering by SADAHARU YAGI and KABBY KABAKOFF. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE WINTER’S TALE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Perdita prepares for the sheep shearing feast, Florizel flirts with her and vows he’ll stay with her no matter what. Perdita is less carefree, fearing the repercussions that will come if the king discovers his son has been cavorting with someone beneath his station. Perdita’s father, the Old Shepherd, arrives and tells his daughter to greet their guests, including two strangers (Polixenes and Camillo, disguised as farmers), who banter with her about the flowers she admires. Florizel and Perdita proclaim their love for each other as the guests applaud and dance. Polixenes (in disguise) questions the Old Shepherd about the young man who’s wooing his daughter as two shepherdesses, Mopsa and Dorcas, squabble over the affections of the Shepherd’s son. A servant rushes in to announce the arrival of a peddler (Autolycus), who enters with a song. He wins over the crowd with his music and exotic wares as he secretly conspires to rob everyone at the party. The servant returns to announce the arrival of a group of acrobats she calls “hairy goat men”, who enter with a cacophony of shouts and drums. CREDITS The Play On Podcast series, “THE WINTER’S TALE”, was translated into modern English verse and directed by TRACY YOUNG.  The Cast is as follows: ELIJAH ALEXANDER as LEONTES KAYLA CARTER as PERDITA and EMILIA GINA DANIELS as HERMIONE, MOPSA, SHEPERD’S SERVANT and PAULINA’S STEWARD RODNEY GARDINER as POLIXENES ELIJAH GOODFRIEND as MAMILLIUS IAN GOULD as CLOWN, LORD and GENTLEMAN CRISTOFER JEAN as ANTIGONUS, OLD SHEPHERD, SERVANT, LORD and ROGERO JIM LICHTSCHEIDL as AUTOLYCUS, JAILER, CLEOMENES, OFFICER and LORD CHRISTOPHER LIVINGSTON as FLORIZEL and SERVANT KT VOGT as PAULINA and DORCAS LISA WOLPE as CAMILLO, DION, OLDER LADY IN WAITING, and GENTLEMAN Featuring ESTELLE PARSONS as TIME Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON  Original Music Composition, Sound Design and Mix by LINDSAY JONES. Music Direction by ANDREW FOX. Sound engineering by SADAHARU YAGI and KABBY KABAKOFF. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE WINTER’S TALE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.  Hear more about the Play On Shakespeare Podcast series by subscribing to PLAY ON PREMIUM at NCPODCASTS.COM, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “It is required you do awake your faith.” Learn more about your ad choices. Visit megaphone.fm/adchoices

“Whatever you do well, it contributes” - Michael Potts on what he does well, from Shakespeare to August Wilson, and how playing the long game got him where he is today. (With fond remembrances of Chadwick Boseman). Learn more about your ad choices. Visit megaphone.fm/adchoices

CREDITS The Play On Podcast series, “THE WINTER’S TALE”, was translated into modern English verse and directed by TRACY YOUNG.  The Cast is as follows: ELIJAH ALEXANDER as LEONTES KAYLA CARTER as PERDITA and EMILIA GINA DANIELS as HERMIONE, MOPSA, SHEPERD’S SERVANT and PAULINA’S STEWARD RODNEY GARDINER as POLIXENES ELIJAH GOODFRIEND as MAMILLIUS IAN GOULD as CLOWN, LORD and GENTLEMAN CRISTOFER JEAN as ANTIGONUS, OLD SHEPHERD, SERVANT, LORD and ROGERO JIM LICHTSCHEIDL as AUTOLYCUS, JAILER, CLEOMENES, OFFICER and LORD CHRISTOPHER LIVINGSTON as FLORIZEL and SERVANT KT VOGT as PAULINA and DORCAS LISA WOLPE as CAMILLO, DION, OLDER LADY IN WAITING, and GENTLEMAN Featuring ESTELLE PARSONS as TIME Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON  Original Music Composition, Sound Design and Mix by LINDSAY JONES. Music Direction by ANDREW FOX. Sound engineering by SADAHARU YAGI and KABBY KABAKOFF. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE WINTER’S TALE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.  Hear more about the Play On Shakespeare Podcast series by subscribing to PLAY ON PREMIUM at NCPODCASTS.COM, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “It is required you do awake your faith.” Learn more about your ad choices. Visit megaphone.fm/adchoices

After presenting him with his newborn daughter, Leontes throws Paulina out of his chambers and commands Antigonus to kill the child. His Lords beg him to relent and he appeases them by commanding Antigonus to abandon the baby in the wilderness instead. Cleomenes and Dion, meanwhile, return from the Oracle of Delphi full of optimism. The trial comes to order. Hermione testifies in her own defense against her husband’s accusations. The Oracle’s message is opened and read aloud: Hermione is innocent. Refusing to accept the judgment, Leontes is met with immediate and devastating consequences. CREDITS The Play On Podcast series, “THE WINTER’S TALE”, was translated into modern English verse and directed by TRACY YOUNG.  The Cast is as follows: ELIJAH ALEXANDER as LEONTES KAYLA CARTER as PERDITA and EMILIA GINA DANIELS as HERMIONE, MOPSA, SHEPERD’S SERVANT and PAULINA’S STEWARD RODNEY GARDINER as POLIXENES ELIJAH GOODFRIEND as MAMILLIUS IAN GOULD as CLOWN, LORD and GENTLEMAN CRISTOFER JEAN as ANTIGONUS, OLD SHEPHERD, SERVANT, LORD and ROGERO JIM LICHTSCHEIDL as AUTOLYCUS, JAILER, CLEOMENES, OFFICER and LORD CHRISTOPHER LIVINGSTON as FLORIZEL and SERVANT KT VOGT as PAULINA and DORCAS LISA WOLPE as CAMILLO, DION, OLDER LADY IN WAITING, and GENTLEMAN Featuring ESTELLE PARSONS as TIME Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON  Original Music Composition, Sound Design and Mix by LINDSAY JONES. Music Direction by ANDREW FOX. Sound engineering by SADAHARU YAGI and KABBY KABAKOFF. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE WINTER’S TALE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.  Hear more about the Play On Shakespeare Podcast series by subscribing to PLAY ON PREMIUM at NCPODCASTS.COM, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “It is required you do awake your faith.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Camillo assures Leontes he’ll carry out his orders but secretly informs Polixenes of the plot against his life. Together, they flee to Polixenes’ kingdom of Bohemia. An enraged Leontes claims their flight is proof of their guilt in conspiring against his life and his crown. He orders his son, Mamillius, to be taken from Hermione’s chambers and has her imprisoned on charges of adultery and conspiracy. Hermione insists on her innocence and vows that Leontes will regret what he’s done. The King’s Lords, including the elderly Antigonus, beg Leontes to bring the Queen back. Antigonus goes so far as to stake his own daughters’ honor on Hermione’s innocence. Meanwhile, Antigonus’s wife, Paulina, goes to visit Hermione in prison, where she has just given birth to a baby girl. Paulina asks Hermione’s Lady in Waiting, Emilia, to get permission from the Queen for her to bring the newborn baby to Leontes in the hope that seeing the child will soften his heart. CREDITS The Play On Podcast series, “THE WINTER’S TALE”, was translated into modern English verse and directed by TRACY YOUNG.  The Cast is as follows: ELIJAH ALEXANDER as LEONTES KAYLA CARTER as PERDITA and EMILIA GINA DANIELS as HERMIONE, MOPSA, SHEPERD’S SERVANT and PAULINA’S STEWARD RODNEY GARDINER as POLIXENES ELIJAH GOODFRIEND as MAMILLIUS IAN GOULD as CLOWN, LORD and GENTLEMAN CRISTOFER JEAN as ANTIGONUS, OLD SHEPHERD, SERVANT, LORD and ROGERO JIM LICHTSCHEIDL as AUTOLYCUS, JAILER, CLEOMENES, OFFICER and LORD CHRISTOPHER LIVINGSTON as FLORIZEL and SERVANT KT VOGT as PAULINA and DORCAS LISA WOLPE as CAMILLO, DION, OLDER LADY IN WAITING, and GENTLEMAN Featuring ESTELLE PARSONS as TIME Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON  Original Music Composition, Sound Design and Mix by LINDSAY JONES. Music Direction by ANDREW FOX. Sound engineering by SADAHARU YAGI and KABBY KABAKOFF. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “THE WINTER’S TALE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.  Hear more about the Play On Shakespeare Podcast series by subscribing to PLAY ON PREMIUM at NCPODCASTS.COM, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “It is required you do awake your faith.” Learn more about your ad choices. Visit megaphone.fm/adchoices

King Polixenes of Bohemia bids adieu to his childhood friend, King Leontes of Sicilia, after a visit of nine months. Leontes implores him not to leave and prevails on his pregnant wife, Hermione, to persuade him to stay. When Polixenes gives in to Hermione, Leontes goes mad with jealousy and paranoia, convinced that his wife is carrying his best friend’s child, not his own. He orders his top advisor, Camillo, to poison Polixenes. CREDITS The Play On Podcast series, “THE WINTER’S TALE”, was translated into modern English verse and directed by TRACY YOUNG.  The Cast is as follows: ELIJAH ALEXANDER as LEONTES KAYLA CARTER as PERDITA and EMILIA GINA DANIELS as HERMIONE, MOPSA, SHEPERD’S SERVANT and PAULINA’S STEWARD RODNEY GARDINER as POLIXENES ELIJAH GOODFRIEND as MAMILLIUS IAN GOULD as CLOWN, LORD and GENTLEMAN CRISTOFER JEAN as ANTIGONUS, OLD SHEPHERD, SERVANT, LORD and ROGERO JIM LICHTSCHEIDL as AUTOLYCUS, JAILER, CLEOMENES, OFFICER and LORD CHRISTOPHER LIVINGSTON as FLORIZEL and SERVANT KT VOGT as PAULINA and DORCAS LISA WOLPE as CAMILLO, DION, OLDER LADY IN WAITING, and GENTLEMAN Featuring ESTELLE PARSONS as TIME Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON  Original Music Composition, Sound Design and Mix by LINDSAY JONES. Music Direction by ANDREW FOX. Sound engineering by SADAHARU YAGI and KABBY KABAKOFF. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships is SALLYCADE HOLMES. The Play On Podcast Series “THE WINTER’S TALE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.  Hear more about the Play On Shakespeare Podcast series by subscribing to PLAY ON PREMIUM at NCPODCASTS.COM, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “It is required you do awake your faith.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Mariana confronts Angelo as the Duke calls for Friar Lodowick. In a scuffle with Lucio, the Friar is unmasked and revealed as the Duke. He calls for the women to be released and forces Angelo to marry Mariana before condemning him to death. Mariana begs for mercy on behalf of Angelo. Barnardine arrives and is pardoned by the Duke. The Provost confesses that she’s kept Claudio alive, and reunites him with Isabella. The Duke sends Lucio to prison and rewards those who behaved honorably with what he thinks will make them happy. CREDITS MEASURE FOR MEASURE was translated into modern English verse by ADITI BRENNAN KAPIL. Directed by JESSIE AUSTRIAN.  Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON AND NAT CASSIDY.  Original Music, Sound Design, and Sound Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editors: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE, LEANNA KEYES and EMYLN DOOLITTLE).. Script Supervisor: JORDAN MOORE. Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships is SALLYCADE HOLMES. The Play On Podcast Series “MEASURE FOR MEASURE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Sign up to support the artists! Subscribe to PLAY ON PREMIUM to get exclusive access to ad-free episodes, full plays, merch & more! Hear full interviews with the artists, producers, and engineers who brought it all to life. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part Two of his interview, Nat Cassidy explains why the “rape room” got cut, why horror exists, why writing a script is forty-seven thousand times easier than writing a novel, why actors should celebrate the audition even if they don’t get the job, why Open Source Shakespeare is the adapters’ best friend, and why the elitism and classism of rehearsal rooms drove him from pursuing a career as a classical actor. Plus, a special easter egg for all you logophiles: listen for the word stichomythia in action!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Friar Lodowick (Duke Vincenzo) informs Isabella that Claudio has been put to death on Angelo’s orders. He persuades her to confront Angelo and ask for justice at the city gates, where Angelo and Escalus are to meet the Duke and surrender power back to him. At the Capitol, Escalus and Angelo try to make sense of the Duke’s imminent return and his strange request that they invite the people of the city to air their grievances at the changeover of power. Alone, Angelo privately regrets his actions. The Duke returns the monk's robes to Friar Thomas, and instructs him to carry out his plan at the Town Square. There, Friar Thomas meets Mariana and Isabella. As Angelo enters with the Duke, Isabella confronts him with accusations of his wrongdoings. Lucio vouches for her, but the Duke and Angelo cast aspersions on her story. The Duke orders Isabella’s arrest for defaming Lord Angelo but is interrupted by the entrance of Friar Thomas, who promises to absolve Angelo of all guilt with the testimony of a mysterious surprise witness. CREDITS MEASURE FOR MEASURE was translated into modern English verse by ADITI BRENNAN KAPIL. Directed by JESSIE AUSTRIAN.  Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON AND NAT CASSIDY.  Original Music, Sound Design, and Sound Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editors: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE, LEANNA KEYES and EMYLN DOOLITTLE).. Script Supervisor: JORDAN MOORE. Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships is SALLYCADE HOLMES. The Play On Podcast Series “MEASURE FOR MEASURE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Sign up to support the artists! Subscribe to PLAY ON PREMIUM to get exclusive access to ad-free episodes, full plays, merch & more! Hear full interviews with the artists, producers, and engineers who brought it all to life. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re changing things up a bit today and bringing you a preview of a new podcast we’re enjoying and think you will, too. Where There’s a Will: Finding Shakespeare searches for the surprising places Shakespeare shows up outside the theater. Host Barry Edelstein, artistic director at one of the country’s leading Shakespeare theaters, and co-host writer and director Em Weinstein, ask what is it about Shakespeare that’s given him a continuous afterlife in all sorts of unexpected ways? You’ll hear Shakespeare doing rehabilitative work in a maximum security prison, helping autistic children to communicate, in the mouths of U.S. presidents, and even at the center of a deadly riot in New York City. In this preview, Barry takes us into California’s Centinela State Prison for a one-of-a-kind production of Shakespeare’s English history plays performed by incarcerated individuals. Barry asks: What makes Shakespeare a force of transformation and transcendence behind bars? Hear more from Where There’s a Will at https://podcasts.pushkin.fm/wtaw?sid=pop. Learn more about your ad choices. Visit megaphone.fm/adchoices

“She dared me to read Macbeth”: How the lonely son of a single mom in Arizona was inspired by a teacher who despised him to embrace his demons and become a celebrated scribe of horror. Author, Actor and POP “Measure for Measure” script adaptor Nat Cassidy talks about the spellbinding image of Sissy Spacek covered in blood, the fulfillment of writing for audio, the short distance between Shakespeare and Stephen King, and just how much can happen when kids have too much time on their hands... Learn more about your ad choices. Visit megaphone.fm/adchoices

Isabella, Mariana and the Duke (disguised as Friar Lodowick) finalize their plans to trick Angelo. But even after the bed trick, Angelo persists in his plans to execute Claudio. Meanwhile, the Provost (Jailer) and Abhorson prepare to execute Claudio’s cellmate, the drunkard Barnardine, pressing Pompey into service as the executioner. Friar Lodowick (the Duke) convinces the Provost to send Barnardine’s head to Angelo and say it’s Claudio’s. Barnardine, however, refuses to die in drunkenness and Friar Lodowick (the Duke) refuses to force him to the chopping block. As luck would have it, another prisoner, the pirate Ragozine, dies overnight. The Provost suggests that Ragozine’s head be sent to Angelo instead of Barnardine’s. The Friar (Duke) celebrates the news and privately plans to write to Angelo of his imminent return to office. Plus, Pompey introduces his new podcast, “Bars”! CREDITS MEASURE FOR MEASURE was translated into modern English verse by ADITI BRENNAN KAPIL. Directed by JESSIE AUSTRIAN.  Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON AND NAT CASSIDY.  Original Music, Sound Design, and Sound Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editors: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE, LEANNA KEYES and EMYLN DOOLITTLE).. Script Supervisor: JORDAN MOORE. Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships is SALLYCADE HOLMES. The Play On Podcast Series “MEASURE FOR MEASURE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Sign up to support the artists! Subscribe to PLAY ON PREMIUM to get exclusive access to ad-free episodes, full plays, merch & more! Hear full interviews with the artists, producers, and engineers who brought it all to life. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The themes remain the same.” Actor / Director Harry Lennix expounds on the themes of friendship, politics, religion, the evolution of Black Nationalism, what it takes to be a successful revolutionary and why Julius Caesar may be the greatest person to have ever lived. Learn more about your ad choices. Visit megaphone.fm/adchoices

“We got rid of the table.” Fiasco Theater co-founders Jessie Austrian and Noah Brody describe how they up-ended traditional norms of theatrical hierarchy to create one of the most acclaimed ensembles in the country, and why they love “the gloriously free playground” of podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Duke Vincenzo, disguised as Friar Lodowick, visits Claudio in jail and inspires him to perceive his fate in a new light. Isabella arrives to tell her brother that Lord Angelo has demanded her body in return for Claudio’s life. Claudio tries to persuade his sister to agree to the bargain. Isabella leaves in disgust and despair. The Duke, having overheard their conversation, stops Isabella and tells her about a woman that Angelo wronged in the past. He convinces her to return to Angelo pretending to acquiesce to his demand, provided they meet in darkness and in secret. There, the wronged woman will take Isabella’s place, and Isabella’s honor will be preserved. Isabella agrees to the plan. As soon as she leaves, Elbow arrives with Pompey in custody for pimping. Lucio follows shortly afterward and refuses to bail him out. Once they’re gone, Lucio strikes up a conversation with the disguised Duke and proceeds to cast aspersions not only on Lord Angelo but on the Duke himself, saying he's a lech and a drunk, but that he hopes he’ll be back soon so they can be rid of Angelo. As soon as he leaves, the Provost arrives with Mistress Overdone in handcuffs. Escalus has her hauled off to jail for running yet another whorehouse, then asks the Duke, who she thinks is Friar Lodowick, about his visit with Claudio. He tells her Claudio is ready to die. Escalus praises his counsel and also describes the Duke as a good man. The Duke reflects on the state of affairs as he walks to visit Mariana, the woman who Angelo abandoned. There, he introduces Mariana to Isabella, who has arranged a meeting place with Angelo. CREDITS MEASURE FOR MEASURE was translated into modern English verse by ADITI BRENNAN KAPIL. Directed by JESSIE AUSTRIAN.  Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON AND NAT CASSIDY.  Original Music, Sound Design, and Sound Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editors: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE, LEANNA KEYES and EMYLN DOOLITTLE).. Script Supervisor: JORDAN MOORE. Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships is SALLYCADE HOLMES. The Play On Podcast Series “MEASURE FOR MEASURE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Sign up to support the artists! Subscribe to PLAY ON PREMIUM to get exclusive access to ad-free episodes, full plays, merch & more! Hear full interviews with the artists, producers, and engineers who brought it all to life. Learn more about your ad choices. Visit megaphone.fm/adchoices

Isabella goes to the Duke’s office to plead for her brother’s life, and in doing so ignites Lord Angelo’s passions. He invites her to return to his office and becomes obsessed with her. When she returns to see him and begs once more for her brother’s pardon, he is unable to hold back his true feelings. Meanwhile, Duke Vincenzio, disguised as Friar Lodowick, visits Claudio’s fiancé, Juliet, in prison.  CREDITS MEASURE FOR MEASURE was translated into modern English verse by ADITI BRENNAN KAPIL. Directed by JESSIE AUSTRIAN.  Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON AND NAT CASSIDY.  Original Music, Sound Design, and Sound Mix by LINDSAY JONES. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editors: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE, LEANNA KEYES and EMYLN DOOLITTLE).. Script Supervisor: JORDAN MOORE. Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships is SALLYCADE HOLMES. The Play On Podcast Series “MEASURE FOR MEASURE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Sign up to support the artists! Subscribe to PLAY ON PREMIUM to get exclusive access to ad-free episodes, full plays, merch & more! Hear full interviews with the artists, producers, and engineers who brought it all to life. Learn more about your ad choices. Visit megaphone.fm/adchoices