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Cameron Craig of the Music Producers Guild and Chris Cooke of CMU discuss the new MPG Producer Deals Guide, explaining how producer agreements are changing and what producers need to understand about points, royalties, expenses and publishing. They explore the issues facing both established and unsigned artists, and why agreeing terms clearly and putting them in writing is essential.
Chapters 00:00 - Introduction 00:18 - Who are CMU? 01:03 - The Producer Deals Guide 03:51 - The Changing Industry 09:35 - The Producer Contribution 18:45 - Unsigned Artists 21:02 - Addressing The Matter Early 25:00 - When To Get A Publisher 26:31 - Managing Multiple Works 33:04 - Covering Expenses 38:17 - PPD And Net Receipt Deals 44:55 - Written Agreements
Music Producers Guild The Music Producers Guild is a not for profit organisation that was started by producers, mixers, recording engineers, re-mixers and programmers and is run by volunteers from within the industry. Their aim is to support members in their careers, campaign for the rights of music industry workers, promote diversity within the industry and to celebrate the achievements of members via the annual MPG Awards. https://mpg.org.uk/dealsguide
Cameron Craig Biog Cameron is a two time Grammy award-winning Producer-Mixer-Engineer. A hugely impressive credit list notably also includes several albums with U.N.K.L.E., along with names like Adele, Annie Lennox, Bjork, Tina Turner, Baxter Dury, Grace Jones, Joe Strummer, Duffy, Amy Winehouse and many more.
His work has encompasses an enormous spectrum of musical styles including indie, dance, film soundtrack and orchestral recording, picking up a Grammy award for "Album of the Year" for his part in recording Adele's 25 and collecting another Grammy award for "Best Engineered - Non classical” in 2008 for his contribution to the Suzanne Vega album Beauty and Crime also recording the orchestra on Duffy's Grammy and Brit award-winning Rockferry album.
Other notable accolades are Grammy nominations for Annie Lennox’s Nostalgia album that he mixed, Bjork’s Biophilia album that he recorded a track on, a nomination for MPG’s Recording Engineer of the Year 2015.
Having started out in his native Australia he achieved great success with many multi-platinum albums and a nomination for ARIA Engineer of the year in 1995 to his name. It is then Cameron decided to move to the UK to further his career.
Cameron is an Executive Director of the MPG and sits on the board of UK music representing the MPG to the wider music community.
Chris Cooke Biog Chris Cooke is co-Founder and MD of CMU, a company that helps people navigate and understand the music business through journalism, training, consultancy and events.
Chris regularly writes, talks, teaches and consults about the music industry. He wrote the ‘Dissecting The Digital Dollar’ book and ‘Music Copyright Explained’ guide, advises the Council Of Music Makers, and co-leads Pathways Into Music, which builds connections between the music industry and music education.
Chris also pursues other projects via UnLimited Media, through which he publishes ThisWeek Culture and ThreeWeeks at the Edinburgh Festival; and helped launch PR training charity the Taylor Bennett Foundation.
Sam Inglis Biog Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
Michael J. Morgan joins Sam Inglis to discuss the practical challenges of working freelance in the audio industry, from setting rates and finding clients to building relationships and developing a sustainable business.
Chapters 00:00 - Introduction 00:28 - Business Mentoring For Freelancers 07:43 - Modern Career Paths For Audio Engineers 09:51 - The Right Time To Go Freelance 13:19 - The Benefits Of Specialising 16:30 - The Role Of A Manager 21:24 - The Importance Of Networking 26:44 - Utilising Social Media Wisely 32:25 - Setting The Right Price 40:53 - Streamlining Your Workflow
Michael J. Morgan Biog Michael J. Morgan is a business coach for audio engineers and founder of The Business of Mixing, where he helps mixers, mastering engineers, producers, and other audio professionals build stronger, more sustainable freelance businesses. He has worked with approximately 500 audio professionals, including engineers behind records by Taylor Swift, Billie Eilish, Harry Styles, Kendrick Lamar, SZA, Ariana Grande, Dua Lipa, Tame Impala, and others.
His work focuses on understanding the market, positioning, pricing, client relationships, and the business systems behind a long-term career in audio. Michael has also led research and strategy work with pro-audio companies including PMC Speakers, oeksound, and OHMA Microphones, and has shared his work with audiences through Sweetwater, Mix With The Masters, Sound On Sound, and a number of industry podcasts. https://mixing.biz https://www.instagram.com/mixing.biz
Sam Inglis Biog Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
Gérard Assayag - Computer Science
mardi 21 juillet 2026 • Durée 36:16
Gérard Assayag talks to Nick Rothwell about his pioneering work in creative AI and computer music at IRCAM, exploring co-creativity, computer-aided composition, musician–machine interaction and the evolving relationship between artificial intelligence and musical performance.
Chapters 00:00 - Introduction 00:51 - Background Story 03:18 - Working at IRCAM 05:33 - Computer Science 09:26 - Music Presentation Software 13:13 - Co-creativity with OMax and Somax 16:37 - Exploring Creative AI with REACH 23:45 - Generating Symbolic Scores 28:34 - Music As A Prompt 31:23 - Improtech Workshop Festival
#ircam #openmusic #OMax #Somax #Improtech
Gérard Assayag Biog Gérard Assayag is Research Director at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris, where he founded the internationally recognised Music Representations team. He also directed IRCAM's Sciences and Technologies of Music and Sound (STMS) laboratory, and led the development of influential computer music software including OpenMusic, Antescofo, Orchidea, OMax and Somax.
Assayag is a co-founder of the Sorbonne University Institute for Music Sciences, the Sorbonne Institute for Artificial Intelligence, the French Society for Computer Music, the International Society for Mathematics and Computation in Music, and the Journal of Mathematics and Music.
His research focuses on computer languages and algorithms for music, computer-aided composition, and creative AI for musician–machine interaction. He is the recipient of a European Research Council (ERC) Advanced Grant for REACH (Raising Co-Creativity in Cyber-Human Musicianship), an international project exploring creative AI for music. He also performs live as a generative electronic musician using the AI tools he has developed.
Tony Platt talks with Paul White about his career highlights, developing his recording techniques and memorable sessions with Bob Marley, AC-DC, Gary Moore and Uriah Heep.
Chapters 00:00 - Introduction
00:27 - Contacting Studios
06:23 - Learning By Watching
08:59 - Tape Operator At Trident
11:19 - Moving To Island Studios
12:57 - Becoming An Engineer
14:56 - A Different Recording Era
15:58 - Recording Bob Marley
17:25 - Using Spill As An Advantage
20:26 - Recording Techniques
23:04 - Memorable Sessions
26:13 - Taking Time To Develop Bands
28:42 - From Analogue To Digital
33:54 - Incorporating Analogue
35:51 - Analogue Emulations
39:05 - Expanding Into Different Genres
41:56 - Current Music Projects
42:37 - AI In Music
Tony Platt Biog Tony started as a “tea-boy” at Trident Studios in London before landing a job as tape operator at the now legendary Island Record's Basing Street Studios where he worked as an assistant on sessions with the likes of Traffic, The Who, Rolling Stones and Led Zeppelin.
He engineered on sessions with John Martin, Free and many more, leading to him mixing the “Catch A Fire” album for a hitherto unknown Jamaican artist, Bob Marley and then recording and mixing the “Burnin” album, both of which arguably would launch reggae music into the mainstream.
As a freelance he recorded demos that prefaced deals for Thin Lizzy and the Stranglers before becoming engineer for Mutt Lange and working on the AC/DC albums “Highway to Hell” and “Back in Black”, Foreigner – “4”, Boomtown Rats – “Fine Art of Surfacing’ and Broken Home.
Ben Hillier - Engineer And Producer
vendredi 17 avril 2026 • Durée 01:12:40
Music producer Ben Hillier reflects on his journey from orchestral percussionist to studio producer, from assisting on recordings to working with Elbow, Blur, Depeche Mode and Nadine Shah, sharing insights on feel, creativity and making records from his distinctive straw-built studio.
Chapters 00:00 - Introduction 02:36 - The Studio Design
03:56 - Recording Orchestras
08:51 - From College to Assisting
16:03 - Being A Good Engineer
20:08 - Recording Elbow
28:40 - Working With Blur
35:19 - Encouraging Creativity
40:35 - Engineering Depeche Mode
43:36 - Getting Feel Into Electronic Music
50:12 - Collaborating With Nadine Shah
57:46 - Being A Good Producer
59:20 - Creating A Good Studio Environment
1:01:13 - Choosing Which Projects To Work On
1:07:34 - Preferred Tools And Workflows
Ben Hillier Biog Ben Hillier has been working in the recording industry for nearly 40 years. He spent the 90’s engineering and programming for various producers including Steve Osborne, Steven Street, Gil Norton and Nelly Hooper around London and internationally. In the 2000’s he moved into production making albums with bands like Elbow, Doves, Blur and three albums with Depeche Mode. In 2010’s he also began writing music, co-writing and producing five albums with Nadine Shah. In 2007 he set-up The Pool Studios with Nick Young at Miloco and was a partner in that studio for about 17 years. Ben continues to write and produce, most recently producing The Howling Bells, Sandhouse, Highschool and Dominie Hooper and writing with Shadowman, Storm Franklin and Nuha Ruby Ra. He currently lives near Brighton, UK, and has a studio (Agricultural Audio) made out of straw bales on working farm.Instagram:
Warm Audio - Behind The Brand
mardi 24 mars 2026 • Durée 40:59
Bryce Young, founder and president of Warm Audio, joins Sam Inglis to discuss how the company began and how it quickly built a reputation for producing affordable studio gear inspired by classic vintage designs.
Chapters
00:00 - Introduction
00:24 - Warm Audio Origins and Growth
02:33 - Product Development
03:09 - Capturing The Vintage Sound
07:01 - Modernising And Adapting Designs
09:43 - Designing For Working Professionals
12:50 - Analogue Gear Used In A Live Setting
14:49 - Choosing Which Gear To Develop
16:25 - Popular And Unusual Products
19:22 - The Toughest Engineering Challenges
26:00 - Maintenance And Discontinued Parts
30:48 - Diversifying From Vintage Analogue
36:15 - Favourite Vintage Gear
#WA-47 #WA-44 #WA-8000
Warm Audio Warm Audio is a Texas-based manufacturer of professional recording equipment founded in 2011 by Bryce Young. The company specialises in high-quality microphones, preamps, compressors and other studio hardware inspired by classic vintage designs. Known for combining premium components with accessible pricing, Warm Audio has built a reputation among musicians, producers and engineers for delivering analogue studio gear that brings iconic sounds within reach of modern creators. https://warmaudio.com/ https://www.facebook.com/warmaudio/ https://x.com/WarmAudio
Kevin Paul - Mixer, Producer, Audio Educator
mercredi 4 février 2026 • Durée 50:27
Kevin Paul talks with Felipe Gutiérrez about his early career working at Soho Studios, Konk Studios and Mute Records. Their conversation explores the skills required to become a successful sound engineer, from helping artists feel relaxed in the studio and encouraging strong performances, to developing technical expertise, trusting instinct and shaping an individual sonic identity.
Chapters 00:00 - Introduction 01:36 - The History of the MixBus Podcast
06:32 - From DJing to Soho Studios 10:58 - Konk Studios and Mute Records
15:17 - Developing Your Skills And Being Persistent
18:45 - Encouraging Good Performances
21:21 - Mixing With Your Ears And Trusting Your Instincts
24:38 - Spend Time Gaining Knowledge And Experience
31:57 - Methods For Sparking Creativity
37:34 - Being Creative In Mixing
40:25 - Building Confidence And Exploring
44:24 - Plug-ins And Templates
Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.
In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.
John 'Spud' Murphy - Experimental Mix Engineer
mardi 6 janvier 2026 • Durée 39:01
John 'Spud' Murphy joins Kevin Paul to reflect on his path from cover bands to the studio, exploring how he combines live and digital workflows and uses multiple recordings of an instrument to craft his signature ambient, textured sound.
Chapters 00:00 - Introduction 00:42 - The Origin Of The Name 'Spud' 01:28 - From Cover Bands To Recording Originals 02:14 - Being Drawn To The Studio 03:34 - Combining Live And Studio Elements 06:14 - Recording False Lankum 10:57 - Creating A Comfortable Recording Environment 15:57 - Motivation And Collaboration 17:39 - Balancing Direction And Creative Space 20:15 - Techniques For Getting Atmospheric Textures 25:37 - Mixing Traditional And Experimental Sounds 29:57 - Working Mostly In-The-Box 33:42 - Creating Something Unique 35:05 - Current Projects
#uad #mooseelectronics #valhalla
John 'Spud'Murphy Biog
John 'Spud' Murphy is an Irish producer, mix engineer, front-of-house engineer and multi-instrumentalist whose work has become central to Ireland’s contemporary underground music scene. His credits include acclaimed projects with Lankum, Katie Kim, Ye Vagabonds, Pretty Happy, Junior Brother and Woven Skull, and his reputation now extends internationally through collaborations with UK experimental acts such as caroline (Rough Trade), black midi and Goat Girl, as well as European free-jazz figures Evan Parker and Peter Brötzmann.
As Lankum’s producer and front-of-house engineer, Murphy has played a key role in shaping the band’s atmospheric, textural sound, producing their RTÉ Choice Music Prize-winning album The Livelong Day (2019) and their 2023 release False Lankum, nominated for both the Mercury Prize and the RTÉ Choice Music Prize.
Known for his focus on texture and acoustic architecture, Murphy’s production approach blends natural dynamism with expansive sound design, capturing the distinct sonic identity of each artist he works with.
Bernard Butler - Musician and Producer
vendredi 12 décembre 2025 • Durée 40:19
In this episode, Bernard Butler joins Kevin Paul to discuss his early steps into music production and how he approaches working with new artists and bands. He shares insights on touring, adding value as a producer and songwriting partner, collaborating with engineers and why staying creative, not formulaic, remains central to his work.
Chapters 00:00 - Introduction
00:30 - Butler, Blake & Grant
02:08 - Self-Organising A Touring Schedule
04:35 - Getting Started In Music Production
06:57 - Approach To Working With New Artists
13:39 - Persuading Bands To Try Fresh Ideas
15:03 - Adding Value As A Producer
17:02 - Working With Engineers Who Capture Performances
21:59 - Songwriting Process, Inspiration And Jamming
28:06 - BB & The King Radio Show
30:20 - Following Your Passion And Being Unique
34:49 - Current Studio Projects And Tours
36:39 - Keeping The Production Process Creative, Not Formulaic
Bernard Butler Biog Bernard Butler is an acclaimed English musician, songwriter and producer, recognised as one of Britain’s most influential guitarists. A founding member of Suede, he co-wrote and played on the band’s early classics, including The Drowners, Metal Mickey and their Mercury Prize-winning debut, before his ambitious work on Dog Man Star cemented his reputation.
After leaving Suede, he formed the celebrated partnership McAlmont & Butler, releasing Yes, You Do and later the album Bring It Back. His two solo records for Creation were followed by a prolific production career, shaping releases for The Libertines, Duffy, Tricky, Sophie Ellis-Bextor, Paloma Faith, The Cribs and many others. His collaboration with Duffy on Rockferry earned a Grammy and multiple Brit Awards.
Dimitri Tikovoï - Producer, Songwriter
mercredi 5 novembre 2025 • Durée 22:09
Producer, songwriter and multi‑instrumentalist Dimitri Tikovoï joins Kevin Paul to discuss his creative approach to recording and production, delving into his work with bands like Placebo and sharing how he engineers sessions to maximise inspiration, creativity and workflow.
Chapters 00:00 - Introduction 00:32 - Pre-Production And Creative Limitations 03:28 - Working With New Artists 06:32 - Working With Flood 09:59 - Becoming A Better Mix Engineer 12:08 - Finding Your Own Methods 15:32 - Communication And Experimentation
#fatbustard #protools
Dimitri Tikovoï Biog
Dimitri Tikovoï is a Paris-born, classically trained, Grammy-nominated producer, songwriter, and multi-instrumentalist whose versatile work has shaped some of modern music’s most celebrated albums. After training at the Conservatory of Classical Music in Paris and touring as a drummer, he moved to London, producing Placebo’s platinum-selling album Meds and launching his acclaimed electronic-rock project Trash Palace. Over the years, Dimitri has worked across genres, collaborating with artists including Charli XCX, Blondie, Ghost, Becky Hill, Purple Disco Machine, and TWICE, while also composing for film and TV soundtracks.
His sensitive yet visionary approach recently proved pivotal for The Libertines’ All Quiet On The Eastern Esplanade, their first UK #1 album, with the band praising his ability to guide their sound while preserving their raw energy and spirit. Known for drawing out the best in the artists he works with while crafting sonically adventurous and emotionally resonant productions, Dimitri continues to help shape era-defining records, earning respect across the industry for his creativity, integrity, and instinctive musicality.
Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.
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Nick Rothwell Biog Nick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul / Kapadokya), Shobana Jeyasingh, AWA Dance, Luz&Mannion Dance (Flamenco) and Undercurrent Theatre, programmed physical media sculptures with Simeon Nelson and Rob Godman, live coded in Mexico and in Berlin with sitar player Shama Rahman, collaborated with the body>data>space collective in Prague, Paris and Dresden, written software for Studio Wayne McGregor, Beinghuman in Kathmandu, the Pina Bausch Foundation and Nesta's FutureFest, consulted for Tate Modern, and developed algorithmic visuals for large-scale outdoor projections in Poland, Estonia, the Cambridge Music Festival and Lumiere (London / Durham). He has taught design at CODE Berlin and currently runs the Computer Science undergraduate course at University of the Arts London.
He produced and engineered the work of artists such as Samson (with Bruce Dickenson singing), Krokus, Motorhead, Gary Moore, Cheap Trick, Ronnie Dio, The Cult and Marillion and recorded two albums for Buddy Guy - the Grammy winning “Damn Right I Got the Blues” and the follow up “Feels Like Rain”. He developed a close involvement with the well-respected “boutique” Jazz label, Dune Records, working with all their artists including Mercury nominated Soweto Kinch, Denys Baptiste, and Abram Wilson.
Many other productions in the Jazz genre have followed and Tony still undertakes mixing projects in his own studio.
He is a member of the steering group for the education initiative J.A.M.E.S. (Joint Audio Media Education Support), whilst occasionally providing guest lectures, master-classes and workshops for several universities running music industry courses worldwide.
Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s 'Felt Mountain', David Bowie’s 'Hours' and Nick Cave’s 'No More Shall We Part'. He also worked in 5:1, mixing Moby’s 'Hotel', Goldfrapp’s 'Black Cherry' and more for DVD.
In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.
He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.
Bryce Young Biog Bryce Young is the founder and president of Warm Audio. A musician, recording enthusiast and vinyl collector, Young launched the company in 2011 from his garage with the goal of making high-quality vintage-style microphones, preamps, compressors and other studio tools accessible to musicians at affordable prices.
Sam Inglis Biog Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.
Felipe Gutiérrez Biog Felipe Gutiérrez is a Senior Engineer at British Grove Studios in London. Originally from Bogotá, Colombia, he moved to the UK in 2014 and built his career from Huddersfield to London, working at some of the country’s leading studios including RAK and Snap, before joining British Grove in 2022. His work spans a wide range of genres and formats, from orchestral and film scoring to band recording, jazz, and vocal production.
His credits include artists such as Yusuf / Cat Stevens, Liam Gallagher, Florence + the Machine, Shabaka Hutchings, Nubya Garcia, The Academic, RVG, and George Ezra, among others. Felipe has also contributed to high-profile projects for Netflix and Disney, including Jay Kelly (2025) and Andor Season 2 (2025), and provided additional production on Netflix’s hit series Dark (Seasons 2 & 3).
Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s 'Felt Mountain', David Bowie’s 'Hours' and Nick Cave’s 'No More Shall We Part'. He also worked in 5:1, mixing Moby’s 'Hotel', Goldfrapp’s 'Black Cherry' and more for DVD.
In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.
He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.
Butler has appeared as guitarist on projects for Aimee Mann, Neneh Cherry, Bryan Ferry and Bert Jansch, and continues to work across songwriting, scoring, teaching and radio. Recent highlights include his Mercury-shortlisted album with Jessie Buckley (For All Our Days That Tear The Heart) and his 2023 solo release Good Grief on 355 Recordings. He also continues to tour regularly.
Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.
In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.
He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.
In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.
He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.
