Our Great Political Fictions re-release concludes with a musical: Lin-Manuel Miranda’s wildly popular and increasingly controversial Hamilton (2015). What does it get right and what does it get wrong about America’s founding fathers? How fair is it to judge a Broadway musical by the standards of academic history? And why does a product of the Obama era still resonate so powerfully in the age of Trump and Biden?

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The penultimate episode in our Great Political Fictions re-release is about Curtis Sittenfeld’s American Wife (2008), which re-imagines the life of First Lady Laura Bush.One of the great novels about the intimacy of power and the accidents of politics, it sticks to the historical record while radically retelling it. What does the standard version leave out about the Bush presidency? How does an ordinary life become an extraordinary one? And where is the line between fact and fiction?

Tomorrow: Lin-Manuel Miranda’s Hamilton

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This second episode about George Eliot’s masterpiece explores questions of politics and religion, reputation and deception, truth and public opinion. What is the relationship between personal power and faith in a higher power? Is it ever possible to escape from the gossip of your friends once it turns against you? Who can rescue the ambitious when their ambitions are their undoing?

Tomorrow: Anthony Trollope’s Phineas Redux

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This week’s episode in our series on the great political essays is about David Foster Wallace’s ‘Up, Simba!’, which describes his experiences following the doomed campaign of John McCain for the Republican presidential nomination in 2000. Wallace believed that McCain’s distinctive political style revealed some hard truths about American democracy. Was he right? What did he miss? And how do those truths look now in the age of Trump?

More on David Foster Wallace from the LRB:

Jenny Turner on Wallace and his moment

‘The risk Wallace takes is to guess he is not the only "obscenely well-educated", curiously lost and empty white boy out there; that his sadness is also the experience of a whole historical moment.’

Patricia Lockwood on Wallace and his influence

‘It was the essayists who were left to cope with his almost radioactive influence. He produced a great deal of excellent writing, the majority of it not his own.’

Dale Peck’s notorious takedown of Infinite Jest

‘If nothing else, the success of Infinite Jest is proof that the Great American Hype machine can still work wonders.’

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This week David talks to novelists Adam Biles and John Lanchester about the timeless appeal of George Orwell’s Animal Farm. Why has it retained its hold far longer than other political allegories? Do readers need to know about the Russian history it describes? What makes the animals so relatable? Plus we discuss other favourite political allegories, from The Wizard of Oz to WALL-E.

Adam Biles’s new novel – inspired by Animal Farm – is Beasts of England, available now.

Read John Lanchester in the current issue of the LRB.

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This week is the fiftieth anniversary of the coup in Chile that ended the life of Salvador Allende and marked the temporary death of Chilean democracy. We talk to the politician and economist Andrés Velasco and the writer and translator Lorna Scott Fox about their memories of the coup and their understanding of its significance today. What does it say about the unfulfilled promise and ongoing fragility of democratic politics, in Chile and beyond?

More from the LRB:

Lorna Scott Fox on the feminisation of Chile:

‘I doubt any of the men in a cabinet meeting are worrying about whether there is loo paper at home, as I do.’

Greg Grandin on Allende in power:

‘Allende was a pacifist, a democrat and a socialist by conviction not convenience.’

Michael Wood on Neruda and death:

‘The dead are never entirely dead in Neruda’s poems, forgetting and remembering are always entangled.’

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This week Lea Ypi joins David to talk about some of the ideas in his new book, The Handover: How We Gave Control of Our Lives to Corporations, States and AIs. They discuss how to think about the power of the state in the modern world: Can it be changed? Can it be controlled? Can it be anything other than capitalist? Plus, how will AI alter the relationship between human beings and the corporate machines that rule our world?

To order the Handover and support independent bookshops, please use the code HANDOVER at checkout here.

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For the last episode in our summer season on the great twentieth-century essays and essayists, David discusses Joan Didion's 'The White Album' (1979), her haunting, impressionistic account of the fracturing of America in the late 1960s. From Jim Morrison to the Manson murders, Didion offers a series of snapshots of a society coming apart in ways no one seemed to understand. But what was true, what was imagined, and where did the real sickness lie?

More on Joan Didion from the LRB archive:

Thomas Powers on Didion and California:

'The thing that California taught her to fear most was snakes, especially rattlesnakes...This gets close to Didion's core anxiety: watching for something that could be anywhere, was easily overlooked, could kill you or a child playing in the garden – just like that.'

Mary-Kay Wilmers on Didion and memory:

'Reassurance is something Didion doesn't need. She is talking to herself, weighing up the past, going over old stories, keeping herself company. Staging herself.'

Martin Amis on Didion's style:

'The Californian emptiness arrives and Miss Didion attempts to evolve a style, or manner, to answer to it. Here comes divorces, breakdowns, suicide bids, spliced-up paragraphs, 40-word chapters and italicised wedges of prose that used to be called "fractured".'

Patricia Lockwood on reading Didion now:

'To revisit Slouching Towards Bethlehem or The White Album is to read an old up-to-the-minute relevance renewed. Inside these essays the coming revolution feels neither terrifying nor exhilarating but familiar – if you are a reader of Joan Didion, you have been studying it all your life.'

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This episode in our history of the great essays and great essayists is about Susan Sontag’s ‘Against Interpretation’ (1963). What was interpretation and why was Sontag so against it? David explores how an argument about art, criticism and the avant-garde can be applied to contemporary politics and can even explain the monstrous appeal of Donald Trump.

Sontag in the LRB:

Terry Castle on Sontag and friendship 

‘At its best, our relationship was rather like the one between Dame Edna and her feeble sidekick Madge – or possibly Stalin and Malenkov.’

James Wolcott on Sontag and polemics

‘The upside of Sontag’s downside was that her ire was generated by the same power supply that electrified her battle for principles that others only espoused.’

Mark Grief on Sontag and identity

‘One of the most appealing things about Susan Sontag was that she didn’t ask to be liked. Sontag’s persona was not personal. It was superior.’

Joanna Biggs on Sontag and Paris

‘Paris let her say no to an academic life, but not to a life of ideas. The best thinking was done in cafes, or in bed, or at the movies, not in libraries.’

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This week David discusses James Baldwin’s ‘Notes of a Native Son’ (1955), an essay that combines autobiography with a searing indictment of America’s racial politics. At its heart it tells the story of Baldwin’s relationship with his father, but it is also about fear, cruelty, violence and the terrible compromises of a country at war. What happens when North and South collide?

More on Baldwin from the LRB:

Michael Wood on Baldwin and power 

‘James Baldwin’s thinking recalls Virginia Woolf’s view of the way that women have been used as mirrors by men.’

Colm Toibin on reading Baldwin

‘James Baldwin’s legacy is both powerful and fluid, allowing it to fit whatever category each reader requires, allowing it to influence each reader in a way that tells us as much about the reader as it does about Baldwin.’

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This week’s episode in our series on the great essays and great essayists is about Simone Weil’s ‘Human Personality’ (1943). Written shortly before her death aged just 34, it is an uncompromising repudiation of the building blocks of modern life: democracy, rights, personal identity, scientific progress – all these are rejected. What does Weil have to put in their place? The answer is radical and surprising.

Read ‘Human Personality’ here

For more on Weil from the LRB archive:

Toril Moi on living like Weil 

‘If we take Weil as seriously as she took herself, our nice lives will fall apart.’

Alan Bennett on Kafka and Weil

‘Many parents, one imagines, would echo the words of Madame Weil, the mother of Simone Weil, a child every bit as trying as Kafka must have been. Questioned about her pride in the posthumous fame of her ascetic daughter, Madame Weil said: “Oh! How much I would have preferred her to be happy.”’ 

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This week David discusses George Orwell’s ‘The Lion and the Unicorn’ (1941), his great wartime essay about what it does – and doesn’t – mean to be English. How did the English manage to resist fascism? How are the English going to defeat fascism? These were two different questions with two very different answers: hypocrisy and socialism. David takes the story from there to Brexit and back again.

For more on Orwell from the LRB:

Samuel Hynes on Orwell and politics

‘He was not, in fact, really a political thinker at all: he had no ideology, he proposed no plan of political action, and he was never able to relate himself comfortably to any political party.’

Julian Symons on Orwell and fame

‘If George Orwell had died in 1939 he would be recorded in literary histories of the period as an interesting maverick who wrote some not very successful novels.’

Terry Eagleton on Orwell and experience

‘Orwell detested those, mostly on the left, who theorised about situations without having experienced them, a common empiricist prejudice. There is no need to have your legs chopped off to sympathise with the legless.’

More from the History of Ideas:

Judith Shklar on Hypocrisy

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Today’s Great Political Fiction is George Eliot’s Middlemarch (1872), which has so much going on that it needs two episodes to unpack it. In this episode David discusses the significance of the book being set in 1829-32 and the reasons why Nietzsche was so wrong to characterise it as a moralistic tale. Plus he explains why a book about personal relationships is also a deeply political novel.

Also today: Middlemarch Part 2

Tomorrow: Anthony Trollope’s Phineas Redux

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This week our history of the great essays and great essayists reaches the twentieth century and Virginia Woolf’s masterpiece ‘A Room of One’s Own’ (1929). David discusses how an essay on the conditions for women writing fiction ends up being about so much else besides: anger, power, sex, modernity, independence and transcendence. And how, despite all that, it still manages to be as fresh and funny as anything written since.

Read more on Virginia Woolf in the LRB:

Jacqueline Rose on Woolf and madness

‘It is, one might say, a central paradox of modern family life that its members are required to mould themselves in each other’s image and yet to know, as separate individuals or egos, exactly who they are.’

Gillian Beer on Woolf and reality

‘The “real world” for Virginia Woolf was not solely the liberal humanist world of personal and social relationships: it was the hauntingly difficult world of Einsteinian physics and Wittgenstein’s private languages.’

Rosemary Hill on Woolf and domesticity

‘Woolf, who had once found it humiliating to do her own shopping, spent the last morning of her life dusting with Louie, before she put her duster down and went to drown herself.’

John Bayley on Woolf and writing

‘For Virginia Woolf wish-fulfilment was in words themselves, that protected her from herself and from society.’

Listen to David’s History of Ideas episode about Max Weber’s ‘The Profession and Vocation of Politics’.

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This week David talks to American historian Gary Gerstle about the shape-shifting journey of the US Republican Party, from the Civil War to the battles of today. How did the party of the North become the party of the South? When did the war party lose its appetite for war? Why does an organisation born out of anti-Catholicism now see its mission as to get Catholics onto the Supreme Court? And what could finally break the party apart?

Gary Gerstle’s latest book is The Rise and Fall of the Neoliberal Order.

For more on the Great Abortion Switcheroo of the 1970s.

Listen again to David’s episode on Hume and American default.

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For the third episode in this series about the great political essays, David explores Thoreau’s ‘Civil Disobedience’ (1849), a ringing call to resistance against democratic idiocy. Thoreau wanted to resist slavery and unjust wars. How can one citizen turn the tide against majority opinion? Was Thoreau a visionary or a hypocrite? And what do his arguments say about environmental civil disobedience today?

Read Thoreau’s essay here

From the LRB:

Paul Laity on Thoreau and self-sufficiency

Jeremy Harding on XR and civil disobedience 

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This week we talk to astrophysicist Chris Lintott and writer Tom Stevenson about the threat from outer space: is it the asteroids, is it the aliens, or is it us? What changed when space travel moved from a Cold War battleground to a billionaire’s playground? Are China and America about to re-start the space race? And what will happen if we do find evidence of extraterrestrial life - will anyone believe it? 

Read more from Chris and Tom about space in the LRB:

Space Snooker

Where are the Space Arks?

Flying Pancakes from Space

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This week David talks to Tara Westover and the philosopher Clare Chambers about the enduring legacy of John Stuart Mill. Reading Mill’s Essays on Religion changed Tara’s life: she explains what happened, and discusses how Mill speaks to contemporary concerns about identity, conviction and doubt. Plus we talk free speech, the marketplace of ideas, the subjection of women - and why Mill isn’t comfort reading (but Thomas Carlyle is!).

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This week David talks to science writer Meehan Crist about Thomas Malthus and the perennial question of overpopulation. Malthus wrote 225 years ago and was wrong about almost everything, yet his ideas still have a powerful hold on our imaginations and our fears. How many people is too many? What are the limits of population in the age of climate change? And why does Elon Musk think we should all be having more children?

Thomas Malthus, ‘An Essay on the Principle of Overpopulation’ (1798) 

Meehan Crist’s 2020 LRB lecture, ‘Is it OK to Have a Child?’

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For the second episode in this season of History of Ideas, David discusses the Scottish philosopher David Hume and explores how eighteenth-century arguments about the national debt can help make sense of American politics today. When does public borrowing become a recipe for national disaster? Who is really in charge of the public finances: the government or the bankers, Washington, D.C. or Wall Street? And what has all this got to do with Hume’s arguments for the morality of suicide?

Read Hume’s original essay ‘Of Public Credit’ here: https://davidhume.org/texts/pld/pc

For more on Hume from the archive of the LRB:

Jonathan Rée on Hume’s voracious appetites: ‘“The Corpulence of his whole person was better fitted to communicate the Idea of the Turtle-Eating Alderman than of a refined Philosopher,” as a friend put it.’ https://bit.ly/3qFgYtE

Fara Dabhoiwala on Hume and mockery: ‘David Hume often resorted to ridicule to undermine hypocrisy or superstition, even if he doubted its capacity to settle controversial questions, arguing that mockery was as likely to distort as to reveal the truth.’ https://bit.ly/3X6KbtK

John Dunn on Hume and us: ‘Hume is in some ways so very modern . . . But just because he is in some ways so close to us, it is easy to lose the sense that in many others his beliefs and experiences stand at some little distance from our own.’ https://bit.ly/3qJRwTW

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This week Daniel Chandler and Lea Ypi join David to talk about the legacy of the great American political philosopher John Rawls and his theory of justice. Did Rawls provide a prescription for the only fair way of doing capitalism? Or did he really show why capitalism and justice will never be reconciled? What can Rawls teach us about how to treat each other as equals? And does it even make sense to talk about justice in Britain or America when the world as a whole remains so fundamentally unequal?

Daniel Chandler’s new book is Free and Equal: What Would a Fair Society Look Like? 

Lea Ypi’s Free: Coming of Age at the End of History is out now in paperback.

You can hear David’s History of Ideas episode about Rawls and the theory of justice here.

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This week’s episode was recorded live at the Hay Festival, where David was joined on stage by David Miliband and Helen Thompson to discuss the past, present and future of American power. What explains American global dominance? Can it be justified? How will it be replaced? They discuss the fall-out of the Ukraine war, the threat posed by China, the challenge of climate change and the possibility of a second Trump presidency and ask – is the American century over?

David Miliband writes about the consequences of the Ukraine war in Foreign Affairs.

Hear more from Helen Thompson on the These Times podcast from UnHerd. 

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Gary Marcus and John Lanchester join David to discuss all things AI, from ChatGPT to the Turing test. Why is the Turing test such a bad judge of machine intelligence? If these machines aren’t thinking, what is it they are doing? And what are we doing giving them so much power to shape our lives? Plus we discuss self-driving cars, the coming jobs apocalypse, how children learn, and what it is that makes us truly human.

Gary’s new podcast is Humans vs. Machines.

Read Turing’s original paper here.

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Our fourth Great Political Fiction is Ivan Turgenev’s Fathers and Sons (1862), the definitive novel about the politics – and emotions – of intergenerational conflict. How did Turgenev manage to write a wistful novel about nihilism? What made Russian politics in the early 1860s so chock-full of frustration? Why did Turgenev’s book infuriate his contemporaries – including Dostoyevsky?

Tomorrow: George Eliot’s Middlemarch Parts 1 & 2

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For the first episode in the new series of History of Ideas – on the great essays and the great essayists – David discusses Montaigne, the man who invented a whole new way of writing and being read. From the fear of death to the joys of life, from the perils of atheism to the pitfalls of faith, from sex to religion and back again, Montaigne wrote the book of himself, which was also a guide to what it means to be human. Elephants, civil war, gout, cosmology, torture, tennis balls, disease, diets, and politics too: all life is here.

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This week David talks to Katja Hoyer and Lea Ypi about life under communism. East Germany was the most successful of the communist states of Eastern Europe, measured by economic prosperity and sporting success. Did the GDR ever really offer a model of how Soviet-style communism could give people what they wanted, including social mobility and consumerism? Why did it fall apart in the end? And how did the GDR experiment look from inside Albania, where Lea grew up? A conversation about freedom, dissent, paranoia and blue jeans.

Katja Hoyer’s latest book is Beyond the Wall: East Germany 1949-1990.

Lea Ypi’s prize-winning Free: Coming of Age at the End of History is available in paperback now.

To hear more about Rosa Luxemburg, this is from Season 2 of History of Ideas.

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This week David talks to Helen Thompson about Dallas and the end of oil. How did the world’s most popular soap opera come to explain the energy crisis and the future of a world hooked on fossil fuels? Is the fate of the Ewing family – fire and ruin – going to be the fate of America? And did J.R. Ewing really pave the way for President Donald Trump? Plus David and Helen discuss ‘oil fictions’, from Isaac Asimov to Italo Calvino.

Watch the moment when ‘Miss Ellie Saves the Day’.

Helen Thompson on ’the cosmic stakes of the age of oil’.

Isaac Asimov’s imaginary report on a world without oil.

Italo Calvino’s short story, ’The Petrol Pump’.

Past Present Future is brought to you in partnership with the London Review of Books.

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David talks to Ian McEwan about Italo Calvino’s The Watcher (1963), one of the greatest of all works of political fiction. Challenging, disturbing, redemptive: this is a book about who gets to count and who doesn’t, and what identity politics really means. David and Ian also discuss how political fiction works - and why the climate change novel is so hard to write. Plus they argue about whether children should be allowed to vote. 

Next week: Helen Thompson on Dallas and the end of oil.

Ian McEwan’s latest novel is Lessons, available now.

To read more about Calvino, here is a recent appreciation of his later writings in the New Yorker.

On the children’s focus groups, here is the report. 

For more links and info about future episodes, follow Past Present Future on Twitter @PPFIdeas

Past Present Future is brought to you in partnership with the London Review of Books.

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Past Present Future is a new weekly podcast with David Runciman, host and creator of Talking Politics, exploring the history of ideas from politics to philosophy, culture to technology. David talks to historians, novelists, scientists and many others about where the most interesting ideas come from, what they mean, and why they matter. 

Ideas from the past, questions about the present, shaping the future. 

Brought to you in partnership with the London Review of Books.

New episodes every Thursday.

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Our third Great Political Fiction is Friedrich Schiller’s monumental play Mary Stuart (1800), which lays bare the impossible choices faced by two queens – Elizabeth I of England and Mary Queen of Scots – in a world of men. Schiller imagines a meeting between them that never took place and unpicks its fearsome consequences. Why does it do such damage to them both? How does the powerless Mary maintain her hold over the imperious Elizabeth? Who suffers most in the end and what is that suffering really worth?

Tomorrow: Ivan Turgenev’s Fathers and Sons

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Today’s episode on the Great Political Fictions is about Jonathan Swift’s Gulliver’s Travels (1726) – part adventure story, part satire of early-eighteenth-century party politics, but above all a coruscating reflection on the failures of human perspective and self-knowledge. Why do we find it so hard to see ourselves for who we really are? What makes us so vulnerable to mindless feuds and wild conspiracy theories? And what could we learn from the talking horses?

Tomorrow: Friedrich Schiller’s Mary Stuart

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In the first episode of the summer daily re-release of our series on the Great Political Fictions, David talks about Shakespeare’s Coriolanus (1608-9), the last of his tragedies and perhaps his most politically contentious play. Why has Coriolanus been subject to so many wildly different political interpretations? Is pride really the tragic flaw of the military monster at its heart? What does it say about the struggle between elite power and popular resistance and about the limits of political argument?

Tomorrow: Jonathan Swift’s Gulliver’s Travels

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What If… The Vietnam War Had Ended in 1964?

For our latest counterfactual David talks to historian Thant Myint-U about his grandfather U Thant, UN Secretary General for most of the 1960s and the man who might have ended the Vietnam War before it really got started. How close did U Thant get to bringing LBJ and the Vietcong to the negotiating table in 1964? What ultimately scuppered his chances? And how differently might the Cold War have turned out if he had succeeded?

Sign up now to PPF+ to get ad-free listening and all our bonus episodes: available now a new bonus on Michel Houellebecq’s explosive political fiction Submission www.ppfideas.com 

Coming soon: More What Ifs… on WWI, the Russian Revolution and the Fall of the Berlin Wall.

Up next: Fifteen Fiction for Summer from Coriolanus to Hamilton

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Today’s episode explores one of the big counterfactuals of twentieth-century American politics: David talks to historian Benn Steil about how close the ultraliberal Henry Wallace came to being FDR’s running mate in 1944 and successor as president in 1945. How near did Wallace get to making it onto the ticket at the 1944 Democratic National Convention? Who or what stopped him? What would his presidency have meant for the Cold War and the nuclear arms race? Was getting President Truman instead a missed opportunity or a lucky escape?

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Next time: What if… the Vietnam War had ended in 1964?

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For our second episode on big historical counterfactuals, David talks to world historian Ayse Zarakol about how the East might well have risen to global dominance before the West. What if the key revolutions of the modern world – political and industrial – had happened in Asia first? What if there had been an Iranian Napoleon? And how much of our understanding of modern history is based on the biases of hindsight?

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Next time: What if… Henry Wallace had become American President in 1945?

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To kick off our new series on counterfactual histories David talks to the geneticist and science writer Adam Rutherford about whether ‘What Ifs’ make sense in science. If one person doesn’t make the big discovery, will someone else do it? Are scientific breakthroughs the product of genius or of wealth and power? And how might the world have been a completely different place if the Haber-Bosch process had not been developed in Germany in 1913?

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Next time: What if… the French Revolution had happened in China?

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Today’s Great Political Fiction is Alan Hollinghurst’s The Line of Beauty (2004), which is set between Thatcher’s two dominant general election victories of 1983 and 1987. A novel about the intersection between gay life and Tory life, high politics and low conduct, beauty and betrayal, it explores the price of power and the risks of liberation. It also contains perhaps the greatest of all fictional portrayals of a real-life prime minster: Thatcher dancing the night away.

Tomorrow: Curtis Sittingfield’s American Wife

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Something different for our last episode on the Great Political Fictions as this time David talks to the person who wrote it: Tim Rice, the lyricist of the epic musical about the life of Eva Peron, Evita (co-written with Andrew Lloyd-Webber). Where did the idea for such an unlikely subject come from? Why has it struck a chord with politicians from Thatcher to Trump? What does it say about the relationship between celebrity, populism and power?

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Next time: Adam Rutherford on counterfactual science to kick off our new series on ‘What Ifs…’

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David talks to the writer and broadcaster Helen Lewis about Harper Lee’s To Kill A Mockingbird (1960), one of the most widely read and best-loved novels of the twentieth century, and in the twenty-first century increasingly one of the most controversial. Is the book an attack on or an apology for Southern racism? How does its view of race relate to the picture it paints of class and caste in 1930s Alabama? And what on earth are we to make of the recently published prequel/sequel Go Set A Watchman? Plus we discuss Demon Copperhead, JD Vance, and more.

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Next time: Tim Rice talks about Evita

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The writer and political philosopher Lea Ypi talks about the impact on her of Henrik Ibsen’s The Wild Duck (1884), which she first read when she was eight – thinking it was a children’s book (it isn’t!) – and has been returning to ever since. A play about family and betrayal, idealism and disappointment, temptation and self-destruction, is it also a parable about the illusions of politics? And how might it shake a person’s faith?

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Next time: Helen Lewis on To Kill A Mockingbird

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David talks to Mark Ford and Seamus Perry, hosts of the LRB’s Close Readings poetry podcast, about what makes a great political poem. Can great poetry be ideological? How much does context matter? And is it possible to tell political truths in verse? From Yeats’s ‘Easter 1916’ to Owen’s ‘Strange Meeting’ to Auden’s ‘Spain 1937’: a conversation about political conviction and poetic ambiguity.

To find out more about Close Readings and how to subscribe, just visit the LRB’s website https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings

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Next time: Lea Ypi on Ibsen’s The Wild Duck

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This week we check back in with Gary Gerstle to discuss what’s been happening in American politics after a tumultuous week. What does it say about Trump’s electoral strategy that he picked J.D. Vance as his running mate? How would the Republican party have coped if the assassin’s bullet hadn’t missed? Who might replace Biden at the top of the Democratic ticket and how? Plus, what fate lies in store for Bidenomics if Trump plasters his name all over it?

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And sign up to PPF+ to get all our bonus episodes along with ad-free listening: available now for PPF+ subscribers, Robert Saunders on his favourite political novel, George Eliot’s Felix Holt

Next time: The Great Political Poems

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Our series concludes with a musical: Lin-Manuel Miranda’s wildly popular and increasingly controversial Hamilton (2015). What does it get right and what does it get wrong about America’s founding fathers? How fair is it to judge a Broadway musical by the standards of academic history? And why does a product of the Obama era still resonate so powerfully in the age of Trump and Biden?

The latest edition of our free fortnightly newsletter - which accompanies the last three episodes in this Fictions series including Hamilton - is out tomorrow, with lots of extra info, clips and reflections – just sign up here: https://linktr.ee/ppfideas

And sign up now to PPF+ to get all our bonus episodes along with ad-free listening: coming very soon for PPF+ subscribers Robert Saunders on his favourite political novel plus a special episode on Evita: www.ppfideas.com

Next time: Gary Gerstle on the Republican National Convention

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The penultimate episode in our fictions series is about Curtis Sittenfeld’s American Wife (2008), which re-imagines the life of First Lady Laura Bush. One of the great novels about the intimacy of power and the accidents of politics, it sticks to the historical record while radically retelling it. What does the standard version leave out about the Bush presidency? How does an ordinary life become an extraordinary one? And where is the line between fact and fiction?

Sign up now to PPF+ to get all our bonus episodes along with ad-free listening: coming soon for PPF+ subscribers Robert Saunders on his favourite political novel plus a special episode on Evita: www.ppfideas.com

Next time: Lin-Manuel Miranda’s Hamilton

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Our political fictions series returns with Alan Hollinghurst’s The Line of Beauty (2004), which is set between Thatcher’s two dominant general election victories of 1983 and 1987. A novel about the intersection between gay life and Tory life, high politics and low conduct, beauty and betrayal, it explores the price of power and the risks of liberation. It also contains perhaps the greatest of all fictional portrayals of a real-life prime minster: Thatcher dancing the night away.

Sign up now to PPF+ to get all our bonus episodes along with ad-free listening: coming soon for PPF+ subscribers Robert Saunders on his favourite political novel plus a special episode on Evita: www.ppfideas.com

Next time: Curtis Sittenfeld re-imagines Laura Bush in American Wife

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To wrap up our series David and Robert attempt some instant history on the election result that’s just happened: in some ways predictable, in others utterly remarkable. What does such a big win for Labour on such a relatively small vote mean? What’s happening in Scotland? Where next for the Tories? And is the UK now an outlier in a world of increasing political turmoil, or is the turmoil just under the surface here too?

Our free fortnightly newsletter to accompany this series is out now, with fact, figures, clips and reflections on all these elections and more – just sign up here: https://linktr.ee/ppfideas

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Coming Up: More Great Political Fictions

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For election day, David and Robert discuss the previous general election in December 2019, which saw Boris Johnson win a decisive victory under the slogan ‘Get Brexit Done’. How did he (or Dominic Cummings) do it? Was Corbyn to blame for Labour’s defeat? And how the hell did the Tories get from that resounding victory to their current disarray in just 4½ years?

To get our free fortnightly newsletter to accompany this series, with fact, figures, clips and reflections on all these elections and more, just sign up via the Newsletter button here: https://linktr.ee/ppfideas

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Coming next: 2024 – What Happened?

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For the twelfth episode in our Great Political Fictions re-release, David discusses Margaret Atwood’s The Handmaid’s Tale (1985), her unforgettable dystopian vision of a future American patriarchy. Where is Gilead? When is Gilead? How did it happen? How can it be stopped? From puritanism and slavery to Iran and Romania, from demography and racism to Playboy and Scrabble, this novel takes the familiar and the known and makes them hauntingly and terrifyingly new.

Tomorrow: Alan Hollinghurst’s The Line of Beauty

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In this extra episode for election week David talks to historian Robert Saunders about the last great Labour landslide of 1997, when Tony Blair won the biggest majority in his party’s history (till now?). Why did the Tories get no credit for a strong economy? How did New Labour change political campaigning? Was this the election that did for the prospects of proportional representation? Plus – the Millennium Dome: totemic or tat?

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For election day tomorrow: the Boris + Brexit election of 2019

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