Out for Blood: The Story of Carrie the Musical – Détails, épisodes et analyse

Few musicals have captured the hearts of audiences quite like Disney's ALADDIN. But did you know the beloved stage adaptation of the classic animation almost never came to be? This podcast pulls back the curtain on the untold story of ALADDIN's journey from conception to Broadway triumph. Join 11-time Emmy Award winning entertainment journalist for NY1 and NY1OnStage host Frank DiLella on an in-depth exploration that begins with the initial spark of a stage adaptation. We'll delve into the challenges faced during out-of-town tryouts, the unwavering determination to overcome them, and the celebration of reaching over a decade on Broadway – a remarkable feat in the world of musical theatre. This captivating series features exclusive conversations with the original cast and creative team behind ALADDIN including Alan Menken, Casey Nicholaw, James Monroe Iglehart, Adam Jacobs, Courtney Reed, Sonya Balsara, Adi Roy and more as they recount their experiences with the show. Whether you're a lifelong Disney fan, a theatre enthusiast, or simply captivated by the magic of storytelling, this series is a must-listen. Unveil the untold story of ALADDIN and discover the passion, resilience, and drive that created a Broadway sensation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for an extraordinary deep dive inside the most transformative decade on Broadway through gripping behind-the-scenes accounts of shows such as Sunset Boulevard, Rent, Angels in America, Chicago, The Lion King, and The Producers - shows that changed the history of the American theater. Host Michael Riedel, author of the best-selling book Singular Sensation: The Triumph of Broadway, has created a companion podcast featuring his never-before-heard, taped audio interviews with legendary artists from Andrew Lloyd Webber, Stephen Sondheim, Patti LuPone, and so many more. Michael presents the drama behind the decade’s mega-hits and shocking flops, bringing readers into high-stakes premieres, fraught rehearsals, tough contract negotiations, intense Tony Award battles, and more. From the bitter feuds to the surprising collaborations, all the intrigue of a revolutionary era in the Theater District is packed into Singular Sensation. Broadway has triumphs and disasters, but the show always goes on. Enjoy Singular Sensation: The Podcast everywhere you get your podcasts or use http://bpn.fm/singularsensation to listen and learn more, and be sure to get the book here: https://amzn.to/4cNdfO3. Learn more about your ad choices. Visit megaphone.fm/adchoices

Carrie the Musical is back. It’s been revived in New York, it has an official cast recording with millions of streams, and it’s about to hit the mainstream. How did this famous flop end up being the focus of a big-time teen drama series? Riverdale showrunner and Chief Creative Officer of Archie Comics Roberto Aguirre-Sacasa joins us to explain all.  Plus, we find out how a new generation of creatives are bringing Carrie to life in innovative new productions around the world. We speak to Louis Hobson, Alice Ripley and Keaton Whittaker from the Seattle production, Brady Schwind, Kayla Parker and Emily Lopez from the California immersive ‘killer musical experience’ and Gary Lloyd, Evelyn Hoskins, Jodie Jacobs and Kim Criswell from the Southwark Playhouse, London staging, where some of our original cast members see the show again for the first time... Join us on our social channels for exclusive backstage photos from this week's guests! Instagram Facebook Twitter Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt.  Out for Blood is a proud member of the Broadway Podcast Network. NEW! Chris's book Out for Blood: a Cultural History of Carrie the Musical is out now! You can order now from the publisher or all good book stores. You can now also order OFB t-shirts, hoodies, totes, stickers, pins and more here! Thanks this week to Roberto Aguirre-Sacasa, Louis Hobson, Alice Ripley, Keaton Whittaker, Brady Schwind, Kayla Parker, Emily Lopez, Gary Lloyd, Evelyn Hoskins, Jodie Jacobs, Kim Criswell, Linzi Hateley, Suzanne Thomas, Shelley Hodgson and Jeffrey McCann. THIS WEEK’S LINKS:  Keaton Whittaker (Carrie, Seattle) sings the title song ‘Carrie’ and Alice Ripley (Margaret, Seattle) sings ‘When There’s No One’. Highlights from ‘Carrie: The Killer Musical Experience’ in Los Anegles, and a hella creepy trailer.  Kayla Parker’s epic final audition video for the LA production. The trailer for the Southwark Playhouse, London production. The ad for ‘A Night to Remember’, Riverdale’s Carrie episode, and their cast recording on Spotify. Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

By 2012, over two decades had passed since Carrie the Musical’s high-profile Broadway car crash, and the last thing its creators wanted was to resurrect the show that haunted them. But the requests for a revival kept coming in.   We find out why Director Stafford Arima was determined to give the show a new life, and how he persuaded the writers to give Carrie another chance in a smaller, tighter new production (with not a unitard or giant staircase in sight). We meet two of the stars of that ‘revisal’, Molly Ranson and Carmen Cusack, and speak to award-winning vocal designer AnnMarie Milazzo about how she reinvented the sound of Carrie for a new generation. Is it possible to shake off the reputation of a show that’s known as a complete disaster? And can you really do Carrie without the blood? Friends of Carrie - join us on our social channels: this week we shared some iconic exclusive photos from Linzi Hateley’s personal Carrie collection! Instagram Facebook Twitter   Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network.  NEW! Chris's book Out for Blood: a Cultural History of Carrie the Musical is out now! You can order now from the publisher or all good book stores. You can now also order OFB t-shirts, hoodies, totes, stickers, pins and more here! Thanks this week to Dean Pitchford, Stafford Arima, AnnMarie Millazzo, Molly Ranson, Carmen Cusack and Andrew Wachter. THIS WEEK’S LINKS: Stafford Arima is now the Artistic Director of Theatre Calgary, in Alberta, Canada. The Carrie ‘revisal’ was produced and staged by MCC Theater The iconic Marin Mazzie as ‘Mother’ in ‘Ragtime’ Footage from the Carrie revisal on Playbill.com and the official cast recording on Spotify The New York 1 review of the show Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

With an epic standing ovation on closing night, and urban legends already forming about its turbulent journey to the stage, Carrie the Musical had become an instant cult classic. If you’d missed Carrie’s all-too-brief run on Broadway, you just weren’t ‘in’. But the show was over and - like most flops - it might have slowly faded into oblivion. But, it didn’t. We track down the army of fans determined to keep Carrie alive in the ‘wilderness years’ that followed. We uncover the surprising truth about exactly where those bootleg videos came from, and hear from Tony-nominated composer Joe Iconis (‘Be More Chill’) about his teenage Carrie addiction - including a terrifying phone call from a familiar name. We also meet David Cerda, creator of drag parody ‘S’Carrie the Musical’, and talk to the people who threw caution to the wind and mounted unauthorised productions of the musical everybody thought was dead and buried. Did they get away with it?  Friends of Carrie - join us on our social channels and share your feedback! Instagram Facebook Twitter   Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. NEW! Chris's book Out for Blood: a Cultural History of Carrie the Musical is out now! You can order now from the publisher or all good book stores. You can now also order OFB t-shirts, hoodies, totes, stickers, pins and more here! Thanks this week to Dean Pitchford, Linzi Hateley, Sally Ann Triplett, Eric Gilliom, Jeremy Sturt, Joe Iconis, Alice Ripley, Stephen Dolginoff, Julie Cohen, Laura Dean, Annie Golden, Todd Graff, Craig Hepworth, Robbie Rozelle, David Cerda, Jeffrey Murphy, Julie Kleiner Davis, Vivienne Cleary, Kaily Smith Westbrook, Stagedoor Manor and Jeffrey McCann. THIS WEEK’S LINKS: Joe Iconis is the multi-award winning creator of the Broadway show Be More Chill: visit him at mrjoeiconis.com. Check out his Carrie Halloween mashup! Details of original cast member Eric Gilliom’s one man show, featuring that kill the pig tribute, can be found here. Todd Graff’s cult classic movie Camp based on his experiences at Stagedoor Manor is available on DVD. Craig Hepworth, that Robin Hood of the Carrie bootleg world, runs the theatre company Vertigo Productions. Robbie Rozelle’s excellent albums including ‘Songs from Inside my Locker’ can be found on his site. And of course, have a listen to the one and only S’Carrie the Musical. Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our deep, deep dive into Broadway’s most infamous flop as we charge head-first into the madness and mayhem of Act Two!  And mayhem it really is! Leather outfits! Dead pigs! Is that a medieval sword? A rap! A giant disco ball! Lasers! Oh my! As the audience cracks up at the infamous line ‘it’s a simple little gig, you help me kill a pig, and I’ve got some plans for the blood’, we hear first-hand from the cast about that iconic but tricky blood-soaked finale, not to mention the reaction to Broadway’s most expensive staircase. And can it really be true that the cast was met by a chorus of boos at the curtain call… or is there more to it? Wotta night! Oh! Also - did anybody mention that Carrie is telekinetic? No? Join us on our social channels and share your feedback! Instagram Facebook Twitter   Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt.  Out for Blood is a proud member of the Broadway Podcast Network. NEW! Chris's book Out for Blood: a Cultural History of Carrie the Musical is out now! You can order now from the publisher or all good book stores. You can now also order OFB t-shirts, hoodies, totes, stickers, pins and more here! Thanks this week to Dean Pitchford, Linzi Hateley, Sally Ann Triplett, Charlotte D’Amboise, Georgia Otterson, Michelle DuVernay, Shelley Hodgson, Suzanne Thomas, Joey McKneeley, Kenny Linden, Eric Gilliom, Michelle Nelson Manne, Audrey Lavine, Jeremy Sturt, Todd Graff, Peter Michael Marino, Stephen Dolginoff, Kim Criswell, Mark Silver, Scott Briefer, Peter Mckintosh, Bob Sembiante and Keith Butler. THIS WEEK’S LINKS: The unofficial Carrie Archive Channel on YouTube has plenty of bootleg videos of Carrie so you can check out all the madness yourself. They’ve also compiled this megamix of audience reactions. A bootleg video of ‘Crackerjack’ in Stratford vs an audio of the renamed ‘Out for Blood’ on Broadway - which is your favourite? Either way, enjoy. Sally Ann Triplett’s (Sue's) cut song ‘White Star’. Linzi Hateley performs ‘When There’s No-One’ (paid content). Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first of two special episodes, we take a close look at the original 1988 staging of Carrie, examining it song by song and scene by scene to try and work out exactly where things go wrong and why this show became so infamous in Broadway history. We’re re-assessing Carrie from all angles! First up, Act One - and the audience is perplexed to be discover Carrie's high school is represented by an enormous shiny white box. The dancers share some intimate details about 80s microphone technology, we hear the reaction to Linzi Hateley’s big opening number, and we debate what an ‘active gland’ might be. We would go bowling if you REALLY cared!  As well as our gang of original cast members and a handful of superfans, we’re joined by writer and composer Stephen Dolginoff (‘Thrill Me: The Leopold and Loeb Story’), online performance pioneer Peter Michael Marino (‘Desperately Seeking Susan’) and general legend/future Margaret White Kim Criswell who all saw the show in 1988 and lived to tell the tale. Join us on our social channels and share your feedback! Instagram Facebook Twitter Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. NEW! Chris's book Out for Blood: a Cultural History of Carrie the Musical is out now - order from the publisher or all good book stores. You can now also order OFB t-shirts, hoodies, totes, stickers, pins and more here! Thanks this week to Dean Pitchford, Linzi Hateley, Sally Ann Triplett, Charlotte D’Amboise, Georgia Otterson, Michelle DuVernay, Shelley Hodgson, Suzanne Thomas, Joey McKneeley, Kenny Linden, Eric Gilliom, Michelle Nelson Manne, Audrey Lavine, Jeremy Sturt, Peter Michael Marino, Stephen Dolginoff, Kim Criswell, Mark Silver, Scott Briefer, Robbie Rozelle, Peter Mckintosh and Todd Graff.  THIS WEEK’S LINKS: The unofficial Carrie Archive Channel on YouTube has plenty of bootleg videos of Carrie so you can check out all the madness yourself Check out the sites of Stephen Dolginoff and Peter Michael Marino Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

The eager Carrie cast arrives in the Big Apple only to discover that very little has been done to address the show’s major problems, and that the show’s set has been lost in transit. But there is one major addition: Betty Buckley, a big-name Broadway star has joined the company. As the team nervously prepares for opening night, will New York audiences and critics be kinder to the show? We follow the journey from previews to press night to the shocking announcement that will shape Broadway history.  Join us on our social channels and share your feedback! Instagram Facebook Twitter Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. NEW! Chris's book Out for Blood: a Cultural History of Carrie the Musical is out now - order from the publisher or all good book stores. You can now also order OFB t-shirts, hoodies, totes, stickers, pins and more here! Thanks this week to Dean Pitchford, Linzi Hateley, Sally Ann Triplett, Charlotte D’Amboise, Georgia Otterson, Michelle Du Verney, Shelley Hodgson, Suzanne Thomas, Joey McKneeley, Kenny Linden, Eric Gilliom, Michelle Nelson Manne, Jeremy Sturt, Wendi Peters and Mark Shenton.  THIS WEEK’S LINKS: Bootleg audio from a rehearsal of Linzi Hateley joined by new co-star Betty Buckley, and bootleg video of Betty’s infamously epic performances of ‘Eve Was Weak’ and ‘When There’s No One’. A bootleg audio recording of the show on Broadway, and a bootleg video of Act 1. The only known (and very blurry) footage of ‘The Destruction’ on Broadway, from an unaired German documentary, shot from the control booth. “You could take your money and throw it”... some TV reviews of the Broadway production. It ain’t pretty, folks. Some very grainy footage of the cast backstage on their final day. Andrew Lloyd Webber’s shady feedback at the opening night party. Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Rehearsals for Carrie the Musical continue in Stratford-upon-Avon, England. But as the show hurtles towards its opening night, the cast soon feel like they’re working on two very different shows, and the frustration of the writing team grows as they’re cut out of the creative process.  Meanwhile, trouble is brewing behind the scenes as musical legend Barbara Cook begins to doubt that Carrie is the ideal vehicle for her big Broadway comeback, making her point known with a very un-subtle gift for Director Terry Hands. But is an on-stage accident on opening night enough to call a halt to proceedings? And finally, as the British critics file their reviews - is Carrie really ready for its big Broadway transfer? (Spoiler: it is not). Join us on our social channels and share your feedback! Instagram Facebook Twitter Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. NEW! Chris's book Out for Blood: a Cultural History of Carrie the Musical is out now - order from the publisher or all good book stores. You can now also order OFB t-shirts, hoodies, totes, stickers, pins and more here! Thanks this week to Dean Pitchford, Linzi Hateley, Sally Ann Triplett, Charlotte D’Amboise, Georgia Otterson, Michelle DuVernay, Shelley Hodgson, Suzanne Thomas, Joey McKneeley, Kenny Linden, Eric Gilliom, Michelle Nelson Manne, Audrey Lavine, Jeremy Sturt, Peter Mckintosh, Mark Shenton and Brice Stratford (yes, he really does have the same surname as this episode). THIS WEEK’S LINKS:  A video of Debbie Allen running a dance rehearsal for the song ‘Wotta Night’ at the RSC in Stratford. Terry Hands and Debbie Allen come together to rehearse the beginning of the prom sequence https://www.youtube.com/watch?v=pjlPaachf7A. An on-stage tech rehearsal for ‘In’ at the Royal Shakespeare Theatre.  The bootleg RSC archive video of the full Stratford edition of Carrie the Musical Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Holly and Chris’s dreams come true as they chat with members of the original cast of Carrie the Musical over wine, including Charlotte D’Amboise (Chris), Sally Ann Triplett (Sue) and legendary OG Carrie White herself, Linzi Hateley, not to mention several members of the half-British, half-American ensemble and crew. The cast share their audition stories and their first experiences in the rehearsal room - including their memories of navigating the unusual choreographer/director pairing of Debbie Allen and Terry Hands - and describe what happens when you throw together 30 young, sexy musical theatre performers in a quaint English town full of pubs. We also investigate why the Royal Shakespeare Company got involved in all this chaos in the first place, and learn the truth about an infamous misunderstanding that will define the iconic design of this very unusual musical. Join us on our social channels and share your feedback! Instagram Facebook Twitter Out for Blood is hosted by Holly Morgan and Chris Adams, edited by Tom Moores, with original music by Odinn Orn Hilmarson and artwork by Rebecca Pitt. Out for Blood is a proud member of the Broadway Podcast Network. NEW! Chris's book Out for Blood: a Cultural History of Carrie the Musical is out now - order from the publisher or all good book stores. You can now also order OFB t-shirts, hoodies, totes, stickers, pins and more here! Thanks this week to Dean Pitchford, Linzi Hateley, Sally Ann Triplett, Charlotte D’Amboise, Georgia Otterson, Michelle Du Verney, Shelley Hodgson, Suzanne Thomas, Joey McKneeley, Kenny Linden, Eric Gilliom, Michelle Nelson Manne, Jeremy Sturt, Wendi Peters and Mark Shenton. THIS WEEK’S LINKS: The RSC was inspired to develop Carrie after its first commercial musical Les Miserables was a hit in London and New York - clips from the original production (and here’s the legendary Linzi Hateley performing in it after leaving Carrie). Carrie co-producer Fritz Kurtz had found success transferring English mega-musicals to Germany including Starlight Express, which is still running. Terry Hands defends the unusual production model of Carrie in this 1988 Washington Post article. Imelda Staunton as a mature Dorothy in the RSC’s The Wizard of Oz Debbie Allen as Lydia Grant in Fame. The iconic Barbara Cook in the 1960 production of The Music Man. Darlene Love sings on Phil Spector’s Christmas (Baby Please Come Home). It may be January but we can still enjoy this. The talented Gene Anthony Ray dances in Fame. The Carrie Playbill, featuring the ensemble playing themselves. Please note that we don’t own any of the content above and we’re not responsible for the content of third-party links – enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices