Explorez tous les épisodes du podcast Our Built Heritage

“The hierarchy of significance doesn't necessarily equate to the older, the higher.”

Lisa McFarlane, Seven Architecture.

In this episode I am joined by Lisa McFarlane, Director andRIBA Specialist Conservation Architect at Seven Architecture. Lisa specialises in heritage, conservation and new buildings in historical settings across the UK. She is also a member of the Institute of Historic Building Conservation (IHBC).

Lisa shares her journey and how maths is an important partof being an Architect and where her enjoyment for older buildings and repurposing them came from. This was furthered when she undertook a Masters in conservation whilst working full time in a practice. The Masters reinforced the importance of heritage and developed Lisa’s understanding of obtaining funding and how to make projects in heritage work alongside technology and how thebuilding fabric works and responds in more traditional methods of construction.

We talk about the trends in designs and people’s perceptionof buildings and how climate agendas may also be playing a part in how buildings are seen, looked after and developed.

We talk about working with traditional buildings and how toreuse them sensitively whilst also maintaining a building and the need to understand the construction to make sure the materials selected are appropriate. Lisa shares some of the projects she has worked on which helps to bring to life howshe puts this into practice.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness on our built heritage.

“It's a beautiful and yet very basic question, isn't it?”

James Wright, Triskeley Heritage.

In this episode I am joined by James Wright, from TriskeleyHeritage, an archaeological consultancy practice based in Nottingham offering building archaeological services. James is also a published author and worked as a specialist consultant on a number of films, television and radio programmes.

James appeared in Series 3, Episode 5 where we talked abouthow he got into working in the heritage sector, common themes and misconceptions that keep cropping up in his line of work and advice for people who own a traditional property.

We talk about what could make a building significant and thefactors that may influence this along with the stories that are associated with a building that can further impact the significance. Changes in people’s requirements could then be translated into not only the adaptation but also the significance of a building.

We chat about how the function of a building may change dueto the requirements placed on it and how buildings are adapted and why they might have been built in the first place.

We also discuss what to look for when trying to read abuilding and how the way buildings were listed means that there are buildings out there that are centuries older than they first appear to be. There is also evidence of buildings that should be listed but have not been properly assessedand the ramifications of this. 

James and I discuss climate change and what this might meanfor buildings.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else, you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness on our built heritage.

“I love historic buildings, but without people, they don't mean anything.”

Charlotte Tomlinson, Heritage Network.

In this episode I am joined by Charlotte Tomlinson,  Development and Outreach Officer for England at the Heritage Network. Charlotte oversees a national programme of sector support and peer learning events, empoweringcommunity heritage initiatives with the rescue and reuse of schemes, and heritage-led regeneration. 

Charlotte shares how her love of history influenced heracademic choices and exposed her to the meaning of heritage. We talk about her early roles after completing a Masters and PHD and the importance of communitygroups and how integral they are to looking after buildings and community benefits it brings.

We chat about what heritage means practically and when itcomes to a building that isn’t being used and what this means for the building, the community and the environment. Challenges often come from the people involved not understanding the value and thinking it is more complicated than it is rather than the condition of the building being too challenging to keep and it is this perception of heritage that prevents buildings from being saved.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness on our built heritage.

“For us, conservation is the incredibly careful management of change”

Kelly O’Driscoll, Blenheim Palace.

In this episode I am joined by Kelly O’Driscoll, Head ofBuilt Heritage at Blenheim Palace. Kelly’s work involves creating, programming and delivering Blenheim Palace’s Conservation Strategy which involves looking after the estate and making sure the 1m visitors each year have a quality experience in spite of the restoration programme that is happening all around them. Visitors are encouraged to join the journey with a “No apology for the scaffold” approach. You can’t have one without the other and Kelly is an obsessive champion of craft and conservation skills- architects, structural engineers and artisans.

We talk about how Kelly’s journey from being an Architectand working with hospitals, schools, universities and historical buildings led to her being the Architect for an island. The work she undertook was challenging and incredibly sensitive in nature prior to joining the team at Blenheim Palace.

We chat about the importance of communication and having adetailed project plan that factors in all the different priorities for the building and generating income to help care for it. Working to a longer term 15-yearplan means consideration is given to the future rather than being focused onlyon the present. Kelly explains how work is assessed and the information that is gathered to inform decisions.

Kelly shares her thoughts on restoration, conservation,preservation and repair and how these words do and don’t apply to the work they undertake at Blenheim Palace from roof repairs, replacing guttering and the orangery roof.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else, you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness on our built heritage.

In this episode I am joined by Hannah Pallubinsky, Assistant Professor at Maastricht University where she co-leads the Thermoregulation and Metabolism research group. Hannah’s research focuses on how environmental factors such as temperature, humidity, and air quality impact human physiology, health, and well-being. With particularly interest in how our bodies respond to indoor and outdoor environments, and how we can design healthier living and working spaces in the face of climate change.

Hannah talks about how her research has influenced her views on the built environment and the relationship humans have with buildings and how the indoor environment influences our health plus the role old buildings play given the number that are in existence. Old buildings were designed to fit the needs of occupants and as designs have changed how much is considered about the health of the occupants’ vs the buildings aesthetics?

We chat about the complications that mechanical ventilationcan have on a person if it were to fail. The impact an environment can have on your health and if we are not exposed to any variation in temperature it can result in a body not performing as it should and our bodies often get lazy. Biologically we are comfort seekers!

Hannah shares how the research can feed into the builtindoor environment and make buildings more resilient for the future. 

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness onour built heritage.

In this episode I am joined by Mairi Claire Bowser, a Dundeeborn Production Buyer, currently based in the South of England. Mairi Claire has worked in the Film and TV industries across the UK since 2011, and has been actively engaged with, and has helped to lead movements for, environmentaljustice in relation to the screen sector since then.

Mairi Claire shares her journey into film and TV productionand how the magic happens but also what does and doesn’t happen to props and set components and the challenges they face.

We talk about sustainability and the carbon impact but alsothe social side and human equality aspects and how all these factors need to be a driving force in decision making.

Mairi Claire talks about what it’s like to own a wikka mudhouse and the complexities and joy of owning such a unique property.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness onour built heritage.

Link to the map Mairi Claire mentioned

Natural, Historic, Alternative & Sustainable Building& Renovation in the UK Resource Map

https://www.google.com/maps/d/edit?mid=1K3066GOUPYDTIACOU784arzJYhVnfI0&usp=sharing

Material Redistribution Map for the U.K Film & TVIndustries

https://www.google.com/maps/d/u/0/edit?mid=1U1gKn0ewMoy96HKB8xMdSulJxEuJO3E&usp=sharingc

https://www.mcbowser.com/

In this episode I am joined by Ellora Coupe Founder of HerRetrofit Space and Her Own Space, two interconnected member platforms empowering women to lead the UK’s home retrofit revolution.

Ellora shares her journey from interior architecture andexposure to building sites at a young age thanks to her father. We talk about how she works with a client and the importance of understanding the client and what they need from their space to ensure the right solution is achieved whichmay mean reconfiguring a space rather than adding an extension. We also talk about seeing properties differently with more of a car mindset then how we often see a property which can be to its detriment.

We chat about what you might consider when you areretrofitting a property and how misleading that word is.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness onour built heritage.

In this episode I am joined by John Hall, Director at Remedial Repair & Restoration where they help clients to seamlessly blend old and new brickwork whilst also offering restorationservices on all types and ages of properties.

John shares where his interest in bricks came from and thejourney he went on which led him to starting his specialist business which includes supply and restoration of historic bricks including brick matching and paint removal. We talk about some of the projects he has worked on.

We discuss the tinting process and how bespoke it is whichuses the porous properties of the bricks to achieve the results to ensure the colour is right for the building and the setting. FYI it is not painting bricks!

John shares his thoughts on ivy, air bricks and letting abuilding breathe and how quickly stone can decay if it has a crack in it.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness onour built heritage.

In this episode I am joined by Aimée Felton, Director of Estates and Conservations at The Charterhouse, a grade 17-acre estate. Aimée plays a critical role in delivering the strategy which promotes excellence in the care, conservation and stewardship of this magnificent former Carthusian monastery. Managing, presenting and developing the estate, to ensure the ongoing care of the residents, presentation of the estate to the public and excellence in built conservation.

Aimée shares her career journey and how she started life as an architect and how her passion for heritage shaped the projects she worked on which then led her to being appointed Director of Estates and Conservations at The Charterhouse. We talk about her role at The Charterhouse and how the estate is used including as almshouses as well as venues for events and filming and photoshoots.

We talk about the practical aspects of caring for a listed site and what that means when it comes to maintaining and adapting it to meet changing needs, especially when it comes to sustainability and aging populations.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness onour built heritage.

In this episode I am joined by Adam Hickey, Founder and Managing Director at Pinnacle Conservation. Pinnacle are passionate about construction, conservation and enhancing venerable and fragile buildings. They offer a holistic approach to the repair and conservation of historic buildings. As conservation specialists they enjoy challenges posed by the most obscure heritage conservation projects presented to them and tackle them with enthusiasm.

Adam shares how he became passionate about heritage and exposure to older buildings on family holiday subconsciously played a part. We talk about the types of projects he has been involved in and the thought process that goes into it.

Adam shares his thoughts on the north south variation when it comes to the availability of projects and routes into the industry. We talk about the joy and magic of working on older properties and how tangible history is.

We also discuss the usual challenges, common themes and misconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you can share Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness on our built heritage.

In this episode I am joined by Ruth Wightman, founder of Peak Project Solutions where she helps architects, contractors, and specifiers across the UK deliver projects that are practical, buildable, sustainable and visually compelling. Part of Ruth’s offering is to source bricks and masonry that blend seamlessly with the existing building which can often be a planning condition when working on listed buildings and buildings in a conservation area.

Ruth shares her journey and the array of roles she hasundertaken which led her to establish company. It is incredibly inspiring to hear!

We talk about the projects Ruth has been involved in and howthey source, match and tint bricks to suit the clients and building’s needs and the importance of conservation and repurposing materials.

Ruth describes what may happen when a building is demolished or there is over ordering/waste on a site and how in some cases change needs to happen and a more joined up approach.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness on our built heritage.

In this episode I am joined by Karen Haller FRSA, a global expert in Behavioural Design and Colour Psychology. Shehelps businesses and design professionals use colour and design to support mental health, enhance well-being, and create positive, nature-aligned change. Karen consults and collaborates with companies looking for innovative solutions to social problems who seek new ways of improving the human experience in balance with nature. Her clients included architectural and design practices and leading global brands. She has helped hundreds of design professionals aroundthe world to deepen their knowledge of colour through her sought-after colour and design psychology courses and mentoring programmes. Karen is the author of The Little Book of Colour as well as being an in-demand media commentator,international speaker and awards judge.

Karen shares her journey and how she became a colour phycology expert and how colour is more than how colour is placed around the colour wheel. Colour phycology is about how colour influences how we think, how we feel and how we behave based on a colour in isolation but also the combination of colours.

We talk about how colours have changed and how purple meant death if it was used by anyone else but Julius Caesar as he deemed it exclusively his to use. How the materials that made the paint often resulted in what was deemed exclusive to the rich and whether it was affordable until acrylic paint was invented along with synthetic dyes producing the results of the more expensive materials however that may result in a level of toxicity that is not seen in the natural world when using natural pigments.

We discuss considerations when applying colour and appropriateness of materials and the context of the setting whilst also addressing how we feel in the space considering peoples behaviours.

We talk about trends and how it is not a new thing and it can be driven by scarcity like purple or the availability of it when purple becomes widely available. Human nature to belongand feel like we are part of it and trends plays into this.

We chat about heritage colours in a heritage context and how it can impact how you feel. Along with how people’s decor can be driven by how much external stimulation people areexposed to which was heightened during COVID when people could not leave their home which resulted in more colour or in some cases less colour being used tosupport their wellbeing.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness onour built heritage.

Instagram: https://www.instagram.com/karen_haller_colour

Facebook: https://www.facebook.com/KarenHallerColourAndDesign

LinkedIn: https://www.linkedin.com/in/karenhaller

WEBSITE DETAILS

Consulting https://karenhaller.com

Free design industry e-book https://karenhaller.com/free-10-myths-ebook

Colour & Design courses https://karenhaller.com/courses

 Little Book of Colour https://thelittlebookofcolour.com

 Free first chapter https://thelittlebookofcolour.com/free-chapter

In this episode I am joined by Sarah Charlesworth, Business Skills Foundation Lead at the Hopwood Foundation and Hopwood DePree, writer, actor, director and producer and now Co-Deputy Chair of Historic Houses North-West Region. He is also a published author which details his restoration journey of a Grade 2 listed building, Hopwood Hall, which wasbuilt by his ancestors with parts of it dating back to the 1420s.

Sarah shares how she started working within the heritage sector after studying building archaeology and then working in local government and Historic England. Hopwood grew up in Michagan and then lived in Los Angles where it is heavily influenced by Art Deco designs. When he found out that the stories from his childhood were true and Hopwood Hall was real, he visited the UK and saw the building and the state ofdisrepair but was overwhelmed by how the community was trying their best to care for it. Using the skills he learnt working in film he applied them to saving the building and his work continues.

We talk about the importance of having the right level of resourcing and knowledge in planning departments to support projects and the impact it can have on a building when they are not in place.

Hopwood shares the challenges they are facing in particular all the red tape which is more than he anticipated but the community has fuelled his passion to save the building forfuture generations.

Hopwood describes his surprise at skills shortages given theage of the UK’s building landscape. Sarah talks about the programme they’ve established with prisons to build skills and provide work opportunities when they leave the prison system.

We talk about Hopwood’s plans for Hopwood Hall and how itwill serve the community whilst offering it as an event space to generate income to help maintain the building for generations to come so it can be self-funding rather than rely on grants.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you can share Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness on our built heritage.

Links to organisations mentioned on today’s episode

Hopwood Foundation https://hopwoodfoundation.org/

Architectural Heritage Fund https://ahfund.org.uk/

Heritage Fund https://www.heritagefund.org.uk/

Heritage Trust https://heritagetrustnetwork.org.uk/

Getting involved in the skills training/learn more about theprogramme Skills@hopwoodfoundation.org

In this episode I am joined by Emma Fletcher, Director of Low Carbon Homes at Octopus Energy which focuses on delivering sustainable and affordable energy solutions for residential properties. Emma is also Chair of the Residential Professional Group Panel and a member of the Knowledge and Practice Committee at RICS, where she contributes to advancing best practices in residential surveying.

Emma shares how her interests in properties and visitinghistorical sites and subjects at school influenced her journey.

We chat about how buildings are driven by function and how historically the church would have played a central role both in terms of the community but also in terms of where buildings were located.

We discuss how important health, wellbeing and warmth was in building design particularly since the industrial revolution and how these factors are still a fundamental consideration in building design today. Factors such as engineering, advances in technology and the choices in materials where the best they could afford, striving for excellence are all things we shouldcontinue to consider when designing buildings.  

Emma talks about owning a Grade 2 listed property and thechanges the building has seen over years and how each generation has left its mark. This resulted in some surprises being uncovered and how important it is to live in the building before making any changes so that you fully understand the building.

We talk about Emma’s work in bringing the first rural district heat network to the UK and how this could help replace oil and help with rising electric bills. Emma shares her top tips on how to manage gas and electricity bills and make the most of lower tariffs at night and the benefits of solar panels and how they may be perceived by homeowners.

We also discuss the usual challenges, common themes and misconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released.

It would be amazing if we between us can raise awareness onour built heritage.

In this episode I am joined by Sarah Harrison, Co-Founderand Director of Harrison Stringfellow Architects who specialise in creatively reusing buildings. Sarah is particularly good at negotiating the planning system and finding creative solutions for tricky sites combining organisational skills with a creative flair she is also an accredited RIBA Principle Designer.Harrison Stringfellow Architects ethos is centred around Community, Conservation, and Climate.

We talk about Sarah’s journey into conservation and her work as an architect and how exposure to older properties at the start of her career influenced her career progression andviews on repurposing buildings.

Sarah and I chat about advances in technology and how trends often influence a build but whether they are appropriate depending on the client and the age of the property and the buildings overall health and understanding this is integral before you start. This will then ultimately lead to creating the right solution to address any issues in lifestyle, building health etc.

Sarah describes some of the incredible projects she has worked on, the thought process behind them and the importance of heritage making sure it was centric to the final designs.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Paul Mowbray, a Scottish award-winning craftsperson and artist who specialises in fine art, sculpture, wood carving and applied art. He has a comprehensive knowledge of the decorative arts, as well as a professional career working on many highly skilled craftsmanship projects and has crafted ornate decorationfor many renowned historic buildings. Paul has also featured in Country Life, The Guardian, The Times and Scottish Field magazine to name a few, and some of his decorative projects have featured on More4 and the BBC.

Paul shares his journey into the industry and how his interests started at an early age and grew as his skills developed working with some incredible mentors and how some of his work ended up in America. It is inspiring how his hard work and dedication led him to work on some amazing projects in a multitude of disciplines.

We talk about the importance of understanding the provenance of a piece and how it was crafted and thereforehow it should be cared for so that it remains relevant in today’s world.

Paul and I talk about training opportunities, and the lack of them in some cases and how hard it can be to find opportunities to gain hands on experience but also some top tips.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Jim Whitson, owner and blacksmith at The Blazing Blacksmith based in Peebles. Theethos of the Blazing Blacksmith has always been to give clients the choice to enrich their homes, gardens and lives with innovative and exciting work which is created to suit their practical requirements whilst being sympathetic to thesetting of the piece. Whether it is a practical piece or purely sculptural Jim strives to create work which is individual and striking.

We talk about how Jim became a blacksmith, the training he undertook and how he approaches a project and thevariety in the work he is commissioned to produce. From things like strawberries to gates and anything in between.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Angela Nicholls, a historianand published author whose interest lies in the provision of housing for the poor in early modern England, in particular the nature and variety of post-Reformation almshouses from the 16th century onwards. Angela’s book “Almshouses in Early Modern England”, addresses a neglected element of English welfare history, examining the role and significance of English almshouses in the period 1550 - 1725 and the contribution they made within the developing welfare systems of the time.

We discuss the differences between history and heritage andhow they are both important when working on older properties. Angela explains the types of accommodation provided to poor people and how taxes paid for it. How the almshouses have changed and people’s attitudes to them and who might qualify for an almshouse plus parish houses and workhouses. We talk about the welfare system, particularly during the Victorian period and how Parishes looked after the poor and the physical boundaries they set around it.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone wanting to knowmore about almshouses or you are embarking on a project and are looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Stephanie Harris, an associate lighting designer at CBG Light Perceptions where they provide bespoke design, consultancy and project management services for lighting and associated systems for historic, religious and other important buildings. Stephanie is also a member of the Society of Light and Lighting.

We talk about how important it is to understand a space, howit will be used and by whom and how integral a clear brief is to work out what type of lighting is required. We also discuss how reading the building to understand what makes it special and what needs to be highlighted and what may need to be in the background is integral. Stephanie shares her experiences when working on a project and how she creates different lighting levels as over lighting can have a worse impact than under lighting a space or building.

When working with a historical and listed building it isvital that the fabric of the building is not impacted and how the context of its setting is important when developing lighting plans plus working with the various bodies to obtain sign off.

What chat about how advances in technology helps manage lighting settings to help with sustainability so that lighting is only on when it is needed and the importance of using the right suppliers to ensure longevity of the light fitting and system.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Venetia Flint, a Material Broker and Commercial Partnerships Lead at Material Index, a leading platform providing the digital infrastructure for end-to-end material reuse in the Construction and Real Estate sectors, achieving a material reuse rate that is 10 times the UK average. With a BSc Hons in Real Estate from Oxford Brookes and five years experience in the Architecture & Design sector, Venetia has an understanding of both the commercial and creative sides of the industry. She connects valuable reclaimed assets with new projects, driving significant cost, carbon and waste savings.

We talk about how Venetia got into the industry and how herexposure at a young age to older buildings and items generally planted a seed for the importance to reuse. We get into how Material Index can help companies and projects and that it is not just for older buildings looking to reinstatean item or seamlessly blend finishes but that it can be used from a ground up project where reusing materials on a new build can be just as important.

Venetia outlines the approach they take when cataloguing the items and how important the past usages, location and condition is just as important as the dimensions to help tell a story of how and when it has been used and keep its history alive.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Kathryn Ferry, a historian specialising in Architecture, Design and Seaside Culture. Kathryn has published several books which range from the history of beach huts, through Victorian homes and 1950s kitchens, to the official history of Butlin’s and the story of Britain’s largest Anglican convent at East Grinstead. She is also a Fellow of the Royal Historical Society and a Founder Member of the Seaside Heritage Network. The latest publication is called 20th Century Seaside Architecture which is published in association with the 20th Century Society.

Katheryn shares where her passion for history and heritagecame from and the roles she has undertaken and working for The Victorian Society where they helped inform the future of a building referring to some great examples.

We talk about how the seaside was an integral part of people’s lives and what it meant for the economy and how it was an industry in its own right. Plus, the importance of candy floss, sticks of rock, donuts and amusement arcades. 

Kathryn and I talk about how advances in technology, socialelements, country variations, the lack of servants and knowledge have shaped designs and how we interact with and use buildings and spaces.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Sarah Dowd, serial heritageand cultural entrepreneur, founder and chair of The Tricolor Collective, which is 15 years old this year, as well as Founder and Co-Managing Director of Les Raconteurs and host of “History FFS”, a podcast looking at the intersection ofhistory as seen through the arts.

Sarah takes us on her journey of where her passion forheritage came from and how the stories her grandmother told her and the time she spent in England helped shape her view of the world and our connection with the past and also her study and carer choices and the various roles and companies Sarah has worked with and the support she has provided organisations through their challenging times.

We talk about the meaning of heritage and how it is widerthan a building and how this informs how you should approach projects. We discuss the importance of collaboration and the need to think about how the endusers of a space will interact with it and how their needs have to be considered in the design process and not just the direct project teams and the funders perspectives – it needs to have an audience first mentality.

We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Lorraine Finch, Director andFounder of LFCP where they are accelerating climate and environmental action in cultural heritage through research, knowledge sharing and resource creation and training. LFCP provides remote and onsite consultation, training opportunities and mentoring to museums, libraries and archives nationally and internationally to help them work sustainably and to assist them in meeting their sustainability goals. Lorraine is an accredited conservator specialising in theconservation and preservation of archives, focusing on photographs, film and sound.

We talk about how Lorraine got into the conservation worldand how this led to her caring for paper based documents which later expanded into photographs. Lorraine shares some of the projects and artifacts she has worked on which is not only broad ranging but incredible in terms of the significance and age of some of the pieces she has handled and restored.

Lorraine shares information on training and routes into theindustry and how climate change is impacting the health and wellbeing of collections and heritage assets.

We discuss the usual challenges, common themes andmisconceptions working in the heritage sector which includes a myth that you can’t wash paper along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Rory Keenan, a SeniorArchitect at Purcell where they offer architectural, master planning and heritage consultancy services.  Purcell’s approach is based on thoughtful understanding of our shared heritage. Inspired by the qualities of each place, they design responsibly for future generations working throughout the UK and abroad. 

We talk about how Rory became an architect and the influence his mum and travel had on him and how the difference in training he received in Belfast and then London informed his view of design and architecture. Rory shares his thoughts on the training he received and how it is rare to start with a blank piece of paper and consideration always needs to be given to the existing environment.

Rory describes the way he approaches a project and how heloves to get involved in the history, setting and surrounding area and how this informs how he approaches the design and specification and the importance of getting the right people involved in the project, especially when it is a traditional building and how a fireman’s pole may not be a great addition to your home.

We discuss how advances in technology and lifestyle changesinfluenced design and architecture plus the usual challenges, common themes and misconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.  

In this episode I am joined by Dan Bland from UplandArchitecture. Where he offers a refreshing approach to architecture, conservation and the traditions of building. Dan is also passionate about regenerative agriculture as a means to support sustainable land management and he also raining to be a dry stone waller. 

We talk about how Dan became passionate about working with older properties and how this translates to the projects he works on along with the linkages with sustainable land management.

We discuss the challenges, common themes and misconceptions working in the heritage sector along with the usual top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Benedict Ryan, Director at Charles Cooper, a Conservation, Restoration & Heritage Consultation Project Manager and Chair of the Young Irish Georgian’s- London Chapter.

We talk about how Benedict got into the industry and theincredible projects he has worked on and how he approaches and project and building. We touch on paint analysis and how this may influence the design direction and how to train to be a gilder.

We discuss the challenges, common themes and misconceptions working in the heritage sector along with the usual top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Robyn Pender who provides afresh look at the climate emergency through the twin lenses of science and history. Robyn is passionate about the world and promoting change for the better! Robyn was originally a physicist and then studied wall paintings and conservation which then lead her to working in the built environment andworking for Historic England as a Senior Building conservation Advisor.

We talk about how buildings should be climate specific andhow World War 2 and the industrial revolution impacted how buildings were built along with the changes in glass making and it becoming cheaper and how this also changed the way a building was built and performed.

We discuss the idea of defining a building as a greatcoatand a raincoat, Medieval illumination and wall cloths and how integral they were along with other architectural detailing that helped maintain the property and kept it healthy and structural sound. The way heat transfers or is lost depending on the product and how this can impact on comfort levels.  

We look at some of the challenges faced, plus common themes and misconceptions when working in the heritage sector along with the usual top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Russell Trudgen, Architectand Director at Arctic Associates, an award-winning Conservation Architects practice working with heritage properties based in West Yorkshire. They offer thoughtful conservation, restoration, adaption, and extensions of listed buildings as well as new buildings in historic and sensitive settings.

We talk about where Russell’s interest in heritage came fromand how this then carried through into his work and the creation of his practice and the work he then focussed on. What might be involved when it comes to working with a traditional and listed building and the planning process andthe skills shortage.

We look at some of the challenges faced, plus common themes and misconceptions when working in the heritage sector along with the usual top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Cait Whitson from Whitson’s and Carte Blanche. The aim of Whitson’s is to manufacture, source and supply exceptional products for the decorationindustry. Carte Blanche which was Cait’s first business offered high-end decorative painting and restoration services.

We talk about Cait got into the industry and the trainingshe undertook and the kind of properties she worked on which ignited her passion to learn more about paint, how it is made and how it is applied and developing her specialist paint skills in graining and marbling. How life in a male dominated environment was and how she circumnavigated it.

We discuss the impact of products on the environment,challenges, common themes and misconceptions working in the heritage sector along with the usual top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Helen Whittaker, Director atBarley Studios where they have an international reputation for excellence in stained glass creation and conservation for cathedrals, stately homes, parish churches and prestigious secular buildings across the UK and beyond. Helen is an award-winning designer and maker of stained-glass windows and metal sculpture, directing restoration painting alongside her new design work. In 2024 Helen was awarded an MBE for services to stained glass creation and conservation in the Kings Birthday Honours. She has also recently published a book titled “Illuminating Stained Glass – Creativity, Conservation and Craft at Barley Studio.”

We talk about how she got into stained glass and theimportance of work experience to hone her skills and her love of working with glass which goes beyond painting. She talks about the need to combine the skill with the artistry and how it has been on the skills at risk register and the demand for conservation and restoration work alongside new commissions. Helen describes how she works, and the processes involved when making a window.

We discuss conservation vs restoration, the challenges,common themes and misconceptions working in the heritage sector along with the usual top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Sara Robertson, Chair ofHistoric Buildings & Places, Chair of Europa Nostra UK, and SPAB Guardian. Sara has been active in the cultural heritage sector for 25 years starting off as a conservation architect and then working for Society for the Protection of Ancient Buildings where she led the award-winning Faith in Maintenance project. Sara has also worked for the Heritage Lottery Fund as Head of Historic Environment, where she championed the value of the UK's built heritage and developed policy and guidance materials to support grant applicants. Prior to her current role as Chief Executive of the Institute of Translation and Interpreting, Sara was Chief Executive of Icon (the Institute of Conservation).

We discuss how Sara got into the industry and how studyingin Edinburgh helped shaped her view on the architectural landscape. The different roles she has undertaken and experiences working on projects and interacting with different service providers.

We talk about the importance of maintenance and curateddecay, what motivates someone to buy a listed building plus the usual challenges, themes and misconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Antoinette Vandy, CEO &Co-founder of Agreka Build. A UK-based material innovation company that specialises in net-zero construction and regenerative building solutions. Their unique approach involves collaborating with farmers to transform agriculturalwaste into innovative, green construction materials. By repurposing waste into valuable resources, they aim to reduce environmental impact, support rural economies, and lead the transition towards a net-zero, circular economy inagriculture and construction.

We talk a about Antoinette’s initial training as an architect and how she then went on to co-found a company focused on sustainable building products. We discuss how it can be used in buildings and some of the common myths that are around using natural products.

We also discuss the usual challenges, themes and misconceptions working in the heritage sector along with top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Rebecca Thompson, Director of Property at St Paul’s Cathedral where responsibilities include leading the strategic development to ensure compliance, maintenance and restoration of this magnificent iconic building and its associated estate.

Rebecca shares what has been happening since we last spoke in series 1, episode 3.

We delve deeper into the world of working in the heritage sector. What is important about old buildings and why they are still relevant today and thoughts on their place in the future.

We discuss the amazing work St Paul’s Cathedral are doing to care for the buildings within their estate and how they are developing in-house skills through the introduction of a stone mason apprenticeship and a joinery apprenticeship and how this is only just the beginning of their vision to help people get into the heritage industry.

We also talk about the impact of climate change on buildings, particularly older ones and what we should lookout for to see signs of our historical landscape when we are out an about.

It will be an interesting listen for anyone wanting to learnmore about traditional buildings.

In this episode I am joined by Sarah Roller, Director ofPolicy & Public Affairs at Historic Houses, working on behalf of around 1,450 independent historic houses and gardens across the UK, to represent their interests to government and the wider heritage sector, as well as to support their learning, outreach and community programmes. Prior to joining Historic Houses in early 2022, she worked for History Hit, Trent Park House and Godinton House, in roles spanning communications, digital media and collections/curation work.

We talk about how Sarah got into the industry and herthoughts on the sense of place and her love of learning how people connected with spaces and buildings, especially in a heritage context.

Sarah shares her thoughts on interpreting a building andwhat information you may use to shape the story and how this informs our work. We also discuss the work she is carrying out to help shape policies to support people who work and own traditional properties, those working in the heritage sector plus those wanting to get into the industry. We discuss the challenges, themes and misconceptions working in the heritage sector along with the usual top tipswhen working with an older property.

It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Melanie Lytle, Director atthe Goucher College where she overseas the MA in Historic Preservation. Melanie is also the owner of Glaze Craft Windows which offers a range of services to help care and maintain historic windows which are typically pre-1945 wood windows.

We talk about how Melanie got into the industry and how living in different countries helped ignite her passion. The different ways the US supports homeowners and the variations in approach between the UK and the US.

Melanie shares her experiences both academically and as awindow restorer and how crafts are seen and the programme she set up to encourage more people to get into the industry.

We discuss the challenges, themes and misconceptions working in the heritage sector along with the usual top tips when working with an older property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by Matt Glasgow, Senior Building Surveyor at National Trust where he specialises in conservation and is accredited in building conservation as a member of RICS Building Conservation Accreditation Scheme and is a full member of the Institute of Historic Building Conservation. Matt is experienced in asset and facilities management, making the built environment work and finding solutions to help clients realise their business plans. Matt is also advisor to the Coventry Dioseason advisory committee where he advices on alternations to church buildings in the Coventry dioses.

We talk about the types of projects Matt is involved in andhow surveyors work and when and how they can help a building to ensure it is not only maintained but how it is perceived and how it could function which goes beyond its fabric, it is also about what makes the building significant.

We discuss how a building performs and identifying what work may be required but equally what work that isn’t required which helps to identify when and where money should be spent.  

Matt shares some examples of how a building may not perform along with common themes and misconceptions he encounters and the importance of engaging the right people.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by Kate and Ben Kerslake fromCarrington Lime. Ben is a conservation builder working on new builds, conservation and restoration projects. Since 2017 he started teaching heritage skills to support architects, conservation officers, builders and also property owners to maintain their traditional buildings and is supported by Kate who brings a wealth of experience in marketing and a passion for heritage.

We talk about how they both got into the industry. For Kateit started with her plans to save the world when she was a kid and how that then lead her to working within such an incredible industry and how Ben and Kate are working to save lime plastering as a skill now.  

Ben’s route started with building a strawbale house whichfeatured on Grand Designs giving him hands on experience in traditional methods and exposing him to the benefits of living in such an ecofriendly home. This then led to his passion for understanding traditional building techniques, high body energy materials and the movement of moisture and how a misunderstanding of materials led to myths and confusion when it comes to traditional and modern materials.

We talk about the cost and benefits of using traditionalproducts with the usual advice on working with older properties.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by Krissie Kalteis from PreciousWall Finishes. Krisse is a master craftsperson specialising in historical painting techniques which include stucco and venetian plaster, gold and glass gilding, marbling and sign writing. Based in Australia, Krissie works in Australia and internationally.

We talk about how Krissie started working in the industry,where her work ethic came from and her passion for churches and caring for them.

Krisse describes how she works with her clients and how sheis often the catalyst for them embracing colour and finding joy in their buildings. She is fascinated by painting techniques and the meaning of colour. She is constantly learning and Krisse shares some of her findings and the projects she has worked on in Germany and Australia and other parts of the world.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by James Pass, leadArchitect & Divisional Director at E3 Cube where he specialises in architectural design that focuses on neurodivergent accessibility and compliance with PAS 6463 standards. James has over 20 years of industry experience and is dedicated to pushing the boundaries of truly inclusivebuilding design. He believes architecture isn't just about buildings; it's about enhancing the well-being and daily experiences of people. By designing spaces that consider neurodiversity, his aim is to reduce environmental stressors, address sensory sensitivities and empower individuals to interact and navigate their surroundings confidently. James’s passion lies in bridging the gap between architecture and the unique needs of the neurodivergent community, creating spaces that not only serve their purpose but also enrich the lives of all who use them.

We discuss how James approaches a heritage project,especially when there are neurodivergent accessibility requirements and how you ensure the clients’ needs are met as well as the building’s needs.

We talk about how to approach a property that is traditionally built and may have special character and what might be considered appropriate and what could be construed as inappropriate or disrespectful.

James shares his experience on the regulations that need tobe considered on a project and how a space can be adapted to support those with varying needs and all the different factors that can and should help shape design and spaces.   

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by Richard McPherson aspecialist craftsperson using historical paint techniques which include wood graining, gilding, marbling and trompe l'oeil. Based in Tunbridge Wells but works mostly in London.

We talk about how Richard got into such a creative line ofwork, what trompe l'oeil is and how it has been used. Richard also offers advice on how you might get into working in his industry and some of the things he has found when working on site.

Richard shares common themes and misconnections and his top tips when working on your property.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by James Wright from TriskeleHeritage, an archaeological consultancy practice based in Nottingham offering building archaeological services. James is also a published author and worked as a specialist consultant on a number of films, television and radioprogrammes.

We talk about how James started working in the industry and his passion is infectious! We discuss the varied roles he has undertaken whichinclude archaeology, stone masonry and being a publish author to name a few. Plustunnels and the wide range of buildings he has found himself in to undertakeassessments and record detailing.

We discuss how you look at a building and identify what itwas used for, when it was built and any changes that may have been made.

James debunks myths not just about archaeology but also how buildings were made, spiral staircases in castles, hidden tunnels, witch marks and timber framed buildings that may have come from the Spanish Armada. We unpick these and more.

It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by Lauren Di Pietro from Scene Architects, a multi-disciplinary architectural practice focused on innovation and sustainability with offices in Chelmsford, London Mayfair and York.

We discuss where Lauren’s love for old buildings came from and how this then led to her interest in designing for dementia and how care and conservation are intertwined.

We talk about how Lauren works on a project and what needs to be considered when you are developing designs that need to be sympathetic to the building, client and the occupants irrespective of whether it is listed or not. The constraints when you are working on a listed building to make them accessible and practical whilst respecting the significance of the building.

We touch on sustainability and how it feeds into the design process and the types of conversations she has with clients. Along with what net zero means, how climate change fits in with a design and the life cycle of a building and the meaning behind the triangle on a project.  

Lauren’s passion is infectious. It will be a thought provoking listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy

In this episode I am joined by Frank Holmes from Frank Holmes Limited. Frank is a master craftsman specialising in heritage decorating and restoration projects, which ignited a passion for saving and reintroducing vintage designs. Frank combines traditional techniques with an extensive product knowledge and expertise. Services include lincrusta installation and finish and lincrusta restoration and replication. Based in the north west England.

We talk about how Frank started working in such a specialist industry. It is inspiring to know that you can change what you do no matter what path you might have started out on and who knows where it will take you.

We discuss resilience and the power of a positive mindset to be able to create something special whilst caring for our built heritage.

We talk about what lincrusta is, when it would have been used, how it can be applied and the restoration and replication of existing lincrusta wall treatments. Plus, bespoke and one off designs.

Franks incredible work ethic is inspiring and the levels he will go to in order to preserve and retain lost designs.

It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by Clare Chapman, a heritage specialist, supporting the reuse and adaptation of historic church buildings. Clare is also Chair of Leeds Civic Trust's Heritage Watch Group, working closely with volunteers, Leeds City Council's Conservation Team, developers and property owners to secure positive outcomes for the buildings and structures that enrich the city of Leeds.

We talk about Clare’s journey into the role she currently undertakes and the frustrations and challenges when it comes to identifying roles and opportunities and how you have to get creative and look at things from different angles.

Clare describes the challenges faced with church buildings and how a building is assessed in terms of maintenance and when the difficult decision is made that it needs to be sold. It also very much depends on who owns the building as it is not always the body you would assume it is. 

It is interesting to hear what legislations are in place when it comes to assessing what a church building can become if it is sold.

We talk about the impact buildings can have on a community plus the usual common themes and misconceptions and advice for anyone embarking on project.

It will be an thought provoking listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

Link is in the comments… enjoy!

In this episode I am joined by Mark Hosea, Director of Estates and Conservation at the Old Royal Naval College and Tom Billington, Director of Oculus Management.

Mark is a chartered surveyor and member of the RICS. He is responsible for balancing the commercial and conservation objectives of the Old Royal Naval College, aligning them with the values and expectations of their many audiences and stakeholders. Along with overseeing the complex estate and its significant budgets, notably conservation and collections.

Tom has extensive knowledge of built assets, having worked on contemporary buildings and large construction sites such as the London Olympic Park, whilst also having managed and developed around 100 listed buildings and structures -including being responsible for the estates of 2 UNESCO world heritage sites.

We talk about how they both got into their respective industries and their incredible work journeys which is inspiring and insightful. It just goes to show that you don’t have to have everything mapped out from the start!

We discuss the importance of having the right people roundthe table when you are working on a project and the need for collaboration and open communication.

The meaning of heritage and how it is important and what this means when you are a custodian so that people can enjoy the spaces which also includes immersive experiences.

We talk about some myths when working on large sites and the lack of funding support from the government and what this then means to those looking after them. Along with the usual common themes and misconceptions in their respective lines of work. Plus, advice for anyone embarking on a project and the importance of having fun!

It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Caitlin an experienced archivist.

We talk about our love of things old, visiting libraries and archives and how special they are. The power of the OS map, census information and trade directories.

We discuss the social standing and how land may have been obtained and divided up which had an impact on how people lived and how this links to finding out more information about your property.

Caitlin helps debunk how to research people and buildings so that you can find out more about the architectural and social side of a building and how they are linked.

She also talks about what happens when you visit an archive and how they can support you with your searches during your visit but also how an archivist can do the work for you if you need additional help.

We get into some of the common misconceptions when it comes to a buildings history and we touch on digital archives. Plus, how you might become an archivist if this is a career that interests you.

It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Carolyn who is the proud custodian and owner of a beautiful Grade 1 listed property in Carlisle. The building has a fortified tower dating back to 15the century with alterations dating from the 16th century and an extension in the late 17th century.

The listed entry has little detail and what it does describe is the exterior of the building and some of the materials used to build the property. It briefly mentions the interior by saying “Interior of the tower is thought to be of some interest but unable to gain access at the time of survey. Small single-storey additions to tower are not of interest.”

Anyone who has seen a listed entry will know that is typically all you get, if you are lucky! They can be even more vague.

We talk about what it is liked owning and caring for a listed property and the lessons she has learned along the way. What and how to implement improvements to your home, dealing with an act of God and the importance of getting the right people involved when you need help.

It is a great listen and hearing first hand advice from a Grade 1 listed property owner.

In this episode I am joined by Claire Truman from Heritage Revival, an independent conservation architects practice specialising in listed buildings based in Berkshire but works across the UK.

We talk about what our buildings can tell us about the way we used to live and how buildings and societies have evolved. Along with how she manages a project and works with her clients.

We talk about what trickery can be found in buildings and the importance of researching a buildings history to ensure work carried out is appropriate, plus the need to talk about budgets and the implications of not talking about budget can have on a project.

It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Tiffany Snowden from Blue Willow Heritage. Tiffany is the Director of Blue Willow Heritage, having founded the company following over a decade of work in the historic environment sector with a focus on both built heritage and archaeology. She is a fully accredited member of the Chartered Institute for Archaeologists at their highest level (MCIfA) as well as being a full member of the Institute for Historic Building Conservation (IHBC). Tiffany currently serves as a Trustee of The Victorian Society, one of the statutory consultees forming part of the Joint Committee of the National Amenity Societies. Key interests and experience include design advice, retrofit of historic buildings, Victorian architecture, and the sustainable conversion of traditional agricultural buildings.

We talk about how she got into the industry and the roles she undertook before starting Blue Willow Heritage. It is very inspiring when you are not sure what you want to do but how embracing the unknown and working in different roles can shape the work you get involved in and how invaluable that experience is in helping clients with their projects.

It is interesting to hear a how archaeology intertwines with a buildings fabric and the stories it can tell and what that can mean when you are embarking on a project and how to get the best results.

We also talk about how confusing it can be when it comes to looking at things like windows, and some of the claims made around traditional designs and authenticity and the complications this could cause down the line on a project.

It will be an interesting listen for anyone who owns an older property and is looking for some guidance and anyone generally interested in older properties.

In this episode I am joined by Sean Matten from Ramboll, a global architecture, engineering, and consultancy company, delivering expertise and sustainable solutions to clients and partners. Ramboll were Founded in Denmark in 1945 and today they operate across 35 countries. They combine deep local insight and experience with a global knowledge base to create sustainable societies and drive positive change for their clients. Sean is a Program Director at Ramboll working on historic buildings.

We talk about how Sean got into the industry and how he went from being in the army to the role he now undertakes. Plus, what it is like to own a Grade 2 listed Georgian property. The joys of finding a bat in your property and the types of contractors you might need to engage with on a project and how it can impact on not only your budget but also on your projects timescales.

Sean describes a few buildings that are being adapted to be more climate efficient and visually interesting and how buildings can be repurposed depending on how it was constructed. Plus the need to maintain your building along with the usual misconceptions and advice if you are about to embark on a project.

It will be an insightful listen for anyone who owns an older property and is looking for some guidance and anyone generally interested in older properties.