Explorez tous les épisodes du podcast Opening Lines

A dying man’s final, puzzling question - “Why didn’t they ask Evans?” – provides the title for Agatha Christie’s 1934 novel. What singles this book out is that the investigation is not undertaken by Hercule Poirot or Miss Marple, but by Bobby Jones and Lady Frances Derwent – childhood friends whose suspicions compel them to try their hand at some amateur sleuthing.

All the twists and turns of plot that Christie does so well are here, along with a charming and humorous evocation of the between-the-wars generation of Bright Young Things that has echoes of PG Wodehouse and Evelyn Waugh.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Nicola Upson is a crime novelist known for her series of novels that feature a fictional version of the writer Josephine Tey as the heroine and detective. Nicola is also member of The Detection Club.

Hugh Laurie archive clip taken from Front Row, BBC Radio 4 – 3 April 2023

Agatha Christie archive clip taken from Agatha Christie: Speaking Her Own Words, Ep 4 Keeping Notes – BBC Radio 4 Extra – 30 December 2015

Reading from Why Didn’t They Ask Evans? by Agatha Christie (copyright 1934, Agatha Christie Limited – a Chorion company)

Reader: Emily Pithon Music: Torquil MacLeod Production Hub Coordinator: Dawn Williams Sound: Sean Kerwin Producer: Torquil MacLeod Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4

John Yorke explores The Things They Carried by Tim O’Brien, novelist and veteran of the Vietnam War. Published in 1990 it’s a collection of interlinked stories about a platoon of American soldiers fighting an invisible enemy in the booby-trapped jungles of Vietnam.

But Tim O’Brien is not telling a straightforward factual war story, he’s also reflecting on the nature of experience and memory, and the power of storytelling. The title story describes not just the physical objects the soldiers carried but the profound emotional burden of guilt, trauma and grief.

The narrator of the stories is called Tim O’Brien, just like the author, but he is a fictional character. One of the book’s main themes is the relationship between truth and fiction, and O'Brien frequently blurs the distinction between the two, suggesting that a fictional story may have more emotional truth than a strictly factual one.

The Things They Carried is both a vividly portrayed collection of stories about the often surreal nature of the Vietnam war, and a meditation on the memories of those who fought in it. It reveals that the heaviest burdens soldiers carry are often the invisible ones, and that stories can be a way of coming to terms with those burdens after the fighting has ended.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

The Things They Carried is published by 4th Estate.

Recording of Tim O’Brien from an interview for The National Endowment for the Arts on 9 November, 2011.

Contributor: Dr Alex Vernon, ME and Ima Graves Peace Distinguished Professor of English at Hendrix College, Arkansas. Author of Peace Is A Shy Thing, a literary biography of Tim O’Brien.

Researcher: Henry Tydeman Production Coordinator: Dawn Williams Sound: Iain Hunter Producer: Kate McAll Executive Producer: Caroline Raphael A Pier production for BBC Radio 4

Midnight Cowboy, a 1965 novel by the American writer James Leo Herlihy, is best known to most for its film adaptation, starring Jon Voight as Joe Buck – a naïve dreamer from Texas - and Dustin Hoffman as Enrico "Ratso" Rizzo, a New York street pickpocket.

The novel tells the story of Joe Buck’s childhood in Texas, provides context for his naivety and emotional illiteracy, and explains what drives him to move to New York in his 20s, to seek his fortune providing sexual services to rich frustrated women.

Directed by John Schlesinger, the 1969 movie version focuses less on Joe’s early life – and more on the relationship between Joe and Ratso in New York. The film won best picture at the Oscars the following year. The novel, which didn’t achieve mainstream success, fell out of print in the shadow of the film.

But, as John Yorke explains, the story of Midnight Cowboy, however simple, was groundbreaking in the mid 1960s: bringing characters at the margins of society to the centre, and dealing with themes of sexuality and sexual frankness in a powerful new way.

John also explores how Herlihy connects the story with the political uncertainty of 1960s America, and looks at what drove him to write the book.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.

Contributors: James Leo Herlihy, from Studs Terkel WFMT radio archive, broadcast 1969. Howard Schuman, from Open Book, BBC Radio 4, 10 August 2003.

Readings by William Hootkins for Open Book, BBC Radio 4, 10 August 2003. Excerpts from Midnight Cowboy by James Leo Herlihy, Simon & Schuster, Inc, 1965. Excerpts from John Schlesinger's 1969 film adaption of Midnight Cowboy.

Researcher: Henry Tydeman Sound: Iain Hunter Producer: Jack Soper Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams A Pier production for BBC Radio 4 and BBC Sounds

For the 100th title to be explored in Opening Lines, John Yorke picks up the 1988 novel Libra by the heavyweight American writer, Don DeLillo.

In this second episode considering the book, he focuses in on the endless conspiracies that surround its central subject - the assassination of President John F. Kennedy. Does the fact that DeLillo chooses to feed the conspiracy industry by inserting a second shooter taking aim at Kennedy from the mythic grassy knoll matter, given that this is a work of fiction? Or does DeLillo present a world governed as much by chance and co-incidence as it is by conspiracy?

To help him answer those questions, John speaks with David Aaronovitch, author of Voodoo Histories: How Conspiracy Theory Has Shaped Modern History; Pullitzer Prize-winning author and journalist Jennifer Egan; and Professor Jesse Kavadlo, president of the Don DeLillo Society.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterly’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.

Contributors: Pullitzer Prize winning author Jennifer Egan, David Aaronovitch & Professor Jesse Kavadlo Sound: Sean Kerwin Readings: Eric Stroud Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Executive Producer: Sara Davies A Pier production for BBC Radio 4

For the 100th title to be explored in Opening Lines, John Yorke picks up the 1998 novel Libra by the heavyweight American writer, Don DeLillo. The book centres around the assassination of President John F. Kennedy, the event DeLillo says marked ‘a turning point in consciousness’ for Americans. He presents a fragmented portrait of the country at the height of the Cold War, following the misfortunes of disaffected loner Lee Harvey Oswald - as well as the large cast of rogue operators planning to use him to bring the President down.

In the first of two-parts, John looks to find what makes this widely acclaimed novel stand out from the hundreds of other books and films spawned by the world-shaking events in Dealey Plaza back in November 1963. He speaks with, among others, Pulitzer Prize winning novelist Jennifer Egan, a self-proclaimed DeLillo acolyte, who says of Libra that the “sense of the chaos and the noise of contemporary life invading the narrative I was very drawn to, and, you know, have tried to emulate, frankly.”

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Libra by Don de Lillo is the 100th title covered by Opening Lines. The series began in January 2023 with Lady Chatterley’s Lover. Since then John Yorke has explored novels from Anna Karenina to Gone with the Wind, plays from Shakespeare to Eugene O’Neill and ground-breaking non-fiction like John Hersey’s Hiroshima. Each episode provides background, context and some expert discussion in advance of Radio 4’s Sunday afternoon drama, and all 100 titles can be heard on BBC Sounds.

Contributors: Pullitzer Prize winning author Jennifer Egan & Professor Jesse Kavadlo. Sound: Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Executive Producer: Sara Davies A Pier production for BBC Radio 4

Alice Childress’s first major work is set in a world that she knew very well both as a performer and a writer – the theatre. It’s 1957 and rehearsals are beginning for a new Broadway production – Chaos In Belleville – an anti-lynching play written by a white playwright. Veteran Black actor Wiletta Mayer is to star in the play, but after years of compromise she finally finds herself unable to go along with the patronising and insensitive portrayal of Black characters that she’s experienced throughout her career. Her consequent clash with the white director opens up deep faultlines throughout the cast and the result is chaos, not in Belleville, but on Broadway.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Valerie Curtis Newton is Head of Directing and Playwriting at the University of Washington School of Drama. She is also the Founding Artistic Director for The Hansberry Project, a professional African American theatre lab. Her many directing credits include two productions of Trouble In Mind.

Alice Childress archive clip taken from American Theatre Wing’s documentary series ‘Working in the Theatre’ – April 1987

Reader: Samantha Dakin Music: Torquil MacLeod Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Sound: Sean Kerwin Producer: Torquil MacLeod Executive Producer: Sara Davies

A Pier production for BBC Radio 4

They Shoot Horses, Don’t They? takes us into the strange and brutal world of dance marathon competitions dating from the Great Depression in America. It follows Robert and Gloria, a couple who’ve washed up in Los Angeles and whose last hope is to get spotted by talent scouts or win the prize money by being the last dancers standing.

The book’s author, Horace McCoy, had first hand experience of these competitions, which could last months, having worked as a bouncer at one himself. As John Yorke discovers, it’s a bleak tale from a difficult time, whose nihilistic underpinnings led Simone de Beauvoir to call it the first existentialist American novel. But McCoy shows just empathy for the doomed characters to make the story, in the words of contributor Denise Hamilton, hit home like a stiletto to the heart.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Contributors: Denise Hamilton, novelist and editor of ‘LA Noir’ Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Reader: Eric Stroud Executive Producer: Sara Davies A Pier production for BBC Radio

In this second episode, John Yorke digs deeper into Euguene O’Neill’s 1921 play “Anna Christie” – about an estranged daughter who is reunited with her sea captain father, and falls in love with a sailor. The play examines identity, family and sexual politics, and asks questions about love, faith, redemption, resilience and forgiveness.

John asks how and why the Pulitzer and Nobel Prize winning dramatist introduced realist theatre to the US, looks at Eugene O’Neill’s influence and legacy, and asks what we should make of “Anna Christie” today.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.

Contributor:

Robert M. Dowling, professor of English at Central Connecticut State University, author of the biography Eugene O’Neill: A Life in Four Acts.

From the BBC archives:

Playwright Arthur Miller, from Changing Stages: America, 19 Nov 2000. Actor Natasha Richardson, from Woman’s Hour, 18 June 1990.

Credits:

Excerpts from “Anna Christie” by Eugene O’Neill, 1921, including Ruth Wilson in the 2011 Donmar Warehouse production. Excerpt from the 1930 film adaptation of “Anna Christie” starring Greta Garbo.

Researcher: Henry Tydeman Sound: Sean Kerwin Producer: Jack Soper Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams A Pier Production for BBC Radio 4 & BBC Sounds

In the first of two episodes, John Yorke looks at “Anna Christie” by Eugene O’Neill - one of American theatre’s founding fathers, and the only American dramatist to have been awarded the Nobel Prize for Literature. The play is about a young woman who goes in search of her estranged father, a sea captain, and falls in love with a sailor.

Debuting in 1921, “Anna Christie” is one of O’Neill’s early works – less well known and less successful than his later plays, like Long Day’s Journey into Night or The Iceman Cometh – but, as John Yorke explains, “Anna Christie” is significant both for what it tells us about one of American theatres key figures, and as a story that captures a nation at a moment of transition.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.

Contributors:

Robert M. Dowling, professor of English at Central Connecticut State University, author of the biography Eugene O’Neill: A Life in Four Acts.

Thomas Kail, director of a 2026 production of “Anna Christie” at St Ann’s Warehouse, New York, speaking on the WNYC podcast All Of It with Alison Stewart.

From the BBC archives:

Jude Law, The Radio 2 Arts Show, 5 August 2011 Ruth Wilson, Front Row, 5 August 2011. Writer and critic Sarah Churchwell, Front Row 10 August 2011.

Credits:

Readings by Eric Stroud.

Excerpts from “Anna Christie” by Eugene O’Neill, 1921, including Natasha Richardson in the 1990 Young Vic production and Ruth Wilson and Jude Law in the 2011 Donmar Warehouse production.

Researcher: Henry Tydeman Sound: Sean Kerwin Producer: Jack Soper Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams A Pier Production for BBC Radio 4 & BBC Sounds

John Yorke examines Portrait of the Artist as a Young Dog, ten semi-autobiographical short stories in which Dylan Thomas looks back and observes himself growing into the artist – the writer – that he became in adult life. The stories highlight Thomas’s contradictory nature. At school he failed every other subject apart from English, in which he came top. He’s a town boy who loves the countryside. He’s a bookish child who devours his father’s library of 6,000 books ‘with his eyes out on stalks’ by day, and a bit of a lad who roams Swansea by night, observing the goings-on of the city. Dylan Thomas was called a wastrel and an alcoholic, yet was incredibly productive, writing 300 pages of poems, 500 pages of radio scripts, 600 pages of film scripts and 1000 pages of letters. He began the short stories in 1938, a year after he had married Caitlin MacNamara and they’d settled with their first child in Laugharne, a small town on the coat of Carmarthenshire. Ten years later he would move into the famous Boathouse where he would live for the remainder of his life.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Contributors: John Goodby, Professor of Arts and Culture at Sheffield Hallam University, author of Critical Lives: Dylan Thomas. Joe Dunthorne, novelist, poet and journalist. Researcher: Henry Tydeman Production Hub Co-ordinator: Dawn Williams Sound: Iain Hunter Producer: Kate McAll Executive Producer: Sara Davies

A Pier production for BBC Radio 4

Writer Penelope Lively’s enduring themes are the connections and interplay between memory, history and time. Nowhere is this more compelling than in Moon Tiger, published in 1987 and widely regarded as one of her best novels. It won the Booker Prize that same year and went on to gain The Golden Booker in 2018 as the stand-out winner of the 1980s.

The novel’s protagonist Claudia Hampton is an historian and war correspondent, ambitious and independent and a 20th Century woman who has defied the conventions of domesticity and motherhood. In the opening lines of the novel she is reflecting back on her life as she lies on her death-bed. It will be ‘a history of the world and in the process my own,’ she promises. Through a series of scenes presented as a kaleidoscopic mosaic of memories Lively pieces together who and what has shaped Claudia during her life, such as the deeply competitive bond she had with her brother Gordon, her lacklustre approach to motherhood with her daughter Lisa and, central to her life, an early love affair with tank commander Tom Southern who she met in Egypt during WW2.

In this episode of Opening Lines John Yorke explores the dazzling technique Penelope Lively employs to draw Claudia’s life together and asks what makes this classic such an extraordinarily compelling novel.

The programme features writer, editor and critic Lucy Scholes and, from the Radio 4 archives, we hear from Penelope Lively herself in Bookclub recorded in 2001.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Producer: Julian Wilkinson Executive Producer: Caroline Raphael Production Hub Coordinator: Dawn Williams Sound: Iain Hunter

A Pier production for BBC Radio 4

John Yorke explores why Don Quixote by Miguel de Cervantes has had such a profound influence on storytelling in the 400 years since it was published in 1605.

‘Like Shakespeare, Cervantes is inescapable for all writers who have come after him,’ according to literary critic Harold Bloom. He creates a blueprint for the modern novel by shifting from static, infallible archetypes to dynamic, evolving characters who are fundamentally changed by their relationship with each other. Cervantes’ work is full of innovative literary ideas that still inspire writers today, including the double-act (Quixote and his portly sidekick, Sancho Panza), a multi-voiced narrative structure and the first example of metafiction, in which the line between fiction and reality is blurred.

The programme includes an interview with film director, cartoonist and Monty Python member Terry Gilliam, who spent nearly 30 years attempting to make a film about Don Quixote. He says, “You can never kill Quixote. There is no way. Quixote will be eternal. And I certainly hope that people will keep rediscovering him, because I think you can read it many times and discover new things every time. It's spectacular. I just want to get a fireplace and start reading it to my grandchildren of a cold evening. One chapter a night.”

Also including contributions from Isabel Torres, Professor of Spanish Golden Age Literature at Queen’s University, Belfast. Quotations from Penguin Classics 2003 edition, translation by John Rutherford.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.

Producer: Mary Ward-Lowery Reader: Ewan Bailey Executive Producer: Sara Davies and Caroline Raphael Production Hub Coordinator: Dawn Williams and Nina Semple Researcher: Henry Tydeman Sound: Iain Hunter

A Pier production for BBC Radio 4

John Yorke explores why Don Quixote has had such a profound influence on storytelling in the four hundred years since it was published. The first European novel, it’s an epic work of comic - and tragic - genius. Quixote embodies an ideal of heroic resilience in the face of a broken reality. And it’s a novel that’s in our bones: familiar even if we haven’t read any of its nearly a thousand pages.

The programme includes an interview with film director, cartoonist and Monty Python member Terry Gilliam, who spent nearly thirty years attempting to make a film about Don Quixote. He says:

“What I love about Cervantes - he's been through it all. This is the guy who's really had rough and tumble life. And he's learned to laugh at it: because he'd been through so much. And he survived with a sense of humour and a brilliant pen. [Quixote] wouldn’t have been like that if Cervantes hadn't experienced this. It's about the falling, and the dignity with which he manages to pull himself up from the mess that he finds himself in. It's just wonderful.”

Also including contributions from Isabel Torres, Professor of Spanish Golden Age Literature at Queen’s University, Belfast.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain; from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.

Producer: Mary Ward-Lowery Reader: Ewan Bailey Executive Producer: Sara Davies and Caroline Raphael Production Hub Coordinator: Dawn Williams and Nina Semple Researcher: Henry Tydeman Sound: Iain Hunter

A Pier production for BBC Radio 4

John Yorke takes a look at Transcription by Kate Atkinson.

First published in 2018, Transcription tells the story of three different time periods in the life of our protagonist, Juliet Armstrong. The interweaving timelines take us from 1940 to 1981, telling of her experiences working in wartime for MI5, working in peacetime for BBC Radio, up to the end of her life in the moments between life and death.

Transcription is a spy novel but it’s the work’s thematic depth that raises it above standard fare. There is gripping action but it’s a trojan horse for wider, darker themes. Each chapter is an item on a ledger, leading to a final adding up of the full cost of guilt and betrayal.

There’s one other element that adds to the book’s power - It’s based on a true story. So while the events in Transcription are very much rooted in real life, reality doesn’t lend itself to Atkinson’s thematic concerns. It's in the way that she takes the raw material and manipulates it that the real strength of the book lies.

In the author’s notes at the end of the book, Atkinson says that she became ‘obsessed’ with the nature of historical fiction while researching the story in the National Archives. She says that “roughly speaking, for everything that could be considered an historical fact in this book, I made something up.” Transcription is a real moment from history, taken on an extraordinary flight of imagination.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Archive Kate Atkinson discusses Transcription on BBC Radio 4’s Woman’s Hour on Monday 10th September 2018. Kate Atkinson discusses Transcription at a Politics and Prose event at St. Paul's Lutheran Church, Washington D.C. on Wednesday 26th September 2018.

Written and presented by John Yorke Produced by Laura Grimshaw

Executive Producer: Caroline Raphael Reader: Emily Pithon Sound: Sean Kerwin Researcher: Henry Tydeman Programme Hub Co-ordinator: Dawn Williams A Pier production for BBC Radio 4

Tom Stoppard was of course best known for his work writing for stage and screen - but the dramas he created for radio were also an extremely important part of his career and his development as a writer. Across five decades he continued to return to a medium that suited him so well; without the constraints of visuals, his deft structural turns, linguistic pyrotechnics and imaginative leaps could flourish. In this special episode of Opening Lines for Radio 4’s Celebrating Stoppard season, John Yorke examines how Stoppard benefitted from and contributed to a golden age in BBC Radio drama.

The programme features extracts from ‘The Dissolution of Dominic Boot’, ‘Albert’s Bridge’ and ‘The Dog It Was That Died’, as well as contributions from Stoppard’s biographer Professor Hermione Lee and archive of Stoppard himself.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Producer: Geoff Bird Contributor: Professor Hermione Lee Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Reader: Daniel Weyman Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4.

Flight by Walter White, published in 1926, asks questions about race and identity when its central character chooses to ‘pass’ as a white woman. In this second episode about the book, John Yorke asks if this is why the book has largely been forgotten even though it was written by one of the most influential figures in 20th century America.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Written and presented by John Yorke.

Contributors: Kenneth Janken, Professsor of African American history at the University of North Carolina and author of White: The Biography of Walter White, Mr. Naacp. Gayle Wald, Professor of English and American studies at George Washington University and author of Crossing the Line; Racial Passing in TwentiethCentury U.S Literature and Culture. .

Reading by Eric Stroud Producer: Alison Vernon-Smith Production Coordinator: Dawn Williams Researcher: Henry Tydeman Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4

Flight was the second novel by one of twentieth century’s America’s most influential figures, Walter White. Published in 1926, it asks questions about race and identity when its central character chooses to ‘pass’ as a white woman. A prime mover in the Harlem Renaissance, White was a celebrated writer and activist but his book has largely been forgotten. John Yorke looks at the man and his work.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4. Written and presented by John Yorke.

Contributors: Kenneth Janken, Professsor of African American history at the University of North Carolina and author of White: The Biography of Walter White, Mr. Naacp. Gayle Wald, Professor of English and American studies at George Washington University and author of Crossing the Line; Racial Passing in TwentiethCentury U.S Literature and Culture. .

Reading by Eric Stroud Producer: Alison Vernon-Smith Production Coordinator: Dawn Williams Researcher: Henry Tydeman Executive Producer: Caroline Raphael A Pier Production for BBC Radio 4

John Yorke explores themes of loss, longing and the founding of America, in Willa Cather’s innovative novel, My Ántonia. A milestone in American literature, the novel’s heroine is - unusually for the time - a Czech immigrant, Ántonia Shimerda, seen through the eyes of her childhood friend, lawyer Jim Burden. Ántonia survives poverty, tragedy and betrayal through her hard work, energy and optimism.

The novel shows ‘the other side of the rug, the pattern that is not supposed to count in a story. There is no love affair, no courtship, no marriage, no broken heart, no struggle for success’. Deceptively easy to read, Cather communicates feeling in a strikingly modern, cinematic way, with a mastery of visual storytelling, using language to capture the soul of a nation.

With contributions from Melissa Homestead, Professor of English and Director of the Cather Project at the University of Lincoln-Nebraska.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain, from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters, now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for Radio 4.

Producer: Mary Ward-Lowery Reader: Riley Neldam Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams Sound: Iain Hunter A Pier production for BBC Radio 4

Owen Wister’s 1902 novel The Virginian did more than any other single piece of art in establishing the parameters of the Western as a genre. Telling the tale of a charismatic tight-lipped cowboy whose actions always speak louder than his words, it was wildly popular with readers and viewers of its many screen adaptations. The book is a celebration of rugged individualism and frontier spirit that spoke profoundly to its audience at the beginning of the twentieth-century - but does it offer any insights into the state of America today?

The programme features James Annesley, Professor of American literature at Newcastle University.

John Yorke has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4. Contributors: James Annesley, Professor of American literature at Newcastle University. Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Reader: Eric Stroud Executive Producer: Sara Davies A Pier production for BBC Radio 4

In the series that takes a look at books, plays and stories and how they work, John Yorke concludes his exploration of Margaret Mitchell’s epic Civil War romance, Gone with the Wind.

In the 90 years since it was published it has sold more than 30 million copies – it was the bestselling American novel of the 20th century - but the book has become increasingly problematic for modern readers.

In this third and final episode, John considers the themes of nostalgia and survival that made Gone with the Wind such a phenomenal hit when it was published at the height of the Great Depression in 1936. And he explores the complexity of the book’s legacy today.

John is joined by Sarah Churchwell, Professor of American Literature at the University of London and the author of The Wrath to Come: Gone with the Wind and the Lies America Tells; Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford; and Rachel Joyce, who has adapted Gone with the Wind for BBC Radio 4. Together they explore what the book offers readers today. Is it a classic of American fiction or an extremely uncomfortable, racist period piece? And they ask if we should even read it at all.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4.

Contributors: Sarah Churchwell, Professor of American Literature at the University of London Rachel Joyce, adapter of Gone with the Wind for BBC Radio 4 Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford Reading by Samantha Dakin

Credits: Gone with the Wind by Margaret Mitchell, published by Vintage Books

Produced by Jane Greenwood Executive Producer Sara Davies Sound by Sean Kerwin Researcher Henry Tydeman Production hub coordinator Dawn Williams

A Pier production for BBC Radio 4 and BBC Sounds

In the series that takes a look at books, plays and stories and how they work, John Yorke continues his exploration of Margaret Mitchell’s epic Civil War romance, Gone with the Wind.

In the 90 years since it was published it has sold more than 30 million copies – it was the bestselling American novel of the 20th century - but the book has become increasingly problematic for modern readers.

In this second episode, John considers how the history of the American Civil War and its aftermath inform the way the story is told. And he asks how we should address Margaret Mitchell’s shockingly complacent attitude to slaveholding and the racist language in the book.

John is joined by Sarah Churchwell, Professor of American Literature at the University of London and the author of The Wrath to Come: Gone with the Wind and the Lies America Tells; Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford; and Rachel Joyce, who has adapted Gone with the Wind for BBC Radio 4. Together they explore the racism that underlies the story and the difficulties of navigating Mitchell’s attitude to her black characters.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4.

Contributors: Sarah Churchwell, Professor of American Literature at the University of London Rachel Joyce, adapter of Gone with the Wind for BBC Radio 4 Dr Nicole King, Associate Professor of American Literature and Fellow of Exeter College Oxford Reading by Samantha Dakin

Credits: Gone with the Wind by Margaret Mitchell, published by Vintage Books

Produced by Jane Greenwood Executive Producer: Sara Davies Sound by Sean Kerwin Researcher: Henry Tydeman Production hub coordinator: Dawn Williams

A Pier production for BBC Radio 4 and BBC Sounds

In the series that takes a look at books, plays and stories and how they work, John Yorke explores Margaret Mitchell’s epic Civil War romance, Gone with the Wind.

It was the bestselling American novel of the 20th century, it has sold 30 million copies and counting, it won the Pulitzer Prize, and the 1939 film of the book remains among the highest grossing of all time.

Gone with the Wind is a coming-of-age story, a love triangle, and an epic wartime romance. And it is a rollicking read, a hugely entertaining book, but one with considerable problems for today’s readers – problems that John Yorke explores and analyses over three episodes.

In this first episode John considers how Margaret Mitchell tells this huge sweeping story and asks what made it such a phenomenal hit.

John is joined by the writer Rachel Joyce who has adapted Gone with the Wind for BBC Radio 4, and Sarah Churchwell, Professor of American Literature at the University of London and the author of The Wrath to Come: Gone with the Wind and the Lies America Tells. Together they explore what makes the book such a captivating read and how it is driven by the central character, Scarlett O’Hara, one of the most compelling and infuriating heroines ever written.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4.

Contributors: Sarah Churchwell, Professor of American Literature at the University of London Rachel Joyce, adapter of Gone with the Wind for BBC Radio 4 Readings by Samantha Dakin

Credits: Gone with the Wind by Margaret Mitchell, published by Vintage Books

Produced by Jane Greenwood Executive Producer Sara Davies Sound by Sean Kerwin Researcher Henry Tydeman Production hub coordinator Dawn Williams

A Pier production for BBC Radio 4 and BBC Sounds

During the mid-19th century America was undergoing unprecedented change. New railroads and canals allowed people and goods to criss-cross the country, as the old agrarian economy was replaced by a fast-paced industrialised one. This rapid market expansion was driven by profit and underpinned by slavery.

As the lives of Americans began to speed up, Henry David Thoreau took time out to ask himself a question - is this the best way to live? In 1845, when he was 27 years old, he built a one-roomed cabin next to Walden Pond in Concord, Massachusetts, and began an experiment in what he called ‘living deliberately’.

During the two years he spent at Walden Pond, Thoreau lived simply. He studied, read widely, went for long walks, and often just sat and contemplated the natural world around him. The journal he kept during the two years he lived in his microhouse would become Walden, a genre-defying mix of memoir, essay, nature diary, philosophical treatise and self-help guide. The book was not an immediate success but steadily grew in popularity after Thoreau’s early death at the age of 44. Walden is now regarded as a foundational work of both American literature and Transcendentalist philosophy. It has been continuously in print since 1862.

John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Contributors: Laura Dassow Walls, author of Henry David Thoreau: A Life. Professor Emerita of English at the University of Notre Dame, Indiana. Kristen Case, poet and Thoreau scholar. Editor of the Oxford Handbook of Henry David Thoreau. Editor of essays on Thoreau and author of Thoreau’s Kalendar – Charts and Observation of Natural Phenomena. Tracy Fullerton, game designer, educator and writer, best known for Walden, a game. Professor in the USC Interactive Media & Games Division of the USC School of Cinematic Arts and Director of the Game Innovation Lab at USC. Reader: Eric Stroud Production Hub Coordinator: Dawn Williams Researcher: Henry Tydeman Sound: Iain Hunter Producer: Kate McAll Executive Producer: Caroline Raphael

A Pier production for BBC Radio 4

The headless horseman who haunts Sleepy Hollow in Washington Irving’s ghost story has become an iconic figure in American popular culture, thanks to many film and TV adaptations, ranging from a 1922 silent movie to an episode of Scooby Doo.

John Yorke looks at how this deceptively simple tale made Irving an overnight literary superstar when it was published in an 1820 collection of short stories that also included Rip van Winkle, and why it was so influential on the work of the next generation of American writers including Herman Melville and Mark Twain. John Yorke has worked in television and radio for over 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. He created the BBC Writers Academy and trained a generation of screenwriters - now with thousands of hours of television to their names. His acclaimed books Into the Woods and Trip to the Moon explore the structure and power of narrative, and he writes, teaches and consults on all forms of storytelling, including many podcasts for R4.

Elizabeth Bradley has edited two Penguin Classic editions of Washington Irving's work and is Vice President of Programs and Engagement at Historic Hudson Valley.

Brian Jay Jones is the author of Washington Irving: An American Original and several other best-selling biographies.

Reader: Riley Neldam Music: Torquil MacLeod Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Sound: Sean Kerwin Producer: Torquil MacLeod Executive Producer: Caroline Raphael A Pier production for BBC Radio 4

In this second episode, John Yorke assesses the criticism levelled against James Fenimore Cooper’s 1826 novel The Last of the Mohicans - primarily that it is responsible for the widely held, inaccurate, view that indigenous Americans were inevitably disappearing during the period the novel is set, and that that false narrative was used to justify colonisation.

Also, John delves deeper into the author’s background to understand his influences, and asks what we should make of The Last of the Mohicans today.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4.

Contributors: Jordan Abel, Nisga’a writer and academic. Richard Slotkin, American Cultural Historian. Credits: Readings by Eric Stroud Excerpts from The Last of the Mohicans by James Fenimore Cooper, 1826. Excerpt from Fenimore Cooper’s Literary Offenses, by Mark Tawain, 1895. Film clip from The Last of the Mohicans, 1992 Morgan Creek Entertainment / Twentieth Century Fox. Excerpt from Empty Spaces by Jordan Abel, 2023, read by the author.

Researcher: Henry Tydeman Sound: Sean Kerwin Producer: Jack Soper Executive Producer: Caroline Raphael Production Hub Coordinator: Dawn Williams

A Pier production for BBC Radio 4 and BBC Sounds

Published in 1826, the American writer James Fenimore Cooper’s novel The Last of the Mohicans is set during the French and Indian War, in 1750s North America. The story follows a group of British colonists trying to cross frontier land – and examines the complexity of the relationship that existed between the colonialists and the land they were - in essence stealing – the native American’s.

The book, which has been adapted widely for film and TV, mixes fiction with real historical events and has received both huge praise, as one of the foundation stones of American literature, and substantial criticism, for perpetrating a false narrative about the fate of indigenous American people.

In the first of two episodes, John Yorke asks how Cooper came to write The Last of the Mohicans, why was it successful and what we should we make of it today.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for Radio 4. Contributors: Jordan Abel, Nisga’a writer and academic. Richard Slotkin, American Cultural Historian. Credits: Readings by Eric Stroud Excerpts from The Last of the Mohicans by James Fenimore Cooper, 1826.

Researcher: Henry Tydeman Sound: Sean Kerwin Producer: Jack Soper Executive Producer: Caroline Raphael Production Hub Coordinator: Dawn Williams

A Pier Production for BBC Radio 4 & BBC Sounds

Ian Sansom, sitting in for John Yorke, takes a look at Joy In the Morning, the 44th Jeeves and Wooster novel by PG Wodehouse. Published in 1946, it revolves around Bertie Wooster’s attempts to avoid a series of social and romantic calamities. The omniscient Jeeves, of course, remains the great calm at the centre of the novel’s storm, devising ingenious solutions just when disaster seems inevitable. Readings from the book are by Stephen Fry, who also describes why he’s such an enthusiast for Wodehouse so much, and what it is he loves about this adventure in the Jeeves and Wooster canon.

Ian Sansom is a novelist, journalist and broadcaster. He is the author of more than 20 books, including the Mobile Library and the County Guides series of detective novels and his work has been translated into more than a dozen languages. He has worked as a columnist for The Guardian and The Spectator and currently writes for the TLS, The Irish Times and The Dublin Review. He is a regular broadcaster on BBC Radio 4 and Radio 3. He was formerly the Director of the Oscar Wilde Centre at Trinity College Dublin and a Professor and Head of English at Queen’s University Belfast.

With readings and contributions from Sir Stephen Fry

Archive: Archive 1961 BBC Interview – Alistair Cooke speaks to P.G. Wodehouse Archive 1972 BBC Interview – Keith Dewhurst speaks to P.G. Wodehouse

Reader: Sir Stephen Fry Producer: Laura Grimshaw Executive Producer: Sara Davies Programme Hub Co-ordinator: Nina Semple Researcher: Henry Tydeman Sound: Sean Kerwin

A Pier production for BBC Radio 4

John Yorke explores the revolutionary techniques developed by Jane Austen in Sense and Sensibility and uncovers why her work is so endlessly adaptable to modern tastes.

Austen innovated ‘free indirect style’, which blends third person narration with a character’s internal thoughts and feelings. Novelists have been using her creation ever since. She also had a gift for dialogue which allows her to reveal character through idiosyncratic speech habits. The novel is shot through with darkness, but it is also extremely funny. Joh discovers that the main characters, Elinor and Marianne, have ‘comedy double act energy’.

With contributions from Professor John Mullan and poet and dramatist Claudine Toutoungi.

John Yorke has worked in television and radio for thirty years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he’s trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Producer: Mary Ward-Lowery Reader: Rhiannon Neads Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams Sound: Iain Hunter

A Pier production for BBC Radio 4

John Yorke explores the romantic framework of Jane Austen’s first published novel, Sense and Sensibility, as well as the reasons for its enduring appeal. It’s a novel that explores the cost of love, and in it, Austen develops writing techniques that revolutionised this new form, which are still in use some two hundred years later.

With contributions from Professor John Mullan, and poet and dramatist Claudine Toutoungi.

John Yorke has worked in television and radio for thirty years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he’s trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Producer: Mary Ward-Lowery Reader: Rhiannon Neads Executive Producer: Sara Davies Production Hub Coordinator: Dawn Williams Sound: Iain Hunter

A Pier production for BBC Radio 4

The opening lines of Pride and Prejudice are not only among the most famous in all of literature, they also place marriage front and centre as the key theme within the novel.

“It is a truth universally acknowledged,” Austen writes, “that a single man in possession of a good fortune, must be in want of a wife.” So many of the characters and their actions are driven by the search for a good marriage - but their motivations and aspirations are both richly varied and illuminating of Regency society at a time when women could find security and status primarily at the altar.

John Yorke asks whether Elizabeth Bennett and Mr Darcy, two of the most illustrious and quick-witted partners in literary history, can find a love that transcends the strictures of the time.

The programme features Dr Lucy Powell, lecturer in English at the University of Oxford, and Professor John Mullan from University College London. John Yorke has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4. Contributor: Dr Lucy Powell, lecturer in English at the University of Oxford, and John Mullan, professor of English Literature at University College London Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Reader: Rhiannon Neads Executive Producer: Caroline Raphael A Pier production for BBC Radio 4

Jane Austen’s Pride and Prejudice has not only captured the hearts of generations of readers, it also helped change the way that novels are written. This most beloved tale of Regency romance, featuring the brilliantly quick-witted Elizabeth Bennett and the haughty figure of Fitzwilliam Darcy, allows us into its characters’ heads and hearts in newly sophisticated ways that set the template for so much of the fiction that followed. In this, the first of two parts focusing on Austen’s most popular novel, John Yorke examines how a book she described as ‘too light, and bright, and sparkling’ retains a special place and a special importance in the history of English literature.

The programme features leading Austen expert John Mullan, professor of English Literature at UCL, and Dr Lucy Powell, lecturer in English at the University of Oxford. John Yorke has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4. Contributors: John Mullan, professor of English Literature at UCL and Dr Lucy Powell, University of Oxford Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Producer: Geoff Bird Reader: Rhiannon Neads Executive Producer: Caroline Raphael A Pier production for BBC Radio 4

According to its introduction, The Princess Bride is a long, sprawling book by the great Florinese writer S. Morgenstern that renowned screenwriter and novelist William Goldman has been obliged to abridge so that his son doesn’t have to struggle through all the boring bits.

But as John Yorke reveals, all is not as it seems in this metafictional novel from 1973 that Goldman himself went on to adapt into a screenplay for a much-loved film. The Princess Bride may ostensibly be a fairy story, but there’s a lot more going on beneath the surface.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Natalie Haynes is a classicist, broadcaster and author of books including A Thousand Ships and Stone Blind. Stephen Keyworth is a writer and director who has adapted two of William Goldman’s novels – The Princess Bride and Marathon Man – for Radio 4. Interview with William Goldman, BBC Radio 3 Third Ear, March 1988

Reader: Riley Neldam Music: Torquil MacLeod Researcher: Henry Tydeman Production Hub Coordinator: Dawn Williams Sound: Sean Kerwin Producer: Torquil MacLeod Executive Producer: Sara Davies

A Pier production for BBC Radio 4

John Yorke takes a look at an enduring classic of children’s literature, The Wind In The Willows by Kenneth Grahame. Published in 1908, The Wind In The Willows is about nature – both human and animal. It is, on the face of it, a children’s book packed with beloved characters. But hidden beneath the bucolic adventures and Grahame’s beautiful evocation of the landscape, there is a desperate longing to escape the stresses of wide world into the peace and freedom of the natural world - a longing that ran through Kenneth Grahame’s life. His life was claustrophobic, the story – like the countryside - offers space to breathe.

Kenneth Grahame said of his own writing, “You must please remember that a theme, a thesis, is in most cases little more than a sort of clothes line on which one pegs a string of ideas, quotations, allusions and so on, one’s mental undergarments of all shapes and sizes, some possibly fairly new but most rather old and patched; and they dance and sway in the breeze and flap and flutter, or hang limp and lifeless; and some are ordinary enough, and some are of a private and intimate shape, and rather give the owner away, and show up his or her peculiarities.”

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Producer: Laura Grimshaw Executive Producer: Caroline Raphael Reader: Toby Hadoke Guests: Elisabeth Galvin and David Gooderson Researcher: Henry Tydeman Programme Hub Co-ordinators: Nina Semple and Dawn Williams Sound: Sean Kerwin A Pier production for BBC Radio 4

Jane Austen’s novel, Northanger Abbey, was the first full book she wrote. She was in her early 20s at the time and it was accepted by a publisher but the novel wasn’t published in her lifetime. In this second episode John Yorke looks at the story behind the genesis of Northanger Abbey - how a young woman with only three years of formal education came to write such an accomplished work, what prompted her to write a satire of Gothic fiction, and why the book is also a hymn of praise to the novel form itself.

Jane may not have spent much time in school but her voracious love of reading, her prodigious memory and understanding of other writers’ techniques meant that she was entertaining the family with her own stories and plays from an early age. After leaving school at 11, her real education began - self-education. With the encouragement of her father, the availability of subscription libraries which made reading possible for all purses, and a lot of writing practice, she would develop into one of Britain’s finest writers.

Sadly, her story is also one of disappointment and neglect. Despite the publisher’s promise, Jane’s novel, finished when she was 24, would have to languish for nearly 20 years before it finally saw the light of day, six months after her death.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributors: Emma Clery, Literary Critic and Cultural Historian, Professor of English Literature at the Uppsala University, Sweden, and author of Jane Austen: The Banker’s Sister.

Rebecca Romney, author of Jane Austen’s Bookshelf.

Reader: Esme Scarborough Production Hub Coordinators: Nina Semple, Dawn Williams Researcher: Henry Tydeman Sound: Iain Hunter Producer: Kate McAll Executive Producer: Sara Davies

A Pier production for BBC Radio 4

Northanger Abbey was Jane Austen’s first book, although it wasn’t published until after her death. It tells the story of Catherine Morland, an impressionable young woman who is introduced to fashionable society when she’s taken by a wealthy neighbour to Bath. There, Catherine’s imagination catches fire when she’s initiated into the thrills of Gothic fiction by new friend, Isabella Thorpe – a pretty, charming but devious gold digger.

Another great reader of Gothic novels is ‘not quite handsome but very near it’ Henry Tilney, whom Catherine finds enchanting. When Henry invites Catherine to stay at Northanger Abbey, the home of his father, General Tilney, she imagines secret passages, haunted catacombs and an evil secret. Catherine does indeed find something wicked at the Abbey but not in the way she expects.

In this first of two episodes John Yorke explores the dual nature of the book - part satire on Gothic fiction and part celebration of the novel form.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributors: Emma Clery, Literary Critic and Cultural Historian, Professor of English Literature at the Uppsala University, Sweden, and author of Jane Austen: The Banker’s Sister.

Rebecca Romney, author of Jane Austen’s Bookshelf.

Reader: Esme Scarborough Production Hub Coordinators: Nina Semple and Dawn Williams Researcher: Henry Tydeman Sound: Iain Hunter Producer: Kate McAll Executive Producer: Sara Davies

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When Horace Walpole published The Castle of Otranto in 1764, novels as a form were still in their infancy. Many tended to be long-winded works, instructing readers on how to live a moral life.

With this short and fast-paced rollercoaster of a book, Walpole blew that idea out of the water, introducing his audience to a completely new kind of fiction, featuring supernatural happenings, suspense, and a young woman fleeing an evil villain down a dark corridor with a candle that blows out at the vital moment - all the elements of what we now call Gothic fiction.

Prompting both a moral panic and a rush on sales, The Castle of Otranto would prove inspirational to many future writers, including Mary Shelley who wrote Frankenstein and Jane Austen who would both parody and celebrate the Gothic in her novel Northanger Abbey.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: Emma Clery, Professor of English Literature at the Uppsala University, Sweden. Editor of The Castle of Otranto (1996), and author of The Rise of Supernatural Fiction, 1762 -1800

Reader: Paul Dodgson Production Hub Coordinator: Nina Semple Researcher: Henry Tydeman Sound: Iain Hunter Producer: Kate McAll Executive Producer: Sara Davies

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In the winter of 1847, the Star of the Sea sets sail from Ireland for New York. Among the refugees are a maidservant, a bankrupt aristocrat, an aspiring novelist and a maker of revolutionary ballads. It reads like a Victorian gothic novel, with murder and intrigue at its heart.

Star of the Sea by Joseph O’Connor was published in 2002 and attracted multiple plaudits as well as literary awards. O’Connor talks about the shocked response from his publishers when he proposed writing a novel about the Irish Famine and we learn how real facts are woven skilfully into fiction.

Novelist Colm Tóibín explains how there are elements of pastiche in Star of the Sea and how it’s written like a 19th century novel. He also states that, at a time when the Irish narrative was being re-imagined, even the great Irish playwrights such as Sean O’Casey didn’t write about the Famine.

At the heart of the story is the threatening figure of Pius Mulvey – the balladeer and adventurer. Known as ‘The Monster’, Mulvey stalks the decks of the ship like some kind of embodiment of the tragedy that has overtaken the old country. We hear about the tragic and human stories within this novel into which O’Connor is also able weave humour and a propulsive narrative.

John Yorke explains that the skill of this novel is that, with the aid of eyewitness accounts, historical documents, letters home, passenger manifests and Captain’s logs, O’Connor unravels the extraordinary relationships at the book’s heart by re-stitching them into a grander tapestry – that of a terrible horror, long hidden, central to a nation’s heart.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: Colm Tóibín, bestselling writer

Extracts from: The Arts Show, BBC Radio Ulster with Marie Louise Muir, 16 August 2007 Reading from Star of the Sea by Peter Marinker, from the audiobook of the same title published by W.F. Howes Ltd, 2011

Star of the Sea published in 2002 by Secker and Warburg

Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Belinda Naylor Executive Producer: Caroline Raphael

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John Yorke looks at the background to A Short History of Tractors in Ukrainian and assesses the appeal of this worldwide best seller by Marina Lewycka. Two feuding sisters unite to thwart their newly widowed father’s impending marriage to Valentina - a voluptuous gold-digger from Ukraine who loves green satin underwear and boil-in-the-bag cuisine and who’ll stop at nothing in her single-minded pursuit of the luxurious Western lifestyle she dreams of.

John Yorke has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: Professor Andrew Wilson, Professor of Ukrainian studies at University College London and author of ‘The Ukrainians’

Archive: Radio 4 – Marina Lewycka on 'Book Club', 8th January 2015

Readings from A Short History of Tractors in Ukrainian: Marina Lewycka (Penguin Essentials, 71), 2017

Reader: Janet Ellis Producer: Alison Vernon-Smith Sound: Sean Kerwin Researcher Henry Tydeman Production Hub Coordinator: Nina Semple Executive Producer: Caroline Raphael

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John Yorke looks at The Cherry Orchard, Anton Chekhov’s final play and a landmark in 20th century theatre.

It’s 1903 and Liubov Andryeevna Ranyevskaya has returned to the family estate in southern Russia. As the head of this aristocratic household she faces a dilemma. The family is in serious financial difficulty and they have the choice of either selling the entire estate, or accepting the proposal of local businessman, Lopakhin, to cut down their beloved cherry orchard to make way for holiday homes and use the money to pay their debts.

In the second of two episodes, John looks at how Chekhov’s use of ambiguity, his skilful combination of comic and tragic elements, and his rejection of naturalism represent a departure from his previous work and were to prove so influential in the development of 20th century theatre.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.

Contributors: Simon Russell Beale, whose long and distinguished acting career has seen him play many roles, including his performance as Lopakhin in a 2009 production of The Cherry Orchard at the Brooklyn Academy of Music. He also won an Olivier Award for his performance as Uncle Vanya in 2003. Rosamund Bartlett, a cultural historian with expertise in Russian literature, music, and art. Her books include Chekhov: Scenes from a Life and she has also translated and edited selections of his stories and letters. Benedict Andrews, director of an acclaimed production of The Cherry Orchard at the Donmar Warehouse in London in 2024.

Reader: Torquil MacLeod Closing music: Torquil MacLeod Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Sara Davies

A Pier production for BBC Radio 4

John Yorke looks at The Cherry Orchard, Anton Chekhov’s final play and a landmark in 20th century theatre.

It’s 1903 and Liubov Andryeevna Ranyevskaya is returning to the family estate in southern Russia. As the head of this aristocratic household, she faces a crisis. The family is in serious financial difficulty and it seems inevitable that the estate will have to be sold to pay their debts. A local businessman, Lopakhin, offers a solution, but it would mean the loss of their beloved cherry orchard.

In this first of two episodes, the focus is on these two main protagonists, who embody the tensions between the old aristocracy and the emerging merchant class, and the student Trofimov whose revolutionary ideas point prophetically towards the path that Russia was soon to take.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.

Contributors: Benedict Andrews, director of an acclaimed production of The Cherry Orchard at the Donmar Warehouse in London in 2024 Rosamund Bartlett, a cultural historian with expertise in Russian literature, music and art. Her books include Chekhov: Scenes from a Life and she has also translated and edited selections of his stories and letters.

Excerpt taken from the BBC Radio 3/Palimpsest production of The Cherry Orchard, directed by Toby Swift, with Neil Dudgeon as Lopakhin and Saffron Coomber as Dunyasha. It was first broadcast on Radio 3 on 18th November 2018.

Music: Torquil MacLeod Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Sara Davies

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Charles Darwin’s ideas changed our understanding of the world perhaps more than those of any other British scholar. His famous voyage on HMS Beagle ended in 1836, and he had developed his findings into his theories on evolution and natural selection within six years. It was not, however, until 1859 that he shared these revolutionary ideas with the public in On The Origin of Species, a book far different to the one he had intended to write.

In this episode of Opening Lines, John Yorke examines what finally led Darwin to write this pioneering work of popular science, and the impact it had upon his contemporaries.

The programme features evolutionary biologist Dr Tori Herridge of the University of Sheffield.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.

Clip of Andrew Marr from ‘Great Britons: Darwin’ BBC2 (2002)

Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Geoff Bird Reader: Paul Dodgson Executive Producer: Caroline Raphael

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John Yorke looks at Treasure Island, the great swash-buckling adventure by Robert Louis Stevenson that inspired almost every pirate tale to follow.

Stevenson wrote the story to amuse his stepson on a wet holiday in the Scottish Highlands, with the original title The Sea Cook. Looking back at his time as a boy, narrator Jim Hawkins recounts his thrilling adventures on land and at sea in the pursuit of buried treasure, and we discover that the sea cook is none other than archetypal pirate Long John Silver, one-legged and with a parrot on his shoulder, one of Stevenson’s great literary creations.

John Yorke argues that Treasure Island has a profound and lasting impact even in the age of Minecraft, Reality TV and YouTube length dramas, and in this episode of Opening Lines he will explain why.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: Louise Welsh, author and Professor of Creative Writing, Glasgow University

Extracts from: Michael Morpurgo, Twice Upon a Time podcast produced by Hat Trick Productions Ltd, 2022 Claire Harman, BBC Radio 4’s Great Lives, 2005

Reader: Crawford Logan Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Mark Rickards Executive Producer: Caroline Raphael

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In the months that followed the end of the Second World War, very few people in the West knew the true power of the atomic weaponry that had forced the Japanese surrender. John Hersey’s article Hiroshima would change that.

Released a year after the bombs were dropped, the New Yorker piece was journalistic dynamite and sold out in hours. Published in one instalment - taking up the whole edition of the magazine - Hersey’s meticulous and unflinching account of what happened after the atom bomb detonated brought home the horror of atomic weaponry to the world and changed journalism in the process.

John Yorke speaks to Janine di Giovanni, award winning war reporter and founder of The Reckoning Project (a war crimes unit that operates in Ukraine and the Middle East) about how pivotal the article was and how it impacts her work today.

John has worked in television and radio for 30 years, and shares his experience with listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.

Contributors: Janine di Giovanni, war reporter and founder of The Reckoning Project. David Remnick, editor of the New Yorker John Hersey, author

Archive: The David Remnick audio, and the John Hersey interview (taken from the American Audio Prose Library interview conducted by Kay Bonetti Callison, 1988) were both originally broadcast as part of Hersey’s Hiroshima produced by Dora Productions Ltd, BBC Radio 4 2016.

Reader: Riley Neldam Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Tolly Robinson Executive Producer: Sara Davies

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John Yorke takes a look at The Girls of Slender Means by Muriel Spark. Published in 1963, two years after the success of The Prime of Miss Jean Brodie, it’s set in the summer of 1945. A group of young women live, love and lodge together in the shabby but respectable May of Teck Club in the months between VE Day and the ending of the war 99 days later with the final victory in Japan.

It’s a riveting yet disconcerting read - simple, yet knotty and complex, and it’s not at all about what it seems. With contributions from the writer AL Kennedy, John explores the pleasures of this short yet wonderfully satisfying novella.

John has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: A.L. Kennedy

Reader: Ruth Sillers Producer: Laura Grimshaw Executive Producer: Sara Davies Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Co-ordinator: Nina Semple

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John Yorke looks at King Lear, the brutal tragedy that some claim is Shakespeare’s greatest achievement.

When Lear, the 80 year old king of ancient Britain, decides that the time has come to divide his kingdom among his three daughters, he unwittingly sets in motion a catastrophic chain of events that will tear apart both his family and his realm. He banishes his faithful youngest daughter, Cordelia, while his two elder daughters, Goneril and Regan, who declared their undying love for their father, bar their doors to him. Driven mad by fury, Lear wanders a barren heath in the midst of a storm with only his Fool for company.

In this second of two episodes, John looks at the loyal but provocative character of the Fool. He also discovers that, since the 17th century, critics including Samuel Johnson have struggled with the play’s remorseless cruelty and the bleakness of its ending.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.

Contributors: Sir Richard Eyre, directed an award-winning production of King Lear, starring Ian Holm, at the National Theatre in 1997 and another production for BBC television, with Anthony Hopkins in the lead role, in 2018. Dr Genevieve von Lob, clinical psychologist who specialises in family therapy. Emma Smith, Professor of Shakespeare Studies and Tutorial Fellow at Hertford College, Oxford. She is the author of books including This Is Shakespeare: How to Read the World’s Greatest Playwright.

Excerpt taken from the BBC Radio 3/Renaissance Theatre Company production of King Lear, directed by Glyn Dearman and first broadcast on Radio 3 on 10th April 1994.

Sound: Sean Kerwin Music: Torquil MacLeod Researcher: Henry Tydeman Production Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Sara Davies

A Pier production for BBC Radio 4

John Yorke looks at King Lear, the brutal tragedy that some claim is Shakespeare’s greatest achievement.

When Lear, the 80 year old king of ancient Britain, decides that the time has come to divide his kingdom among his three daughters, he unwittingly sets in motion a catastrophic chain of events that will tear apart both his family and his realm. In this first of two episodes, the focus is on the fractured relationship between Lear and his daughters – Goneril, Regan and Cordelia – and on the subplot that involves the breakdown of another family. This comprises the Duke of Gloucester and his two sons Edmund and Edgar. In both cases the fathers are incapable of seeing which child is deceiving them and which child is loyal and truly loves them.

John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.

Contributors: Sir Richard Eyre, directed an award-winning production of King Lear, starring Ian Holm, at the National Theatre in 1997 and another production for BBC television, with Anthony Hopkins in the lead role, in 2018. Dr Genevieve von Lob, clinical psychologist who specialises in family therapy. Emma Smith, Professor of Shakespeare Studies and Tutorial Fellow at Hertford College, Oxford. She is the author of books including This Is Shakespeare: How to Read the World’s Greatest Playwright.

Excerpt taken from the BBC Radio 3/Renaissance Theatre Company production of King Lear, directed by Glyn Dearman and first broadcast on Radio 3 on 10th April 1994.

Sound: Sean Kerwin Music: Torquil MacLeod Researcher: Henry Tydeman Production Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Sara Davies

A Pier production for BBC Radio 4

The series that examines books, plays and stories and how they work. John Yorke looks at the 1968 theatre novel Next Season by Australian writer and director Michael Blakemore. Based on Blakemore’s lived experience as an actor in English repertory theatre in the late 1950s in Stratford-upon-Avon, the novel has been described as one of the true great theatre novels.

The novel follows young Australian actor Sam Beresford as he joins a six-month repertory season in the fictional town of Braddington, where he brushes up with the company’s great stars and battles with its powerful and aloof director. That the novel’s characters were based on real-life theatre greats that Blakemore knew and worked with meant it caused a stir at the time of publication.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributors: Simon Callow, actor Greta Scacchi, actor Michael Billington, author and arts critic

Readings from Next Season by Michael Blakemore (Faber & Faber, 1968)

Reader: Ciaran Owens Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Lucy Hough Executive Producer: Caroline Raphael

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The series that examines books, plays and stories and how they work. John Yorke looks at the 1962 theatre memoir Underfoot in Show Business by Helene Hanff. The text is a comic account of Hanff’s attempts to break into New York theatre in the early 1940s, which found a new audience after the success of Hanff’s later epistolary memoir 84, Charing Cross Road.

Underfoot in Show Business is a dispatch from a golden era in New York theatre, in which Eugene O’Neill, Arthur Miller and Tennessee Williams were actively producing plays.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: Howard Sherman, US writer for The Stage

Readings from Underfoot in Show Business by Helene Hanff (Futura Publications, 1980) Audio from Friday Night, Saturday Morning (BBC Television, 1980) and Desert Island Discs (BBC Radio 4, 1981)

Reader: Madeleine Paulson Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Lucy Hough Executive Producer: Caroline Raphael

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John Yorke looks at Casino Royale, the novel by Ian Fleming that introduced James Bond to the world. First published in 1953, Fleming’s thrilling novel plunges us immediately into the murky underworld of high stakes gambling. Today we may be more familiar with Bond as portrayed in the movies, but here we discover a more nuanced character. James Bond is vulnerable and at times filled with self-doubt, a far cry from the confident hero on the screen. Bond is on a mission to confront a private banker called Le Chiffre in a baccarat game at the Casino Royale and it doesn’t all go to plan. John Yorke first read Casino Royale at the age of twelve and credits it with a lifetime of enthusiasm for reading novels. In this Opening Lines he explains why.

John has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless.  As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names.  He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: Kim Sherwood, author and creative writing lecturer, University of Edinburgh

Reader: Matthew Gravelle Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Mark Rickards Executive Producer: Sara Davies

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Ian Sansom celebrates the evocative portrait of London on the brink of war that Norman Collins paints in his 1945 novel London Belongs to Me.

The book centres around the lives of the inhabitants of 10 Dulcimer Street, a down-at-heel south London boarding house, and spans the two years from December 1938 to December 1940. Deftly mixing comedy and tragedy, Collins invites us into the lives of these disparate characters, a handful of seemingly unremarkable people whose minor triumphs and bruising setbacks combine to provide a poignant and compelling account of the human face of history, away from the headlines and the corridors of power.

Ian Sansom is a novelist, journalist and broadcaster. He is the author of more than 20 books, including the Mobile Library and the County Guides series of detective novels and his work has been translated into more than a dozen languages. He has worked as a columnist for The Guardian and The Spectator and currently writes for the TLS, The Irish Times and The Dublin Review. He is a regular broadcaster on BBC Radio 4 and Radio 3. He was formerly the Director of the Oscar Wilde Centre at Trinity College Dublin and a professor and Head of English at Queen’s University Belfast.

Contributors: Ed Glinert, writer, lecturer and historical tour guide Katherine Cooper, writer, academic and broadcaster

Readings from London Belongs to Me by Norman Collins (Penguin Books, 2008)

Reader: Ewan Bailey Sound: Sean Kerwin Researcher: Henry Tydeman Production Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Caroline Raphael

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