Writer Kieron Gillen joins the podcast to talk about his current Image comics The Power Fantasy and Die: Loaded and everything that's going into them. Gillen discusses FOC vs. release, Die's longevity as an idea, staying in love with comics, the emotional side of the commercial part of the job, how he thinks of his comics, the direction of Die: Loaded, why Die returned, the approach to its story, Stephanie Hans' impact, comic RPGs, how The Power Fantasy has compared to expectations, where it is, activating your audience, promoting the work, surprises in the series, and more.

Cartoonist Erica Henderson joins the podcast to talk about her past few years and her work on Harley and Ivy: Life and Crimes at DC. Henderson discusses her whim based processes, writing Erica vs. drawing Erica, what she can do while working, recent learnings, the way she thinks of pages, things she needed to do in Harley and Ivy, how she approaches projects, single issues vs. graphic novels, bringing Harley and Ivy to life, their fit together, her background with them, the looks of these characters, research, building around moments, the project's origins, preferred genres, fighting boredom, how variants work, and more.

Comics critic Oliver Sava joins the show for the eighth annual Superhero State of the Union, as we dive deep into worlds of DC, Marvel, and beyond. Sava and I discuss our overall takes on superhero comics, corporate synergy, what's leading to DC's success, editorial vision, art as proof of concept, the Absolute line, hero families, Big Two digest editions, the DC/Marvel crossovers, where Marvel is, the lack of energy in the line, the current Fantastic Four book, saying nice things about Marvel, how we would fix Marvel, superhero comics outside the Big Two, and more.

Writer Alex de Campi joins the podcast to talk about her career in comics and her recent slate of Image releases, including Parasocial, Bad Karma, and Scrapper. de Campi discusses being both a writer and letterer, the fluidity of creation, collaboration, having a day job, finding collaborators, Hell's Kitchen Movie Club and Bad Karma, the importance of research, how her experiences have affected her as a storyteller, her love of trying new things, anthologies, being herself, keeping things tight, graphic novels as a focal point, how she decides which projects to take on, the impact of visuals and music in her writing, why she keeps coming back to comics, and more.

Retailer Bruno Batista from Dublin's Big Bang Comics joins to talk about his path to Big Bang and what he's seeing at the shop and beyond. Batista discusses daily variance in comics retail, how Big Bang's online store changed things, how he ended up in Ireland, the evolution of Big Bang, staying ahead of trends, the year in the shop, working with libraries, their product mix, changing customer behavior, quality as a sales point, Transformers and the Energon Universe, Jonathan Hickman's Marvel, Dawn of DC post Knight Terrors, single issues, manga's performance, the larger direct market conversation, maintaining motivation, and more.

Skybound's Brand Manager - Editorial Morgan Perry joins the podcast to chat about her path in comics, her current role, and the world of promoting comics. Perry discusses her role at Skybound, the complexity of comics marketing, the broader Skybound ecosystem, her first comic, accessibility, working at Earth 2 Comics, manga and comics, her time at BOOM!, its rise, managing fanbases, the Energon Universe, the big takeaway from its reception, what's missing from comic marketing, building hype, what has her excited about comics right now, and more.

Cartoonist Juni Ba joins the podcast to chat about his two new graphic novels, Mobilis and The Unlikely Story of Felix and Macabber. Ba discusses looking back on already finished projects, the origin of Mobilis, the similarities between his two latest books, project sequencing, the evolution of his storytelling, his sketchbooks, the appeal of Captain Nemo, the book's lead, the nature of its ending, character designs, Mobilis' oversized nature, the roots of Felix and Macabber, working with Hassan Otsmane-Elhaou, his growth, what he wants for himself, and more.

Writer Rick Remender joins the podcast to talk about his life, career, and work at his imprint at Image Comics, Giant Generator. Remender discusses New York Comic Con, collaborators, the evolution of cons, what he loves about comics, his art brain, learning from projects, what writing is for him, evolving the work, idea generation, his artist lean, signing an Image exclusive, what Giant Generator is, this creator-owned moment, following the story, why he's leaning into comics right now, and more.

Writer Christopher Yost joins the podcast to talk about his career and his upcoming series at Vault, Unnatural Order. Yost discusses his comic origins, how other mediums drove him to comics, the idea of making comics, his early days at Marvel, his interview process, the X-Men, X-23's place in his career, writing in different mediums, trusting collaborators, Unnatural Order's origin, idea generation, understandable villains, fantasy as a genre, Unnatural Order #1's free plan, the changing landscape for storytellers, why comics are always part of the mix, and more.

Artist Erica Henderson returns to the podcast to talk about her new graphic novel, Parasocial, and how she's approaching her art and career. Henderson discusses the interview experience, the origins of Parasocial, its appeal, the intimate nature of Parasocial, the freedom comics, small moments, celebrity photos, distinguishing projects visually, collaborating with Alex de Campi, Rogue Nebula influences, conventions, the importance of color, figuring out what's next, writing and drawing, graphic novels versus single issues, and more.

Writer Joshua Williamson returns to the podcast to talk about his extensive dance card right now and the current environment for creators in comics. Williamson discusses his current workload, event comics, writing back to back events, non-writing time, his project mix, alternative paths, his current focus, workshopping ideas, the art side of DC, the positioning of superhero titles, Skybound as a fit, Duke's art team, the Energon Universe, the current direct market environment, the cyclical nature of comics, and more.

Retailer and ComicsPRO President Jenn Haines joins the show to talk about the current state of things for her shops, The Dragon in Guelph, Ontario, and comics retail as a whole. Haines discusses The Dragon's 25th anniversary, welcoming families, Guelph Comics Jam, the year for her shops, the generally strange nature of this time, variance in her shops, what's working, single issues versus trades, the single issue space, price points, balancing her two roles, the direct market environment, a recent metadata project, one thing she wants in the direct market, what excites her about the job, and more.

Writer/artist Declan Shalvey joins the podcast to talk about his current Kickstarter for Old Dog: Dossier and the rest of his busy workload. Shalvey discusses his different roles, finding time to tell more stories, the origins of Old Dog: Dossier, Kickstarter stress levels, the social media situation, what Old Dog: Dossier includes, the other roles in a creator's job, managing a shifting environment, Time Before Time's graybeard nature, foundational projects, the current environment, Joe Palmer's return, his Alien run, finding the right answers, and more.

Writer Ed Brubaker joins the show to talk about Criminal the show and the comic, particularly the latter and its new graphic novel release The Knives. Brubaker discusses showrunning the Criminal show, getting back to his roots, surprises from the experience, having two versions of Criminal in his head, adapting his own work, how present he is in The Knives, why they returned to Criminal, the different narratives in the book, the nature of its characters, the cast's journeys, the connection his comics have to his life, working with Sean Phillips, how making comics feels, how much the comic space has evolved, a new Criminal single issue, emphasizing the back catalog, finding new readers, and more.

Writer Jed MacKay joins the podcast to talk about his path to comics and current titles in The Avengers, Doctor Strange, and Moon Knight. MacKay discusses problem solving, what guides his schedule, his earliest comics, his approach as a storyteller, following a big run, Steve McNiven's Moon Knight covers, learning comics on the job, Nick Lowe's impact, Black Cat #1's area of effect, his starting points for a title, his approach to Moon Knight, the space he got on Doctor Strange, writing a Marvel #1, the shared universe, working with artists, where he wants to go next, and more.`

Writer Nadia Shammas joins the show to talk about their career to date and the upcoming graphic novel, Confetti Realms. Shammas discusses the weird year, Confetti Realms, Barnes & Noble origins, manga's influence, the Marvel internship experience, the CORPUS anthology, the power of anthologies, collaboration, putting yourself in stories, their project mix, the roots of Confetti Realms, the cast and art of the book, the current state of comics, celebrating your work, and more.

Comics critic Oliver Sava returns to the show for the sixth annual Superhero State of the Union. Sava discusses the mini-series gap between the Big Two, Dawn of DC, DC's castings, the Knight Terrors bump, event comics, price points, Big Two cohesion, continuity, Marvel's current state, Al Ewing and the upcoming Immortal Thor, the X-Men line, Marvel's messiness, Doctor Strange: Fall Sunrise, the Energon Universe, Daredevil, our most desired turns for the Big Two, and more.

Cartoonist Emily Carroll joins the show to talk about her career, craft, and upcoming graphic novel, A Guest in the House. Carroll discusses early influences, their lasting impact, storytelling flow, having fun in the work, experimentation, how she views her webcomics, her process, lettering and coloring, domestic life, A Guest in the House's lead, horror endings, age specificity (or the lack thereof), the long shadow of Through the Woods, pushing herself as a storyteller, and more.

Cartoonist Daniel Warren Johnson returns to the show to talk about his career and the upcoming The Transformers. Johnson discusses the San Diego Comic Con experience, how the con experience has evolved for him, a recent, giant commission, maintaining his passion, how The Transformers came together, the intensity of creator-owned, drawing for himself, figuring out how to draw The Transformers, Skybound's pitch, working with Hasbro, the version of the characters he's working with, the vibe he's going for, how his love of Transformers changes things, the freedom of Do a Powerbomb!, finding his answers, and more.

Retailer Eitan Manhoff joins the show to talk about his now Eisner Award-winning shop in Oakland, Cape & Cowl Comics, and what he's been seeing this year. Manhoff discusses that Eisner win, what went into it, Cape & Cowl's origin story, building his shop, accessibility, the selling secret, how the year is going in his shop, uneasy feelings, what's working, his online store, the impact of pre-orders, the Eisner bump, what isn't working, Marvel's troubles, how consumers have changed since he opened, the difficulty of ordering, and more.

Cartoonist Chris Schweizer joins the show to talk about his life, career, and collaborations with Kyle Starks. Schweizer discusses his Assassin Nation self, how his background shaped his path as an artist, comic strips, how he decided to make comics, his wide variety of jobs, finding new ways to tell comic stories, his middle-grade comic work, collaborating with Starks, problem solving, his coloring work, the underrated nature of Mars Attacks, his goals as a creator, and more.

Writer Kelly Sue DeConnick joins the show to talk about Wonder Woman Historia: The Amazons and her approach to telling stories in comics and beyond. DeConnick discusses the life of a creator, the value of shutting our brains down, collaboration, artistic interpretations, controlling pace, letting go of the work, where comics are right now, her progression as a comic writer, Wonder Woman Historia's place in her career, growing as a storyteller, building communities, making panels fun, the freedom of Black Label, figuring out what projects to take on, and more.

François Hercouet, the Editor-in-Chief of France's Urban Comics (the publisher of DC Comics and assorted Image, Dark Horse, and BOOM! titles in the country), joins the show to talk about the French comic market and his work at Urban. Hercouet discusses connecting American comics with French readers, the essence of Urban Comics, emphasizing creators, production value, the France comic market, his path to running Urban, making superhero comics easier to read, working with retailers, curating a publishing line, having an art-centric approach, cover art, the evolution of comics in France, his view of the American market, and more.

Cartoonist Scott Kurtz joins the show to talk about the past, present, and future of webcomics and his career on comics like PVP and Table Titans. Kurtz discusses his earliest comics and main influences, the earliest comics he made, making his way into comics, the early days of webcomics, what success looks like, webcomics and community, what fueled the changes in webcomics, how they're changing, crowdfunding's role, his new career path, what's next for webcomics, and more.

Cartoonist Jesse Lonergan joins the show to talk about his current mix of projects and his just released graphic novel, DROME. Lonergan discusses managing workflow, the roots of DROME, pushing your approach, the book's title, its archetypal nature and cast, who he is versus what he does, his fit in comics, what he cares about the most, simple machines, outside influences, working with writers, figuring out the Mignolaverse, the impact of reviews, pushing in different directions, and more.

Writer Ed Brubaker joins the show to talk about his latest graphic novel with artist Sean Phillips, Night Fever. Brubaker discusses the picket line experience, the insanity of Night Fever, his expectations for the response, the personal nature of the book, why it was the right idea right now, Refn vibes, section breaks, his artistic collaborators, Sean Phillips' working with bigger pages, the book's international feel, wanting to be someone else, the cover change of the book, how their sales have been shifting, their sales arc, the power of schedules, surprise comics, John Romita, Sr.'s greatness, and more.

Writer/artist Kyle Starks returns to the show to talk about his work in I Hate This Place, Where Monsters Lie, Peacemaker Tries Hard!, and more. Starks discusses his updated business card, the inescapable humor label, the impact of the Eisner Awards, where he's at now creatively, new challenges, comics as business cards, the James Gunn vibe, the origins of Peacemaker Tries Hard!, Steve Pugh's greatness, tonal balance, Black Label freedoms, his recurring use of dogs, condensing the conclusion of I Hate This Place, back matter, what he considers himself as a creator, and more.

Writer Kelly Thompson joins the show to talk about her creator-owned work and her overall approach to writing. Thompson discusses the superstar that is Jeff the Landshark, , the power of cute things, the glory of Stefano Caselli and Gurihiru, Jeff's appeal, the origins of Black Cloak, Meredith McClaren's gifts, collaboration, Black Cloak's cover design, world-building, handling mysteries, Substack's impact, the difficulty of creator-owned, Black Cloak's shape, narrative escape hatches, The Cull as a mini-series, her project mix, and more.

Writer Ram V returns to the show to talk about his approach to writing on titles like The Vigil, Detective Comics, and more. Ram discusses a sneak attack reveal, the Paris Fan Festival experience, balancing his workload, idea creation, his pursuit of the new, the idea of success, the origins of Rare Flavours, his Detective Comics run, Evan Cagle's covers, the artists he works with, contrasting Batman stories, the hook of The Vigil, the value of the big swing, the appeal of DSTLRY, what has him most excited about comics, and more.

It's Off Panel #400, and to make this anniversary episode of Off Panel special, it's the first ever call-in show, as listeners of the show ask the questions and I have the answers. That's right. I'm the guest, as I answer questions about the future of my theoretical comic shop, what my Stilt-Man series would be about, what takes me out of the reading experience, French museums, the responsibilities of the job, comic revisits, cat dad thoughts, favorite writers/artists, comic price points, surprising things I learned from the podcast, different formats at the Big Two, how I do what I do, which Original 5 X-Men has to go, my wife's comic thoughts, what more creators should do, the podcasts I learned the most from, and more.

The Beat's Heidi MacDonald returns to Off Panel to talk about the past month or so of crazy news in the world of comics. MacDonald discusses the merits of Free Comic Book Day, the onslaught of news, building up The Beat's staff, Ike Perlmutter's departure, how Marvel looks post changes, the impact of this move, IDW's layoffs and reorganization, IDW's identity, where things went wrong, where IDW is headed, our DSTLRY thoughts, Substack and Zestworld, what makes DSTLRY work (conceptually), the drop culture comic, the digital comics landscape, what young cartoonists are focused on, and more.

The Editor-in-Chief of Abrams ComicArts, Charles Kochman, joins the show to talk about the history and present of that graphic novel division of Abrams Books. Kochman discusses the details of his job, his work on Diary of a Wimpy Kid, his publishing background, the origins of Abrams ComicArts, the artists they work with, how MarvelArts came together, drawing in direct market creators, the evolution of Abrams ComicArts, its general vibe, taking on manga, the current landscape, and more.

Writer James Tynion IV joins the show to talk about launching his new Image series, W0rldtr33, in the current industry environment. Tynion discusses hitting final order cutoff, the collector market, cultivating hits, W0rldtr33's origins, its 90s aesthetic, the importance of a title's vibe, the key to a good first issue, its visuals, why it ended up at Image, learning from projects, publishing at Dark Horse, how publishers differ, creating your own cash flow, setting up his future, and more.

Cartoonist Joe Sparrow joins the show to talk about his work in animation and his new graphic novel at ShortBox, Cuckoo. Sparrow discusses taking on new roles, the advantages and pressure of comics, how animation jobs work, how his two roles impact each other, his influences, taking on shorter comics, the origins of Cuckoo, the superpowers of it all, how much of him is in the book, the evolution of its need, his comic making process, the book's cast, the appeal of ShortBox, and more.

Erica Henderson and Ryan North join the show to talk about their new graphic novel, Danger and Other Unknown Risks. They discuss the origins of the book, how it evolved, its Y2K setup, the Chosen One concept, scripting the book, their collaboration, the prologue of the book, how the visuals changed the writing, the space of graphic novels, how the realms impact everything, the book's main character, how people deal with the state of the world, all-ages comics, and more.

Artist Nicole Goux joins the show to talk about her career and her upcoming graphic novel, This Place Kills Me. Goux discusses the other parts of the job, how far ahead she's working, the importance of mixing it up, drawing digitally, her relationship with drawing, when comics entered the picture, figuring out what she wanted to do, convention life, how different projects and publishers feel, opportunity cost, age bands, the origins of This Place Kills Me, working with Mariko Tamaki, how they worked, her preferred method of working, learning from projects, character design, creating for herself, what keeps her excited about comics, and more.

Writer Torunn Grønbekk joins the show to talk about her path to comics and her work on comics like Thor and Red Sonja. Grønbekk discusses the greatness of Nic Klein, her natural art lean, the Norway comic scene, how comics saved her, her breaking in story, the origins of her writing Jane Foster: Valkyrie, co-writing as a gateway, launching her Marvel career during the pandemic, being a pinch hitter, writing Red Sonja, her instinctual nature, genre leans, where she wants to go next, and more.

Retailer Steve Anderson joins the podcast to chat about how things are going at his comic shop chain, Third Eye Comics. Anderson discusses how he manages his seven shops, the importance of being proactive, the ComicsPRO experience, DC's smart moves, how he's feeling about comics retail, previous pessimism, pathing customers to comics, why success felt harder in 2022, his upcoming shop launches, what's working at his shops, trade waiting, building spectacle, what isn't working, how to adjust to uncertainty, and more.

Manga journalist Deb Aoki joins the podcast this week to chat about the explosion in manga sales the past few years and what has led to it. Aoki discusses her Emerald City Comic Con experience, making connections for manga stories, how she became a manga journalist, the world of writing about manga, Japan's manga sales, speaking to different audiences, the impact of adaptations, price and accessibility, why there are always manga "booms," the amount of product, simplicity in manga stories, supply chain issues, the gifts of manga storytellers, and more.

Writer/artist John Allison returns for a conversation about the upcoming The Great British Bump-Off and his larger views on comics right now. Allison discusses the origins of The Great British Bump-Off, its evolution, pairing baking shows with mystery stories, the episodic nature of finite series, Shauna Wickle, how writing Shauna differs from other characters, the book's supporting cast, Primrose the cat, the greatness of Max Sarin, how they work together, the title's tone, how his feelings about the comic industry have evolved, his Patreon, where he's at now, and more.

Writer Al Ewing joins the show to chat about his approach to writing comics like X-Men Red, Wasp, Venom, and more. Ewing discusses managing the work, what drives his schedule, where pitches fit in, dealing with external forces, constraints as opportunities, Fury's evolving identity, Immortal Hulk's structure, no longer being the space guy, avoiding repetition, mic drop moments, realizing the potential of characters, the secret to tie-ins, how he works with artists, pushing himself as a writer, and more.

BOOM! Studios' President of Publishing & Marketing, Filip Sablik, joins the show to discuss what BOOM! is up to as we head into ComicsPRO's annual meeting. Sablik discusses the ComicsPRO experience, what he's looking for at the event, its value, what's working for BOOM!, the anomalies of 2020 and 2021, BOOM!'s number of titles, balancing variants, Kickstarter as a tool, comics promotion, inspiring in-store sales, experimentation, format focuses, whether a shift is on for single issues, finite series, changes to distribution and digital, what's next for BOOM!, and more.

Artist Jamie McKelvie joins the show to discuss his past few years and his work in Batman: One Bad Day - Catwoman. McKelvie discusses his work schedule, taking on more small projects, the challenges of a long run, his fluid approach to art, pushing his art, his process on Catwoman, how much runway he had on the book, why he took on that project, working with G. Willow Wilson, the appeal of Catwoman, having fun with the project, his depiction of Catwoman, factoring letters and colors into his art, writing as an artist, the learnings from Captain Carter, how his relationship with his art has changed, the evolution of what he wants from comics, The Killing Horizon, and more.

Writer Gerry Duggan joins the show to chat about his most recent work, amongst other things. Duggan discusses what his new series The Giant Kokjü does, its origins, how the state of the world has impacted him as a storyteller, the comedy of the series, Scott Koblish's work, his book of photography, why villains were the priority in X-Men, his X-Men plan, differentiating his run, building connections in Invincible Iron Man, writing X-Men versus Marauders and Iron Man, how the X-Office experience has changed things for him, and more.

Letterer Clayton Cowles joins the show for a conversation about his career and approach to lettering titles like Batman, Immortal X-Men, Daredevil, and more. Cowles discusses managing his expansive workload, where his love of comics started, going to The Kubert School, working with Virtual Calligraphy, his process to starting a project, how the lettering space has evolved, for-hire versus creator-owned, where challenges lie, the impact of repeat collaborators, pushing yourself, impact projects from his career, revisiting old work, and more.

Polygon's Entertainment Editor Susana Polo returns to the show for a free-flowing chat about the wider world of comics. Polo discusses Polygon's content development process, how much of the focus is on what works, whether that impacts her view of comics, the Eternals as a Tumblr fave, Kieron Gillen and Esad Ribic's run, downstream impacts of downturns at Netflix and HBO Max, She-Hulk and Jack of Hearts, the comics conversation, the X-Men line, favored D-list characters, superheroes as copaganda, the greatness of Friday, Sandman's fandom, Defenders Beyond, 2022's electric year in bio and autobio comics, the impact of editors, and more.

Writer Mariko Tamaki joins the show to talk about her career and her upcoming graphic novel, This Place Kills Me. Tamaki discusses what she works to, the value of editors, her own editing at Surely Books, learning from artistic partners, the wide world of comics, getting into comics, the biggest things she's learned, different approaches for different formats, collaborative processes, giving artists space, attribution, the origins of This Place Kills Me, the collaboration behind it, the book's lead, outsiders as leads, the music of the book, characters that surprised, Ally Sheedy's impact, finding the right mix, and more.

Writer/artist Rob Guillory guests this week, as we chat about his shifting approach and newly launched BOOM! series Mosely. Guillory discusses his many hats as a creator, what he's learned from recent projects, how he's pushing his career, adding writing to the mix, Farmhand's evolution, how autobiographical his work has become, Mosely's origins, the visuals of the book, tech commentary, the importance of family in his stories, his publishing partners, how his view of his work and career has shifted, and more.

Retailer Patrick Brower joins the show to chat about the year at his comic shop, Challengers Comics + Conversation, and the state of the direct market. Brower discusses the year at Challengers, the flip side of success, the weird vibes today, time costs, the difficulty of handselling, what moved the needle this year, the impact of economic uncertainty, what isn't working, the retailer conversation, variant covers, what he wants more from publishers, where single issue comics are headed, the medium versus the business, what he's excited for in 2023, and more.

Artist Liana Kangas returns to the show to discuss their busy past few years and their new BOOM! series, Know Your Station. Kangas discusses how they manage their extreme levels of busy, what goes into being a creator, balancing today and tomorrow, cover work, the Zestworld experience, the state of social media, returning to conventions, Trve Kvlt at IDW, whether that series was their baby, the story behind Know Your Station, its collaborative process, their growth as an artist, this time for comic creators, and more.