Explorez tous les épisodes du podcast Now Playing Podcast Presents: The Philip K. Dick Retrospective Series

Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to...

Record store clerk Nick Brady begins to experience strange visions from an entity he calls VALIS that cause him to uproot his family and move to Los Angeles where he becomes a successful music company executive. Nick finds himself drawn...

Welcome to Rekall, the company that can turn your dreams into real memories. For a factory worker named Douglas Quaid, even though he's got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating...

A man glimpses the future Fate has planned for him – and chooses to fight for his own destiny. Battling the powerful Adjustment Bureau across, under and through the streets of New York, he risks his destined greatness to be...

This week, Stuart examines “Adjustment Team,” the 1954 short story by Philip K. Dick that later inspired the film The Adjustment Bureau starring Matt Damon and Emily Blunt. Dick’s original tale is a tighter, more overtly metaphysical story about a man who glimpses the machinery behind reality and discovers that unseen bureaucrats quietly "adjust" events to keep the universe on schedule. With less romance and more existential dread than the film version, this original story explores fate, free will, and whether humanity is simply following a script written by forces it can’t perceive. Stuart breaks down how Dick’s concept differs from its cinematic reworking and whether the lean short story delivers a sharper philosophical punch than the big-screen love story.  

This week, Stuart turns to The Golden Man, Philip K. Dick's 1953 short story that later inspired the Nicolas Cage thriller Next. Dick’s original tale is lean, strange, and far more unsettling than its Hollywood counterpart. Set in a post-nuclear future, it follows a mutant who can glimpse the immediate future and survives by instinct alone, hunted by a society that fears what it cannot control. Stuart explores how Dick uses this simple premise to examine evolution, fate, and humanity’s urge to destroy what’s different, and considers whether the short story’s stark vision delivers a sharper punch than the big-budget adaptation.

Las Vegas showroom magician Cris Johnson has a secret which torments him: he can see a few minutes into the future. Sick of the examinations he underwent as a child and the interest of the government and medical establishment in...

This week, Stuart examines A Scanner Darkly, the 1977 novel by Philip K. Dick that later inspired the rotoscope film adaptation directed by Richard Linklater and starring Keanu Reeves. Set in a near-future California ravaged by Substance D, Dick’s novel follows an undercover narcotics agent whose dual identities begin to collapse under addiction and surveillance. Written from personal experience, the book blends dark humor, paranoia, and tragedy into one of Dick’s most intimate and emotionally raw works. Stuart explores how the novel handles identity, betrayal, and the human cost of the drug war, and whether the source material hits harder than its psychedelic big-screen counterpart.

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

This week, Stuart continues our movie reviews of Philip K. Dick's Paycheck and discusses the original short story on which the movie is based. Dick’s 1953 short story is about a technician who trades his memory for a payout, only to discover he’s left himself a series of seemingly mundane objects instead of cash. As he pieces together why, the story unfolds into a tight, paranoid puzzle about free will, corporate control, and whether knowing the future is a gift or a trap. Later adapted into a Ben Affleck movie, the original tale is leaner, sharper, and far more focused on existential dread than action spectacle. Stuart breaks down how Dick’s version stacks up and whether the short story delivers a bigger payoff than its big-screen counterpart.  

Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security. But at the end of a...

John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.

This week, Stuart turns to The Minority Report, Philip K. Dick’s 1956 novella that laid the groundwork for the later big-screen adaptation starring Tom Cruise and directed by Steven Spielberg. Long before glossy holograms and futuristic car chases, Dick’s original story presented a lean, unsettling premise: a justice system that arrests people for crimes they have not yet committed, based on the predictions of three precognitive mutants. But what happens when those predictions don’t agree? Is the original short story sharper and more subversive than its cinematic counterpart, or does the expansion to feature length enhance what Dick only sketched? Read along with Stuart to find out!

A top-secret government weapons designer is arrested by a clandestine government organization on suspicion of being a clone created by the hostile alien race wanting to take over Earth.

This week, Stuart continues traveling through the works of Philip K. Dick with a review of “Impostor,” Dick’s 1953 short story about a man accused of being something he may not even know he is. Built around suspicion, self-doubt, and a devastating twist, the story later inspired the film Impostor, starring Gary Sinise. Stuart examines how Dick packs existential terror into a tight narrative, and whether the original short story delivers a sharper punch than its expanded film adaptation.

SIRIUS 6B, Year 2078. On a distant mining planet ravaged by a decade of war, scientists have created the perfect weapon: a blade-wielding, self-replicating race of killing devices known as Screamers designed for one purpose only -- to hunt down...

This week, Stuart continues his discussion of Philip K. Dick's works with Second Variety, Dick’s 1953 short story about autonomous killing machines that evolve beyond human control. The tale of soldiers trapped in a war against weapons that can perfectly mimic their creators would later inspire the 1995 film Screamers, but how does the original prose stack up against its cinematic offspring? Stuart digs into Dick’s bleak worldview, razor-sharp concepts, and unsettling twists to determine whether this story still cuts deep.

Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company who manufacture memories. Something goes wrong during his memory implant turning Doug's life upside down and even to question what is reality and what...

In this episode, Stuart dives into We Can Remember It for You Wholesale, the razor-sharp short story by Philip K. Dick that asks a deceptively simple question: what if your memories aren’t real, and worse, what if they’re better than your real life? Long before exploding heads and Mars rebellions, Dick’s original tale is a lean psychological puzzle about identity, desire, and the fragile line between fantasy and reality. Stuart breaks down how the story plays with implanted memories, government paranoia, and existential dread in just a handful of pages. This isn’t the bombastic spectacle many associate with the title. It’s tighter, darker, and more ironic. A story about wish fulfillment that becomes a nightmare about who you really are when the wish comes true.

In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.

As Now Playing Podcast reviews all Philip K. Dick screen adaptations, Stuart also explores the source material that inspired the movies and transformed the science fiction genre for a whole generation of readers. This week, Stuart takes a look at the seminal 1968 novel Do Androids Dream of Electric Sheep?, the dystopian detective novel that gave birth to the Harrison Ford/Ridley Scott classic movie Blade Runner.