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Joan Wasser started as violinist/support member in the 90s for The Dambuilders and then for Mind Science of the Mind and Antony and the Johnsons. In the mid-90s, she co-led a band called Black Beetle that released nothing, but taught her songwriting. She’s had 13 solo releases (7 original albums, 2 of covers, 2 collaborations, 1 live, 1 EP), as she has continued to guest and tour with major artists including Iggy Pop, Gorillaz, Rufus and Martha Wainwright, John Cale, Sheryl Crow, Elton John, and Lou Reed.

We discuss “Eternal Flame” from Real Life Evolution (2026), “I Defy” from Real Life (2006) (a duet with ANOHNI), and “Full-Time Heist” from Lemons, Limes and Orchids (2024). Intro: “The Magic” from The Deep Field (2011). End song: “Valid Jagger” from Damned Devotion (2018). More at joanaspolicewoman.com.

Experience all of “The Magic.” Hear one of Joan’s songs with Black Beetle before her first solo EP (“Vanish”). The single off that initial EP was “My Gurl.”

Watch a live, recent performance of “I Defy” and “Eternal Flame” from the same session. Hear the full new version of “I Defy” and the full old version of “Eternal Flame.”

Watch “Full Time Heist” played live solo. Here’s the official video. Watch a video for her collaborative project The Solution is Restless.

Hear one of Joan’s songs with Black Beetle before her first solo EP (“Vanish”). Watch Joan in 1995 playing violin live with Mary Timony (her bandmate in Mind Science of the Mind). Here she is very liberally covering The Beatles.

Watch more video on Joan’s YouTube channel.

Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Jacqui rose to fame with the Australian electronic dance band Single Gun Theory (three albums released 1987, 1991, 1994), did some one-off collaborations (e.g. singing for Delirium), and released her first solo album in 2008. After some solo singles (and an album as one half of CiiVE), she’s now released her second solo album, Desiderium.

We discuss “Planet” (co-written with Brian Connelly) and listen at the end to “Cycles” from that new album, plus “Myriad” from Auraphonic (2008), and “The Sea of Core Experience” by Single Gun Theory from Flow, River of My Soul (1994) (the core song including lyrics written by Kath Power, with synths added by Pete Rivett-Carnac; Jacqui would add her vocals to create the final version). Intro: “Take Me Back” by Single Gun Theory from Millions, Like Stars in My Hands, The Daggers in My Heart Wage War (1991). Learn more at jacquihunt.net.

Watch the video for “Cycles” and one for “Planet.” Hear the title track from the new album. Here’s a video for “Connect” from her first solo album. Her 2017 band CiiVE with Brian Conolly also had a couple of videos: “Feather & Down” and “Stationized.” Watch a video for her appearance with Delirium: “Euphoria (Firefly).” Here’s a song she sang for Paul Mac.

Hear all of “Take Me Back.” Here’s a playlist of Single Gun Theory’s other various videos. As Jacqui said, they didn’t often play live, and I’m not able to find any live footage of their tour with Sarah McLachlan or other shows, though according to the description, this is a live audio recording.

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Glenn was a central figure in the Hoboken punk scene, fronting the band “a” in the late ’70s (no released albums) and then The Individuals (one album and an EP) in the early ’80s. His next band, Rage to Live (two albums), was the first release from Bar/None records in 1986, and Glenn then joined the label as a partner and signed They Might Be Giants, Yo La Tengo, etc. He started recording his own music again in the early 2010’s and has now released three albums as Glenn Morrow’s Cry for Help.

We discuss “Sweater Weather” (and listen at the end to “That’s That”) from Our Final Album Vol. 1 (2026), “Our World” by The Individuals from Fields (1982), and “Swimmer” from the self-titled album (1986) by Rage to Live. Intro: “Yellowed Pages” from 2 (2020). More at glenn-morrow.com.

“Sweater Weather” was inspired by the Richard Brautigan 1967 poem “All Watched Over by Machines of Loving Grace.”

Watch Cry for Help playing “Our World” live. Here they are promoting their first album, and in an acoustic format. Watch a whole live-stream from Freedy Johnston’s. Watch The Individuals live.

They’ve released a couple of videos: “Other Side of the Dream,” “Forever and a Day,” and here’s one for “Sweather Weather.” Hear all of “Yellowed Pages“.

Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Dan was Ben Vaughn’s sound-man and released his first solo album of Americana rock in 2004. We discuss “Busted” from his eighth album (produced by Vaughn), the just Dan-and-his guitar effort Dispatches from the Desert, then “Beaumont” from Cast-Iron Songs and Torch Ballads (2023), “Favorite Color” from Rosetta, Please (A Love Story) (2006). End song: “Lookin’ for a Fight” also from the new album. Intro: “Always” from Man from Out of State (2004). More at danmontgomery.bandcamp.com.

Hear all of “Always,” and a couple of the drug songs we refer to near the beginning: “Phenobarbiedoll” and “Crack Home.” See Dan’s full, recent band live, and again here. See him play live as an acoustic duo. Here he is live 17 years ago. Hear his early band Drugs Before Breakfast.

Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Hear my previous interview with Ben Vaughn.

With his roots in folk, Josh released three rock albums in the ’90s before his big hit “Camera One,” from Useful Music (2001), which is getting a Silver Anniversary rework/reissue (The intro music for this episode is the newly recorded version). He has released seven albums since then, typically as The Josh Joplin Group, but sometimes as Among the Oak & Ash.

We discuss “Goodbye Berlin” from GpYr (2025), “History of I Do” from Figure Drawing (2023) (music by Wes Langois), “Juniper” from Boxing Nostalgic (1997), and conclude by listening to “High, Low & Wide” from the self-titled album by his folk unit, Among the Oak & Ash (2008). More at joshjoplingroup.com.

Watch the original video for “Camera One” and the silver-anniversary new recording/video. Hear the big-budget, Josh-rejected version of what would have been his second single from that album, “I’ve Changed.” There’s also a video for the solo version. Watch him back in the day playing the song on Letterman, and with just a guitar at a cafe in 2008.

Watch the Josh Joplin Group live recently, and as a duo with Wes Langois. Watch him talk and perform with Garrison Starr as Among the Oak and Ash. Watch that full band live in 2010. That band did lots of folk standards, but also a Smiths cover.

Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Bruce started as guitarist for the ’90s for Vulgar Unicorn and started Pineapple Thief as a solo project in 1999, though it quickly became a full band (and has for the last several albums been a true 4-way collaboration featuring King Crimson/Porcupine Tree drummer Gavin Harrison). He’s released 16 studio albums with Pineapple Thief and four solo albums (plus a collaboration album with Jonas Renske from Katatonia). More at brucesoord.com and pineapplethief.com.

We discuss “Pillars” from Ghosts in the Park (his 2026 solo album) and some Pineapple Thief tracks: the title track from It Leads to This (2024), “Clapham” from 10 Stories Down (2005), remixed for 3000 Days (2008), plus to conclude “Alone at Sea” from Magnolia (2014). Intro: “Private Paradise” by from Abducted at Birth (1999, originally called Abducting the Unicorn).

Hear all of “Private Paradise.” There’s an official video for “Pillars.” Here’s one for another new song “Meet Me On the Downs.” Watch Bruce live solo, and live with his “solo band.”

Watch the latest Pineapple Thief video, and here’s a nice one from 2020. Here they are live with Gavin. Here’s a whole live show from 2017 shortly after Gavin joined. Watch Bruce talk about his gear. There’s much more at their YouTube channel.

The Vulgar Unicorn albums are Under the Umbrella (1995), Sleeps With the Fishes (1996), and Jet Set Radio (2000). They also put out an album as Persona Non Grata (not released until 2004). Bruce’s partner in that band was Neil Randall, who currently puts out music as Niederrad 16.

Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic for access to more Linsenmayer/Soord interaction via our bonus 2018 partial interview.

Michael is the songwriter and guitarist for the Canadian band Cowboy Junkies (featuring two of his siblings and a childhood friend), with whom he’s released 20+ studio albums and several live albums since 1989.

We discuss “Throw a Match” from Such Ferocious Beauty (2023), “He Will Call You Baby” from More Acoustic Junk (2025), remade from One Soul Now (2004), and “Rock and Bird” from The Caution Horses (1990). End song: ” Unanswered Letter” from The Wilderness-The Nomad Series, Vol. 4 (2012). Intro: “Misguided Angel” from The Trinity Session (1988). More at cowboyjunkies.com.

Follow along in Mark’s notes (Google has inexplicably decided that the file looks dangerous and might warn you of this, but it’s just the same as all the rest of them; you can ignore the warning.)

Watch the video for “Misguided Angel.” Here’s that video/alternate version of “Rock and Bird” featuring Bruce Hornsby (my previous guest!) as depicted in the video by Stephen Wright. Hear the original version of “He Will Call You Baby.” Hear the acoustic version of “The Wilderness.” Hear their tune with John Prine.

Watch a full live set from 2008. Watch them live on Carson in 1989, on Leno in 1994 and on Letterman in 1996. Here’s a video for one of their cover tunes (a David Bowie tune!).

Watch the video for a tune by one of Michael’s side projects, Lee Harvey Osmond (the singer is Tom Wilson). Listen to one of Michael’s solo album improvisations. Here’s his film soundtrack from 2017. Here’s his 1983 band with Alan, Germinal, and his even earlier band Hunger Project.

Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Teddy, golden-voiced son on Richard and Linda, is more tied to ’50s/’60s rock and country than he his to his parents’ folk influences, and he’s recorded ten solo albums of tuneful, straightforward but highly idiosyncratic rock and country tunes since 2000.

We discuss “Come Back” (and listen at the end to “So This Is Heartache”) from Never Be the Same (2026), “Move At Speed” from Heartbreaker Please (2020), and “I Should Get Up” from Separate Ways (2006). Intro: “In My Arms” from A Piece of What You Need (2008). More at teddythompson.net.

Watch the video for “In My Arms.” Another song from the new album that I mention is “Not What I Need,” and its great closing tune is “Same Old Song.” Teddy’s previous album is My Love of Country. Hear the song Teddy mentions, “No Way to Be,” featuring his father and Garth Hudson.

Watch Teddy play “I Should Get Up” solo live. Here’s a whole, very recent live solo show. Watch Teddy and Richard sing “Persuasion” (the great song Richard wrote with Tim Finn) live in 1999 (here’s the studio version, and here’s Tim’s version). Here’s the tune he wrote with his mother for her most recent album (she has vocal issues now, so a series of guest vocalists sing all the tunes). Here’s a trailer for the Family album by Thompson (2014).

Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Richard joined the British art-rock band Japan in 1975, playing with them through their five albums, 1982 break-up, and 1991 one-off reformation (as Rain Tree Crow). He continued to collaborate with Japan drummer Steve Jansen, recording four instrumental ambient albums with him (and one pop album in 1987 as Dolphin Brothers), between 1985 and 1995, adding Japan bassist Nick Karn for a couple more albums, plus 1994 album with No-Man singer Tim Bowness and two albums (’12-’13) with Marillion singer Steve Hogarth. In 1995 he joined Porcupine Tree, and this has been his main gig, recording 25+ albums with them. In 2004 he finally released his first solo album, a second one in 2008, and then a steady stream of albums and EPs since 2017 (so around eight solo albums’ worth of material in total).

We discuss “A New Simulation” from Hauntings (2026), “All Fall Down” from Stranger Inside (2008), and “Sleepers Awake” by Steve Jansen and Richard Barbieri from Stone to Flesh (1995). End song: “Waiting to Be Born” by Steve Hogarth and Richard Barbieri, recorded 2015 and released as the lead track to an EP by that name in 2023. Intro: “The Experience of Swimming” by Japan, a B-side from Gentlemen Take Polaroids (1980). More at richardbarbieri.bandcamp.com.

Hear all of “The Experience of Swimming.” A more famous Japan song from just after that which Richard contributed heavily to is “Ghosts.” Watch the band’s final show from 1982.

Here’s a live version of “Sleepers Awake.” (Actually, the live version I was referring to is from the live album Lumen; since he said it was only played live once, these may well be the same performance.) Here’s a song Richard co-wrote for Porcupine Tree. Here’s another he also co-wrote, but played live.

Here’s one he recorded with his wife Suzanne in 1997 as Indigo Falls. You can hear the full 1987 Dolphin Brothers album that Richard says was kind of a mistake. Here’s a tune Richard played synth on for David Sylvian’s 1984 solo album (he was the singer for Japan). Here’s one of the Rain Tree Crow (1991) songs he is credited with co-writing.

Watch a cool “360 degree” video of one of his recent instrumentals, “Serpentine.” Here’s another cool one along the same lines. The song we briefly discuss with virtuoso bassist Percy Jones is “Path Not Taken.” Watch Richard playing live solo. Watch him messing around with gear. Here’s an older tune with Steve Hogarth and one with Tim Bowness.

For more general info about LFOs (low-frequency oscillators), here’s a video.

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Tom was an integral member of the Greenwich Village early ’60s folk scene (playing originals regularly before Bob Dylan did). His tunes have been covered by Dylan, Pete Seeger, Joan Baez, Johnny Cash, Willie Nelson, Dolly Parton, Harry Belafonte, and many others. He received a lifetime achievement Grammy in 2009.

We talk about “Rebel Gal” from Together Again (2026) (a collaborative album with John McCutcheon), “If the Poor Don’t Matter” from Redemption Road (2015), “Mr. Blue” from Morning Again (1968), and “The Death of Stephen Biko” (with Anne Hills and Bob Gibson) from Best of Friends (live in 1984, released in 2004; the song was originally recorded for Heroes, 1978). Intro: “I Can’t Help But Wonder Where I’m Bound” from Rambin’ Boy (1964). More at tompaxton.com.

Hear all of “I Can’t Help But Wonder…” From that same album, here’s “Goin’ to the Zoo.” Here he is playing it live in 2024. Some of his other classic ’60s folk tunes are “Bottle of Wine,” “The Last Thing on My Mind,” and “Ramblin’ Boy.“

Hear the cover version of “Mr. Blue” by Clear Light that we discuss. One of the crazier arrangements by Tom himself from this period is “Icarus” (1971). Not too many years after that, a lot of his material was quite relaxed and safe, e.g. “Something in My Life” from the 1975 album of that name. One of his slick ’80s tunes is “And Lovin’ You,” co-written with Bob Gibson. (FYI Tom’s hero Bob Gibson’s most famous song was “Abeline,” from 1957.)

Hear the original 1978 version of “The Death of Stephen Biko.” (Here’s the Peter Gabriel tune about the same topic that Mark mentions.)

An important tune from the ’00s for Tom is “Comedians & Angels.” Probably my favorite album from his later career is 2008’s “Looking for the Moon.” Here’s the tune from the new album that Mark mentions, “Lay This Old Guitar Down.” Watch Tom and John perform “Same Old Crap” from their first album together; a lot of their tunes together are funny ones like this. Another funny one from a different recent collaboration (with Jon Vezner; this 2019 live album is credited to Tom Paxton & The DonJuans) is “All My Stalkers.” He has remained politically relevant, releasing “No Kings Here!” last September.

Listen to my interview with John McCutcheon.

Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Alan released two albums with folk-rock band Knots and Crosses in the early 90s, put out one solo album, then became a recording engineer and earned a PhD in ethnomusicology. He released three albums between 2010-2019 fronting Birdsong at Morning and put out two more solo albums.

We discuss "Just Like Water" (and listen at the end to "Somewhere There's a Train") from Floating on the Dreamline (2026), "The Great Escape" by Birdsong at Morning from A Slight Departure (2015), and the title track to Curve of the Earth (1993) by Knots and Crosses. Intro: "Neon Dreaming," originally from Evidence (1994). More at alanwilliamsevidence.com.

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Bill is a singer/songwriter who recorded five albums of catchy tunes between 1989 and 1991, then retired but came back a vengeance in 2014. He's now just released his 13th album, Haunted, and we talk about "Perpetual Tourist" and listen at the end to the title track from that, "Trentham" from A Trip to the Coast (2014) and "Pigalle on a Tuesday is Charming" from Parce Que (1988). Intro: "Tommy & Co," from Three Months, Three Weeks and Two Days (1989). More at billprichardmusic.com.

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Kavus began in dual-guitar London math-rock bands in the '90s, joined The Cardiacs for their final lineup. His band Knifeworld released the first of its four albums in 2009, he released solo albums in 2020 and 2024, and since 2014 he has released six albums with legacy prog-rock band Gong. He has also released four studio albums with electronica band The Utopia Strong since 2019.

We discuss "Stars in Heaven" by Gong from Bright Spirit Haulix (2026), "Send Him Seaworthy" by Knifeworld from The Unraveling (2014), "You Broke My Fall" by Kavus Torabi from Hip to the Jag (2020), and "Wise Guy" by The Monsoon Bassoon, a 1998 single. Intro: "Ditzy Scene" by The Cardiacs, a 2007 single eventually released on LSD (2025).

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Lande started in the 2010's in the British punk-pop group Muncie Girls, with six releases (mostly EPs), and began her solo career in 2019. We discuss "Coming Home" (and listen at the end to the title track) from her fourth solo album Lucky Now (2026), "80 Days of Rain" from Going to Hell (2011), and "Learn In School" by Muncie Girls from From Caplan to Belsize (2016). Intro: "Gay Space Cadets" from House Without a View (2022).

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John has released at least fifteen albums, more than half of these under the name King Missile, but even this name covers three different bands, since John until recently didn't play any instruments, so his music is always collaborative with one or more music writers. Apart from his various musical projects, he's published around 50 books of poetry and publishes poems every day on his Facebook page.

We discuss "Her Cock is True" from the yet-to-be-released King Missile album Quest for Fire, "Eating People" from The Psychopathology of Everyday Life (2003), and "Sensitive Artist" from Fluting on the Hump (1987). End song: "Garden" by You, Me and This Fuckin’ Guy from Garden Variety Fuckers (2020). Intro: "Detachable Penis" from Happy Hour (1992).

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Folky singer/songwriter and psychotherapist Robert started in the '80s but considers 1994 his professional debut and has now released his seventh album since then, The Space Between Us.

We discuss "Attic of Desire" (and the intro is "The Forest From the Tree") from that album, plus "Uncertain" from Beloved (2017), the title track from Earthside Down (1998). End song: "Rock A Bye" feat. Victoria Williams from Days Like These (1994). More at robertdeeble.com.

Watch Robert's video for "The Forest From the Tree." The previous version of "Attic of Desire" was called "A Formal Apology" from Thirteen Stories (2003). Watch Robert and his band play "Earthside Down" live in 2002.

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Ontario guitarist Darren has released six albums of concise instrumentals since 2019, often using metal guitar tones and tropes, but with a great range of tones and often catchy melodies.

We discuss "The Day Beneath Yesterday" (and listen at the end to "Dangerous Curves") from Perpetual Night (2025), "Broken Glass and Disappointment" from Thoughts and Scares (2022), and "The Earth is B Flat" from Lifting the Curse (2019). Intro: The title track from Wonders of the Invisible World (2020). More at darrenboyd.com.

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In a special holiday episode, we get to meet musician and podcaster Roger Heathers, who edits this show. Together, Roger and I discuss how we make the show and share some highlights and challenges re. recent guests.

At the beginning and the end of the show, you get to hear two tracks from his soon to be released Upward Spiral: "Guard Dogs" and "Hopefully." They both feature a warm, holiday-like glow.

You can listen to him at rogerheathers.bandcamp.com, or check out The Weekly Song Podcast.

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Corey has released many of zydeco music since 2004, and mixes his dedication to tradition (even recording a recent album in Louisiana Creole) with his love of many types of music.

We discuss "J'ai Parti dans la Campagne" (and listen at the end to "Outro") from his new release, Live in Alaska; "That Girl Wanna Dance" from the Grammy nominated Nothin’ But the Best (2012); and "Way Back Home," a Jazz Crusaders cover recorded for 3 Years 2 Late (2003). Intro: "Boudin Man (Remix)" from Destiny (2013). More at coreyledet.com.

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Marshall began creating his catchy, harmonically thick rock tunes in the early '80s with six major label albums, but went indie in the '90s to record four more as well as several EPs and live collections.

We discuss "Stranger and Stranger," newly reworked for From the Hellhole (2025), "Right On Time" from Jaggedland (2009), "Fantastic Planet of Love" from Life’s Too Short (1991), and we conclude by listening to Our Town" from Field Day (1983). Intro: "Someday, Someway" from Marshall Crenshaw (1982). More at marshallcrenshaw.com.

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Mark is joined by returning NEM guest Don Rauf (from Life In a Blender), singer/songwriter/cartoonist David Heatley), and writer/musician Dave "Diggy" Dawson aka Dave Philpott.

Is funny music necessarily less sincerely emotional, and so a failure at what music is supposed to do? We discuss rock star personas, ironic use of genre, humor in musical gesture, Zappa, Spinal Tap, and more.

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Singer-songwriter-multi-instrumentalist Jonathan (currently based in Minneapolis) has been putting out indie rock solo albums since 1992, but has also ventured into traditional Finnish folk music and has multiple releases of tunes that I won't call Christian rock, but more rock that grapples with being someone who goes to church.

We discuss "Diner by the Train" (and listen at the end to "Evidence") from Waves (2025), "Home Unknown" from Look Up (2015), "Tape" from Recital (1997), and "Failing Rockstar Attempt" from Sound Theology (2000). Intro: "When I Get Bored" from 11 Years and 28 Days in the Yellow Room (1992) More at junathanrundman.com.

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Adrian has applied his distinctive, spacey dub mixing techniques to numerous recordings since 1978 including Ministry, Nine Inch Nails, Lee "Scratch" Perry, Sinéad O'Connor, and Spoon and has released nine albums under his own name since 2003. He has effectively served as a key band member in several groups including Creation Rebel and African Head Charge. 

We discuss "Body Roll" from The Collapse of Everything (2025), "Starship Bahia" from Survival & Resistance (2012), and "Sharp as a Needle" by Barmy Army from The English Disease (1989). End song: "Make Up Your Mind" by Coldcut (Ninja Tunes), et al from Outside the Echo Chamber (2017). Intro: "Movement in Space" by Creation Rebel from Starship Africa (1980). More at adriansherwood.com.

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Eric was a major figure in the 1960s NYC folk scene, and his early tunes have been covered by Bob Dylan, Judy Collins, and many others. He's released 22 solo albums plus several live albums and two albums with The Band's Rick Danko as Danko/Fjeld/Andersen.

We discuss "Don't It Make You Wanna Sing the Blues" from Dance of Love and Death (2025), "Rain Falls Down in Amsterdam" from Memory of the Future (1998), and "Six Senses of Darkness" from Ghosts Upon the Road (1989). End song: "Time Run Like a Freight Train" from Stages: The Lost Album (recorded 1973). Intro: "Violets of Dawn" from 'Bout Changes and Things (1966). More at ericandersen.com.

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This is an in memoriam reissue of a 2022 episode with a newly recorded introduction by Mark (your host, not the guest).

Mark Stewart led the Pop Group through two albums in the late 70s two later reunion album and has released nine solo albums of trippy, experimental dance music.

We discuss "Rage of Angels" (feat. Front 242) from VS (2022), "Age of Miracles" by The Pop Group from Citizen Zombie (2015), and "Liberty City" by Mark Stewart & the Maffia from Learning to Cope with Cowardice (1983). End song: "Cast No Shadow (Leather Strip Mix)" by feat. Stephen Mallinder and Eric Random from VS. Intro: "She Is Beyond Good and Evil" by The Pop Group from Y (1979). More at markstewartmusic.com.

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Maia has released ten lush, Americana-influenced singer-songwriter albums since 1997 and has collaborated with artists like Art Garfunkel, Bonnie Raitt, and Trisha Yearwood, and been covered by Cher, Paul Carrack, etc.

We discuss "Counterintuition" (and listen to the title track) from Tomboy (2025), "Phoenix" from The Dash Between the Dates (2015), and "A Home" from Fine Upstanding Citizen (2005) (co-written with her father Randy Sharp and popularized in a cover version by The Chicks). Intro: "I Need This to Be Love" from Hardly Glamour (1997). More at maiasharp.com.

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...OK, maybe not his ending, but it's a late career boost into overdrive: This 66-year-old has been making music since the '80s, but you're only going to find two of his releases on the streaming services right now, and only this new album (released 20 years after the previous one) has the polish to count as a world-conquering, professional release.

We discuss two songs from this new album Diner of Doubt: "My Dead Friend," and "I Have a Lotta Dreams," plus "Build Another One" (and the intro, "Chinese Lights") from Might Could Have (2004). End song: "Oh Dee Oh Oh" (2023). More at teetempleton.com.

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New York singer-songwriter Willie has released sixteen albums since 1980. He has opened for The Who and Bruce Springsteen, among others, but rejected the major label life after his first two albums.

We discuss "An Irish Goodbye" (feat. Paul Brady) from The Great Yellow Light (2025) (and listen at the end to "Wake Up, America" feat. Steve Earle from that album), "Cell Phones Ringing (In the Pockets of the Dead)" from Streets of New York (2006), and the title track from Places I Have Never Been (1991). Intro: "Vagabond Moon" from Willie Nile (1980).

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Not only is John a multi-instrumentalist who's played with Violent Femmes, Allen Ginsberg, Hal Willner, John Prine, et al, but he's released around 24 albums as a solo artist or with groups including the NYC world music outfit TriBeCaStan.

We discuss "(Be Careful What You Say to) An Armed Lady" by Folklorkestra from A Strange Day in June (2023), the title track from Forever Ago (with La Societe; del Musici) (2018), "Bed Bugs" by TriBeCaStan from New Deli (2012), and listen to "Back Country" by The Electric Chairmen from Toast (1995). Intro: "Grim Reaper’s Song" from Midnight Snack (1986). More at kruthworks.com.

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This famed finger-style guitarist broke through with Jefferson Airplane's seven albums from 1966-1972, recorded eight with Hot Tuna 1970-1976 (with subsequent reunions by both bands), recorded his first solo album in 1974 and then 10 more from 1981-2025, and has collaborated with John Hurlburt, members of the Grateful Dead, and Janice Joplin.

We discuss "In My Dreams" from Ain't in No Hurry (2015), "Been So Long" from River of Time (2009), "Sleep Song" by Hot Tuna from America's Choice (1975). End song: "Hesitation Blues" from Reno Road: Unreleased Tracks from the 60s (1960). Intro: "Embryonic Journey" from Jefferson Airplane's Surrealistic Pillow (1967). More at jormakaukonen.com.

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Chris has around 20 releases since 1991, mostly under his own name, while moonlighting as a metal guy and otherwise collaborating.

We discuss "She Looks Good in Black" from Obsolete Path (2025), "Intransitive Proverb" from Limitations of the Source Tape (2017), and "Angel Be Mine" from Your Own Chosen Speed (2001). End song: "Sisiphus" by Däng from Tartarus: The Darkest Realm (2014). Intro: "Every Time" by Flat Earth from Prefacipice (1991). More at chrischurch1.bandcamp.com

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Bill released 8 albums from 1969-1977 with Sons of Champlin then moved to LA to become a solo artist and session musician, co-writing two Grammy-winning tunes. He was the designated soul singer in Chicago from 1981-2009 and released several solo albums starting in 1990 while continuing to collaborate widely.

We discuss "Alone" from Livin' for Love (2021), the title track from He Started to Sing (1995), and "Right On" by Sons of Champlin from Welcome to the Dance (1973). End song: "Plaid" by Chicago from Stone of Sisyphus (1992). Intro: "Please Hold On" from Chicago 17 (1984). Learn more at billchamplin.com.

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Dean has released about 20 albums, starting with three '88-'90 with Galaxie 500, then he started fresh in New York as Luna, releasing seven albums and some EPs through 2005 (plus a later reunion), then continued with his Luna bassist and now spouse Britta Phillips as Dean and Britta for five albums, interspersed with now four albums under his own name and other miscellaneous projects.

We discuss "We're Not Finished Yet" (and listen at the end to "The Cloud Is Coming" from That's the Price of Loving Me (2025), "Love Is Colder Than Death" from Emancipated Hearts (2013), and "23 Minutes in Brussels" by Luna from Penthouse (1995). Intro: "Strange" by Galaxie 500 from On Fire (1989). More at deanwareham.com.

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Peter recorded with Chris Stamey as early as 1972, and they reconvened as The dB's in the '80s. Peter has released six albums as the dB's, three more as a duo with Chris, four co-fronting the Continental Drifters, and three solo albums. He has also been a supporting/touring member in several bands including REM, Hootie and the Blowfish, and currently The Paranoid Style.

We discuss "Larger Than Life" from his new solo album The Face of 68), "Don’t Mention the War" from Game Day (2018), and "She Won’t Drive in the Rain" by The Db’s from their reunion album Falling off the Sky (2012). We conclude by listening to "Where Does the Time Go" by Continental Drivers from Better Day (2001). Intro: "Amplifier" by The Db’s from Repercussion (1981). More info at halfpearblog.blogspot.com.

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JR has drummed on over 200 US Billboard Hot 100 songs and 50 Grammy winning tunes. He was in Rufus w/ Chaka Khan in the late 70s/early 80s, has released two solo albums, written for soundtracks, produced other artists, and has led various combos over the years. He is currently promoting his auto-biography King of the Groove.

We discuss "Gonna Be Alright" from The Bronx, USA soundtrack (2020), "Flight 81" from his first solo album, Funkshui (2004), and "You're Really Out of Line" by Rufus from Seal in Red (1983). End song: "Tal Shia" by SRT from Vanguards of Groove (2023). Intro: "Higher Love" by Steve Winwood (1986). More at johnjrrobinson.com.

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Django is a singer/songwriter/guitarist who released his first solo album in 1996 and has released seven albums with The Old Ceremony since 2004 plus several more solo releases.

We discuss The Old Ceremony songs "Too Big to Fail" (and listen to "Hangman's Party at the end) from Earthbound (2024), "The Disappear" from Walk On Thin Air (2009), and "Reservations" from Our One Mistake (2006). Intro: "Beautiful" from Folding Stars (1996). More at theoldceremony.com.

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Iain started in Britain's Fairport Convention in the late '60s, but quickly left that band to start a couple more and then move to the US for a lengthy solo career. He has in total released close to 50 albums, including many collaborations.

We discus the title track from How Much Is Enough (2024), the title track from God Looked Down (1996), and "Road to Ronderlin" by Matthews Southern Comfort from Later That Same Year (1970). End song: "St. Theresa's Ghost" by Ian Matthews and the Searing Quartet, from Joy Mining (2008). Intro: "Book Song" by Fairport Convention from What We Did on Our Holidays (1969). Learn more at iainmatthews.nl.

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Loudon has released 30 albums since 1970. He's the quintessential singer-songwriter, relying on crafty, personal lyrics delivered dynamically and typically solo, though his studio work has varied in production style and orchestration level over the years.

We discuss "How Old is 75" from Lifetime Achievement (2022), "Road Ode (Live)" from Career Moves (1993), and "Be Careful There’s a Baby in the House" from Album II (1971). We wrap up by listening to "Missing You" from Last Man on Earth (2001). Intro: "The Swimming Song" from Attempted Mustache (1973). Learn more at lw3.com.

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Steve fronted Chicago's Dolly Varden for six albums from the '90s through 2013. He also started releasing albums under his own name 2003 and has just released his seventh.

We discuss "A Mile South of Town" (and listen at the end to "Oh, California") from Ghosts (2024), the title track from The Dumbest Magnets by Dolly Varden (2000), and "Bronko Nagurski," a 1989 recording by the early iteration of Varden, Stump the Host. Intro: "Saskatchewan to Chicago" by Dolly Varden from For a While (2013). More at stevedawsonmusic.com.

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Though Dale is known as the long-time drummer for Washington sludge-metal band Melvins ('88-present), he's also a guitarist and singer who led the band Altamont though four alternative rock albums ('97-'05) and has now released his third full-length, stylistically varied solo album.

We discuss "I Quit" from Glossolalia (2024), "Bad Move" from The Fickle Finger of Fate (2017), and "The Bit" by Melvins from Stag (1996). End song: "El Stupido" by Altamont from The Monkees' Uncle (2005). Intro: "Spread Eagle Beagle" by Melvins from Houdini (1993). More at dalecrover.com.

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Amy started out as an NYC punk fan, was in the "cow punk" band Last Roundup with her brother, and then in a vocal trio called The Shams that released an album and an EP around 1993. She finally emerged as a full front-person as a solo artist in 1997; she's since released nine solo albums plus three more with her husband Wreckless Eric, who now serves as her producer.

We discuss "Bricks" from Hang In There With Me (2024), "Genovese Bag" by Amy Rigby and Wreckless Eric from A Working Museum (2012), and "Beer and Kisses" from Diary of a Mod Housewife (1997). End song: "Dancing with Joey Ramone" from Little Fugitive (2005). Intro: "Dark Angel" by The Shams from Quilt (1993). More at amyrigby.com.

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The New York-based singer/keyboardist/guitarist had several releases with Nova Social from '98-'14 while also serving as music director for Wesley Stace's Cabinet of Wonders variety show. After four solo releases, he's formed a new project setting his droll lyrics in a '60s Brazilian setting called As For the Future.

We discuss "Koan for the Music Business" (and listen at the end to "Encyclopedia of Songs") from this project's 2024 self-titled album, "See the Devil" from Songs of Advice and Adversity (2020 EP), and "Drunk at the Prom" by Nova Social from For Any Inconvenience (2011). Intro: "Theme in Yellow" (feat. Jeff Tweedy) from Carl Sandburg's Chicago Poems (2016). More at davidnagler.com.

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John Wardle (named Jah Wobble by Sid Vicious) started playing bass in John Lydon's post Sex Pistols band Public Image Ltd. in 1978, left after two albums, and has since recorded 50+ solo and collaborative albums, largely led by the bass, but spanning many genres including some particularly famous work in the world-music area.

We discuss "Last Exit" from A Brief History of Now (2023), "21 Towards Lewisham Shopping Centre" from The Bus Routes of South London (2023), "Fly Away" from Jah Wobble & Invaders of the Heart from Ocean Blue Waves (2019), and "Blowout" (a 1985 single). End song: "Visions of You" by Jah Wobble’s Invaders of the Heart (feat Sinéad O'Connor) from Rising Above Bedlam (1991). Intro: "Public Image" by PiL from First Issue (1978).

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Oliver, son of Rick, has played on around 50 albums, including maybe 10 solo albums plus collaborations with Clive Nolan, Steve Howe, Gordon Giltrap, Yes, Starcastle, Light Freedom Revival, and more.

We discuss "Golden Sun in Grey" from Anam Cara (2024), "Is This the Last Song I Write?" from Ravens and Lullabies (2013), and "Mind Over Matter" from The 3 Ages of Magick (2001). End song: "To the Moment" by Yes from From a Page (recorded 2010, released 2019). Intro: "Diving" from Heaven’s Isle (1997). More at oliverwakeman.co.uk.

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Pat has been a session drummer since the mid '70s, was a founding member of Mr. Mister in the '80s, and played in all line-ups of King Crimson since '94. He's also a producer and no stranger to electronics.

We discuss "31" by Tu-Ner from T-1 Contact Information  (2023), "Flinch" by TUNER from Totem (2005), "Life Goes On" by Mr. Mister from I Wear the Face (1984), and we conclude by listening to "Prog Noir" by Stick Men (2016). Intro: "Vroom Vroom" by King Crimson from Thrak (1995).

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Richard started as guitarist in the folk-rock staple Fairport Convention in 1967 but left in 1970 after five albums. He then recorded his debut solo album, six as Richard and Linda Thompson, and has since recorded 20 more solo albums of lyrically inventive, stylistically varied tunes that nearly always feature very skilled guitar work.

We discuss "Freeze," the first single from his new album Ship to Shore, "The Ghost of You Walks" from You? Me? Us? (1996), and "Don't Take It Lying Down" from Still/Variations EP (2015). End song: "When I Get to the Border" by Richard and Linda Thompson from I Want to See the Bright Lights Tonight (1974). Intro: "1952 Vincent Black Lightning" from Rumor and Sigh (1991). More at richardthompson-music.com.

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Kim has recorded about ten meticulously recorded country-evolving-to Americana albums out of Nashville since 1995. We discuss "Joy Rider" (and listen at the end to "Floating on the Surface") from Every New Beginning (2024), "A Place Called Home" from Rise (2002), and "I’m Alright" from Bitter Sweet (1997), which is also the home of the intro, "Every River." More at kimrichey.com.

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Singer-songwriter Lynn has released 10 albums since 2001. We discuss the title track (and listen at the end to "I Waited Too Long") from High Tide (2024), "11:11" from Rise of the Fall (2017), and "Drugstore" from Crossing Frequencies (2001). Intro: "City Life" from Sugar on the Floor (2011). Hear more at lynndrury.com.

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It's a new, discussion-only format, just for this episode (and perhaps some rare ones in the future)! When we write, how much is planned vs. improvised? How much is inspirational vs. double-or-triple checked? How does this factor weigh into how much music we release, how eclectic our sound is, and how well we improvise with others?

This discussion features three returning guests:

• Roger Joseph Manning Jr. was the keyboardist/singer for Jellyfish and Imperial Drag, and more recently as a solo artist and with the Likerish Quartet. Hear his solo episode. The end song on this episode "I'm Startin' a Band" from his Radio Daze EP (2023).
• David Christian is the singer/guitarist for Britain's Comet Gain. Hear his solo episode. The intro music to this discussion is "Love and Hate on the Radio" from Radio Sessions 1996-2011.
• Portland-based Rachel Taylor Brown has released 10 solo albums. Hear her solo episode. Her song choice relevant to this discussion was "Stagg Field."

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Illinois singer/bassist Paul had his first release in 1985 and joined with drummer Ric Menck to form a band eventually called Velvet Crush, which released six albums from 1991-2004. He has since played in Matthew Sweet's band and has released two albums under the name The Small Square.

We discuss "Can't Let Go (Oh, Tommy)" by The Small Square from Ours & Others (2023), "California Incline" by Velvet Crush from Stereo Blues (2004), and "Flower Field" by Choo Choo Train from Briar Rose EP (1988). Intro: "Hold Me Up" by Velvet Crush from Teenage Symphonies to God (1994). End song: "SML" from The Small Square (2015, remastered 2023). More at smallsquaremusic.com and actionmusik.bandcamp.com.

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