Naatak Radio – Détails, épisodes et analyse

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Naatak Radio

Naatak Inc.

Littérature

Musique

Humour

Fréquence : 1 épisode/17j. Total Éps: 117

Do you love stories, plays, tales, and lovely music? क्या आपको क़िस्से, कहानियाँ, और मधुर संगीत सुनना पसंद है?

Naatak Radio is a podcast with stories, plays, songs, and more, produced by Naatak, America's Biggest Indian Theater Company based in the Bay Area, California.

Naatak Radio aims to bring back the memories of Hawa Mahal on Vividh Bharati. हर हफ़्ते एक नए episode के साथ, आपकी सुनहरी हवा महल की यादें ताज़ा कराने की ज़िम्मेदारी अब हमारी.

#Naatak #Stories #Plays #Theater #Hindi #Drama #क़िस्से #कहानी #कहानियाँ

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Apple Podcasts

🇫🇷 France - drama
16/08/2025
#88

Spotify

Aucun classement récent disponible

Liens partagés entre épisodes et podcasts

Liens présents dans les descriptions d'épisodes et autres podcasts les utilisant également.

https://www.buymeacoffee.com/naatak
237 partages
https://www.naatak.org/naatakradio/
118 partages
http://www.ndtv.com/india-news/widows-from-bengal-bihar-stay-there-why-crowd-vrindavan-hema-malini-667204
12 partages

https://www.buzzsprout.com/twilio/text_messages/967153/open_sms
117 partages
https://www.buzzsprout.com/?referrer_id=910123
3 partages

https://en.wikipedia.org/wiki/Hindi
5 partages
https://en.wikipedia.org/wiki/Partition_of_India
4 partages

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Qualité du flux RSS

À améliorer

Score global : 48%

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Derniers épisodes publiés

Liste des épisodes récents, avec titres, durées et descriptions.

Nautanki Shehzaadi rehearsal recording (Sultana Daku)

vendredi 15 août 2025 • Durée 03:57

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Naatak presents SULTANA DAKU

Sep 6-28 2025

www.naatak.org

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Subscribe to Naatak Radio on Apple Podcasts, Google Podcasts, Spotify, Jio Saavn or wherever you get your podcasts. You can also listen to our library of over 100 episodes on our website at naatak.org/naatakradio/

Love the show? Consider supporting the show here.

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Inspector Matadeen Chaand Par (इंस्पेक्टर मातादीन चांद पर) by Harishankar Parsai, performed by Vineet Mishra

Saison 3 · Épisode 16

samedi 8 mars 2025 • Durée 27:09

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The moon is looking to upgrade its law enforcement and they reach out to the friendly Indian government who sends its most accomplished officer, Inspector Matadeen. Will Matadeen improve the lunar police efficiency?

Performed by Vineet Mishra

Background Music: Meditative Mind

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Sher (शेर) by Asgar Wajahat (असग़र वजाहत)

Saison 3 · Épisode 8

vendredi 6 septembre 2024 • Durée 05:59

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This week on Naatak Radio presenting a symbolic and satirical short story by Asghar Wajahat. In a tale probably belonging in the Panchtantra style of story-telling, but reminiscent of The Animal Farm, we hear of a jungle where animals willingly enter a lion's open mouth. Why are they doing this? And what happens when someone tries to question this system forms the basis of this short story.

What's really impressive in this story is how a really powerful message is delivered in <5 minutes. Do you find yourself entering the lion's mouth without questioning? Please let us know in your comments.

ABOUT THE AUTHOR:
Syed Asghar Wajahat, popularly known as Asghar Wajahat (Hindi: असग़र वजाहत) (born 5 July 1946), is a Hindi scholar, fiction writer, novelist, playwright, an independent documentary filmmaker and a television scriptwriter, who is most known for his work, 'Saat Aasmaan' and his acclaimed play, 'Jis Lahore Nai Dekhya, O Jamyai Nai', based on the story of an old Punjabi Hindu woman who gets left behind in Lahore, after the Partition of India, and then refuses to leave.

He has published five collections of short stories, six collections of plays and street plays, and four novels.

NAATAK's Jis Lahore Nai Dekhya on YouTube

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Aao Baat To Suno by Saadat Hasan Manto; directed by Vikas Dhurka

Saison 1 · Épisode 18

samedi 11 juillet 2020 • Durée 13:10

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There is an undisputed law of lazy Sundays. The moment you relax, is the moment you lose the Sunday. Presenting Aao Baat To Suno, the third play in Saadat Hasan Manto's radio play series Aao. On a lazy Sunday, Kishore volunteers to run a small errand for Lajwanti who's feeling under the weather, and the neighborhood piles on.

Cast:
Kishore: Harish Sunderam Agastya
Lajwanti: Sumrah Jan
Padosan: Smita Khole
Narayan: Abhay ParanjapéKishore's Dad: Gopal, Voice over, Khusku (the parrot):

Songs of Mahabharat: Part 2, Kurukshetra and Beyond

Saison 1 · Épisode 17

samedi 4 juillet 2020 • Durée 20:21

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Songs from Naatak's Grand Musical: Mahabharat staged in 2018.

It is said that every story that can possibly be told has been told in the Mahabharat. In 2018, Naatak presented this greatest epic ever written with live music and dance, and setting it in an undefined era that could be modern, ancient or anywhere in between. This was Naatak’s largest production in 25 years. There were as many as 50 people on stage, weaving theater, dance and music into an intricate presentation.

The album is broken in two parts as the music tempo changes pre war and during.

Songs and play written by: Sujit Saraf
Songs composed by: Nachiketa Yakkundi and team

THE MUSIC TEAM
Vocalists: Nachiketa Yakkundi, Anupama Chandratreya, Tejaswini Narayanan
Organ: Anand Karve
Tabla: Ajay Sundar Raj
Flue: Niranjan Page

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Songs of Mahabharat: Part 1, Pre Kurukshetra

Saison 1 · Épisode 16

samedi 4 juillet 2020 • Durée 23:05

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Aao Taash Khelein by Saadat Hasan Manto; performed by Harish Agastya, Sumrah Jan, Abhay Paranjape

Saison 1 · Épisode 15

samedi 27 juin 2020 • Durée 17:37

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Why is the Ace, a faceless card considered the most supreme? Why are there only 3 female cards in the whole suite? Kishore is clearly up to something. Can Lajwanti get him to reveal his secrets through a game of cards? Does Narayan's entry change anything?

Presenting Aao Taash Kheien (Come, let's play cards), the second in a series of short plays written by Saadat Hasan Manto called Aao. Each play presents a delightful banter between the husband Kishore, the wife Lajwanti, and their friend Narayan. Light-hearted and animated in nature, these lesser knows plays represent the writer in a different light.

Voice actors:
Kishore: Harish Agastya
Lajwanti: Sumrah Jan
Narayan: Abhay Pranajape

Direction: Vikas Dhurka
Presenter: Naatak

ABOUT THE AUTHOR:
Saadat Hasan Manto was a colonial Indian and Pakistani writer, playwright and author born in Ludhiana, India. Writing mainly in Urdu, he produced 22 collections of short stories, a novel, five series of radio plays, three collections of essays and two collections of personal sketches. His best short stories are held in high esteem by writers and critics. Manto was known to write about the hard truths of society that no one dared to talk about. He is best known for his stories about the , which he , immediately following independence in 1947.

Aao Kahaani Likhen by Saadat Hasan Manto; performed by Ausaf Masud, Sumrah Jan, Abhay Paranjape

Saison 1 · Épisode 14

samedi 20 juin 2020 • Durée 16:27

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Presenting the first in a series of short plays written by Saadat Hasan Manto. While working as a writer for the Urdu service of All India Radio, Manto wrote these short plays in Mumbai specifically for radio and the collection was published in 1940. Each play presents a delightful banter between the husband Kishore, the wife Lajwanti, and their friend Narayan. Light-hearted and animated in nature, these lesser knows plays represent the writer in a different light.

Aao Kahani Likhen (Come, let's write a story) is mentioned in the All India Radio progress report as one of the most successful production of the series. Lajwanti challenges Kishore to write a story and what starts off as fiction quickly becomes an unraveling of secrets in their relationship until Narayan comes in with a twist and a surprise ending to the tale.

Voice actors:
Kishore: Ausaf Masud
Lajwanti: Sumrah Jan
Narayan: Abhay Pranajape

Direction: Vikas Dhurka
Presenter: Naatak

ABOUT THE AUTHOR:
Saadat Hasan Manto was a colonial Indian and Pakistani writer, playwright and author born in Ludhiana, India. Writing mainly in Urdu, he produced 22 collections of short stories, a novel, five series of radio plays, three collections of essays and two collections of personal sketches. His best short stories are held in high esteem by writers and critics. Manto was known to write about the hard truths of society that no one dared to talk about. He is best known for his stories about the , which he , immediately following independence in 1947.

Dopahar Ka Bhojan (दोपहर का भोजन) a story in Hindi by Sahitya Akademi Award winner, Amarkant

Saison 1 · Épisode 13

samedi 13 juin 2020 • Durée 16:29

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Nearly 300-million (30 crore) people in India live at or below the poverty line and the 2020 pandemic is expected to throw many more in deep penury. This story, written by eminent story writer, Gnanpeeth (2009), Vyas Samman (2009), and Sahitya Akademi Award (2007) winner, Amarkant presents a tale of such a family. It presents the real life struggles of many and uses a narrative that is both poignant and heart-rending. Siddheshwari Devi distributes a very limited quantity of food amongst her retrenched husband and unemployed children so that nobody feels half-fed, but when nothing but half a roti is left for her, she cries silently. The ending of this story is extremely touching.

Narrated by: Savitha Samu and Vikas Dhurka
Presented by: Naatak

About the author:
Born in 1925 in Baliya, UP, Amarkant is at the top among the most prominent storytellers of India. The beauty of Amarkant's writing lies in its simplicity, which the critic Pranaya Krishna described as “the most difficult pursuit”. Amarkant goes deep into the sociology as well as the psychology of his characters without any cathartic drama and turns them into authentic representatives of our social margins. Amarkant is best known for his short stories although he also published six novels. He started writing in a period when the Nai Kahani (New Story) movement was heralding a big thematic and structural shift, and almost overshadowed the tradition of Premchand which used to be the mainstream fiction in Hindi. This movement focussed more on urban settings, individual characteristics, man-woman relationships, and so on, in place of people in villages and small towns. The scene was dominated by authors such as Mohan Rakesh, Kamaleshwar and Rajendra Yadav, aggressive advocates of the movement as a new metaphor for and of modern society.

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Bholaram Ka Jeev (भोलाराम का जीव) by Harishankar Parsai

Saison 1 · Épisode 12

samedi 6 juin 2020 • Durée 13:04

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A satire on the modern Indian urbanized society, Bholaram Ka Jeev, starts with a unique premise: Great confusion has ensued in Yamraj's offices in heaven. The soul of the story's protagonist, Bholaram a government servant, has gone missing. This causes Yamraj to issue a search warrant for Bholaram and deploy Narad to investigate. Narad visits Bholaram's family in disguise and finds that they are in a desperate need for his pension money, which they never received even after 5-years of him retiring from the job. Narad decides to help but is met with government bureaucracies at various levels. Does he finally mange to track down Bholaram's जीव (soul)? Can even death not bring peace to once's soul in today's urbanized and materialistic society? Listen on to find out.

Performed by: Anitha Dixit
Presented by: Naatak

ABOUT THE AUTHOR
Harishankar Parsai (1924- 1995) is an acclaimed Hindi writer. He is known for his humorist and direct style of writing. He was born in Jamnia village near Itarsi in Hoshangabad district, Madhya Pradesh. He completed his M.A. in English from R.T.M. Nagpur University. In 1982 he won Sahitya Akademi award for his work titled ViklaangShraddhakadaur.

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