Movies We Like – Détails, épisodes et analyse

Détails du podcast

Informations techniques et générales issues du flux RSS du podcast.

Movies We Like

TruStory FM

Cinéma & Séries

Fréquence : 1 épisode/62j. Total Éps: 64

Movies We Like with Andy Nelson & Pete Wright invites you inside the minds of Hollywood's finest artists as they share their favorite films and reveal the hidden magic that inspires their own award-winning work.

Ever wonder how a cinematographer experiences Apocalypse Now? Or what a costume designer sees in Amélie that you might have missed?

Each episode peels back the curtain on a beloved film through the unique lens of someone who's dedicated their life to the craft of moviemaking. Our guests include:

Oscar-winning costume designers
Renowned cinematographers
Innovative production designers
Award-winning editors
Accomplished actors
And other film industry virtuosos

Whether you're a die-hard cinephile or simply curious about how movies really get made, Movies We Like offers an education you won't find in film school.

Release Schedule:

New episodes release on the fourth Monday of every month
Members get exclusive early access one week before public release
Full episode archive available to members

Listen and learn more at TruStory FM or discover membership benefits.

Part of The Next Reel family of film podcasts

Lire plusRéduire

Site

RSS

Apple

Données mises à jour le 20/09/2026

Classements récents

Dernières positions dans les classements Apple Podcasts et Spotify.

Apple Podcasts

Spotify

Aucun classement récent disponible

Liens partagés entre épisodes et podcasts

Liens présents dans les descriptions d'épisodes et autres podcasts les utilisant également.

https://trustory.fm/movies-we-like/
23 partages
https://trustory.fm/join/
16 partages

Qualité et score du flux RSS

Évaluation technique de la qualité et de la structure du flux RSS.

Qualité du flux RSS

Excellent

Score global : 94%

Historique des publications

Répartition mensuelle des publications d'épisodes au fil des années.

Year

Derniers épisodes publiés

Liste des épisodes récents, avec titres, durées et descriptions.

Costume Designer Ann Maskrey on The Grand Budapest Hotel

Saison 7 · Épisode 11

lundi 17 août 2026 • Durée 57:40

Costume designer Ann Maskrey has watched The Grand Budapest Hotel five times and rewatched it the week before recording—and she's still finding things to admire. Ann, whose credits include The Duchess, the Hobbit trilogy, and the new The Magic Faraway Tree, chose Wes Anderson's 2014 film as one of her all-time favorites: a story of a legendary concierge (Ralph Fiennes) and his lobby boy (Tony Revolori) set against a fictional interwar Europe running out of time and elegance.
Ann, Andy, and Pete dig into Milena Canonero's costume design and what it means to read another designer's work from a maker's perspective—someone who started as a cutter and dresser before she was ever a designer. They get into the color decisions, the departmental shorthand that makes Anderson's worlds feel airtight, and how the same principles show up in Ann's own work on The Magic Faraway Tree. Andy Nelson and Pete Wright discuss the film with Ann Maskrey on Movies We Like, a TruStory FM podcast.
🎥 Watch Our Full Conversation on YouTube
📝 Full show notes and resources
🔓 The movie ends. The conversation goes further. Become a member.
🎧 Members get this episode early and ad-free in their private feed—plus every show in The Next Reel family.
Support The Next Reel Family of Film Shows:

Become a member for just $5/month or $55/year
Join our Discord community of movie lovers

The Next Reel Family of Film Shows:

Connect With Us:

Main Site: Web
Movie Platforms: Letterboxd | Flickchart
Social Media: Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest
Your Hosts: Andy | Pete

Shop & Stream:

Merch Store: Apparel, stickers, mugs & more
Watch Page: Buy/rent films we've discussed
Originals: Source material from our episodes
Special offers: Audible

Lire plusRéduire

Cinematographer Nicole Hirsch Whitaker on The Conformist

Saison 7 · Épisode 10

lundi 15 juin 2026 • Durée 58:17

Cinematographer Nicole Hirsch Whitaker, ASC was in the tenth grade when her English teacher screened “The Conformist” on a film print. A single scene—a car moving through trees, shot by Vittorio Storaro—changed the direction of her life. Now an Emmy-nominated cinematographer with credits spanning Netflix’s record-breaking “One Piece” and the Spirit Award-nominated feature “Dust Bunny,” Nicole brings a career built on visual intelligence to Bernardo Bertolucci’s 1970 psychological thriller.
Andy Nelson and Pete Wright dig into Storaro’s color-as-psychology approach, the fascist architecture that makes bodies feel small on screen, and the forest sequence that echoes across decades into the Coen brothers and Roger Deakins. Nicole also talks about the 3:1 aspect ratio on “Dust Bunny” and why scope is worth fighting for in a world designed for phone screens. Her word for “The Conformist”: elegant darkness.

🎥 Watch Our Full Conversation on YouTube

🎬 Watch & Discover

Watch “The Conformist”: Apple TV | Amazon | Letterboxd | Trailer

What to Listen to Next:

Costume Designer Jenny Beavan on The Leopard—Italian cinema; visual and moral counterpoint to The Conformist
Cinematographer Paul Cameron on Apocalypse Now—follow Storaro’s influence further
Once Upon a Time in the West on The Next Reel—Bertolucci’s fingerprints on a Leone film

🔓 The movie ends. The conversation goes further. 🎧 Members get this episode early and ad-free in their private feed—plus every show in The Next Reel family. Support The Next Reel Family of Film Shows:The Next Reel Family of Film Shows:Connect With Us:Shop & Stream:

Production Designer Roger Fires on The Exorcist

Saison 7 · Épisode 9

lundi 18 mai 2026 • Durée 01:18:57

Roger Fires is a production designer—”Nobody”, “Violent Night”, “Psycho Killer”—and one of the films he loves most is William Friedkin’s “The Exorcist” (1973). He first encountered it not in a theater but through a wall as a child in Brazil, told not to watch and so he listened in the dark. That experience kept him away for nearly twenty years. At thirty he finally watched it and fell completely in love—and the specificity of that arc is what makes this conversation worth your time.
Andy and Pete dig into what Roger calls the “unnoticeably good” standard: the refrigerated set, the spatial geometry, the window that marks two deaths and carries the film’s entire theological argument. They cover what makes Friedkin’s approach—dread over spectacle, religious drama over horror movie—still impossible to replicate, and Roger talks about his work on “Psycho Killer” and the “Scrubs” reboot along the way.
🎥 Watch on YouTube
🎬 Watch & Discover
Watch Psycho Killer: Apple TV | Amazon | Letterboxd
Watch The Exorcist: Apple TV | Amazon | What to Listen to Next:—Andy and Pete’s full discussion of the film as part of the Ellen Burstyn series—Pete's demons-and-possession episode with Lester and Kynan of as guests—keep going with production designers on films they loveMembership🔓 The movie ends. The conversation goes further. 🎧 Members get this episode early and ad-free in their private feed—plus every show in The Next Reel family. Support The Next Reel Family of Film Shows:The Next Reel Family of Film Shows:Connect With Us:Shop & Stream:

Producer/Writer Josh Hyams on The Thing

Saison 7 · Épisode 8

lundi 20 avril 2026 • Durée 01:14:09

"Nobody... nobody trusts anybody now, and we're all very tired.”
Producer/writer Josh Hyams joins hosts Andy Nelson and Pete Wright to discuss The Thing, directed by John Carpenter. When it opened in June 1982, audiences weren't ready for it—it bombed against E.T. and was widely dismissed, even as its atmosphere of paranoia played out on screen. Decades later it's considered a landmark of practical effects filmmaking and one of the great ensemble horror films ever made. Hyams—whose BAFTA-nominated Mr. Burton is now in US release—has loved this film since seeing it at an outdoor cinema in Greece as a child. He brings a filmmaker's eye to Rob Bottin's creature work, Morricone's bare and atmospheric score, and a film that, as he puts it, "draws you in, it doesn't patronize you—it is a grown-up, cerebral, well-told horror film that takes its time." Forty years on, it's earned every word of that.🎬 Watch & Discover

👤 Meet Josh Hyams: IMDb
🍿 Watch The Thing: Apple TV | Amazon | Letterboxd
🍿 Watch Mr. Burton: Apple TV | Amazon | Letterboxd
📽️ The Thing — Original Theatrical Trailer
📽️ Mr. Burton — Official Trailer
📚 Adapted from Who Goes There? by John W. Campbell Jr.

🎧 More from The Next Reel FamilySupport The Next Reel Family of Film Shows:The Next Reel Family of Film Shows:Connect With Us:Shop & Stream:

Costume Designer Jenny Beavan on The Leopard

Saison 7 · Épisode 7

lundi 16 mars 2026 • Durée 49:49

“If we want things to stay as they are, things will have to change.”
Costume designer Jenny Beavan joins hosts Andy Nelson and Pete Wright to discuss The Leopard, directed by Luchino Visconti—the landmark 1963 epic that showed her what period design could be.
A three-time Oscar winner whose career spans A Room with a View, Mad Max: Fury Road, and Cruella, Beavan traces The Leopard back to a Soho cinema in the late sixties and the influence of a mentor who kept returning to what Piero Tosi achieved there. "He was obsessive, Piero Tosi. I don't think he was happy because it was never perfect enough. But he was one of the most incredible costume designers ever." The conversation also moves through her recent Nicholas Hytner film The Choral and the challenge of building an authentic world on nearly nothing—which turns out to be its own kind of craft lesson.
Watch the conversation on YouTube
Watch & Stream The Leopard — Apple TV · Amazon · Letterboxd · Trailer
About Jenny Beavan IMDb · InstagramReferenced in This Episode Elgar's The Dream of Gerontius — Source Material The Leopard by Giuseppe Tomasi di Lampedusa — If You Enjoyed This Conversation Support The Next Reel Family of Film Shows:The Next Reel Family of Film Shows:Connect With Us:Shop & Stream:

Filmmaker Miguel Ángel Ferrer on The Sea Inside

Saison 7 · Épisode 6

lundi 16 février 2026 • Durée 01:12:34

“The person who really loves me will be the one who helps me die. That's love, Rosa. That's love.”
Filmmaker Miguel Ángel Ferrer joins Andy Nelson and Pete Wright to talk about Alejandro Amenábar’s The Sea Inside, a film that shaped how Miguel thinks about life, death, and the power of cinema.
Miguel—director of The Shadow of the Sun, a moving new film about two estranged brothers chasing an impossible dream—shares the personal story of discovering The Sea Inside in an almost-empty theater, and why it remains unforgettable.
“This man, through wanting to die, shows everybody around him how to truly live. You can’t know the beauty of what you have if you don’t know the finite nature that it has.”
From survival and dignity to filmmaking as perseverance, Miguel reflects on stories that inspire, challenge, and remind us not to take life for granted.
🎬 Watch & Discover
Watch this full conversation on YouTube
Miguel Ángel Ferrer (IMDb • Instagram • Threads)
Miguel’s new film: The Shadow of the Sun — Official Website • Trailer • Behind the Scenes • Letterboxd • Instagram • Miguel’s pick: The Sea Inside — Watch ( / ) • • If you like these movies, check out these conversations:▸ The Next Reel: (episode) • (series)▸ Movies We Like: Support The Next Reel Family of Film Shows:The Next Reel Family of Film Shows:Connect With Us:Shop & Stream:

Producer/Director Bill Banowsky on O Brother, Where Art Thou?

Saison 7 · Épisode 5

lundi 19 janvier 2026 • Durée 01:12:55

“I’m a Dapper Dan man!”
Producer/Director Bill Banowsky joins Andy Nelson and Pete Wright to discuss O Brother, Where Art Thou? from Joel Coen, reflecting on both the film's enduring appeal and his own fascinating journey through the film industry. As co-founder of Magnolia Pictures and developer of smart house theaters, Banowsky brings unique insight to this beloved Coen Brothers comedy while also discussing his new documentary A Savage Art: The Life & Cartoons of Pat Oliphant.
"I think we need more films like O Brother, Where Art Thou?. You gotta find story-driven films, not technology-driven films, to save this business," says Banowsky, whose career spans from law to founding smart house theaters to directing documentaries.
🎬 Watch & Discover

📺 Watch the raw episode on YouTube
👤 Meet Bill Banowsky: IMDb | Website
🎟️ Check out Sky Cinemas in Santa Fe, NM
🍿 Watch O Brother, Where Art Thou?: Apple TV | Amazon | Letterboxd | Trailer
🍿 Watch A Savage Art: The Life & Cartoons of Pat Oliphant: Apple TV | Amazon | |

Support The Next Reel Family of Film Podcasts:The Next Reel Family of Film Podcasts:Connect With Us:Shop & Stream:

Cinematographer Mattias Nyberg on Mulholland Drive

Saison 7 · Épisode 4

lundi 15 décembre 2025 • Durée 59:12

Exploring Perspective Through the Lens
London-based cinematographer Mattias Nyberg joins Movies We Like hosts Andy Nelson and Pete Wright to discuss David Lynch's Mulholland Drive. Drawing from his recent work on Amazon/MGM's The Girlfriend, Nyberg explores how Lynch and cinematographer Peter Deming created one of cinema's most compelling psychological thrillers through innovative perspective shifts and unsettling camera techniques.
Nyberg's path to cinematography began unusually—as a professional hockey player in rural Sweden before discovering film during a temporary stay in London. Now a governor of the British Society of Cinematographers, his work on projects like The Girlfriend and Netflix's The Decameron demonstrates his mastery of visual storytelling through careful camera placement and measured pacing, particularly in building tension.
The conversation delves into how Mulholland Drive masterfully manipulates audience perspective, with Nyberg offering technical insights about Deming's subtle camera movements and Lynch's unconventional shot choices. Through seemingly disconnected scenes and dreamlike sequences, the film creates an atmosphere of sustained unease that deepens rather than diminishes its impact. Nyberg connects these techniques to his own work on The Girlfriend, particularly in how camera positioning and sustained shots can build tension more effectively than rapid cutting.
In both works, we see how thoughtful cinematography can elevate storytelling beyond conventional narrative into psychological complexity. Nyberg's deep appreciation for Mulholland Drive and its influence on contemporary television reveals how cinema's visual language continues to evolve while remaining rooted in the power of patient, confident camera work.
🎬 Watch & Discover

🎞️ Watch our raw conversation on YouTube
👤 Meet Mattias Nyberg: Website | Instagram | IMDb
🍿 Watch the Film: Apple TV | |

Support The Next Reel Family of Film Podcasts:The Next Reel Family of Film Podcasts:Connect With Us:Shop & Stream:

Cinematographer Marcus Patterson on Days of Heaven

Saison 7 · Épisode 3

lundi 24 novembre 2025 • Durée 01:12:12

“Nobody's perfect. There was never a perfect person around. You just have half-angel and half-devil in you.”

Cinematographer Marcus Patterson joins Movies We Like hosts Andy Nelson and Pete Wright to discuss Terrence Malick's 1978 masterpiece Days of Heaven. Drawing from his own experience shooting the anthology film Sunfish (& Other Stories on Green Lake), Patterson explores how Malick and cinematographers Néstor Almendros and Haskell Wexler crafted one of cinema's most visually stunning achievements through their innovative use of natural light and magic hour photography.

Patterson's journey to cinematography wasn't direct – he tried acting, writing, and editing before discovering his passion behind the camera. Starting with short films in Alabama, he developed his craft through countless projects before moving to Los Angeles. His work on Sunfish demonstrates his ability to capture intimate human moments while maintaining a painterly approach to composition and lighting, particularly in natural settings.The conversation explores how Days of Heaven revolutionized the use of natural light in cinema, with Patterson offering technical insights about how Almendros and Wexler achieved their remarkable images. Through Linda Manz's narration, the film presents its tragic love triangle from a child's perspective, creating emotional distance that heightens rather than diminishes its impact. Patterson connects these techniques to his own work on Sunfish, particularly in capturing the languid atmosphere of lake life and the delicate interplay of light and water.

In both films, we see how careful attention to natural light and composition can elevate storytelling beyond mere narrative into the realm of visual poetry. Patterson's deep appreciation for Days of Heaven and its influence on his own work reveals how cinema's visual language continues to evolve while remaining rooted in these foundational techniques of capturing light and life on film.

🎬 Watch & Discover

📺 Watch our Raw Conversation on YouTube
👤 Meet Marcus Patterson: IMDb | Website | Instagram |

Support The Next Reel Family of Film Podcasts:The Next Reel Family of Film Podcasts:Connect With Us:Shop & Stream:

Cinematographer Jeff Cronenweth on Blade Runner

Saison 7 · Épisode 2

lundi 27 octobre 2025 • Durée 48:07

“All those moments will be lost in time... like tears in rain.”

A Legacy of Light and Shadow
Cinematographer Jeff Cronenweth joins Movies We Like hosts Andy Nelson and Pete Wright to explore Ridley Scott's groundbreaking 1982 film Blade Runner. As the son of the film's original cinematographer Jordan Cronenweth, Jeff brings a unique perspective on both the technical achievements and lasting influence of this sci-fi noir masterpiece. With his recent work on Tron: Ares hitting theaters, Cronenweth reflects on how Blade Runner continues to inspire filmmakers and cinematographers four decades later.

From early experiences on film sets with his father to becoming David Fincher's go-to cinematographer on films like Fight Club, The Social Network, and The Girl with the Dragon Tattoo, Cronenweth has built a career focused on visual storytelling that serves character and narrative. He describes his approach as seeking human stories within any genre, whether period drama or science fiction. His transition from film to digital cinematography reflects broader industry changes, while maintaining his commitment to thoughtful, story-driven imagery.

The conversation explores how Blade Runner created its influential neo-noir aesthetic with remarkably limited technical resources, including just three xenon lights for its iconic beam effects and borrowed neon lights from Francis Ford Coppola’s One from the Heart set. Cronenweth shares insights into the film's production challenges and creative solutions, from practical lighting techniques to Ridley Scott's visionary production design. The discussion examines how the film balances its high-concept science fiction premise with intimate character moments, creating a template for genre storytelling that continues to resonate. Cronenweth also offers perspective on the various cuts of the film and its 2017 sequel.

Through this engaging conversation, Cronenweth illuminates not just the technical mastery behind Blade Runner, but its enduring impact on cinema. His unique connection to the film through his father, combined with his own distinguished career, offers viewers fresh insights into this landmark work of science fiction and its continuing influence on visual storytelling.

🎬 Watch & Discover

👀 Watch the Full Conversation on YouTube

Support The Next Reel Family of Film Podcasts:The Next Reel Family of Film Podcasts:Connect With Us:Shop & Stream:

Podcasts Similaires Basées sur le Contenu

Découvrez des podcasts liées à Movies We Like. Explorez des podcasts avec des thèmes, sujets, et formats similaires. Ces similarités sont calculées grâce à des données tangibles, pas d'extrapolations !

À propos Méthodologie Contact Me soutenir Politique de confidentialité Mentions légales

Movies We Like – Détails, épisodes et analyse

Détails du podcast

Classements récents

Apple Podcasts

Spotify

Liens partagés entre épisodes et podcasts

Other99+

Qualité et score du flux RSS

Historique des publications

Derniers épisodes publiés

Podcasts et contenus similaires

Podcasts Similaires Basées sur le Contenu

Apple Podcasts

Spotify

Podcasts Similaires Basées sur le Contenu

Other99+

Amazon99+

YouTube90