Continuing our theme of exploring sequels to films we cover in the main feed, it was only natural that we'd want to follow the surprisingly good Psycho II (1983) with the surprisingly bad Psycho III (1986) in our Patreon feed. On paper, it looked like a slam dunk: Anthony Perkins was returning to his iconic role as Norman Bates and taking up the director's chair for the first time; the writer is Charles Edward Pogue, who was simultaneously drawing attention for his take on The Fly (1986); and it picks up at the motel barely weeks after the shocking finale of the second film. What could go wrong? Pretty much everything, it turns out.

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Belated sequels to monumental, genre-defining classics always walk on a knife edge! They can be a worthwhile elaboration upon the original, recontextualised for a new era, or they can be cynical cashgrabs forever consigned as a footnote to cinema history. Australian director Richard Franklin's Psycho II (1983) benefits from returning cast members Vera Miles and, of course, Anthony Perkins, a twisty turny psychological mystery script from Fright Night's Tom Holland, a disturbing score from Jerry Goldsmith and cinematography from John Carpenter regular Dean Cundey. But is it just a pretender in a classic movie's clothes? Or should it be released from custody to set up a new franchise? Find out!

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Actor, writer and producer Amanda Jane Stern – whose psychosexual thriller Perfectly Good Moment has launched on Tubi this month – joins us to discuss David O. Selznick's production of Portrait of Jennie. Based on a popular novella by Robert Nathan that Ray Bradbury said "touched and frightened" him, the romantic fantasy won an Oscar for Best Special Effects in 1948, but was not a success. Set in depression-era New York, it starred Jennifer Jones as the titular Jennie, an enigmatic young woman who inspires an impoverished painter, played by Joseph Cotton. The film is well regarded among those who remember it or have rediscovered it, but it's not easy to come by on streaming services or physical media. Unless you stumble upon it on Youtube, of course. But does it deserve to escape the oubliette and be immortalised? Find out!

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Jonathan McIntosh, creator of the Pop Culture Detective Agency, joins us to explore Barry Levinson's 1992 fantasy/comedy Toys, which features Robin Williams as the childlike son of an eccentric toymaker, Joan Cusack as his manic pixie sister, Robin Wright as his manic pixie love interest, Michael Gambon as his militaristic uncle and LL Cool J as his camouflage-obsessed cousin. This modern fable about the incursion of the military industrial complex into the sacred innocence of childhood imagination has wildly surrealistic visuals and an inventive soundtrack from legendary composer Hans Zimmer and legendary pop producer Trevor Horn, but does it bear up to scrutiny almost 30 years later? Find out!

You can check out Jonathan McIntosh's YouTube channel for mind-blowingly insightful video essays and support his work via Patreon.

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Brian Sheehan of TV Trivia Pod joins us for a dinner party in which four couples have to contend with a comet flyby, the fracturing of reality into multiple dimensions and... just a whisper of ketamine. It's James Ward Byrkit's surreal sci-fi thriller Coherence (2013), starring Emily Baldoni, Nicolas Brendon and Nicolas Brendon's twin brother, Kelly Donovan. But is it a pioneering, low budget/high concept classic or is it a befuddling mirror universe? Find out!

Check out, follow and support Brian's TV Trivia Pod via his Link Tree.

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RetroBlasting's Michael French joins us as we venture into Outland (1981), Peter Hyams' sci-fi thriller loosely based on High Noon and starring none other than the late Sean Connery and the great Frances Sternhagen. It's a tense tale of one man's fight against a corrupt system, laced with explosive decompression and enough blue-collar snark to fill a saloon. But is it a previously unmined gem or should it be blown out of an airlock into the frozen wastes of Io? Find out!

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Dan and Conrad go on a quest to rediscover Season of the Witch (2011), a supernatural medieval adventure starring Nicolas Cage and Ron Perlman as crusaders with a conscience, charged with safely transporting a young Claire Foy to a monastery where she'll stand trial for witchcraft in general and causing the Black Death in particular. They're joined by a merry band that includes The Umbrella Academy's Robert Sheehan, Foy's then future/now past husband Stephen Campbell More and Stephen Graham, all sporting a range of mid-Atlantic accents regardless of their provenance. Is this forgotten Dominic Sena actioner a spellbinding grail or a bubonic boil waiting to be lanced? Does it at least have any classic Cage moments? Find out!

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Bloody Disgusting's Joe Lispett joins us to share his love of 90s erotic thrillers and revisit one of the most-overlooked entries in the genre: A Perfect Murder (1998), Andrew Davis's remake of Hitchcock's Dial 'M' for Murder starring the obligatory Michael Douglas, the permanently gaslit Gwyneth Paltrow and steamy pre-Aragorn Viggo Mortensen. It's a twisty turny tale of sex, inheritances, Chernobyl-level stock market meltdowns and murder with a meat thermometer – but does it deserve to get away from the oubliette scot-free or should it be permanently lost along with Gwyneth's apartment key?

Follow Joe Lipsett on Twitter, check out his podcast Horror Queers and read his writings on Bloody Disgusting. Because he's awesomesauce. 

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We're getting all romantic this week, in honour of Valentine's Day, and celebrating the 40th anniversary of the Canadian slasher 'My Bloody Valentine' – a film that vanished into a deep dark mine upon its release, possibly thanks to the heavy hand of the MPAA in the editing room. It features a mining town cursed by a legendary tragedy, Moosehead Beer and a returning killer who's a cross between Darth Vader, Michael Myers and the Cadbury Milk Tray Man. But does it deserve to be unearthed and recut into a gleaming diamond, or should it be tossed aside like a cheap box of chocolates? 

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Le Matos, the musical masterminds behind the scores for Turbo Kid and Summer of '84,  join us as we take a nostalgic trip back to the high school cyber crime scene of the mid-90s... on roller-blades, of course. Yes, it's Hackers – the film that introduced us to viruses (of the electronic kind), pre-Trainspotting Johnny Lee Miller, pre-Scream Matthew Lillard  and pre-anything Angelina Jolie! But is it a righteous hack or an obsolete peripheral?

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Happy New Year! Dan and Conrad start 2021 with something that feels like unbelievable fantasy: a movie in which someone travels to another country! It's Rogue – a 2007 monster crocodile thriller from director Greg McLean (Wolf Creek). It stars Radha Mitchell (Pitch Black) as the plucky captain of a crocodile river cruise in Oz's Northern Territory. She gives a boatful of tourists more than they bargained for when they get stranded on an islet in a tidal river patrolled by a 7-meter croc who gets extremely touchy about people invading his territory. As night falls and the water rises, the mismatched bunch – including American travel writer Michael Vartan (One Hour Photo), future Avatar star Sam Worthington and a young Mia Wasikowska (Crimson Peak) – have to hatch a plan to escape before the man-eater picks them off one by one. But is this aquatic terror an undiscovered gem in the wilderness or a waterlogged stinker? Find out!

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Happy holidays, listeners! As a little treat, we'd like to give you a bonus episode for the holiday season: a collection of interviews with the cast and composer of Disney's One Magic Christmas. It includes a full version of our chat with the lovely Elisabeth Harnois, who played Abbie Grainger, as well as new interviews with Rob Magwood, who played her older brother, Cal, and the celebrated composer Michael Conway Baker, who provided the score. All of them were a delight to speak to and so generous with their time, sharing hilarious and heartwarming memories from the making of the movie.

We hope you all have a wonderful holiday season, sharing time with loved ones however you can while keeping safe. We can't wait to share more with you again in the New Year!
– Dan and Conrad

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To get a bit of festive cheer, Dan and Conrad explore Disney's One Magic Christmas, which celebrates its 35th anniversary this year. But this is from Disney's 'dark period', so they're in for a shock. A harmonica-playing stalking angel played by Harry Dean Stanton teaches depressed working mum Ginnie Grainger (Mary Steenburgen) to appreciate the holiday season by forcing her to live a nightmarish alternate Christmas Eve in which her whole family is slaughtered in a bungled bank robbery. We kid you not. For all that, it turns out to be one of Conrad's favourite Christmas movies, and has a social realism and heartwarming message that marks it out from your standard Hallmark special. It also features some stellar performances, including that of special guest Elisabeth Harnois, who shares her memories of playing little Abbie Grainger at the tender age of 5! The result is – dare we say it – quite magical! Happy holidays!

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Dan and Conrad find themselves exiled to a leafy island that looks suspiciously like Queensland in this episode, where they explore Martin Campbell's No Escape (1994) – an airy, outdoor adventure set in the distant future of 2022. It stars Ray Liotta as the scarred military vet convicted for shooting his CO after he covered up a war crime, who teams up with fellow inmates Lance Henriksen, Ernie Hudson and Kevin Dillon to defeat the evil Stuart Wilson's 'tribe' of sadistic killers and expose the greater evils of private prisons. Produced on a $20 million budget by Gale Anne Hurd, the movie got Campbell the gig directing GoldenEye (1995), but quickly vanished from theatres. But does it deserve early release from the oubliette to ease 90s prison movie overcrowding? Or should it be hurled back in with no chance of parole? Find out!

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Dan and Conrad visit the strangely familiar world of Starchaser: The Legend of Orin, a groundbreaking 3D animated sci-fi fantasy adventure celebrating its 35th anniversary this week! It tells the story of a callow blonde youth who discovers a magical sword and goes on a quest to free the galaxy from a tyrannical empire lead by a sinister man with a penchant for black capes and throttling people. They're joined by the composer of the film's lavish score, Andrew Belling, who enthusiastically shares many behind-the-scenes memories and fascinating anecdotes, while being a generally wonderful man. But is the film an undiscovered 80s sci-fi gem or should it be consigned to the VHS bargain bin?

Find out more about Andrew Belling at http://www.morbroproductions.com

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Scott Drebit, Senior Columnist at Daily Dead, joins us to share Burnt Offerings... which doesn't sound very appetising until you discover it's a 1976 haunted house chiller starring Karen Black, Oliver Reed, Bette Frikkin' Davis and Burgess Meredith, and co-written and directed by Dark Shadows creator Dan Curtis. It finds your typical all-American family renting a suspiciously cheap, old dark house in the middle of nowhere and slowly going insane while stuck there over the summer. Sound familiar? Is it the usual family strife or is the house evil? Will the mysterious old lady living in the attic room ever come out? And why is the swimming pool so turbulent? Join us as we tour this forgotten relic to decide if it's a unique fixer upper opportunity or fit to be condemned...

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Happy Halloween! We're going into an extreme form of lockdown with special guest Meagan Navarro, lead critic at Bloody Disgusting, to revisit Tom Savini's remake of Night of the Living Dead, which celebrates its 30th anniversary this week! Starring Patricia Tallman and Tony Todd, this update remodels Romero's classic into a siege thriller for our times, with updated effects, a few twists and a kick-ass Barbara. But is it a worthwhile entry in the zombie apocalypse tradition worth revisiting or is it a shambling, rotten shadow of its former self? Find out!

Check out Meagan Navarro's writings on www.bloodydisgusting.com and follow her on Twitter.

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Dan and Conrad take a trip to Ireland and learn all the customs of quaint village life in 1986: digging up ancient pagan demi-gods, burning their hands on tablecloths and urinating on vicars in graveyards. That's right – we're exploring Rawhead Rex, the first of Clive Barker's Books of Blood stories to be adapted for film. But is it a hitherto unrecognised saint or is it the spawn of evil? Find out!

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Conrad and Dan try not to get deja-vu as they watch a rag-tag bunch of futuristic soldiers on an alien planet battling bio-mechanical monsters, discovering a pre-pubescent kid clutching a toy is the only survivor, and getting to the escape ship only to realise there's one more monster to kill! No, it isn't Aliens – it's Screamers (1995). It stars Peter Weller as a grizzled philosophical man of war, Jennifer Rubin as a black market trader who greets people by stripping and sponge-bathing in front of them, and Andy Lauer as a solider called 'Ace'. Based on a Philip K. Dick story and a screenplay by Alien co-writer Dan O'Bannon, this has a serious pedigree – but should it be allowed aboard the escape ship or should it be eviscerated by semi-autonomous buzzsaws?

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Dan and Conrad dose themselves up with Antiviral (2012), Brandon Cronenberg's debut film set in a near future in which celebrity illnesses are the latest must-have consumer product. Forget Gwyneth Paltrow's genital-scented candles, now you can get infected with the athletes' foot she picked up at her pilates class. Starring the fearless and riveting Caleb Landry Jones as a new breed of viral marketer, and Sarah Gadon as the hottest celebrity with the hottest fever, Antiviral is a clinical body horror fashion shoot of glossy black humour. But should it become a global pandemic or should we self-isolate ourselves away from it?

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Conrad and Dan visit one of the scariest places in the world right now – a suburban grocery store – to check out a lesser-known horror thriller from the creative team behind The Evil Dead movies: Intruder (1989). The night shift staff of Walnut Lake Market are being picked off one by one by a bloodthirsty maniac, but is it the leatherclad bad boy ex-boyfriend of plucky final checkout girl, Jennifer, or someone much more unexpected? Featuring notorious gruesome death sequences and small roles for Sam Raimi, Ted Raimi and Bruce Campbell, is Scott Spiegel's tongue-in-cheek video nasty a bargain bin gem or a footnote in the Book of the Dead? 

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From the moment the star of the Resident Evil franchise stepped out of a blurry forest screensaver and announced "I am actress Milla Jovovich", Dan and Conrad knew that special guest Isaac Sutton had dredged up a real gem from the oubliette for us to enjoy. The Fourth Kind (2009) is a half found footage, half dramatised, all fictional tale of the innocent all-white townsfolk of Nome, Alaska being plagued by alien abductions. Can Milla Jovovich's hypnotherapy prowess uncover the truth behind these experiences before she is randomly arrested by the town sheriff for... something? Will she too be whisked away by pale tale figures for an evening of anal probing? And, more crucially, is the film as good as the teenaged Isaac thought it was when he watched it at a sleepover? Find out!

Check out Isaac's video essays on Youtube and his bog at www.isaaclastname.com, and follow him on Twitter.

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Serge Bodnarchuk of Cold Crash Pictures joins us on an adventure to the world of Krull (1983) – a unique blend of swashbuckling fantasy and laser blasting science fiction starring Ken Marshall and Lysette Anthony as star-crossed lovers whose wedding is cruelly interrupted by an alien invasion. Armed with the coolest and most impractical weapon ever, our hero teams up with robbers, inept wizards and a cyclops to rescue the damsel. Among his merry band is a young Liam Neeson – before he had a special set of skills. But does Serge's childhood favourite hold up 37 years later? Or should it be cast into the swamp of unconvincing cork chippings?

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Actor and producer Lotta Losten (Lights Out, Annabelle: Creation and Shazam!) takes us on a tour of The City of Lost Children (1995), the unique science fantasy film directed by Marc Caro and Jean-Pierre Jeunet, which celebrates its 25th anniversary this year. It's a surreal steampunk fever dream featuring a circus strongman, evil conjoined twins and hypnotic mechanical fleas, but does it deserve to be overshadowed by Jeunet's international breakthrough hits Delicatessen and Amélie?

Follow Lotta Losten on Instagram and Twitter, and check out the horror shorts she makes with husband David F. Sandberg on the Ponysmasher Youtube channel.

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Happy Halloween! Duncan Skiles, director of the chilling The Clovehitch Killer and the forthcoming comedy thriller Neighborhood Watch, went trick or treating into the oubliette and brought back a Peeping Tom. This proto-slasher from Michael Powell, one half of the famous British duo Powell and Pressburger, emerged in the same year as Hitchcock's Psycho and explores similar territory: a handsome, unassuming man with a homicidal compulsion spurred by parental abuse.

But while one film was an instant box office sensation that became a landmark in horror history, the other was savaged by scandalised critics and destroyed its director's career. Rescued from obscurity over a decade later by Martin Scorsese, Peeping Tom has become an influential cult favourite. But does it deserve to escape the oubliette with a fulsome sack of calorific treats? Or should it be thrown back with some candy corn and a rotten apple? Find out!

Follow Duncan Skiles on Instagram, Facebook or his website! Look out for Neighbourhood Watch in Spring 2025.

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Robert Picardo joins us as we celebrate the 35th anniversary of Joe Dante's Explorers, the wistful and wild tale of three school friends who build a spaceship and set off for a close encounter of the Wak-y kind. Featuring the debuts of both Ethan Hawke and River Phoenix, this sci-fi adventure also includes not one but three memorable performances from Robert Picardo. He shares his memories of making this underrated cult classic, the challenges of working in Rob Bottin's elaborate make-up effects and his thoughts on the tonal differences between the film's two halves.

All this, plus our usual review of the film, which is one of Conrad's childhood favourites, but completely alien (pun intended) to Dan. Does it live up to Conrad's hype? Does it have the same effect without the filter of nostalgia goggles?

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Conrad and Dan set their joy to 11, mount their BMXs and set off to explore the delicious 80s smoothie Turbo Kid, which unbelievably celebrates its 5th anniversary this year. With more retro references than you can shake a gnome stick at, inventive gore and a soundtrack that's screaming to be spun on vinyl, is Turbo Kid the best 80s kids' movie we never had or a relic of a nostalgic wasteland? Find out!

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Dan and Conrad find themselves in the neon purple and green world of Vamp (1986), the often overlooked eighties vampire movie starring Grace Jones, Chris Makepeace, Robert Rusler, Dedee Pfeiffer and Gedde Watanabe. Fortunately, they have an expert to guide them: Heather Wixson, Managing Editor of Daily Dead and co-host of its excellent podcast Corpse Club. Vamp features an indescribable performance by the iconoclastic Jones, cinematography that defined the 80s for a generation of graphic designers and one of the best buddy relationships captured on film... but does it deserve to be resurrected or will it burn into nothingness when brought into the light? Find out!

Follow Heather Wixson on Twitter, read her articles on Daily Dead and check out the Corpse Club podcast! 

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Joe Lipsett and Trace Thurman of Horror Queers dig up The Relic (1997) and drag us on a wild museum tour with two of the most unlikeable characters in monster movie history: Penelope Ann Miller, who's so entitled she shrieks about job losses in the middle of the office when someone has the gall to apply for a research grant, and Tom Sizemore as the superstitious cop wearing a raincoat big enough for two. It has Stan Winton creature effects, early CGI, decapitations galore and Linda Hunt in full Edna Mode mode. But should it be restored and put back on display, or shoved back into the archives and never mentioned again?

Check out Joe and Trace's writings on Bloody Disgusting, follow them on Twitter, join their lively Facebook Group and listen to their podcast. Because they're awesome.

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Jacob Gentry, director of The Signal and Synchronicity, returns with another 70s conspiracy thriller for us to explore: the little-seen, star-studded enigma Winter Kills (1979). It stars Jeff Bridges as the pampered younger brother of an assassinated president, sent on a wild goose chase by his domineering father (John Huston) to discover the identity of the killers. Along the way, he's helped and/or hindered by the likes of Anthony Perkins, Toshiro Mifune and Sterling Hayden. And Elizabeth Taylor has a non-speaking cameo in a flashback. Go figure. The film was funded by weed sales and might make more sense whilst utterly baked, but does it deserve to be let out of our oubliette?

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Duncan Skiles, director of 'The Clovehitch Killer', returns to discuss a popular source of childhood nostalgia: Disney's Flight of the Navigator (1986). It focuses on David Freeman, who falls into a ravine in 1978 and wakes up 8 years later to discover he hasn't aged, while his parents look like they've been in quarantine the whole time and his bratty little brother is now a 16-year-old hottie who says 'rad' a lot. Everything makes more sense when he's reunited with a UFO shaped like a Guylian chocolate driven by a robot who sounds suspiciously like Pee-Wee Herman and goes on the run from a strangely authoritarian NASA.

This has everything you want in a kid's sci-fi movie: pioneering CGI effects, a giant eyeball that screeches like Yoko Ono and Sarah Jessica Parker hitting on a 12-year-old because he's, you know, technically 20. But does it live up to the fond memories or should it be forgotten forever? Find out by listening! COMPLIANCE!

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To celebrate our 50th episode, Conrad and Dan explore a film that celebrates its 50th anniversary this year: Dario Argento's The Bird With the Crystal Plumage. The Giallo maestro's first outing often gets overlooked in favour of his more supernatural and outlandish masterpieces, but there's a lot of fun to be had here. Highlights include a black-gloved serial killer, a painter who eats cats and the most unprofessional police inspector in movie history. As the latter would say, "Bring in the perverts!"

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For a bit of escapism, Dan and Conrad watch a far-fetched science fiction film in which the UK falls victim to a deadly virus... oh dear. In Doomsday (2008), director Neil Marshall (The Descent) prepares us for what lies ahead: basically, a combination of 28 Days Later, Mad Max and Duran Duran's Wild Boys music video. With a dash of Monty Python and the Holy Grail. But should it be given herd immunity and allowed to roam free or should we all socially distance ourselves from it?

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Dan and Conrad join Bill Pullman on a khaki-clad tour of Haiti in search of a powder that turns people into zombies, in Wes Craven's often overlooked dark fantasy thriller The Serpent and the Rainbow (1988). It has everything you want in a travelog: candlelit processions to a cathedral of waterfalls, exploring a vibrant culture torn by revolution, and getting your scrotum nailed to a chair. Is it an under-appreciated serious work from a director keen to grow beyond his type-casting as a master of horror, or is it a crusty cadaver that should have stayed buried?

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Conrad and Dan discover the first ever Marvel movie in the oubliette, and cannot believe their eyes as the screen is filled with naked feathered breasts, would-be rapists, a sex sauna and Lea Thompson seducing a wildfowl. Yes, it's Howard the Duck (1986) – George Lucas's next project after the Star Wars saga, and it's like an 80s cocaine-fuelled fever dream. But is it actually all that bad? Should it be MCU canon? Join us as we find out.

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Stuart Gordon's post-apocalyptic sci-fi featuring gladiatorial battles between giant mechs has to be one of Empire Pictures' most instantly recognisable titles, sitting proudly on video rental stores worldwide. Starring Gary Graham and Anne-Marie Johnson as the brave robot jockeys and Paul Koslo as their ruthless enemy, Robot Jox could be the brightest and breeziest dystopian action movie ever made. It was also one of the most ambitious film Charles Band's mini-major studio ever attempted, and may have precipitated the fall of his Empire! But does it live up to our childhood memories? Or is it as cringe-inducing as a fondly remembered Saturday morning cartoon? Find out!

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In anticipation of Leigh Whannell's forthcoming horror film The Invisible Man, we take a look back at Paul Verhoeven's Hollow Man, which unbelievably celebrates its 20th anniversary this year! Kevin Bacon stars as the arrogant genius Sebastian Caine, who invents an invisibility serum and volunteers to be the first human test subject... only for it to drive him into a naked murder spree. How does the film stand up 20 years on and in a post-Weinstein era? Does it deserve to escape the oubliette?

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Something Ghoulish's Anthony Derington takes us on a tour of our first ever non-English-language horror film: the original version of Shutter (2004) from Thailand! In it, a young couple is terrorised by the spectre of a creepy girl in white with wet black hair – so it may seem like familiar territory for Asian horror fans. But it has quite a sting in the tale... Is it a genre-defining classic or a soggy afterthought?

Check out Something Ghoulish at www.somethingghoulish.com

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Sodajerker host Simon Barber takes us on a tour of his favourite House (1986), but it turns out it has a bad case of haunting, alternate dimensions in all the closets and cabinets, and Norm from Cheers lives next door. Norm! Is Steve Miner's first directing venture outside the Friday the 13th franchise ripe for renovation or ready to be condemned? Put on your deep, man cleavage-revealing v-neck sweater, grab a speargun and join us to find out!

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Now that Episode IX is out of the way, you probably think you've seen all of the Star Wars movies. Think again! Matt Conley, Community Director at hitRECord, takes us on a journey to a galaxy far, far away to experience an Ewok spin-off TV movie from 1985 that features everything you expect from the iconic franchise: a shapeshifting witch, a 6-year-old watching her family being murdered, and Wilford Brimley in prescription glasses. Is 'Ewoks: The Battle for Endor' a starry war or a minor shootout best left to obscurity?

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Kelli Maroney, star of Chopping Mall and Night of the Comet, joins us for a festive retrospective review of the first horror movie she saw in a theater: Black Christmas! The original 1974 slasher thriller has everything you want in seasonal cinema: screaming prank phone calls, unicorn stabbings and plastic bag suffocations! But does it deserve to be rescued from relative obscurity?

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Jonathan King, director of Black Sheep (see episode 11), joins us to explore The Dead Zone (1983) – a Stephen King adaptation directed by David Cronenberg that's often treated as a footnote in both of the horror maestros' careers. Christopher Walken stars as a disturbingly morbid English teacher who becomes even more disturbing after he emerges from a 5-year coma with psychic powers. Does this episodic paranormal drama deserve to escape The Dead Zone or should it be sent back into a coma?

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Conrad and Dan go back to 90s high-school in this listener's choice episode, revisiting Robert Rodriguez's alien invasion thriller The Faculty (1998). It has an eclectic cast, including Elijah Wood, Josh Hartnett, Salma Hayek, Usher and Jon Stewart, and is probably the first teen movie to suggest that drugs are the answer to an alien invasion. Does it deserve to escape the oubliette or should it be left to drown in a sea of loose-fitting blue denim?

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Don Mancini – writer, director and creator of Child's Play – joins us for our Halloween Special, and offers us a bewitching concoction that promises to take you back to your youth: Death Becomes Her (1992), a deliciously dark supernatural comedy starring Meryl Streep, Goldie Hawn and something that looks like Bruce Willis but must be an animated special effect because it's emoting too much. Should it sempre viva and live forever, or should it be pushed down a flight of stairs? Join us in our spooky special to find out!  

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Dan and Conrad investigate a distress signal and discover Isaac Sutton, filmmaker and movie blogger, who diverts their course to investigate Sunshine (2007) – Danny Boyle's largely overlooked but arguably most influential film. It features Cillian Murphy, Rose Byrne, Chris Evans and Michelle Yeoh among a diverse crew on a mission to restart our ailing sun and save the planet. Eight astronauts strapped to the back of a bomb. But does it bomb? Or did it reignite serious sci-fi?

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"Something's wrong with you. More than you being just... female," says angsty teenager Brigitte to her suddenly feisty, pet-hungry sister in Ginger Snaps – a 2000 Canadian horror film written by Karen Walton and John Fawcett and directed by the latter. Dan and Conrad try desperately to avoid mansplaining while deciding if this is a strangely overlooked landmark in the werewolf genre with a unique perspective on the female experience of puberty and high school... or whether it should be sent back to the oubliette with its hairless tail between its legs.

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In our third and final bonus episode covering highlights from the Toronto International Film Festival, friend of the pod Joe Lipsett joins Conrad to review three haunted house movies from this year's programme: Steven Soderbergh's bold ghost P.O.V. mystery Presence, Karrie Crouse and Will Joines' dusty western Hold Your Breath, and Nick Toti and Rachel Kempf's rarely screened found footage chiller It Doesn't Get Any Better Than This. Conrad also reports on Mike Flanagan's latest Stephen King adaptation, the warm-hearted but oddly structured The Life of Chuck.

Check out Joe Lipsett on Instagram and the Horror Queers podcast for more of his reviews from the festival and other fabulousness.

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The new Dark Crystal series on Netflix has given us an insatiable appetite for the fantasy worlds of Jim Henson, so we've plucked another of the company's films out of the oubliette. It's the tale of a young girl who argues with her parents and, after making a terrible wish about a family member that shockingly comes true, sets off on an adventure into a wild fantasy world to set the world to rights. No, it's not Labyrinth – it's MirrorMask (2005), written by none other than Neil Gaiman, featuring cutting-edge CGI and set in a post-apocalyptic hellscape: Brighton. What could go wrong? Quite a lot, actually.

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Dan and Conrad are stranded on an alien planet with Dennis Quaid, Louis Gossett Jr. and some remote control turtles. Yes, it's Wolfgang Petersen's 80s sci-fi epic Enemy Mine. Will they learn to get along to survive? Or will they get dragged into what looks suspiciously like the sarlacc pit?

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Duncan Skiles, director of 'The Clovehitch Killer', joins us to discuss the 80s remake of 'The Blob', directed by Chuck Russell and co-written by Frank Darabont. It creeps. And leaps. And, indeed, glides and slides. But does this gloopy body horror-infused update of the 50s classic deserve to ooze out of the oubliette?

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