McCartney: A Life in Lyrics – Détails, épisodes et analyse

Coming at the end of an intensely creative period, The Beatles’ Abbey Road features some of the most adventurous compositions in the quartet’s catalog. It's fitting then that the album concludes with one of the most inventive and famous medley committed to record. To close season two of “A Life in Lyrics” McCartney discusses The Beatles’ send off to recording: “Golden Slumbers”, “Carry That Weight” and “The End.”

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

“Michelle” from 1965’s Rubber Soul started as a kind of light-hearted party piece. But in McCartney’s quest to turn it into a legitimate Beatles song, he went on a bit of a journey to sound not only like a believable French chanteur but also to expand his approach to bass playing, taking inspiration from Motown’s James Jamerson.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Paul McCartney found himself in a tricky place after The Beatles’ break up. What did his musical future look like without the three musicians he’d spent half of his life building a musical rapport with? McCartney’s other band, Wings, and an impromptu tour of UK colleges helped him find his footing.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Countless decisions, large and small, aided The Beatles’ ascent to the top of popular culture. The release of their debut single, “Love Me Do,” in the UK in the fall of 1962 was one of those decisions. Their debut on American television was another. In this first episode of season two, Paul McCartney and Paul Muldoon discuss the early evolution of The Beatles.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Season Two of McCartney: A Life in Lyrics comes out weekly starting February 7th, and features the stories behind songs like Yesterday, Band on the Run, Here, There and Everywhere, Picasso’s Last Words (Drink to Me) and many more. Binge the entire season early and ad-free starting February 7th by subscribing to Pushkin+ on our Apple show page or at pushkin.fm/plus.

See omnystudio.com/listener for privacy information.

Season 1 of “McCartney: A Life in Lyrics” concludes with a band in flux. The Beatles had evolved significantly by 1968 from when they first released “Love Me Do.” Back then, they were only competing with the likes of Andy Williams, Little Stevie Wonder, and Peter Paul and Mary. But by the recording of the “White Album" The Beatles were up against acts on the charts with a more hard driving sound like Cream, The Who, and Sly and the Family Stone. Paul McCartney sensed an opportunity to jump into the fray himself and wrote a song that many consider to be the genesis of the hard rock and metal genres.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

Special thanks to Leah Rose, Alexandra Garreton, Martin Birket-Smith, Brittani Brown, Owen Miller, Daniella Lakhan, Jordyn McMillin, Kyra Posey, Eric Sandler, Heather Fain, Gretta Cohn, Christina Sullivan, Jon Schnaars and Jacob Weisberg of Pushkin Industries. And also Winslow Bright and Nora Nalepka from Premier Music.

See omnystudio.com/listener for privacy information.

Many observers have tried to pinpoint the specific events that lead to Lennon-McCartney, the formidable songwriting partnership, transitioning to Lennon v. McCartney. But the fact is there is no single truth regarding why the beloved duo split. So instead of investigating the why, we look at the aftermath: legal battles, hurtful accusations in song and, ultimately, a sense of resolution. “Too Many People” opens Paul and Linda McCartney’s 1971 album, “RAM” and serves as an opening to explore Lennon-McCartney’s dissolution ahead of ultimately resolving their differences and rekindling a friendship.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

“Long Tailed Winter Bird,” “Bluebird,” and “Single Pigeon” are just a few of the many bird-oriented songs Paul McCartney has written over the years. His love of ornithology extends back before his songwriting days to his early childhood. “Blackbird”, one of the most universally cherished songs in his canon, was born of that love and worked well with the civil rights allusions that were the song’s subtext. The latter day companion of “Blackbird”, “Jenny Wren,” was also born of that love. Released 40 years apart, those two songs explore McCartney as an ornithologist as well as the ways in which he’s in dialogue with his songs as a writer.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

“Magical Mystery Tour” was inspired by a holiday bus from Liverpool to a mystery destination—often ending up in the carnivalesque seaside town of Blackpool. It’s one of the best examples of The Beatles further dipping into the era’s psychedelic subculture. The production of the song delivers a dense and lively atmosphere, from the opening brass fanfare to the flanging piano in the coda.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

James Bond themes were handled by soulful or sultry vocalists in the decade since 1963’s “From Russia With Love.” Shirley Bassey, Tom Jones and even Louis Armstrong had taken turns singing themes and secondary themes for the films. The Broccoli family who produces the James Bond franchise expected nothing less when they asked Paul McCartney to write the theme for “Live and Let Die.” What they didn’t expect was for him to perform it too. And for the song—1973’s “Live and Let Die”—to become the most popular theme of the series thus far.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.

Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.