Drawing on her own experience restoring a walled garden in Suffolk, and moving between real and imagined gardens, from Milton’s Paradise Lost to John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Olivia Laing’s The Garden Against Time interrogates the sometimes shocking cost of making paradise on earth. She was joined in conversation with writer, critic and frequent LRB contributor Jon Day.

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In her journalism Juliet Jacques writes about art, literature, culture and politics from a distinctive trans perspective. Front Lines (Cipher Press) collects seminal pieces written between 2007 and 2020. Juliet Jacques writes in her introduction ‘I never believed any journalism was objective, nor that there was any point in even trying to be. Above all, activism is needed to fight this, with journalism to support it: there is no point in pretending to be objective in our work, as the stakes remain just as high as they were back in 2010, perhaps even higher.’ Jacques is in in conversation with journalist Owen Jones.

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Two exciting young poets were at the shop to read from and talk about their work. Victoria Adukwei Bulley’s debut poetry collection Quiet (Faber) circles around ideas of Black interiority, intimacy and selfhood. ‘This book is a seismic event,’ writes Kayo Chingonyi. ‘Its vibrations will be felt for a long time to come.’ 

Editor of Poetry London André Naffis-Sahely’s second collection High Desert (Bloodaxe) is a psychedelic journal of end-times and an ode to the American Southwest, encompassing wildfires, Spanish colonial history, racial tensions and the recent pandemic.

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As he enters late middle age, Geoff Dyer turns, in The Last Days of Roger Federer, to the question of late – or, indeed, last – style. Lisa Appignanesi writes, ‘Geoff Dyer's wry meditations on mortality and late style have a dazzling way of dispelling gloom. Nietzsche and the Turin horse, vaporised Turner, dolorous Dylan, antics on courts and at Burning Man, Dyer's Last Days had me laughing aloud, a sure signal of deft seriousness. What is there to say except if this is late Dyer, it's great Dyer.’ Geoff is in conversation with the poet and critic Mark Ford.

Find more upcoming events at the Bookshop here: http://lrb.me/upcomingevents

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Since 2019, the Orwell Prize has celebrated the best in contemporary political fiction. Yara Rodrigues Fowler and Isabel Waidner, both on the prize’s 2022 shortlist, are in conversation with Sana Goyal, one of this year’s judges, talking about their novels there are more things and Sterling Karat Gold – books which not only take political issues as subject-matter but enact radical politics through their form. 

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‘Everything started with a photo. To see her free, hurtling fulsomely towards the future, made me think back to the life she shared with my father. Seeing the photo reminded me that those twenty years of devastation were not anything natural but were the result of external forces - society, masculinity, my father - and that things could have been otherwise.’

Édouard Louis’s tender memoir of his mother is an exquisite portrait of womanhood, motherhood, the trials of both and the transcendent, fragile joy of eventual liberation. Louis, one of the leading French writers of his generation, discussed A Woman's Battles and Transformations (Harvill Secker) with its English translator the novelist Tash Aw, winner of the Whitbread First Novel Award for The Harmony Silk Factory and author most recently of We, The Survivors.

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Seán Hewitt’s debut collection of poetry, Tongues of Fire (Cape), won the Laurel Prize in 2020; Max Porter praised it for its reverence to the natural world and ‘gorgeous wisdom’, both of which are apparent in his new book, All Down Darkness Wide, a unique memoir of queer longing, trauma and depression.

Hewitt talks to Andrew McMillan, whose debut collection, physical (Cape), was the first poetry collection to win the Guardian First Book Award. His most recent book, pandemonium, was published in 2021.

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At one time something of a backwater in the musical world, over the past few decades Scandinavia has become a musical powerhouse, encompassing all genres from Esa-Pekka Salonen to Björk. Copenhagen-based music journalist Andrew Mellor has travelled from Reykjavik to Rovaniemi to investigate the glories and the dark side of Nordic music, encountering composers, performers and audiences and to explore our complex fascination with the unique culture of the north.

He was in conversation with James Jolly, radio presenter and former editor of Gramophone.

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Two journalists with a multilingual background – Anna Aslanyan, the author of Dancing on Ropes: Translators and the Balance of History, and Daniel Trilling, the author of Lights in the Distance: Exile and Refuge at the Borders of Europe – examine the role translation plays in reportage.

News is an international commodity, subject to constant translation and retranslation as journalists frame, adapt and contextualise their source material to match their target audience. There is a curious contradiction between the right to information and the disinformation that results from it, precipitated by time pressure. Most journalism is done in a hurry, but is being the first to bring your readers a story from a distant part of the world worth the risk of spreading fake news?

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Elif Batuman, author of The Possessed and The Idiot, joined us to read from and talk about her latest novel Either/Or. International travel, Harvard, Hungary and of course literature and philosophy collide in a heart-breaking and hilarious coming-of-age story by one of our most consistently thought-provoking writers.

She was in conversation with Merve Emre, associate professor of English at the University of Oxford, author of several works of non-fiction and most recently the annotator of Virginia Woolf’s Mrs Dalloway.

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Margo Jefferson talks to Colin Grant about her latest book, Constructing a Nervous System. It’s a memoir unlike any other, taking as its focus each ‘influence, love and passion’ which have gone to shape Jefferson as a person: her family, musicians, dancers, athletes and artists, and one which, in Maggie Nelson’s words, ‘takes vital risks, tosses away rungs of the ladder as it climbs’. Vivian Gornick describes it as ‘one of the most imaginative – and therefore moving – memoirs I have ever read’.

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Fernanda Eberstadt’s Bite Your Friends is both a history of the body as a site of resistance to power, and a subversive memoir, drawing on a cast of outrageous heroes including Diogenes, Saint Perpetua, Pasolini, Pussy Riot and the political artist Piotr Pavlensky, who nailed his scrotum to the pavement of Red Square to protest Vladimir Putin’s tyranny. Eberstadt was joined at the Bookshop by critic and novelist Olivia Laing, whose latest book The Garden Against Time (Picador) is forthcoming in May 2024.

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Written in 1954 but unpublished until after her death, Simone de Beauvoir’s The Inseparables is an intimate portrait, based on life, of female friendship on the cusp of womanhood. Its translator into English Lauren Elkin writes in her introductory note ‘“So is it any good?” people have asked me when I’ve told them I’m translating a ‘lost’ novel by Simone de Beauvoir … And I am relieved to say: yes. It is more than good. It is poignant, chilling and eviscerating.’

Elkin, author of Flâneuse and No. 91/92: Notes on a Parisian Commute was in conversation with novelist and essayist Deborah Levy who has contributed an introduction to the UK edition. The event was chaired by Alice McCrum, programs manager at the American Library in Paris.

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Niven Govinden’s sixth novel Diary of a Film (Dialogue) follows an unnamed director through the streets of an Italian town as he muses on cinema, queer love and the creative process; on its hardback publication, during first lockdown, the Financial Times described it as ‘a wise and skilfully controlled novel, which can be read in an afternoon, but which radiates in the mind for much longer.’ To celebrate the novel’s release in paperback, Govinden talks to Gareth Evans, the Whitechapel Art Gallery’s Moving Image curator.

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On 29 November 2019 Usman Khan murdered Saskia Jones and Jack Merritt at Fishmongers’ Hall in London. Recently released from prison after serving a sentence for terrorism-related offences, Khan was attending an event to mark the anniversary of a writing course he had attended while in prison. Novelist Preti Taneja had been one of his tutors.

In Aftermath (And Other Stories), described by Nikesh Shukla as ‘a masterclass work of literary brilliance’, Taneja has created from the horrific events of that day a searing lament, interrogating the language of terror, trauma and grief, a powerful indictment of the prison system and an equally powerful plea for its abolition. She was in conversation with Lola Olufemi, author of Feminism, Interrupted and Experiments in Imagining Otherwise.

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Although born 20 years after Gwen John’s death, Celia Paul has always felt a strong affinity with the older artist. In Letters to Gwen John (Cape), described by Julia Blackburn as ‘A miraculous, door-opening book’, Paul has created in words and images an imaginary correspondence, and a spell-binding portrait of two women artists creating work against the grain, and entirely on their own terms. Paul talks about the book with the polymathic Olivia Laing, whose latest book is Everybody (Picador).

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In her latest book Disorder: Hard Times in the 21st Century (Oxford) Helen Thompson argues that while the earthquake that was the Covid-19 pandemic profoundly shocked the world order, the fault lines along which it operated had been building for decades. Her story begins with the energy crises of the 1970s, takes in the financial crash of 2008 before leading us to our current state of unease, disorder and instability. Thompson is in conversation with Ann Pettifor, economist and author of The Production of Money and The Case for the Green New Deal.

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When Clair Wills was in her twenties, she discovered she had a cousin she had never met. Missing Persons, or My Grandmother’s Secrets is a detective story, memoir and cultural history of Ireland’s Mother and Baby homes. ‘Attending to the ways that the past ruptures and grows through the present’, writes Seán Hewitt, ‘this is a history shaken by intimacy – a brave and rigorously humane book.’ Wills was joined in conversation with Alice Spawls, editor of the LRB and co-editor of After Sex (Silver Press).

Get the book: https://lrb.me/missingpersons

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Central to this modern myth is the ‘savage creative storm’ of 2-23 February 1922, when Rilke wrote the Sonnets to Orpheus and completed the Duino Elegies in less than three weeks. 100 years on from its conclusion, the poet and critic Ange Mlinko discusses Rilke, the cult of Orpheus and intense productivity with Don Paterson, whose versions of the Sonnets to Orpheus were published by Faber (and the LRB) in 2006, and the writer and artist Edmund de Waal, for whom the work of Rilke has been a constant touchstone.

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Fernanda Melchor first came to the attention of the English-speaking world with 'Hurricane Season', a tale of murder in a lawless Mexican village, described by Ben Lerner as ‘Brutal, relentless, beautiful, fugal’. In 'Paradais' she continues her exploration of violence, class and misogyny with a chilling story of two misfit teenagers living in a luxury housing complex, haunted by macabre fantasies of escape. Melchor discusses her work with Nicole Flattery.

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‘How do you write after Ulysses?’ asked the twice Booker-nominated novelist Tom McCarthy, author of C, Satin Island and most recently The Making of Incarnation, in the LRB in 2014. He reflects on working in Ulysses’s wake – as we all must – with the Turner Prize-winning artist Susan Philipsz, whose past installations have drawn extensively on Joyce’s writing (and interest in music). She also sings live. Chaired by the LRB's Head of Special Projects, Sam Kinchin-Smith.

Presented in partnership with Shakespeare and Company. Photo credits: Nicole Strasser and Franziska Sinn.

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Lisa Appignanesi, Benjamin Burgis, Janan Ganesh and James Wolcott on ‘A Hitch in Time’, chaired by David Runciman

Christopher Hitchens was a star writer wherever he wrote; the London Review of Books, to which he contributed sixty pieces over two decades, was no exception. A Hitch in Time, published in December to mark the tenth anniversary of his death, collected 20 of the best in a selection James Wolcott describes, in his introduction, as ‘restorative, an extended spa treatment that stretches tired brains and unkinks the usual habitual responses where Hitchens is concerned.’ Wolcott discussed what he means – the pre-9/11 ‘Hitch in time’ that the collection recaptures – with Benjamin Burgis, author of Christopher Hitchens: What He Got Right, How He Went Wrong, and Why He Still Matters, along with the writer and campaigner Lisa Appignanesi, the FT columnist Janan Ganesh, and the LRB’s David Runciman.

Part of our ongoing ‘Revivalism’ series of conversations focussing on literary revivals and heroes of the LRB archive.

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Tariq Ali has been observing and commenting on Afghanistan for more than four decades. He vehemently opposed the Soviet occupation in 1979, and the NATO invasion and subsequent invasion in 2001. The Forty Year War in Afghanistan (Verso) collects together for the first time his most important writings on this troubled country, and contains a new introduction written in the wake of NATO’s ignominious retreat.

Ali is in conversation with LRB contributing editor James Meek, who as foreign correspondent for the Guardian witnessed the war in Afghanistan at first hand.

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Hazel Press’s four 2020 titles were all LRB Bookshop bestsellers; we’re proud to be launching the first tranche of their four 2021 titles, one an electrifying collaborative poem, one a unique anthology.

Katrina Naomi and Helen Mort were reading from Same But Different, a lockdown collaboration which began as simply an exchange of poems; but like Wang Wei and Pei Di’s Wang River Collaboration, their poems soon started to speak to one another. 

Belinda Zhawi, Ella Duffy, Maggi Hambling and Georgie Henley read their own and one other poem from O, an anthology about sensuality, masturbation, orgasms, and pleasure, with ourselves and with others; offering a safe space to celebrate our bodies, lust, passion, fun, joy, defiance, tenderness and intimacy.

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Frantz Fanon was only 36 when he died in 1961, but his books and ideas – from White Skin, Black Masks to The Wretched of the Earth – have proved lastingly influential. Adam Shatz’s The Rebel’s Clinic is both a biography of Fanon and an in-depth study of his writing.

Shatz, the US editor of the London Review of Books and the author of Writers & Missionaries, was joined by Kevin Okoth, author of Red Africa: Reclaiming Revolutionary Black Politics.

Listen to Adam discuss Fanon with Judith Butler on Close Readings: https://lrb.me/fanonhc

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Renowned internationally for her lyrically unsettling novels Book of Clouds, Asunder and Sea Monsters, the Mexican writer Chloe Aridjis crosses borders in her work as much as she traverses them in life. Now, in Dialogue with a Somnambulist (House Sparrow Press) her stories, essays and personal portraits, collected here for the first time, reveal an author as imaginatively at home in the short form as in the long.

Chloe talks to the novelist, essayist and critic Lynne Tillman, and Gareth Evans.

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