Liminal Gallery Podcast – Détails, épisodes et analyse

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Liminal Gallery Podcast

Louise Fitzjohn

Arts

Fréquence : 1 épisode/32j. Total Éps: 28

Liminal Gallery Podcast is presented by Louise Fitzjohn, the Founder and Director of Liminal. This podcast is an opportunity to speak with the contemporary artists currently exhibiting in Liminal's Margate-based Gallery. With an exciting programme of solo and group exhibitions, hosting this podcast is a fantastic way to delve deeper into the artists practice and to probe their innermost thoughts about their exhibitions.

Liminal Gallery was founded in April 2021 and works with contemporary artists currently practicing in the UK & Ireland, showing the incredibly diverse creatives that are based here. The artists we work with have an approach which we haven’t seen before, a unique talent which spans across the mediums.

We are delighted to share these artists with you as we have in depth conversations exploring the artists lives and works, into what makes them tick and what gets a ticking off.

So we hope you’ll join us, both on this podcast and down in Margate, where you can see the exhibitions of these artists in person.

Original intro music and sound editing by Lorenzo Bonari.

Hosted on Acast. See acast.com/privacy for more information.

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Episode 27 - Olivia Strange

Saison 1 · Épisode 27

vendredi 7 février 2025 • Durée 01:13:00

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Olivia Strange, during her solo exhibition ‘It Softens The Blow, That Deep Melodic Bliss’ in Liminal Gallery's Main Space, in Margate from 6 July until 31 August 2024.

Pulling together the multifarious strands of Strange’s practice "It Softens the Blow, That Deep Melodic Bliss" explores notions of escape and survival through snapshot moments of euphoria and pleasure, as an act of resistance.

The work celebrates the freedom and intimacy found within singular moments in varying spaces from the domestic environment, the natural landscape to the rave scene, that offer a sense of safety to hold multiple truths simultaneously whilst providing a portal through which to explore identities away from the constraints of critical thought.

Through themes of dis/embodiment, movement, touch and tenderness, healing and empowerment, connection and ‘belonging’, Strange explores intimate moments in time that elicit a sense of escape and diversion from programmed ideas of self into altered states of consciousness and where emotions can be discharged in spaces and dimensions that provide transient moments of relief from the boundaries of day to day normative realities.

Olivia Strange's multi-disciplinary practice spanning sculpture, painting, installation, moving image and poetry, is characterised by a layered narrative and highly visceral aesthetic. The work is concerned with disarming patriarchal descriptors via exploration of her Italian roots and draws on themes of Greco-Roman mythology, historical narratives around witches, the female body & jouissance to portray an empowering image of queer female subjectivity.

Since graduating with Distinction from Chelsea College of Art- MA Fine Art (2017) having received the Vice Chancellor Scholarship, Strange has exhibited at Annka Kulty’s Gallery presenting an ambitious large scale immersive installation as part of the inaugural Cacotopia show, Southwark Park Galleries, ArtOn Istanbul, Unit 1 Gallery, Liminal Gallery (Solo Show), Every Woman Biennial, Basis Projektraum and had a solo presentation at London Art Fair with Liminal Gallery in 2024.

Strange was selected for the 2021 cohort of the SPACE Studios X London Creative Network Artist Development Programme and the Ellipsis Prints 2021 Commissioning Project and Shortlisted for the prestigious Ingram Collection Purchase Prize 2021. More recently Strange was selected for the Radical Residency 2022 at Unit 1 Gallery in London, longlisted for the Robert Walters UK New Artist Award 2022, co-curated the group exhibition ‘Bag, Pedestal, Rabbit, Potato’ which centred around Ursula. K. Le Guin’s seminal text The Carrier Bag Theory of Fiction at Staffordshire Street Gallery, London and shortlisted for the GIRLPOWER Residency 2023.

Visit the Online Viewing Room here:

https://liminal-gallery.com/collections/olivia-strange-it-softens-the-blow

With original music by Lorenzo Bonari.

Hosted on Acast. See acast.com/privacy for more information.

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Episode 26 - Thomas Langley

Saison 1 · Épisode 26

mercredi 11 septembre 2024 • Durée 59:07

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Thomas Langley, to coincide with his solo exhibition ‘Nest’ in Liminal Gallery's Main Space, in Margate. Through the lens of painting and drawing, Thomas Langley's practice is deeply concerned with the fundamental mechanics of image creation, manifesting in pulsating rhythmic compositions. The foundation of this body of work lies in traps, nests, and vessels, serving as anchors for concepts of place, home and travel. Langley imparts permanence to these temporal structures through a sculpted and almost drawn approach to painting, with thick impasto application.

Here we are confronted with all the sensibilities of a minimalist painting practice, characterised by a stripped down, pared-back, raw use of materials. This material handling is combined with an expressive visual language of semi-representational mark-making, creating a dialogue between abstraction and representation.

Nests, envisioned as temporal sites of rest and safety, transform into optimistic constructions symbolising self-comfort and a shield against external adversities. This metamorphosis nods to the universal yearning for security within and the transformative power that elevates house into a home.

Langley’s vessels carry, while nests incubate, which speaks to the shared human desire for connection and comfort, underlining the sentiment which echoes a universal longing: "Everyone wants to be held."

Thomas Langley, b.1986, London, UK. Lives and works in London.

Graduated from Royal Academy Schools, post graduate diploma (MA), London, in 2018.

Langley is currently working through exploring an intersection of painting and drawing practices, he creates drawings and paintings exploring abstraction, material dialogue and personal histories. Langley currently has a focus on painterly interpretations of craft and visual languages from the natural and human environment.

Episode 25 - Lucy Lyons

Saison 1 · Épisode 25

mardi 23 juillet 2024 • Durée 47:13

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Lucy Lyons, to coincide with her solo exhibition ‘Seven and a half’ in Liminal Gallery's The Cupboard, in Margate. This exhibition provides a unique realm where the boundaries between reality and imagination blur, offering a glimpse into the intricate workings of the human mind.

Between the 7th and 8th floor of the Martin-Flemmer building is a small hidden doorway through which you can enter the mind of John Malkovich. At the back of Liminal Gallery is a small doorway, a different kind of portal through which you can step into the world inside the mind of Lucy Lyons.

The Cupboard serves as an intimate space, providing a journey into the depths of Lucy Lyons' creative psyche. Through collage and drawing, Lucy Lyons constructs a rich narrative, drawing inspiration from the surrealist and symbolist movements, Carl Jung's texts and her own subconscious to unearth layers of meaning and symbolism. Her intricate composite drawings, meticulously layered, evoke a sense of immersion and introspection.

The Cupboard is Liminal Gallery’s second exhibition space, tiny but sleek it is exclusively available to artists living and working in Thanet. Lyons will use this space to showcase a new body of work, evoking an interplay of images, thoughts, and feelings, reflecting the tumultuous times we live in and offering a glimpse into the artist's inner world.

Dr. Lucy Lyons is a multidisciplinary artist known for her explorations of memory, identity, and the subconscious through drawing, collage, and installation. She holds a PhD from Sheffield Hallam University, and an MMAA from the Medical Artists’ Association of Great Britain. Additionally, she earned an MA in Fine Art from the City & Guilds of London Art School and a BA (Hons) in Graphic Design from Norwich School of Art.

She has had solo exhibitions at the Hunterian Museum London, Medical Museion Copenhagen, Fábrica de Braço de Prata Lisbon and Panum Institute Copenhagen. She has participated in numerous group exhibitions and performances internationally, exploring the intersections of art, science, and life.

Episode 24 - Abigail Hampsey

Saison 1 · Épisode 24

lundi 20 mai 2024 • Durée 01:08:56

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Abigail Hampsey, to coincide with her solo exhibition ‘Walking in Limestone Country’ in Liminal Gallery's Main Space, in Margate. Having returned to the land of her youth on the edge of the greenbelt between Lancaster, the Lake District and West Yorkshire, this new body of work is an exploration of landscape, a retrieval of place and a recording of the relationships formed within them.

With a sense of homecoming, Hampsey's brushstrokes become a conduit for the deep-rooted connections she holds with these terrains. "Walking in limestone country" serves as both an ode to landscape and an exploration of personal history. Through an interplay of colours and textures, Hampsey channels her intricate relationship with her surroundings, bringing together notions of memory, nostalgia, and discovery.

Her canvases resonate with the echoes of childhood tales and folklore, now tinged with the sobering realisation of environmental fragility and societal change. What once sparkled with youthful wonder is now imbued with a bittersweet patina of loss and reflection. As a metaphor for the transition from childhood to adulthood, memory to the present, "Walking in Limestone Country" utilises the landscape as a powerful symbol.

Abigail Hampsey is a working class painter, maker, storyteller and imaginer. Born in Lancashire (1996) She received her BA in Fine art from Newcastle University (2019) and her MA in Painting from the Royal College of Art (2022). Hampsey’s work has been exhibited throughout the UK, Including WORKPLACE Gallery, London, The Holden Gallery, Manchester and Gallagher and Turner, Newcastle, amongst others.

Hampsey was the recipient of The Basil H.Alkazzi Scholarship Award in painting at the Royal College of Art (2020-22) and has been shortlisted for multiple awards such as the Beep Painting Biennale and the Jacksons Art Prize (2023). As well as this, Hampsey is a Painting Tutor at Newcastle University, A Baker, Farm Hand, Barista and the newest member of the Contemporary British Painting Collective (2023).

Visit the Online Viewing Room here:

Episode 23 - Louise Frances Smith

Saison 1 · Épisode 23

lundi 22 avril 2024 • Durée 52:24

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Louise Frances Smith, to coincide with her solo exhibition ' ‘It gathered here’ in The Cupboard at Liminal Gallery in Margate. The exhibition presents a series of site specific sculptures, playing with scale, the organic, body-like forms appear to be engulfing the small space, growing, crawling and spreading around the walls - posing the question of what the repercussions of human intervention is on our fragile coastal ecosystems, hiding behind the door of The Cupboard.

The sculptures in ‘It gathered here’ are created from seaweed collected by the artist from Margate beaches - specifically wireweed seaweed (Sargassum Muticum) which was thought to have been introduced to the coastline in the 1970s to bolster the failing ‘native’ oyster industry. The ‘invasive’ and ‘non-native’ species is now thriving due to climate change and can smother light and oxygen from species that live beneath the surface of the water. Smith has used this abundant wireweed seaweed to create a bioplastic, mixed with fabric and found plastic for an experimental material to create the works. The inspiration for the sculptural forms comes from epibiosis, which is the close interaction between two different organisms, the host organism providing an environment for the other which is attached to its living surface.

The Cupboard is Liminal Gallery’s second exhibition space, tiny but sleek it is exclusively available to artists living and working in Thanet. Smith will use this space to showcase a new body of work, employing natural local resources to comment on the fragility of Kent’s coastlines and the anthropogenic impact it is enduring.

Louise Frances Smith lives and works in Ramsgate, Kent. Her practice spans sculpture, installation and works on paper. Working with an array of materials including clay, seaweed and bioplastic, Smith creates highly textured surfaces to bring attention to the patterns and textures created by nature, magnifying micro details alongside man-made interventions. By collecting materials from her local coastline to use as materials in her work, Smith’s works are conceptually and physically linked to her local landscape where she takes her inspiration.

Last year Smith was selected as a finalist for The Ingram Prize 2023, exhibiting at Pavilion Gallery, Cromwell Place. Early in 2023 she received an Arts Council England National Lottery Project Grant to create a new body of work which was exhibited at Collect Open 2023, Somerset House. Smith later exhibited this work at The Margate School.

Episode 22 - Laura Ford

Saison 1 · Épisode 22

lundi 25 mars 2024 • Durée 51:18

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with internationally renowned contemporary artist Laura Ford, to coincide with her solo exhibition ' ‘Little Lords’ in Liminal Gallery's Main Space in Margate. The exhibition showcases a collection of sculptural and wall-based works which explore the boundaries between desire and imposition, inviting viewers into the realm of play and imagination.

Laura Ford's 'Little Lords' sculptures take centre stage, portraying three boy-like figures adorned in vibrant, parrot-inspired costumes. The figures exude a conspiratorial charisma, commanding attention with their playful yet enigmatic presence. While mimicking the stances of superheroes, their concealed identities add an air of tension, prompting viewers to ponder the question: who are they?

Ford's multifarious practice combines playful craftsmanship with acute social commentary. ‘Little Lords’ provides an immersive experience, where visitors can engage with the sculptures' intricate details and delve into the artist's exploration of identity, fantasy, and the human condition.

Ford's significant contributions to the art world are reflected in her inclusion in prestigious public collections, including Tate, The Victoria and Albert Museum, and the Government Art Collection. Laura Ford has represented Wales in the Venice Biennale and has exhibited in solo and group shows around the world.

Visit the Online Viewing Room here:

https://www.liminal-gallery.com/laura-ford-little-lords

Hosted on Acast. See for more information.

Episode 21 - Maud Whatley

Saison 1 · Épisode 21

lundi 19 février 2024 • Durée 48:28

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Maud Whatley to coincide with her first solo exhibition 'Haunches' in our Main Space at Liminal Gallery in Margate. The exhibition showcases Whatley's coloured pencil drawings which layer images sourced from art-historical paintings, online archives, personal photographs, and Google image results. Her work explores the politics of observation, the eroticism born from juxtaposing disparate ideas, and the alluring, unconventional nature of repetitive drawing techniques.

In ‘Haunches’ Whatley looks at the intricate relationship between human perception and the dissection of animal bodies, drawing inspiration from historical events such as the untimely demise of champion racehorse Phar Lap in 1932. The pictures explore symbolic and literal acts of dissecting, separating, and categorising; paralleling the way that Phar Lap's body parts were archived across various museums. Through evocative storytelling, Whatley connects these narratives to the way we compartmentalise and box up the aspects of ourselves and our experiences which we consider too gross, too animalistic, or too much.

Experimenting with diverse references, including the Sumerian poem ‘Gilgamesh and the Bull of Heaven’ and the insights of philosopher Slavoj Žižek, Whatley presents ideas about the interplay between our curated public personas and the leaking truths that linger beneath the surface. Weaving themes of erotic potential, mythic allure and the interconnectedness of all things through her drawings, her works present a gentle case for revelling in the complex strangeness of the human experience.

Visit the Online Viewing Room here:

https://www.liminal-gallery.com/maud-whatley-haunches

Episode 20 - Mercedes Workman

Saison 1 · Épisode 20

mercredi 7 février 2024 • Durée 01:11:20

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Mercedes Workman to coincide with 'Turner's Female Contemporaries' a solo exhibition in our second exhibition space, The Cupboard at Liminal Gallery in Margate. The exhibition brings to light the forgotten, yet remarkably talented women artists of the past.

‘Turner's Female Contemporaries’ presents a meticulously crafted and entirely tiled space, unveiling the faces of female artists who have long been overlooked by history, each of whom were creating their own work during J. M. W. Turner’s lifetime. Mercedes Workman's installation serves as a poignant reminder of the many talented women artists who have, for the most part, been denied the recognition they rightfully deserved. This exhibition shines a much-needed spotlight on their remarkable contributions to the art world and seeks to rectify the historical omission.

The Cupboard is Liminal Gallery’s second exhibition space, tiny but sleek it is exclusively available to artists living and working in Thanet. Workman will transform it into a shrine-like space, with individual ceramic tiles, each handmade with the warp and weft reminding us of the artist's hand. The faces of these forgotten women artists expressed through vigorous brushwork and meticulous mark-making pouring life and energy into their portraits.

Mercedes Workman’s work is a response to her overactive mind; she works both fast and determinedly. Reoccurring themes include relationships and interactions, perceptions, judgements, idiosyncrasies and cliches, particularly around womanhood, motherhood and identity.

Her practice centres around her passion for ceramics combined with drawing from life and illustrative work expressed in vigorous brush work and mark making. ‘I hope to create something familiar and comforting, with an energy that’s easy to live with,’ says the artist.

Workman recently had a solo exhibition ‘ABC of Me’ at TKE Studios, where she is also a Studio Holder, as well as 'Small is Beautiful' a recent group exhibition at Flowers Gallery in Cork Street, London.

Episode 19 - Eleanor McCaughey

Saison 1 · Épisode 19

vendredi 29 décembre 2023 • Durée 01:16:15

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Eleanor McCaughey to coincide with 'Swallowing Mist to Lick Your Mouth' a solo exhibition in our Main Space at Liminal Gallery in Margate.

‘Swallowing Mist to Lick Your Mouth’ is the first UK solo show by Dublin based artist Eleanor McCaughey. This immersive solo exhibition delves into the complex terrain of female identity, presenting the artist's multifarious practice including installation, paintings, sculptures, and a sound collaboration with Irish sound artists Bosca Nua, offering an exploration into the history, politics, and societal constructs of the female body and identity.

McCaughey’s work has evolved into a multi-layered narrative that intertwines theological and humanistic notions. After personally navigating through challenging years of recovery from unsuccessful surgeries related to endometriosis and infertility, the artist’s work metamorphosed into a study of the historical and political landscape encircling the female form.

“My work is physical, tactile, and handmade with importance on its shifting materiality. Both my painting and sculpture reveal traces of the body, performance, and healing activity through brush stroke, mark-making, and moulding. It is important to me that these qualities lend a semiotic dimension to the work, emitting a certain presence when the author isn't in the room.”

‘Swallowing Mist to Lick Your Mouth’ was created during a residency at the Tyrone Guthrie Centre in Monaghan, Ireland, and is a visceral and emotional response to the land.

Eleanor McCaugheys practice is an evolution of multi-faceted installations, including painting, sculpture, video and sound. There is an important focus on material properties, capturing an earth-bound quality to the work.

The work is developed with an interest in readings of religion and the function & structures of faith. Centering on the idea that faith offers the thought that one might be able to transcend the limitations of physical and how agents of faith act as a channel for petition.

Episode 18 - Julia Ellen Lancaster

Saison 1 · Épisode 18

samedi 21 octobre 2023 • Durée 01:07:44

Liminal Gallery Podcast host, Louise Fitzjohn, speaks with contemporary artist Julia Ellen Lancaster to coincide with 'Deadly Bloom' a solo exhibition in our Main Space at Liminal Gallery in Margate.

Julia Ellen Lancaster's work delves deep into the relationship between humans and the landscape and encourages us to embrace the beauty of difference. 'Deadly Bloom' showcases Lancaster's innovative approach to ceramics, where she experiments with different clay bodies and complex glazing techniques, and employs her signature practice of digging clay from her local area in Thanet. A celebrated ceramic artist known for her distinctive exploration of primitive and otherworldly organisms, Lancaster repurposes previous ceramic experiments, adding layers of complexity to her creations. This intuitive and playful process is fundamentally linked to exploration and making.

Throughout her process, Lancaster frees her mind from constraints of harmony or correctness, allowing her to create without inhibition. This approach enables her to respond intuitively to the work as it evolves, taking unexpected turns and often resulting in a complete departure from the original concept. This evolution is not only an artistic journey but a reflection of the changes that occur in life, with each piece an expression of this human experience.

One of the defining aspects of Lancaster's artistic practice is her allegiance to the Japanese concept of ‘mottainai’, the avoidance of waste. By incorporating salvaged detritus, fragments, and materials rejected from previous projects, she not only eliminates waste but also adds layers of history and embedded time to her creations. Her works, whether fired to extreme heat or left unfired, challenge us to find beauty in the different, the unrecognisable, and the impermanent.

‘Deadly Bloom’ includes a wall piece that acts as a ‘living sculpture’, whereby the colourant used will naturally change and fade over time. It mimics the deterioration induced by human intervention and the eventual demise of fading beauty, with death being the only certainty in life.

Lancaster's sculptures serve as bridges between ancient geological materials and contemporary expression, offering viewers a unique perspective on the interconnectedness of humans and the environment.

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