How can present and future leaders in the opera industry strengthen their understanding of voice, story and community? What does it take to build a rewarding and sustainable career in the arts? Anna Garcia and Olga Perez Flora offer a rare look into the challenges and opportunities for artists in opera. A must-listen for young artists, families, music educators, teaching artists, and opera fans and supporters! www.santafeopera.org/keychange
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Taking Care of the Art with Chandler Johnson, Director of the Santa Fe Opera Apprentice Program for Singers
Saison 6 · Épisode 3
mercredi 16 avril 2025 • Durée 33:26
Pop quiz: Name an opera training initiative that creates space for self-discovery, serious fun, and a bit of Broadway adoration. Spoiler alert: there’s only one answer.
On this episode of Key Change, co-hosts Anna Garcia and Olga Perez Flora get to know Chandler Johnson, Director of Santa Fe Opera’s Apprentice Program for Singers, and uncover what early-career singers selected for this internationally acclaimed program can expect from their 13 weeks in the desert.
“It’s a pressure cooker!” exclaims Chandler of the four-month-long apprenticeship, initially developed by John Crosby, founder of the Santa Fe Opera. How prestigious is the program, you might ask? We did the math. Out of a thousand applicants, less than 5% have a chance of making it in. That’s 36-46 participants annually. And once those folks are accepted? They’re met with a 360º view of the industry including an intense rehearsal regime, mainstage experience, individual scene recitals, donor events, and off-campus performances.
Chandler’s circuitous route to Apprentice Program director includes five different administrative titles at Santa Fe Opera alone, proving that the stage isn’t the only avenue to an illustrious career (although he’s got some amazing performance credits to his name). “I still sing for fun,” he says. “My roots were church music, musical theater, R & B, that kind of stuff. And, I'm always singing along to my favorite pop girlies.”
Now, he’s happy to guide the next generation of talent, offering honest assessment and encouragement in equal measure. “I've had some singers come back and be, like, that one thing you said to me, that really changed the trajectory.”
Safe Space for Creative Risks with Community Engagement and Education
Saison 6 · Épisode 2
mercredi 26 mars 2025 • Durée 36:36
Bet you didn’t know that nurturing the next generation of opera performers, technicians, and enthusiasts begins in classrooms. Join Key Change co-hosts Anna Garcia and Olga Perez Flora on an exclusive behind-the-scenes tour of the Santa Fe Opera Department of Community Engagement and Education, featuring guest appearances by Season 5 favorites Charles Gamble, Director of Community Engagement, and Marissa Aurora, Community Engagement Liaison, plus new friend Olivia Dorrell, Administrative Coordinator.
“We’re all moved by the extraordinary pageantry, music, and movement of opera,” says Charles. “I’ll be honest with you, though; the thing that most excites me is the process of being able to engage in that process with young humans and watching them do the heavy lifting of being artists.”
Santa Fe Opera’s myriad school programs and summer camps introduce children as young as three to the collaborative spirit of opera, while professional development workshops help teachers use opera to facilitate learning.
Internships provide an essential point of entry for college-aged talent. “It's been really rewarding to see and hear from the students how it's opening their world to a lot of career paths that they didn't think were possible in New Mexico,” says Marissa.
Other initiatives like volunteer opportunities, the Pueblo Opera Cultura Council, and the Pueblo Opera Program ensure that Santa Fe continues to be a welcoming environment for all. Oliva agrees. “It’s always lovely to welcome so many patrons to the preview dinners, some seasoned opera-goers and some attending the opera for the first time.”
Six Carmens Later & Putting On Productions with Olga Perez Flora and Anna Garcia
Saison 6 · Épisode 2
mercredi 12 mars 2025 • Durée 47:07
What do disco naps, pantsuits, and chili preferences have to do with life at the opera? If you’re new to the art form in general and Key Change specifically, welcome! And don’t worry, all will be revealed. To our returning fans, a hearty welcome back! We’re excited to share another season and a fresh focus with you.
Back to that opening inquiry... “I was thinking it would be really great if we did a lightning round together where we got to know a little bit more about each other and about what's coming up this season,” explains Olga, making her official debut as Key Change co-host, alongside three-season veteran Anna Garcia. Their answers reveal a lesser-known fact about opera: it’s more approachable and playful than newcomers might think.
This season, we’re pulling back the curtain further on accessibility via Santa Fe Opera’s brand new partnership with the University of New Mexico Department of Music. But we haven’t abandoned new works or the original mission of Opera For All Voices (the initiative that launched this podcast). Instead, Key Change is momentarily adjusting its spotlight to focus on the development and evolution of new voices.
“I've loved learning about the process of the artists, teams, our community members, our teaching artists, and administrative staff,” says Anna of this season. “Everybody has their origin story, and I think our audience really wants to hear that aspect. It's kind of like the backstage of opera.”
Change is key, as we like to say. We’re glad you’re along for the ride.
Season 6: Nurturing the Next Generation of Artists
Saison 6
mercredi 19 février 2025 • Durée 01:08
What does it take to build a rewarding and sustainable career in opera? What happens when you realize you don’t really have the drive to BE an opera singer? How do you find the courage to take more creative risks in your own work and life?
The answers to these questions and more on Key Change Season 6 from the Santa Fe Opera Department of Community Engagement and Education, with the returning co-host you know and love, Anna Garcia, and the new co-host you’re going to love, Olga Perez Flora!
If you're new here, catch up on seasons 1-5 with this recommended playlist:
Season 1
Episode 1: Setting the Stage (June 29, 2018)
Episode 5: Other Duties as Assigned (July 25, 2018)
Season 2
Episode 2: A Seat at the Table (April 17, 2019)
Episode 8: Gender is Not Genre (May 29, 2019)
Season 3
Episode 6: Building a Better Society with Florida International University Music Students (August 25, 2021)
Season 4
Episode 2: Influence and Inclusion (June 22, 2022)
Episode 4: Story With Purpose: The Origin of the Pueblo Opera Cultural Council (July 13, 2022)
Season 5 The whole season! But if we have to choose…
Episode 2: Making Learning Sticky (April 17, 2024)
Episode 7: What’s Opera to a Bunch of High School Students? (November 13, 2024)
Episode 8: An Opportunity to Encounter Excellence (December 4, 2024)
***
An Opportunity to Encounter Excellence (and Big News!)
Saison 5 · Épisode 8
mercredi 4 décembre 2024 • Durée 42:35
We’ve arrived at the end, or the beginning, depending on how you mark time. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia close out this podcast season with an epic career coda and an equally impressive introduction. Join us as we say farewell (but not goodbye) to Andrea and welcome Olga Perez Flora, DMA, Associate Professor of Voice, University of New Mexico (UNM), who will assume Key Change co-hosting duties next season. And what would our final episode of the year be without a trip in the trusty Key Change Time Machine? Cue the tears and cheers as we set a course for legacy-defining moments and forward-focused collaborations.
“I have big dreams,” says Olga, the visionary educator and performer excited to “pay it forward” with a collaboration between UNM and Santa Fe Opera. This partnership offers students multiple pathways into performance and other careers in opera. “My dream is for us to build on what has already been happening and give students at UNM just a little bit more room to learn what the professional side of opera is like,” Olga explains.
“We’re gonna work locally toward global impact,” affirms Andrea, who exits Santa Fe Opera after 33 years of championing broader student access to and community engagement with the art form. She leaves behind an enduring legacy that includes Opera For All Voices and this podcast, but not before previewing her exciting new synergies with Santa Fe Opera.
And that’s the curtain call for season five!
FEATURING
Olga Perez Flora, Mezzo-soprano, Voice Area Head, Associate Professor of Voice, University of New Mexico
Charles Gamble, Director Of Community Outreach, Santa Fe Opera
What’s Opera to a Bunch of High School Students? Young Voices, “The New Crop”
Saison 5 · Épisode 7
mercredi 13 novembre 2024 • Durée 37:53
One of the greatest gifts you can offer a teen is confidence. The other? A process for refining that raw self-assurance into an impressive talent and invaluable life skill. But where to start? At the beginning, of course!
Join Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia as they happily infiltrate Orientation Day for the Young Voices program, one of several prestigious youth-focused initiatives at Santa Fe Opera.
Get to know this year’s cohort as they share their first-day impressions and program goals. Key Change favorites Amy Owens, director of the Young Voices program, and Charles Gamble, director of Community Engagement, also stop by to preview the program's curriculum and performance opportunities culminating in a much anticipated public recital.
"They're coming into a good environment for nurturing," beams Charles as he watches 17 of the 19 high schoolers begin to bond with one another and absorb the creative energy around them. After today, each student will participate in private voice lessons before reuniting for retreats and ensemble work.
Young Voices is an intense program. "So, I've built in some things that make it a little bit easier for them,” Amy assures us. Does she have any advice for this year's cohort? "Whatever is meant to happen––whether you pursue a career in music or something else––that's gonna happen no matter where you go," she offers. "Taking a little bit of pressure off and letting them experience the joy of interacting with their process, with music, is what I hope this program can provide them within a season of stress."
FEATURING
Amy Owens, director of the Young Voices program, Santa Fe Opera
Charles Gamble, director of Community Engagement, Santa Fe Opera
Andrea Klunder, producer, Key Change Podcast
Young Voices Of Santa Fe Opera 2024/25: Rylee Baca, Cianna (Gigi) Clay, Kadiah Dragone-Gutierrez, Landen Kessler, William Landahl, Gavin Lopez, Eleanor Lucas, Ava Mitchie, Alexander Nicolas Neas, Alexandra Raskin, Nicolas Taccetti
Points Unknown: Exploring Our Relationship To Otherness Through The Pigeon Keeper
Saison 5 · Épisode 6
mercredi 26 juin 2024 • Durée 41:05
To workshop a new opera in front of an audience is a little like agreeing to a trust fall: at some point, you’ve just got to surrender to the unknown and… trust.
Andrea Fellows Fineberg and Anna Garcia return to the orchestral workshop for The Pigeon Keeper, a collaboration between Santa Fe Opera’s Opera For All Voices (OFAV) initiative and the University of Michigan School of Music, Theatre & Dance (SMTD).
Andrea and Anna introduce folks to Caitlin Lynch, Assistant Professor of Music at U-M, and Jayce Ogren, Director of Contemporary Directions Ensemble at U-M, the visionary duo responsible for bringing The Pigeon Keeper to the campus. Together they go behind the scenes of OperaLab, their new initiative to connect SMTD students with opportunities to workshop and perform contemporary music from living composers.
They also explore how the themes of the opera connect to modern realities with student musicians; learn about community support for refugees, asylum seekers, and others seeking humanitarian protection with Freedom House Detroit; and find out what advice principal artists would give to future cast members.
The episode ends with audience reflections on loss, exclusion, and opera as a catalyst for hard conversation. “The arts,” said one workshop goer, “can facilitate tangible action, dialogue, and change that can come from this emotionally resonating work.” It’s insights like this that keep OFAV commissioning new works and collaborating in inventive ways.
Caitlin Lynch - Assistant Professor of Music at U-M
Music Born Out of a Modern Experience: The Pigeon Keeper Orchestral Workshop
Saison 5 · Épisode 5
mercredi 12 juin 2024 • Durée 37:26
It takes a village - and multiple revisions! - to mount a modern, original opera. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia journey to an orchestral workshop for The Pigeon Keeper, a first for Opera For All Voices (OFAV)!
Imagine a stage filled with an eight-member student orchestra, four principal singers, and a women's chorus. Drop in the composer, librettist, and members of the OFAV team. Truncate the rehearsal period and invite an audience for a live presentation plus a feedback session. Now, you understand the excitement and angst surrounding an orchestral workshop.
Andrea reconnects with Stephanie Fleischmann, librettist, and David Hanlon, composer, the imaginative duo behind this poignant story of home and hospitality in a time of conflict and need, along with Kelly Kuo, music director & conductor. We also hear from the extended community of artists and students of the University of Michigan School of Music, Theatre & Dance, who are shepherding The Pigeon Keeper from page to stage–with Daniel Millan, clarinetist; Nathan Harah, Kosmo; Ava Hawkins, ensemble; Jamiyah Hudson, ensemble; and Rada Grin, mother of Nathan Harah.
“As people who’ve been fully invested in this project, it's often very difficult to be objective about what’s actually being communicated [by the piece],” says Kelly, who notes that university collaborations, like this one with the U-M, provide the creative team with invaluable contextual information. Workshops also allow students to interact with professional companies. “The chorus is made up of undergraduates volunteering time outside their own classwork and their other choruses,” marvels Kelly. “It says a lot about their commitment to this project.”
“It's speaking to their hearts,” observes Stephanie. “That makes me feel like the message of the piece is reaching all people.”
But how did the audience respond? You’ll have to wait until our next episode to find out.
Thank you to Caitlin Lynch, Jayce Ogren, and the University of Michigan School of Music, Theatre & Dance.
From Gardening to Greeting Guests, Volunteers Run the World! with Marissa Aurora, Artist & Volunteer Liaison
Saison 5 · Épisode 4
mercredi 15 mai 2024 • Durée 25:49
Cue the lights! It’s time to illuminate a vital yet often invisible component of life at Santa Fe Opera: volunteerism. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia chatted with Marissa Aurora, Santa Fe Opera’s volunteer liaison, on Marissa's first anniversary in the role. And what a year it’s been!
Marissa, a multi-discipline artist and radio DJ, has worked hard to revitalize relationships between the Opera and its volunteers. They've also introduced an exciting new performing arts production internship in collaboration with Northern New Mexico College.
So, how do you quantify the generous contributions of time and talent to organizational well-being? Maybe it’s better to ask why volunteer in the first place? “It's something that has really helped me find meaning and connection with the community, tap deeper into myself, and keep me ticking,” Marissa says. It’s safe to say that the 200+ folks who volunteer their time, talents, and energy to the Opera on an annual basis enjoy similar fulfillment.
Marissa’s holistic approach captures the optimism and desire for accessibility that defines the post-pandemic era of volunteerism. “I view my job as building relationships,” Marissa says. The new internship further supports that goal on a deeply communal level. “There is recruitment (for the Opera’s prestigious apprenticeship programs) happening far from Santa Fe. Our idea was to take people that are local to the community, maybe coming from underserved places, and give them this opportunity to learn really valuable skills for their future careers directly from our staff.”
There are many ways to contribute your talents and time to the Santa Fe Opera. Why not fill out an application and see how you can get connected?
Harmony in Process: The Young Voices of the Santa Fe Opera with Amy "Process" Owens
Saison 5 · Épisode 3
mercredi 1 mai 2024 • Durée 40:53
What does an award-winning, multi-disciplinary artist, dynamic educator, and former Sweet Potato do for an encore? She brings that boundless energy and collaborative spirit to her new Santa Fe Opera role, fueled by a deep passion for opera and music education.
Co-hosts Andrea Fellows Fineberg and Anna Garcia roll out a virtual red carpet welcome for Amy Owens, Director of the Young Voices of the Santa Fe Opera Program. Get to know this exuberant, optimistic talent and learn more about the program under her stewardship. Andrea, Anna, and Amy also explore the profound community impact of two beloved SFO programs: Opera Makes Sense, a storytelling “playdate” with operatic roots for children ages 3 to 5, and Opera Storytellers Summer Camp, an engaging week-long summer jamboree for 3rd through 6th graders that culminates in the performance of an original 10-minute opera.
But back to the aforementioned Sweet Potato. What does a tuber have to do with Amy’s plans for the next iteration of Young Voices? “Being a part of Sweet Potato Kicks The Sun (the very first commission of Opera For All Voices) reinforced for me the possibilities of our art form,” she says, reflecting on the role she originated. Sweet Potato’s complex, modern score reinforced for Amy the limitless possibilities embedded in opera’s creative process. She wants to expand on those opportunities by diversifying the art form’s artistic and audience outlook, thus ensuring opera’s future. “We can prioritize this kind of work with the values of inclusivity, integrity, and storytelling. [That] gives me much hope that I still carry with me.”
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.
Young Voices Studio: Petra Archuletta, Iris Butcher, Rose Gubelmann, Brooklyn Moeno, Elsa Dhonau-Egan, Seraphina Goldstein, Ida Shelton, Jade Zeno-Neal
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.
Interviews with David, Stephanie & Kelly and Nathan & Rada recorded by Dave Schall at DSA Villa Valentine Studio, outside Ann Arbor, MI. Additional voice recording by Ice Cream Sound Studios, Los Angeles, CA.
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.
