James Elden's Playwright's Spotlight – Détails, épisodes et analyse

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A MUST LISTEN! This in far from a dismissal of past guests and interviews. This is a personal and human conversation that is insightful and inspiring from struggle to achievement and perhaps a pathway to the later. June and I had a mishap in schedule that, had it not happened, I don't think we would have had the conversation that we came away with. Her background of going from lawyer to playwright is enough to inspire anyone question their passion into the arts to take the leap. We follow with the lessons of writing a disaster of a play and getting the craft wrong but, yet, finding the engine. We examine her process, need vs premise, skeletal biographies, working backwards to move forwards in terms of character backgrounds, the gentle form of interrogation by starting with love, exploring unknown markets, inspiring playwrights and (un)appreciating the classics, reading vs viewing  a play, and compromise, sacrifice, and tradeoffs. It's a very philosophical episode that playwrights of all levels will walk away with something huge. Enjoy!

June Carryl is a playwright, actor and director. Her plays include LA BÊTE - A One Act which won the Encore! Producers Award, Spirit of the Fringe Award, and  Orgasmico Most Orgasmic Writing Award in 2014, STONE ANGELS, BLOWFLY; MOURNING STORY, BABY TOES, SEDUCER, THE RINGS OF SATURN (The Living Room Series, Blank Theatre), GOD’S WIFE, and THE ART OF YES. She’s received commissions from the Magic and Visual Artists Theater in New York. 

For tickets to The Girl Who Made the Milky Way, opening November 9th through November 17th at the Colony Theatre in Burbank with school matinees November 12th through the 22nd, visit -
https://ci.ovationtix.com/35252/production/1206496

To watch the video format of this episode, visit -
https://youtu.be/SaUzYm9Om7Y

Links to resources mentioned in this episode -

ACT -
https://www.act-sf.org

Z Space Studio -
http://www.zspace.org

Armenian Dramatic Arts Alliance -
http://www.armeniandrama.org

The Blank -
https://www.theblank.com

Ojai Playwrights Conference -
https://www.ojaiplays.org/

Edinburgh Fringe - 
https://www.edfringe.com

IAMA -
https://www.iamatheatre.com

Playwrights Arena -
https://playwrightsarena.org

Rogue Machine -
https://roguemachine.ludus.com/index.php

Lower Depth -
https://www.lower-depth.com

Collaborative Artists Bloc -
https://www.collaborativeartistsbloc.org

The Road -
https://roadtheatre.org

Socials for June Carryl -

IG @junecarryl

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions - 
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir - 
Twitter - @punkmonkeyprods
                  - @playnoirla 
IG - @punkmonkeyprods
       - @playnoir_la 
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod 
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Bonus episode between our usual schedule! In order to align our guest's upcoming shows with their interview, we're sneaking an additional episode during what would normally be a break. However, we skipped an week earlier in the season, so we hope this makes up for it.

Ethan Crystal and Garrett Poladian streamed in to the Playwright's Spotlight to talk about their world premiere musical Golem Owned a Tropical Smoothie, the first writing endeavor for the two. We talk about the origin of the idea and the dedication and steps to get it from concept to production. We also explore the key element for actors to creating a successful project to showcase their talent, and Ethan and Garrett make a strong argument on how to succeed. We delve into the two perspectives as playwrights vs characters, inserting meaning, the benefits of audience response, musical collaboration, and obsession and consistency. This is an episode about taking the leap and how to showcase your talent in a medium one may not be familiar with. Listen to end, because Ethan and Garrett share a perspective I have yet to hear in three seasons. Enjoy.

For tickets to Golem Owned a Tropical Smoothie playing through November 10th, visit - https://thetanknyc.org/calendar-1/2024/10/17/golem-owned-a-tropical-smoothie

Ethan Crystal is a singer, actor, writer, musician, and comedian as well as an award-winning vocal arranger, comedy writer, and composer. He is also the host of Ethan’s Open Mic, a variety open mic with a live band.

Garrett Poladian is a New York City based actor, writer, and ballerino having been a full-time company dancer from 2014-2016 with the ballet Pensacola, the only resident professional dance company in the area. 

To watch the video format of this episode, visit -
https://youtu.be/eMJLHD--HbQ

Links to resources mentioned in this episode -

Theatre Now -
https://www.tnny.org

Sound Bites -
https://www.tnny.org/soundbitesprogram

The Tank -
https://thetanknyc.org

Website and Socials for Ethan Crystal and Garrett Poladian -

Ethan Crystal -

IG - @ethancrystal1

Garrett Poladian -

IG - @garrettpoladian
TikTok - @ravensymonestaint

Golem Owned a Tropical Smoothie -
@golemmusical

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions - 
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir - 
Twitter - @punkmonkeyprods
                  - @playnoirla 
IG - @punkmonkeyprods
       - @playnoir_la 
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod 
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Recent Harvard-Westlake graduate Ian Kim swung by the studio to sit in the Playwright's Spotlight after the successful production of his second musical - Bakery of Love as part of HW's Playwright's Festival. We talk about making it look simple, the dangers of missing deadlines, musician collaboration and singer coordination as well as the meaning and benefits of safeties in a musical and writing for ranges. We also discuss transitioning from traditional playwriting to musicals and the process of the latter, commons songs types found in musicals, and terminology such as the bridge of a song. We wrap things up with trimming and cutting, cross-casting, changes during rehearsals, finding outside opportunities, and monetary prizes versus getting produced. Ian's a charming and talented musician with insight that will take him without doubt to a successful future. I hope you find inspiration from his interview. Enjoy!

Ian Kim playwright, actor, and filmmaker as well as a recent graduate of the prestigious Harvard-Westlake in North Hollywood, California. His musicals Unauthorized Aid and Bakery of Love were both selected for the school’s annual Playwright’s Festival, and the former was produced at the California Young Playwrights Contest in San Diego, California. He begins attending Harvard next fall with an undeclared major.

Click below to view the video format of this episode -
https://youtu.be/20RJdGE8Nos

Links to resources mentioned in this episode -

MuseScore -
https://musescore.org/en

Stephen Sondheim: Finishing the Hat -
https://www.amazon.com/Finishing-Hat-Collected-1954-1981-Principles/dp/0679439072

The Blank Theatre's Young Playwright's Festival -
https://www.theblank.com/ypf

California Young Playwrights Contest in San Diego -
https://www.playwrightsproject.org/programs/contest/

Unauthorized Aid Production Video -
https://vimeo.com/832110714

Socials for Ian Kim -

IG - @ianbkim

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions - 
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir - 
Twitter - @punkmonkeyprods
                  - @playnoirla 
IG - @punkmonkeyprods
       - @playnoir_la 
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod 
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Barry M. Putt, Jr. beamed into the Playwright's Spotlight from New Jersey to discuss the medium of the audio drama, a throwback and homage to radio plays of the 30s and 40s. We breakdown the differences in elements of traditional playwriting vs the audio drama, i.e., setting up the scene, dialogue, sound effects, music, etc. We also talk about converting plays from stage to audio drama, the process of writing them as well as compensation and the opportunities in that market. We also touch on length, episodic vs feature, beats and silences in the medium, the hiring process for staff writers, popular genres, writing good suspense and character as well as establishing character flaws and adapting from other sources such as dime magazines. We wrap things up by touching on some of the traditional aspects of playwriting. Whether its audio dramas or traditional stage plays, Barry offers insight that I think you will find beneficial, and as always... Enjoy!  

Barry M. Putt, Jr.'s plays have been performed in Canada, France, the UAE, and throughout the U.S and his comedy, “A Different Blend of Friendship” won the New Jersey Wordsmiths Award. Other plays include – Seafood Salad, The Grumbletonians, Inside Out, and Gutter Rat. He has also scripted more than 50 audio-drama productions for companies including Colonial Radio Theatre, Radio Theater Project, and Voices in the Wind Audio Theatre. His book on the craft of audio-drama writing entitled "Stories Told through Sound" is published by Applause Books. He is a member of the Witherspoon Circle, the Dramatists Guild, and the Authors Guild and has a degree in Dramatic Writing from NYU and in English Literature from Centenary University.

The video format of this episode can be viewed at -
https://youtu.be/y2hIkY8sbTs

Links to resources mentioned in this episode -

Shoestring Radio Theatre -
https://www.shoestring.org

Next Stage Press -
https://www.nextstagepress.com

Voices in the Wind -
https://www.voicesinthewind.ca

Richard Wade, U.S. Marshal -
https://podcasts.apple.com/us/podcast/richard-wade-u-s-marshal/id1549613880

Website and Socials for Barry M. Putt, Jr. -

Website -
https://www.barrymputtjr.com

FB - https://www.facebook.com/barry.m.putt
IG - @barrymputtjr
         @puttbarry
X - @bmputt

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions - 
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir - 
Twitter - @punkmonkeyprods
                  - @playnoirla 
IG - @punkmonkeyprods
       - @playnoir_la 
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod 
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Playwright Boni B. Alvarez stopped by Playwright's Spotlight during the run of his historic play Mix-Mix: The Filipino Adventures of a German Jewish Boy. In such, we discuss approaching historical figures and events and flashbacks on stage. We also discuss his approach to writing "in threads,"  being married to material, finding momentum, and addressing and giving feedback. We also explore Julliard, his start in playwriting, lessons in playwriting and having a style. We also touch on what is craft, finding an arc, and writing and finding a good antagonist. It's a fascinating episode that explore the evolvement of writing and revision, "taking every single note," making changes and change "requests," as well as content warnings.  As always, I hope you walk away with some beautiful insight into the craft of playwriting. Now, sit back and get to work.

Boni B. Alvarez is a Los Angeles-based playwright-actor and faculty member at the USC School of Dramatic Arts. He has been a semifinalist for the O’Neill National Playwrights Conference and a Finalist for the PEN Center USA Literary Award, Bay Area Playwrights Festival, Aurora Theatre’s Global Age Project, and Clubbed Thumb’s Biennial Commission.  He is currently in the Geffen Playhouse’s Writer’s Room and a Resident Playwright with New Dramatists. His plays include America Adjacent, Bloodletting, Fixed, Nicky, Dallas Non-Stop, Driven, The Debut of Georgia, Emmylu, and Refuge for a Purple Heart. He holds a BA from Sarah Lawrence College, an MFA (Acting) from A.R.T./MXAT Institute at Harvard University, and an MFA (Dramatic Writing) from USC. His play Mix-Mix: The Filipino Adventures of a German Jewish Boy opens May 18 and runs through June 16 at The Los Angeles Theatre Center.

For tickets to Mix-Mix: The Filipino Adventures of a German Jewish Boy  visit -
https://dola.com/events/2024/6/6/mix-mix-tickets

To watch the video format of this episode, visit -
https://youtu.be/1UzeyRIgdtI

Links to resources mentioned in this episode -
https://americanrepertorytheater.org

Website and Socials for Boni B. Alvarez -
https://dramaticarts.usc.edu/boni-b-alvarez/

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions - 
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir - 
Twitter - @punkmonkeyprods
                  - @playnoirla 
IG - @punkmonkeyprods
       - @playnoir_la 
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod 
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

David Johann Kim stopped by Playwright's Spotlight to discuss his two new simultaneous running plays and the process in which they were developed, their similarities surrounding the same historical event, and the collaborative process working with two different troupes and directors and his "overnight" success. We also discuss the value of workshops, recording notes opposed to writing them, fighting with structure, the Joint-Stock Method, discoveries from table work, writing rituals, and embracing rejection letters. It's a fascinating conversation about a unique situation. I hope you enjoy the talk.

David Johann Kim is an actor and playwright. His plays PANG SPA and TWO STOP were awarded the 2022 Los Angeles New Play Project Award and Grant. TWO STOP was recently workshopped at The Inkwell Theater and PANG SPA was a semifinalist for the 2018 O’Neill National Playwrights Conference, Ashland New Play Festival and Bay Area Playwrights Festival and the final round of Dennis and Victoria Ross Foundation Playwrights Program. He holds an MFA from UC San Diego and is a member of The Dramatists Guild, The Playwrights Union, EST/LA’s Playwrights Unit, Chalk Rep’s Writers group, Playwrights ThinkTank and cofounder of EST/LA’s Ignite Project.

To watch the video format of this episode, visit -
https://youtu.be/N4oPK8ZBt5M

For tickets to both Two Stop (May 2 – June 9, 2024) and Pang Spa (May 16th - June 9th), visit - https://www.estlosangeles.org/two-stop-world-premiere

Links to resources mentioned in this episode -

Los Angeles New Play Project -
https://lanpp.org

EST/LA (Ensemble Studio Theatre) -
https://www.estlosangeles.org

Chalk Repertory Theatre -
https://www.chalkrep.com

The Magic -
https://magictheatre.org/

Asian American Theatre Company -
https://naatco.org

New Works Now -
https://downtownla.com/do/new-original-works-now-festival

Lark Play Development -
https://www.nyc-arts.org/organizations/lark-play-development-center/

Inkwell Workshop -
https://www.inkwellretreats.org

Circle X Writers -
https://www.circlextheatre.org/new-page-2

Evolving Playwrights -
https://www.circlextheatre.org/evolving2023

Ignite Project -
https://www.estlosangeles.org/ignite-project

New Play Exchange -
https://newplayexchange.org/

Website and Socials for David Johann Kim -

IG - @d.yo_hankim
Facebook - https://www.facebook.com/david.j.kim.982

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions - 
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir - 
Twitter - @punkmonkeyprods
                  - @playnoirla 
IG - @punkmonkeyprods
       - @playnoir_la 
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod 
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Michelle Kholos Brooks sat in the Playwright's Spotlight for a wonderful conversation about her approach to the craft. We talked about the rehearsal process with the return of her play Hitler's Tasters in which we touch on writing transitions, the effects of Covid on this particular piece and the different renditions prior to publication as well as working with different casts. We also discuss inspiration to write historical events, playing in different markets, her trajectory into playwriting from journalism, overcoming struggles, writing exposition well, using and implementing prompts, editing, motivation, and detailing or suggesting stage directions. As always, it was a very insightful interview that I hope you will enjoy. Cheers!

Hitler's Tasters runs May 4th through June 3rd at Rogue Machine Theater. Tickets can be purchased at - https://roguemachine.ludus.com/index.php?show_id=200451592

Michelle Kholos Brooks is an award-winning playwright with productions staged internationally. Awards and distinctions include the Susan Glaspell Award for H*TLER’S TASTERS and the Riva Shiner Comedy Award for KALAMAZOO, co-written with Kelly Younger. ROOM 1214 was a finalist for The Ashland New Plays Festival, and her play HOSTAGE was a finalist for the Woodward/Newman Drama Award, The Fratti-Newman Political Play Contest, and a Showcase finalist for the National New Play Network. Other plays include War Words, Chair, and Project Fear (and All the Feels). She earned her BA from Emerson College and an MFA is Fiction from Otis College of Art and Design and she is Playwright-in-Residence at New York Rep.

For the video format of this episode, click -
https://youtu.be/InlPEuB2b-0

Links mentioned in this episode -

Rogue Machine Theatre -
https://www.roguemachinetheatre.org

New Light Theater Project -
https://www.newlighttheaterproject.com

Pacific Resident Theater -
https://pacificresidenttheatre.org

Dramatists Bill of Rights -
https://www.dramatistsguild.com/rights

New Play Exchange -
https://newplayexchange.org

Websites and socials for Michelle Kholos Brooks -

https://www.michellekholosbrooks.com

IG - @michellekholosbrooks
X/Twiiter - @MKholosBrooks
FB - https://www.facebook.com/michelle.k.brooks.7

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Playwright Oliver Mayer joined us before the premiere of his new play Ghost Waltz. Oliver shares his experience writing operas, the medium's influence on his playwriting and the musicality of English as well as the intimacy of theatre and creative control, the after affects of "crashing into the wall. We also explore writing rituals, interruptions, reframing your story, breaking bad habits and the dangers of wit, where to start a scene and "when the mask falls," and wrap things up with dialogue and stage directions, the rules of twos and threes, the use of music, translating works, and saving (L.A.) theatre and nontraditional venues. It was certainly another page in the lesson books for me. I hope you walk away with something insightful. Enjoy.

Oliver Mayer is a playwright, poet, essayist and librettist, whose newest opera 3 Paderewskis, composed by Jenni Brandon, received its world premiere at Washington D.C.’s Kennedy Center in 2019. He is the author of more than 30 plays, from his ground-breaking Blade to the Heat to its long-awaited sequel - Members Only; he is currently at work on Ultimate Mix Tape, the third play in the Blade trilogy. Other produced plays include Blood Match and Yerma in the Desert (inspired by the plays of Federico Garcia Lorca), Fortune is a Woman, The Wallowa Project, Dias y Flores, Dark Matters, Young Valiant, Joy of the Desolate, The Sinner from Toledo, Laws of Sympathy and Ragged Time. He is developing new plays with The Wallis Annenberg Center for the Performing Arts and the Getty Villa. He is a tenured professor and Associate Dean of Faculty at USC’s School of Dramatic Arts. The world premiere of his play Ghost Waltz opens at the Los Angeles Theater Center on May 4th and runs through June 6th.

For tickets to Ghost Waltz, visit -
https://www.latinotheaterco.org/ghostwaltz

To view the video format of this episode, visit -
https://youtu.be/hDj406wgr6g

Links mentioned in this episode -

Latino Theater Company -
https://www.latinotheaterco.org

Live at the Met -
https://www.metopera.org/season/radio/saturday-matinee-broadcasts/

Website and Socials for Oliver Mayer -

Website -
www.olivermayer.com

USC - School of Dramatic Arts -
https://dramaticarts.usc.edu/faculty-qa-oliver-mayer/

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Playwright Tira Palmquist sat in the Playwright's Spotlight while rehearsing her latest play The Body's Midnight. We had a wonderful conversation discussing the benefits of table work, entering the flow state and making discoveries later in the process, the role of the playwright in rehearsals, cutting characters, time between drafts, and the tool of "saving as." We also touch on the different development processes, rookie mistakes, teaching subtext and fixing your flaws, finding your voice, poetry in playwriting as well as her take on "pay to play" and finding opportunities. It was another interview full of insight that I hope can help take your playwriting to the next level. Enjoy!

TIRA PALMQUIST is a dramaturg, director and playwright known for plays that merge the personal, the political and the poetic. Her play, The Way North was developed at the 2018 Seven Devils Playwrights Conference and was a finalist for the 2018 O’Neill National Playwrights Conference. Other plays include: Two Degrees, Ten Mile Lake, Age of Bees, and This Floating World. She teaches creative writing at the Orange County School of the Arts, and has also taught at Wesleyan University and the University of California-Irvine. She’s back in town for a short spell for rehearsals of her play The Body’s Midnight which opens April 27th at the Boston Court Theater in Pasadena, CA.

For tickets to The Body's Midnight through May 26th -
https://bostoncourtpasadena.org/events/thebodysmidnight/

To view the video format of this episode, visit -
https://youtu.be/i4JBkve6CtA

Links mentioned in this episode -

Seven Devils New Play Foundry -
https://www.sevendevils.org

Boston Court Pasadena -
https://bostoncourtpasadena.org

Playwrights' Center -
https://pwcenter.org

New Play Exchange -
https://newplayexchange.org

Original Works Publishing -
https://www.originalworksonline.com

TRW Plays -
https://trwplays.com/

Websites and socials for Tira Palmquist -

www.tirapalmquist.com

IG - @tira.p
Facebook - https://www.facebook.com/tira.palmquist

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

Send us a text

Joan of Arcadia's Becky Wahlstrom stopped by Playwright's Spotlight while in town from Nashville to help wrap up the rehearsal process for the premiere of her new play A Froggy Becomes. Becky discusses how she started out writing plays after a successful stint in Hollywood. We touch a bit on censorship from theaters, the pros and cons of writing for small budgets, and having a network circle and how it can help, the experience of coming into rehearsals late in the process, feedback in Nashville vs Chicago as well as the Nashville market and the benefits of second and third tier markets. Finally, we talk about writing layers and character transformation, prejudging  the  audience,  evolving through experience and taking chances, and taking the time to write through each character's eyes. It's an energetic episode at its finest and Becky delivers. Enjoy.

Becky Wahlstrom attended the London Academy of Music and Dramatic Art in England and has appeared on shows such as Star Trek: Enterprise, Grey’s Anatomy, Mad Men, NCIS, Judging Amy, and is best known for the supporting role of Grace Polk on the series Joan of Arcadia. She recently dipped her toe back into playwriting with the premiere of her play A Froggy Becomes at Open Fist Theatre in Los Angeles.
For tickets to A Froggy Becomes through April 13th, visit -
https://openfisttheatre.my.salesforce-sites.com/ticket#/

To view the video format of this episode, visit -
https://youtu.be/ZGo5JVYll1M

Links mentioned in this episode -

Open Fist Theatre Company -
https://openfist.org

Nashville Repertory Theatre -
https://nashvillerep.org/

Moving Arts Theatre Company -
https://movingarts.org

Dramatists Guild -
https://www.dramatistsguild.com

Websites and Socials for Becky Wahlstrom -

http://www.beckywahlstrom.com

Facebook - https://www.facebook.com/becky.wahlstrom
IG - @beckywahlstrom

New Play Exchange -
https://newplayexchange.org

Websites and socials for James Elden, PMP, and Playwright's Spotlight -

Punk Monkey Productions -
www.punkmonkeyproductions.com

PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
       - @playnoir_la
FB - fb.com/playnoir
        - fb.com/punkmonkeyproductions

Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

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