Into the Noise – Détails, épisodes et analyse

Jack Chuter is a musician, journalist, podcaster, author, and label owner from Bournemouth, England. They run ATTN:Magazine, which is an exploration of new experimental music and sound art, founded on a love for the failures and contradictions in articulating the experience of listening. It's also home to the Crucial Listening podcast and the Hard Return label.

Jack's other creative music projects

https://chuter.bandcamp.com/

https://gguueesssswwoorrkk.bandcamp.com/

https://gguueesssswwoorrkk.bandcamp.com/album/inclination

https://swallowing.bandcamp.com/

https://multiplying.bandcamp.com/

https://cruelnaturerecordings.bandcamp.com/album/beams

Jack’s podcast Crucial Listening

https://www.attnmagazine.co.uk/tag/crucial-listening/

Jack’s Reviews

https://www.attnmagazine.co.uk/tag/record/

Jack’s label Hard Return

https://hardreturn.bandcamp.com/

Jack’s book about post rock music

https://www.amazon.co.uk/Storm-Static-Sleep-Pathway-Post-Rock/dp/0957249225

Jack’s Mastering work

https://www.attnmagazine.co.uk/mastering/

Michael D Brown

https://fleshlicker.bandcamp.com/music

https://foulprey.bandcamp.com/music

Lucia H Chung

https://luciahchung.com/

https://encreuxmusic.bandcamp.com/

https://shows.acast.com/into-the-noise/episodes/ep14-lucia-h-chung

https://sm-ll.com/en-gbp

https://sm-ll.bandcamp.com/

Jack's equipment

Maximal Drone Synth

https://handmadeelectronicinstruments.com/product/maximal-drone/?srsltid=AfmBOoprNPItFcvwaQTPiczNBRdt-GeMMxJbNgKqg3ImhJgkOc2w29CK

Audible Disease Rupture

https://www.audibledisease.com/product/rupture_rp-2

Cafe Oto Falling Cat Problem

https://www.cafeoto.co.uk/artists/falling-cat-problem/

Adrian Newton

https://evergreenmusic1.bandcamp.com/

https://nocontext1.bandcamp.com/

https://shows.acast.com/sound-mosaics-for-a-broken-world

Felicia Atkinson

https://www.attnmagazine.co.uk/crucial-listening-171-felicia-atkinson/

Taito Station

https://www.taito.co.jp/en/

Teamlabs

https://www.teamlab.art/e/planets/

[Ahmed]

https://ahmedquartet.bandcamp.com/music

Oren Ambarchi

https://orenambarchi.com/

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Lauren Sarah Hayes is a Scottish improviser, sound artist, and scholar who is recognised for her embodied approach to computer music. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as "voracious" and "exhilarating". Her performances stretch, transform, and sculpt sound by manipulating, remixing, and bending voice, drum machines, analogue synths and self-built software live and physically. Her shows are highly gestural, exploring the ephemeral and fragile relationships between sounds, spaces, and audiences. Over nearly two decades, she has developed and honed her live electronics improvisation system, an instrument that allows her to playfully navigate between the realms of responsiveness and unpredictability in both her solo performances and numerous collaborations.

Jacob Heart PhD analysis of Lauren’s code

FLucoma

Greg Lewis/Greg Jackson – Kill The Cop in Your Head

Maggie Nelson On Freedom

Eric Clark Ways of Listening

Achille Mbembe

Lauren’s website

Embrace

Mini Savior Opt.

Compilation from Hard Return

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Links:

Music listened to and discussed in this episode:

https://flufrecs.bandcamp.com/album/aa0006

https://guybirkin.bandcamp.com/album/disorganised-and-unwanted-night

https://guybirkin.bandcamp.com/album/rushed-snares

Guy's website

Guy's PhD

Additional music

https://guybirkin.bandcamp.com/album/liminal-kicks

https://evel.bandcamp.com/album/animation-image-analysis

Broadway One: https://digitalartarchive.siggraph.org/artwork/ernest-edmonds-mark-fell-broadway-one/

Errorsmith Razor Synth: https://www.native-instruments.com/en/products/komplete/synths/razor/errorsmith-on-razor/?srsltid=AfmBOoqXZS6t3WqZhQjnpQOQo-FhMvSmqSCum6QDEtZ0k3V4cgWZVGbd

Ancient Woodlands: https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/ancient-woodland/

Marie Thompson's Beyond Unwanted Sound: https://www.bloomsbury.com/uk/beyond-unwanted-sound-9781501313301/

The On-Line Encyclopaedia of Integer Sequences: https://oeis.org/

Stephen Wolfram's A New Kind of Science: https://www.wolframscience.com/nks/

Mentioned labels

https://f4lsch.bandcamp.com/

https://farmersmanual.bandcamp.com/

https://generalmagic.bandcamp.com/

https://sm-ll.bandcamp.com/

https://threeop.bandcamp.com/

The photograph used in this episode's artwork was taken by Mike Ford.

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker

Thanks for listening

Into The Noise Instagram

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This episode of Into the Noise I talk to Tom Painter about the relationships between maths and music, the different cities Tom has lived in, using music to evoke abstract spaces, whether the expectations of audiences really matter, and Tom’s use of the sonic fragments left behind after the death of a loved one to explore memory and personal history.

Links to Tom's music heard in the episode:

https://afterseasonrecording.bandcamp.com/album/possibility-foam

https://afterseasonrecording.bandcamp.com/album/twenty-gramme-bird

https://afterseasonrecording.bandcamp.com/album/everywhere-curving

Tom's radio shows on Noods radio can be heard here:

https://noodsradio.com/residents/after-season-radio

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This episode of Into the Noise I'm talking to Jack Walker. We talk about Jack’s preferences for AI, structure, and improvisation; his background in Sheffield; how he balances work, life, and music making; and the good and bad aspects of being embedded within a university music department amongst other things.

Jack's PhD thesis:

https://era.ed.ac.uk/bitstream/handle/1842/39693/Walker2022.pdf?sequence=3&isAllowed=y

More of Jack's music:

https://plusminusensemble.com/education/edinburgh-2020/

More of Jack's writing:

https://aimc2021.iem.at/wp-content/uploads/2021/07/AIMC_2021_Walker.pdf

https://2022.aimusiccreativity.org/assets/program/aimc2022_m1.pdf

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In this episode of Into the Noise Jim talks to the multimedia artist Ioannis Panagiotou about war, family and memory; the role piano strings have played in the Greek civil war; Ioannis’ relationship with Greece and his emigration to other countries; and his interest in borders and coastlines.

You can find the works Ioannis has contributed to this episode via the links below

https://www.ioannispanagiotou.com/umwelt

https://www.ioannispanagiotou.com/works

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In this episode of Into the Noise Jim talks to the composer Tom Mudd about agency in regards to information and the internet, exploring digital music making processes, musical forms and structures, evoking and failing to evoke sounds and cultures using synthesis, and the musical benefits of performing with amateur youth ensembles.

You can find the music Tom has contributed to this episode via the links below

https://tommudd.bandcamp.com/album/gutter-synthesis

https://tommudd.bandcamp.com/album/brass-cultures

https://tommudd.bandcamp.com/album/guitar-cultures

Additionally, here is a link to Tom’s website, and his ever-changing biography…

https://tommudd.co.uk/about/

Artwork designed by Jim Reeve-Baker

Photograph by Šimon Lupták

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In this episode of Into the Noise Jim speaks to composer Jules Rawlinson about the myriad influences on his music, collaborations both across decades and in the moment of performance, multimedia installations, preferences for finding the unstable qualities of new performance technologies, and many other things.

You can find the music Jules has contributed to this episode via the links below

https://pixelmechanics.bandcamp.com/album/pulsar-retcon

https://pixelmechanics.bandcamp.com/album/interval-and-instance

https://pixelmechanics.bandcamp.com/album/yield-point

and the music of the group he performs in Raw Green Rust

https://rawgreenrust.bandcamp.com/

Produced by Jim Reeve-Baker

Artwork designed by Jim Reeve-Baker

Photograph by Laurence Winram http://www.lwinram.com/

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Lucia H Chung is a Taiwanese artist based in London, United Kingdom. She performs and releases music under the alias ‘en creux’ where the sound creation springs from her fascinations in noise generated through no-input feedback mixing board. The volatile nature of the system and the unpredictable glitch from the excessive energy pouring into the equipment becomes her improvisational and compositional strategy. 

Lucia’s website

Lucia’s Bandcamp

Inner Geography

Phase

Black Fountain from Studies of Impassable Landscapes

Rachel Whiteread’s Instagram

I Am Sitting In A Room by Alvin Lucier

Audio-Vision by Michel Chion

ETEK AD 1223 Mixer

Tapco MIX 260 FX

MXR Phase 90 pedal

Jomox T-Resonator

OTO BAM Space Generator reverb unit

TC Electronic Flashback Delay

Other NIMB Musicians:

Toshimaru Nakamura

Andrew Leslie Hooker

David Lee Myers

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

The photograph used for this episode's artwork was taken by Taotzu Chang

Thanks for listening.

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Nicholas Kirk-Canny is an improviser, composer and creative coder with experience in instrumental and digital music. He recently completed a Ph.D. in Creative Music Practice at the University of Edinburgh, which involved the humanisation of electronic music. Currently, he is working as a postdoc at the Computer Music Laboratory at the Open University in Milton Keynes, on the Polifonia Access Pilot, which aims to develop new ways to enhance participation and engagement in music.

Nick’s Instagram

Nick’s Soundcloud

Nick’s PhD

Keith McMillen SoftStep

The Guitar Wing

The Triple Play MIDI pickups

Kurt Rosenwinkel’s website

The Open University Music Lab website

Rob Clouth’s website

This episode was researched, hosted, produced, and edited by Jim Reeve-Baker.

Thanks for listening.

Hosted on Acast. See acast.com/privacy for more information.